No stranger to Iceland’s stunning landscapes, nature photographer Art Wolfe journeyed north in 2013 in search of the aurora borealis. Despite inclement weather, Art got the shots he wanted, and much more besides. Click through to read his story of a trip which ended up delivering much more than what he originally planned.
Articles: Digital Photography Review (dpreview.com)
Das Bild des Tages von: Olja Ryzevski
Ein minimalistisches, anonymes Portrait zeigt unser heutiger Ausblick.
kwerfeldein – Fotografie Magazin | Fotocommunity
Nicolas Alexander Otto has a big appetite for landscape photography, but his home in the Ruhr area of Germany puts him closer to urban and industrial scenery than countryside. His portfolio features a mix of the natural world and the man-made world, and is the subject of our latest DPReview Readers’ Showcase. See a sample of his imagery and find out more about him in our Q&A. Read more
Articles: Digital Photography Review (dpreview.com)
In my own classes, workshops and tours I tell my students that it is not the camera that makes good photos it’s the photographer. This video series by DigitalRev TV takes that statement to the next level with their Pro Photographer, Cheap Camera Challenge.
In this instalment street photographer Gary Tyson is given a cheap camera in a wristwatch. See how he uses it to make some pretty decent photos, interacts with people and uses it to his advantage rather than it being a disadvantage.
What can you learn from that video? What is the lesson there?
Sure maybe the photos are high resolution and won’t stand up to anything other than being on the internet. But take those same techniques and apply them using whatever camera you do have.
Are you up to taking the cheap camera challenge? I might give it a go myself!
googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );
googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );
The post The Cheap Camera Challenge – It’s Not All About the Camera by Darlene Hildebrandt appeared first on Digital Photography School.
Ein Beitrag von: Martin Gommel
Liebe Fotografinnen und Fotografen, verehrte Leser. Wie Ihr wisst, veröffentlichen wir seit Kurzem jeden Monat eine Auswahl der – meiner Meinung nach – wichtigsten, interessantesten oder auffälligsten Fotobücher. Für alle, die sich von der schier unfassbaren Flut publizierter Druckwerke überfordert fühlen, soll dies eine kleine Hilfe sein.
kwerfeldein – Fotografie Magazin | Fotocommunity
In an earlier article (The Future of Photography Websites – Understanding and Adapting to Trends) on this topic, you can read about a couple of major trends in the web-design industry (as they relate to photo websites). Here’s a quick review:
Now we’re going to continue exploring many other important aspects you should take into consideration when building your photography website (whether it’s an online portfolio, a stock website, or centred around a photo blog). All combined, these notes should give you a more clear picture of how to build your photography website and steer towards a more successful photo business.
This is fairly obvious to see in the world around us, but what implications does it have on photography websites?
No need for me to dwell on this, but it’s hard to write an article on photography websites without mentioning Flash, and with good reason. I hope you’re in the position to skip this paragraph, but if you’re still using Flash, continue reading and consider making some changes soon.
Besides the well-known SEO limitations, Flash websites are slower, not compatible with Apple devices, harder to update, and can be almost entirely replaced today using modern HTML5, CSS3 and Javascript components (and surely surpassed in many aspects).
Many photographers are reporting that almost half of their website traffic comes from mobile users (smartphones and tablets), and we can expect this number to rise further.
So you can no longer afford not to have a mobile-friendly website. Google confirmed this by announcing they will now penalize non mobile-friendly sites. While this is just one of the many factors Google uses to rank websites, it’s a strong signal to take note of this issue.
This is especially important for photography websites where users interact with the site more (using slideshows, doing searches, buying images etc.) Slideshows and static images (along with the entire layout, of course) should automatically resize and adapt to any screen size.
To emphasize the importance of a mobile-friendly browsing experience, Google provides a free testing tool for your site and rewards responsive websites in mobile search results:
You can read about website performance in the first article, however, it’s worth mentioning here again. The load times of a website are even more important to mobile users (with mobile networks being somewhat slower and less reliable than home broadband connections).
Not only are more users coming online (and using more devices than ever before), but they’re also consuming a lot more content. This should come as no surprise, and it’s worth considering for its web-design implications. Since users want more content, here are some ways to help them out:
That means leveraging social media buttons on your website (even when you don’t have your own profiles on those specific social media sites), making it easy for people to recommend your images and pages.
Don’t neglect tweaking your site to display pretty permalinks: a page URL like this www.johndoe.com/?p=789 is much uglier than something like www.johndoe.com/gallery/great-description-here/. Besides the SEO implications, pretty permalinks are also important for people sharing your content: if a URL is more inviting, it will naturally get more shares and visits.
While everybody knows that blogs should frequently be updated, you need to refresh the rest of your website once in a while too.
You’re not making a good impression if your site is becoming stale after months of inactivity, and let’s not even talk about Google (who values fresh content as much as users do).
Email marketing is becoming huge these days. While everybody hates inbox clutter, getting unique and valuable content via email is always good. This is especially important if you have a photography blog. Sure, people can come to your site to check for new content (or subscribe to an RSS feed), but sending them content directly via email can be very effective.
The people who subscribe to your mailing list are already targeted; they’re interested in your content to start with,
and want to see more of it. You can look into tools like MailChimp (free for up to 2000 subscribers) and follow their best practices for creating, and managing your mailing list.
Remember we mentioned impatience. With things happening so fast online, people expect to be able to search for content if they can’t find what they’re looking for in a few clicks. It comes down (again) to how you organize your site structure (and having clear site navigation), but it’s also about providing metadata and search options where appropriate:
Okay, you have a photography site, so it’s supposed to be image-heavy and visually impressive. The homepage is sometimes a good place to do that, but throughout the site, you need to also have quality text content to provide context.
We’re not even attacking this point from an SEO perspective. It’s important to your users that you describe every piece of content you have:
Once again, this comes down to properly captioning and keywording your images, along with having an easy-to-find search functionality. This entire process is time-consuming, for sure, but you’ll reap the benefits in the long run. How you add all this searchable image IPTC metadata is also important and shouldn’t be taken lightly. Nobody will do a search on your site for “DSC0023”, so you need to provide real value to users that need to search, by describing your images for:
You can obviously write unlimited keywords for your images (sometimes overdoing it with all the possible synonyms), but it’s usually recommended to go for 10-20 keywords per image depending on the type of photography you do.
Once images are on your site and people are searching for them, be sure to also track those searches in Google Analytics to learn more about popular search queries (informing you about content demands). There are exceptions to this: simple portfolio websites (with just a small selection of best-of images) don’t really need a search functionality. For larger stock archives or anybody selling prints/licenses though, it’s a must.
If you have a popular blog on your site, a blog search option also comes in handy. Just make sure it doesn’t get into a fight for attention with the image search box – they need to be clearly separated. Choose whichever is most important to make prominent (like having an image search box in the header throughout the site, and a discreet blog search option in the blog sidebar only).
There’s obviously a huge buzz around SEO and how to rank higher for certain keywords. Google is always one step ahead, continually changing their algorithms to prevent any dishonest or spammy tactics. How do they do that? They constantly figure out how people make browsing choices, and turn those into ranking factors.
When writing SEO titles and meta descriptions, think about how they would look in search results, how to best encourage users to give you their clicks. Don’t just stuff them with keywords for Google’s sake.
For every main page on your website, ask yourself:
This change in mindset is the one thing that can set you apart and differentiate your photo website. Sure, there are many SEO-specific actions you need to take care of, but you should always go above and beyond in providing value to people. Do that, and it will be impossible not to rank well in search engines.
You probably can no longer build a successful business without some sort of social media presence. But you would be taking too many risks to only setup camp there, without building your own website. Social media companies can always get sold or shut down (acquisitions, natural life cycles, new competitors etc.), so you don’t really own your profiles there.
Whereas a website is an asset you can control, that you have copyright over. You’re interested in buying instead of just renting online real-estate. Social media sites are excellent marketing hubs, and they’ll always be there to drive business forward in one shape or another. But building your strong personal website should be the core of your focus.
With this in mind, it’s obviously important to leverage all the social media tools you have (by placing profile links and sharing buttons on your site). Use them as much as you want, just don’t rely solely on them, it’s more important to build your own online presence.
A lot of photographers these days are looking for hybrid solutions instead of having multiple separate sites. They want a place where they can blog, and showcase and sell their photos if they want. So it makes sense that some platforms are starting to offer that, and the days of having separate portfolio and blog sites are coming to an end.
Current established companies (like PhotoShelter or SmugMug) are getting strong competition from WordPress plugins like NextGen Gallery (with its Pro version) or WooCommerce (with its new Photography extension).
If you want to start selling prints/products, now is a good time. Since online sales keep growing, it’s natural to see many photographers shift (at least partially) from services to products, basically trying to build a passive income from their photography business. They do that through books, prints, courses, workshops, etc.
Change is the only constant. I won’t recommend you use any particular flat design elements, any colors or layouts because those are just like fashion trends. They come and go.
What is here to stay is simplicity. I can’t imagine a time when having a cluttered header area (with 10-12 menu items, six social media links, a search box and a subscribe box, all crowded together) will be in fashion. A clean website is not about using big fonts or a lot of white. It’s about prioritizing your business goals and the elements on your site.
Applying this mindset to the number of galleries you feature on your homepage or the products and services you offer is important. When visitors have fewer and more clear choices to make, they have a better browsing experience and are more likely to trust your website and keep coming back for more.
Along with part one of this article, this was an overview of the important web-design trends you should be aware of as a photographer.
Constant improvement is the only way to be successful with an online photography business. You know this to be true for your photo technique and composition skills (since you’re reading this on dPS, after all). The mindset can be applied to your online presence as well; it’s a continuous effort to get better and adapt to the industry.
Success does not depend on cool slideshows and flat designs. Sure, you have to make your photography website beautiful, and, therefore comply with the latest web design fashion trends sometimes, but not at the expense of helpfulness and clarity.
googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );
googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );
The post The Future of Photography Websites – Understanding and Adapting to Trends Continued by Alex Vita appeared first on Digital Photography School.
Das Bild des Tages von: Matthias Leberle
Heute Bild des Tages: Neues Leben umarmen.
kwerfeldein – Fotografie Magazin | Fotocommunity
[ By WebUrbanist in Art & Street Art & Graffiti. ]
In an effort to democratize both the creation and appreciation of urban graffiti, a group of young street artists in Lisbon, Portugal, is teaching retirees how to create their own stencils and tags.
LATA 65 (lata meaning ‘can’ in Portugese) has so far introduced 100 aging participants to the art of spray painting and student work is already popping up in the form of tags and murals brightening up buildings and walls around town.
Led by veteran street artists, this gang of older students is learning not just how to create art but also about the history of the form, providing them not just with tools and techniques but cultural context for their studies as well.
Their efforts are primarily being put toward enlivening dilapidated areas in need of fresh interventions and additional attention. Underlying the artwork itself, however, is a philosophy of bridging generational gaps and bringing new perspectives to a mode of expression typically associated with youth culture.
While the elderly students are so far following the footsteps of their younger instructors, one has to wonder if their approaches may eventually develop in new and different directions, in turn providing novel sources of inspiration and innovation not yet thought of by their more youthful compatriots.
These street art images and biographies merely scratch the surface and begin to convey their amazing artistic talents though sample artworks and street chalk …
Click Here to Read More »»
For reasons no one seems to fully understand, Melbourne has become the world capital of street painting with stencils.
Click Here to Read More »»
NeverWet has been making headlines as the silicon-based spray that repels liquids from clothes and electronics, but this off-book use shows another fascinating …
Click Here to Read More »»
[ By WebUrbanist in Art & Street Art & Graffiti. ]
[ WebUrbanist | Archives | Galleries | Privacy | TOS ]
Every time a new version of Lightroom comes out the first thing I look for are features that make the Develop module better, or easier to use. The ones I like best in Lightroom 6/CC are the improvements to the Graduated and Radial Filters. Let’s take a look at them.
In earlier versions of Lightroom you couldn’t tell with any precision which parts of the image were affected by the Graduated and Radial filters.
In Lightroom 6 you can toggle the mask overlay with the O keyboard shortcut, or by ticking the Show Selected Mask Overlay box in the Toolbar. Previously this was only available in the Adjustment Brush, it has now been added to both the Graduated and Radial Filters.
This screenshot below shows how it works. I wanted to make the background darker without affecting the dandelion head. The best tool to use for this is the Radial filter, but you need to be able to place it precisely. The mask overlay makes this easy.
As you can see, the effect of feathering meant that I needed to create a much bigger Radial filter than you might at first think.
Note: The Radial Filter was introduced in Lightroom 5 and is not available in earlier versions.
Mask overlay enabled.
Mask overlay disabled.
With the Radial filter in place, it is easy to make the required local adjustment. I moved the Exposure slider left to make the background darker.
This also works when you tick the Invert Mask box to apply the effect inside the Radial filter. In this situation the effect of feathering means you need to make the filter smaller than the area you want to cover. With the mask overlay enabled it is easy to place it precisely.
Then I increased Clarity and Exposure to bring out the texture of the dandelion head and make it brighter.
The other benefit of adding the mask overlay to the Radial filter is that it enables you to see the effect of the Feather setting. This was very difficult to judge before.
Feather: 50
Feather: 0
Feather: 100
Note: You can use the Shift+O shortcut to change the colour of the mask overlay.
A problem with the Graduated and Radial filters in earlier versions of Lightroom is that the shape of the mask is fixed. In Lightroom 6/CC Adobe has added the ability to combine the Adjustment brush, with both the Graduated and Radial filters.
Here’s an example of how it works. In this photo I wanted to make the top half of the wall darker without affecting the mailbox. In previous versions of Lightroom the only option was to use the Adjustment brush to paint in the irregular area. Now you can use the Graduated Filter instead.
This screenshot shows the area affected by the Graduated Filter (I changed the overlay colour to green as it’s easier to see on this image).
To apply an Adjustment brush, got to the Graduated filter panel and click the Brush option at top right. In this example I also chose the Erase option as I wanted to remove some of the mask overlay.
This the amended mask overlay, revealing the mailbox.
This is the result.
These improvements are my favourite as they will make it much easier to process my photos in the Develop module. But what about you? Have you upgraded to Lightroom 6/CC yet? If you have, what are your favourite new features? Please let us know in the comments.
The Mastering Lightroom Collection
My Mastering Lightroom ebooks will help you get the most out of Lightroom. They cover every aspect of the software from the Library module through to creating beautiful images in the Develop module. Click the link to learn more or buy.
googletag.cmd.push(function() {
tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );
googletag.cmd.push(function() {
mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );
The post New Graduated and Radial Filter Features in Lightroom 6 by Andrew S. Gibson appeared first on Digital Photography School.
Dr. Paul Koudounaris has spent more than twelve years on a subject that would strike many in the Western world as macabre – the traditions of mummification and rituals surrounding death in societies throughout South America and Asia, among many other places. He’s photographed more than 250 sites around the world and has just published his third book on the subject. Click through to take a look at something a bit different, and find out more about his work. Read more
Articles: Digital Photography Review (dpreview.com)
You must be logged in to post a comment.