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Posts Tagged ‘What’s’

Cantone: Color-Labeled Beers Let You See What’s in the Can

24 Mar

[ By WebUrbanist in Design & Products & Packaging. ]

color coded beer cans

Connoisseurs may look to artisanal naming conventions when selecting their brew, but some of us (like books via covers) judge beers at least partly by their colors.

beertone colored can design

A Spanish design agency named Txaber has matched brew types with Pantone hues to create a collection of color-coded labels, providing sneak peaks to potential drinkers.

beer colored cans aluminum

Thanks to the recent comeback of the can (versus historical preferences for bottles), these might just make it on the shelves. In turn, can designs give designers a broader canvass to work on, wrapping 360-degree cylinders. As a display strategy, these are striking alone as well as side-by-side as well.

beertone

beertones

Similar project, dubbed “Beertone” by designers Alexander Michelbach and Daniel Eugster, provides RGB, CMYK and HTML code color values for a variety of extant Swiss beers, aided by the breweries.

beertone ad

There is something accessible and yet artsy about this all, distilling a brew to its color and letting those of us who are more into lights and ambers (pilsner’s in particular, if you aim to by this author a six-pack) avoid mistakenly winding up with a brown or black.

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[ By WebUrbanist in Design & Products & Packaging. ]

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What’s missing? Ming Thein on the state of mirrorless

07 Nov

Commercial Photographer and camera blogger Ming Thein has shot with almost as many mirrorless cameras as we have, and has put together a list of all the things they get wrong or, at least, all the things he thinks they should all do. It’s a fairly comprehensive list that we very much agree with. Thein echoes a lot of our own concerns about camera handling, behavior and operation, as he works through camera design point-by-point. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Video: What’s in the future for Sony’s Alpha system?

26 Oct

At PIX 2015 we took the opportunity to sit down and talk with industry leaders while they were in our neighborhood. Sony’s Alpha system has made some interesting moves over the last year, and we asked product manager Kenta Honjo all of our burning questions, including what’s in store for the future of the system. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Early Morning Light: What’s so Great about It?

13 Aug

Let’s face it, getting up super early in the moring is horrid, any way you look at it. I hate it, the clients hate it, my assistants really hate it, and yet, more often than not, here I am, setting my alarm at 3 in the morning. Why? It’s the Light. Morning light is so gentle and beautiful. It just Continue Reading

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Photography Etiquette – What’s the Right Approach?

09 Aug

Whether you have a DSLR, a pocket camera, or simply use your mobile phone to take snapshots, there are some simple rules of photography etiquette that you can follow to make the shooting experience more enjoyable for you, as well as everyone else around you. Some of these tips might seem obvious, but even if you think you already know what to do, or not to do, when taking pictures it might be worth reading just as a refresher.

It’s easy to notice the speck of sawdust in your brother’s eye and note when other people are violating simple rules of etiquette. But sometimes it’s difficult to recognize the plank in yours, and see if you have a few habits that could be changed. These are short and simple lessons that I have learned the painful way over the years. I hope you can benefit from my mistakes and avoid these pitfalls in your own photography.

photography-etiquette-tips-fishing

Be discrete (i.e. don’t be the center of attention)

I can recall being at weddings and parties where I thought I was the king of the room just because I had a camera, however, all the while I was only making other people annoyed or frustrated because of my behaviour. One of the most difficult thinks for new photographers to realize is it’s not about you. It’s about everyone else, and you just happen to be the one documenting things.

Have you ever stood up in the middle of a wedding to get a shot of the bride and groom? Have you muscled your way to the front of a group of kids so you could capture little Timmy opening his birthday present? Have you found yourself running back and forth on the sidelines of a high school football game trying to photograph some highlights, while pushing a few players and coaches out of the way? If so, you might have indeed gotten a good picture, but you might also have unknowingly caused some hurt feelings in the process.

photography-etiquette-tips-baseball

This might be a decent shot, but to get it I had to work my way through the crowd and potentially block the view of people behind me. I’m not sure it was worth the trade-off.

As photographers it can be tough to take a more discrete approach, but often that is exactly what we should be doing. It might sound counterintuitive, but staying out of the way can often yield the best results because we are taking other people into consideration. This goes double if you’re not even the official photographer, you just happen to be in attendance with your camera. Everyone around you is trying to enjoy the experience, and couldn’t care one whit about whether or not you have a camera. They just want to watch the wedding, see Timmy open his present, or experience the game-winning goal along with everyone else. From their point of view, a person with a camera who is running around frantically or blocking their field of view is an annoyance, not an asset.

A while back I went around taking pictures at a high school production of "Pride and Prejudice." I thought people would excuse my actions since I had a camera, but in reality I was likely bothering the audience and possibly even distracting the performers.

A while back I went around taking pictures at a high school production of “Pride and Prejudice.” I thought people would excuse my actions since I had a camera, but in reality I was likely bothering the audience and possibly even distracting the performers.

To remedy this situation, try to find alternative viewpoints that won’t ruin the experience for other people, but still yield good pictures. It might be good to buy or rent a zoom lens for special occasions, or do some searching online for how people have taken photos in similar situations without being rude or disruptive. You might actually find yourself getting more interesting photos, and looking at things from new angles that you had never considered, which could not only benefit you as a photographer and be a pleasant surprise for the individuals whose pictures you are taking.

Ask for permission before taking pictures

Here’s a bit of information no one told me when I first got into photography as a serious hobby – not everyone wants their picture taken. Years ago when I was a wet-behind-the-ears photographic newbie I took my camera everywhere, and photographed everything and anyone. If I was shooting landscapes or nature this was not a problem at all, but when we had friends over, or went to events, it became a bit of an issue. One that I hope you might be able to avoid.

The more I got into photography the more I realized that not everyone likes being on camera, and not every event demands hundreds of snapshots. I can recall times when we were out with friends or at a party or social event, and having people around me freeze-up or give me the cold shoulder, because I had morphed from friend to photographer. I thought that my camera gave me some kind of unwritten license to take pictures of everyone around me, but in truth most of them just wanted to go about their business and not have a camera in their face. Simply asking for permission would have solved a lot of problems, and avoided some hurt feelings along the way. Even though it can be a bit awkward, it’s worth the trouble if it avoids animosity down the line.

photography-etiquette-tips-birthday

I checked with the parents before getting my camera out and snapping pictures at this birthday party.

The next time you’re at a party, celebration, or sporting event, take a minute and ask the hosts or some of the other guests if they mind you taking photos. It takes almost no time at all, and can reap incredible rewards throughout the event – Uncle Bob, notoriously shy around cameras, might appreciate that you were willing to ask his permission and not only grant it, but loosen up a bit as a result. Coach Taylor will be glad you asked, could point you to some of the better spots on the sidelines, and be willing to accommodate some special requests you might have. Grandma Agnes might not want her photo taken at all, and even though you won’t get as many good shots, you will help the rest of the guests ease up and enjoy the evening a little more.

photography-etiquette-tips-baptism

A baptism is a solemn and formal affair – definitely not the time to be annoying others with a camera. Get permission first, take a few good shots (without the flash, if at all possible) and put your camera away.

On a related note if you are a guest at a major event like a wedding it’s a good idea to check with the official photographer before you get up and start taking your own shots. He or she has likely been paid hundreds, or thousands of dollars, specifically to get good pictures. So while you may enjoy walking around with your camera and getting some pictures, you might by unwittingly annoying the couple, or the guests by your actions. My advice is to sit back and just enjoy the event or ceremony, and let the people whose job it is to capture amazing pictures do their work.

Ask for permission before sharing pics

We live in a time when almost everything is shared online, and nearly everyone has some sort of social media presence on Facebook, Twitter, Instagram, Flickr, Tumblr, and many others. The key word here is almost: not everyone is online, and not everyone wants their photos shared on social networks. Even though you might be well within your legal rights to snap pics of other people (especially in public places) and post them to your social networks, you might be inadvertently hurting some feelings, or damaging your close relationships by doing so. The solution here is simple, and only takes a few seconds – ask permission before posting. Not only is it simply a nice thing to do, it can actually help strengthen whatever bond you do have with the people in your pictures. They may have had other people post their picture online and been upset by it. Whereas, there is a very real chance that you could impress them with your honesty and candor by asking if it’s okay to share their photo online.

Even though you can't see these kids' faces in this picture, I still asked their parents for permission before sharing this picture. They appreciated the gesture and gladly agreed.

Even though you can’t see these kids’ faces in this picture, I still asked their parents for permission before sharing this picture. They appreciated the gesture and gladly agreed.

Be a participant, not a photographer

In his song “The Gambler,” the American country singer Kenny Rogers crooned,

You’ve got to know when to hold ’em, know when to fold ’em, know when to walk away. 

His logic can be applied to photography also. You’ve got to know when to take pictures, and when to put your camera away. It’s entirely possible, and I would say quite likely, that the people around you at any given event or situation don’t want someone running around snapping pictures. Were you invited to your neice’s piano recital? Great! Keep your camera in your pocket, sit back, and enjoy her performance. If you really want a few pictures you can ask her to pose by the piano after the event is over. Are you going on a road trip with some friends? Awesome! But remember they invited you because they enjoy your company and conversation, not because they wanted to see you constantly snapping pictures and inviting them to look at the screen on your camera. You might be saying things like, “Check out this great shot I just got!” but the message you’re sending to your friends is, “My camera is more important than you.”

Sometimes less is more. We were invited to a birthday party for our friend's daughter, and rather than spend the whole time on my camera I fired off a few shots here and there and spent the rest of the time visiting with adults, playing with kids, and just enjoying the celebration.

Sometimes less is more. We were invited to a birthday party for our friend’s daughter, and rather than spend the whole time on my camera I fired off a few shots here and there, then spent the rest of the time visiting with adults, playing with kids, and just enjoying the celebration.

A lot of these etiquette rules walk a fine line. It’s up to you to gauge each situation and decide where the boundaries should be placed. The bottom line is that you may want to reexamine your approach to photography in some situations, and decide if a different course of action might be better for you and everyone else involved.

What about you? What are some of the tips and etiquette rules you have learned over the years? Share your thoughts in the comment section below.

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What’s in a name? Zeiss provides details on lens partnerships and production

30 Jul

Lens maker Zeiss has written a blog post about its relationships with other manufacturers – specifically its partnership with Sony. The post sheds some light on exactly what that little blue logo on your lens can mean. The blog post itself appears to have been written by the marketing department, but reading between the lines gives us a better idea of how its relationship with Sony works. Read more

Articles: Digital Photography Review (dpreview.com)

 
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What’s In Your Cam Bag?We Asked, You Answered!

17 Jul

Ever wonder about the goodies that photographers hide away in their camera bags?

Wonder no more! We asked seven photogs from all walks of life to open up their cam bags to us so we can see what exactly they’re working with.

As you’d expect, no two bags are the same. The one thing they all have in common, though? They’re unique and awesome, just like the photogs they belong to!

Camera Bag Items Revealed!

(…)
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We Asked, You Answered! (1,091 words)


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Posted in Equipment

 

Ricoh GR II: What’s new and what does it mean?

18 Jun

The Ricoh GR II isn’t the most dramatic update we’ve ever seen, but there have been a few changes. We’ve had a look through the revisions and pondered what they mean for the future of the series. So just what is Ricoh playing at? Read more

Articles: Digital Photography Review (dpreview.com)

 
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What’s that noise? Shedding some light on the sources of noise

27 Apr

How would you react if you were told that the aperture and shutter speed you choose make more difference to image noise than the ISO setting? You might be surprised to discover that a lot of the noise in your images doesn’t come from your camera at all: it comes from the light you’re capturing. Our own Richard Butler explains. Read more

Articles: Digital Photography Review (dpreview.com)

 
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What’s Really Missing from Your Photographs?

27 Aug

01 cover apple store glass step

Ever felt that your images are missing a certain je-ne-sais-quoi? I remember when I was a proud young shooter, I showed my images to my photography 101 teacher, ready for him to crown me the next best photographer he’s ever seen (Hey I was young). He looked at them, and politely said “They are coming along”.

What. The. Heck dude!? I looked at him in disbelief. I tried some Jedi mind tricks on him; trying to juice some positive note out of him. After a while, it was evident he didn’t want to offend me, I tried pressing him a last time and he gave me the same answer…that my photos were coming along. After thanking him I went my own way, still fooling myself that my stuff I was amazing.

Truth is, he was right, I felt there was something missing from my photographs, I couldn’t put my finger on it, but I knew it. I could see it in other’s images but not mine. I knew my technical photography, I knew the subtleties of composition, I was a graphic designer after all, but there was something that eluded me in photography and I couldn’t figure out what…until something terrible happened.

RRrrrring! A few years ago, I got a call from my aunt, she asked me to call my brother. Apparently my mom had some health issues. I was cool about it, my mom was a cancer survivor, and she sometimes failed here and there, having seizure but never anything major. I dialled my brother promptly.

Yo man! Heard there’s something wrong with mom, what’s up? I asked, ready for the news that she had a seizure episode or something.

He quickly blurted out three words in a rage. I heard the three words I was always afraid of hearing. She. Is. Dead…………. I dreaded hearing those words for years, ever since I knew she had cancer when I was 10.

I remember going to her room hundreds of times, just making sure that her belly was going up and down, meaning she was breathing, still alive. Mental preparedness didn’t mean jack in that moment. She survived cancer, but the Haitian earthquake claimed her.

Palm tree 1
Typical image before my mom passed away

Way to go brother to break the news, right, right? But I’m digressing. So, why am I telling you this? Well, after the storm calmed a bit, eventually, it dawned on me: I never made any photographs of her.

Before my mother went back to Haiti, she was in the US, but instead of spending time making photos of her, I chose instead to take pictures of buildings and flowers. I then understood something a little too late: My photographs didn’t mean anything to me. I shot because I saw other people shooting (thanks internet!), not because I cared for what I was doing. That “thing” I was missing? It was simple: connection. Connection to my work. I could have made a photograph of my mother that showed how much I loved her, how much I cared. A photograph that only I could have made, but I kept shooting things I didn’t care about.

02 haiti wedding

Please don’t misunderstand, I’m not putting down making photos of flowers and buildings, I’m only saying to be emotionally connected with what you are doing. If you find yourself into photos of flowers and whatnot, by all means do it! Many photographers did, especially later in their life. You have to find your connection to your work. If you think that many landscape photographers fall short of Ansel Adam’s work, it’s really not because he had somehow special gear, it’s because he had a strong, borderline religious connection with Yosemite National Park, he came alive when he was there. Most modern landscape photographers are only interested in the physical landscape, Ansel was interested on making images that recreated the sense of awe and majesty that he felt.

It’s not the technical, the gear, the sharpness that will make you a better photographer. It’s your connection to your work. That’s the magic that no one can replicate. So what’s really missing from your photography? You. Nothing more and nothing less. So far we can’t just plug our brains into another’s to transfer the feelings and emotions we are feeling inside, but can hardly express with words. The closest thing we have to transferring our emotions directly is photography (or art in general), so why spend our time shooting things we don’t care about in the first place?

03 haitian fisherman

You can’t fake connection, shooting something that doesn’t mean anything to you will show in the work. What we feel while looking at a photograph is proportional to what the photographer felt when making it…..the big idea is that connection transcends the photograph.

When someone looks at your images, do they see something distinctively you or do they see yet another photographer? It might be easy to get likes by shooting what is expected of a photographer, but it’s much more rewarding to be yourself and connected to your work as a photographer. Trust me, been there, done that!

Be yourself, stay focused and keep on shooting.

04 surrelist photo

The post What’s Really Missing from Your Photographs? by Olivier Duong appeared first on Digital Photography School.


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