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Posts Tagged ‘What’s’

What’s NEX? Sony Alpha a5100 first impressions review

18 Aug

As Sony introduces the Alpha a5100 interchangeable lens camera, it officially leaves behind the NEX moniker its mirrorless line originated with. The a5100 picks up where the NEX-5 series leaves off, combining the 24.3 megapixel APS-C CMOS sensor of the a6000 and the more compact footprint of the NEX-5T. The a5100 also inherits many of the a6000’s good qualities, including its impressive autofocus system. The a5100 also one-ups its big brother by offering 1080/60p video at 50Mbps. We took a hands-on, preliminary look at the a5100. Read more

Articles: Digital Photography Review (dpreview.com)

 
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What’s new in Photoshop CC for Photographers

29 Sep

Photoshopcc for photographers opener

The new Photoshop CC hasn’t launched without a lot of controversy. There are some very valid reasons not to like the fact that the only way to get your hands on this new release is via the Creative Cloud. However, putting delivery methods and subscription software issues aside, let’s look at what is in the new Photoshop CC for photographers so you can see what you’ll get if you upgrade or what you’re foregoing access to if you don’t.

Photoshop CC has a few new additions and one update that will be of interests to photographers. There’s little here that you can’t live without but some of these additions you may want to live with!

Liquify as a Smart Object

In previous versions of Photoshop the Liquify filter was one of the few filters that you could not apply to a Smart Object layer. That meant that any changes that you made using the Liquify Filter were permanent changes to the image which could not be undone, and they couldn’t be easily altered or blended back into the image in a non-destructive way. Now it’s possible to apply the Liquify Filter to a Smart Object layer so that the edits that you make to the image using the liquify filter can be edited later on if desired. They can be removed by disabling the filter, they can be blended using a layer blend mode, masked and edited.

Photoshopcc for photographers 1

ACR as a Filter

New to Photoshop CC is the ability to apply changes which previously could only be made in Adobe Camera Raw (ACR) to an image from inside Photoshop. The new Camera Raw Filter lets you apply ACR edits to a layer and even to a Smart Object layer in Photoshop. This makes almost all the tools in ACR available to be used in Photoshop as an editable filter. To access this feature, choose Filter > Camera Raw filter.

Photoshopcc for photographers 2

Squaring up objects with Upright

While not technically an addition to Photoshop, the Upright feature is new to Adobe Camera Raw (ACR) for Photoshop CC. So, if you have Photoshop CC, you have access to Upright in ACR (and as a filter adjustment via the Camera Raw filter too).

The Upright tool can automatically straighten an image and remove keystone distortion which is apparent when shooting tall buildings, for example. It is found in ACR in the Lens Correction panel – click the Manual tab.

Photoshopcc for photographers 3

Fix blurry images

The new Shake Reduction filter in Photoshop CC helps deal with blurry images. It won’t fix them all and, of course it’s always preferable to get the image sharp in camera, but it can fix some burry shots particularly those captured in good light with a zoom lens and it can help sharpen text in images.

To find the tool, choose Filter > Sharpen > Shake Reduction.

Photoshopcc for photographers 4

ACR features in Photoshop CC

In addition to the Upright feature available in ACR there are other new and improved features in ACR that you can access if you have Photoshop CC. These include the improved Spot Removal tool which can be used like a paintbrush to select an element in an image to fix – this makes it easier to use where the problem area is not circular. In addition the new Radial Gradient tool lets you add a radial gradient to an image to apply fixes and creative effects.

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A Better Upsampling algorithm

You may already know that there are problems inherent in enlarging images because Photoshop needs to make additional pixels where pixels did not previously exist. The new resizing algorithm in Photoshop CC improves the results when you are enlarging an image.

Choose Image > Image Size and enlarge the dialog so that you can see things clearly on the screen. Set the final image size, for example if you want to enlarge by 200 percent set 200 percent as the width and height. Click the Resample checkbox and from the dropdown list choose the new Preserve Details (Enlargement) option. The preview image shows the result of upsizing using this option.

This new algorithm helps you enlarge images for printing retaining the sharpness in the image and avoiding pixelated edges.

Photoshopcc for photographers 6

Updated Smart Sharpen Filter

Sharpening has been improved in Photoshop CC with changes to the Smart Sharpen filter. To see it at work choose Filter > Sharpen > Smart Sharpen and again enlarge the dialog so that you can see the effect on the image. You can now adjust the Amount and the Radius for the sharpening. Typically radius should be in the region of 0.5 to 1.5 pixels for most images. You can also choose to reduce noise as you sharpen. The shadows and highlights area allows you to fade sharpening, for example, in the shadow areas applying it more strongly to the highlights where noise will be less visible. You can also select to remove Gaussian blur, Lens blur or Motion blur if these blur issues affect your image.

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Adaptive wide angle

The new Adaptive Wide Angle Filter helps you remove problems encountered when shooting with wide angle lenses. Choose Filter > Adaptive Wide Angle and choose the problem to correct from the Correction dropdown list. Set the sliders for the Focal Length and Crop factor to remove distortion. You can also draw on the image to add constraints. These lines should be positioned over objects in the image that you want to be straight. Photoshop will use the constraints to determine the correction to apply to the image and, as a result, you can remove much of the distortion problems with an image. This filter can be applied using a Smart Object layer so that the results will be editable.

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Behance integration

Behance is a community where you can showcase your work so that others, including businesses looking to find creatives, can find you and examples of your work. If you use, or plan to use, the Behance online creative community then you will appreciate that you can now post images from Photoshop CC direct to Behance. To do this you choose File > Share to Behance.

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Regular Program Updates

One benefit of the new Photoshop CC which Adobe is encouraging is program updates. Delivery via the Creative Cloud means that Adobe can now deliver program updates as they become available rather than having to wait for the next new release. This means that fixes for problems can be rolled out more quickly. Of course this can be a double edge sword – if you’re on a slow connection or you have a capped internet service – the frequency and size of these can be time consuming and expensive to download and install.

Photoshopcc for photographers 10

New Pricing for Photographers

Adobe copped a lot of flak from users over the bundling and pricing of its Creative Cloud applications. As a result, it was recently announced that users with Photoshop CS3 or later could sign up for the Photoshop Photograph Program. This limited time offer (it expires December 31, 2013), gives you access to Photoshop CC, Lightroom 5, Bridge CC, 20GB of cloud storage and a Behance ProSite. It requires an annual commitment and is USD $ 9.99 plus taxes billed monthly (check the website for the cost in your local currency).

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Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

What’s new in Photoshop CC for Photographers


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IFA roundup: What’s new in mobile photography tech

14 Sep

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Following the major mobile technology exhibition IFA in Berlin this week, we’ve got a roundup of some the most interesting photocentric tech we tested during the show. From the newest version of Samsung’s Galaxy Note III to an innovative camera phone from Acer with an actual ring flash, manufacturers are paying special attention to the imaging abilities of mobile devices. Take a look at what caught our eye at IFA on connect.dpreview.com.

News: Digital Photography Review (dpreview.com)

 
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What’s up dock? Sigma USB Dock review

13 Aug

usbdock.png

Sigma has been doing lots of good things recently, and one of its most interesting recent products is the USB Dock. This device connects a lens to a computer and, in concert with Sigma’s Optimization Pro software, allows the user to do such things as update the firmware and configure detailed autofocus microadjustment settings. In our quick review we take a close look at how it works and what it can do. Click through to find out more.  

News: Digital Photography Review (dpreview.com)

 
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Nokia EOS rumors abound: A look at what’s likely

08 Jun

EOS.png

Rumors are flying about a supposed Nokia EOS smartphone that would surpass even the 41-megapixel Nokia 808 PureView model. Reports indicate that the ‘EOS’ will sport the same size sensor that made the Nokia 808 so remarkable. Photos of a purported EOS prototype also show a similar raised camera profile as the 808. See what other speculations are likely by clicking through to connect.dpreview.com.

News: Digital Photography Review (dpreview.com)

 
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25 May, 2013 – What’s In Kevin’s Bag

25 May

We’re off to Sydney.  If you are in Sydney this week then visit us at the L&P IQ World Tour Event.  In the meantime enjoy What’s in Kevin’s Bag and see the gear he takes on a photographic trip.

Watch our Facebook pages as well as postings here for the latest on our Australia Adventure.

 


 

 Stephen Johnson an instructor on our previouaAntarctica workshops and well known landscape photographer has a few openings left on what looks like a great workshop into the Alaska Wilderness.  To check out this workshop and register visit his  Workshop Page

 



The Luminous Landscape – What’s New

 
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24 May, 2013 – Off to Oz. What’s in the Bag?

24 May

Other photographers are often interested in what gear is being carried (schlepped) to distant locations. I’ve just published Off to Oz, What’s in the Bag? Kevin will have something about his particular kit tomorrow.

         

 "Yes I downloaded the videos. THEY ARE AWESOME!!!
I learned so much I 
think my brain is going to explode.


The Luminous Landscape – What’s New

 
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9 May, 2013 – What’s The Gold Standard of Inkjet Papers

09 May

Ilford has recently introduced five new inkjet papers. How do they compare to the previous "gold standard"? Find out in our latest paper review article, writtten by Mark Segal and Michael.

         

"Yes I downloaded the videos. THEY ARE AWESOME!!! I learned so much I think my brain is going to explode.


The Luminous Landscape – What’s New

 
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What’s In My Bag- Landscapes

03 May

I’m often asked by beginning photographers about what I use to shoot my photos, whether it’s landscapes, portraits, sports, or some other subject.  Most often, they are referring to the camera used, the lenses, maybe the flash. But the truth is that there’s more to taking great photos than just the camera.  The truth is, the contents of my bag changes dependent on what I plan to be shooting. I’ve compiled a list of items that are always in my bag when I’m on a landscape photo outing, along with how they’ve helped me in my quest for better photos.

1. My Three-Legged Friend

Without a tripod and neutral density filters, I couldn't possibly hope to capture this image. Using a 6-stop ND filter, exposure was ISO 100, 10 seconds, at f/16.

Without a tripod and neutral density filters, I couldn’t possibly hope to capture this image. Using a 6-stop ND filter, exposure was ISO 100, 10 seconds, at f/16.

The truth is, I’d be lost without a tripod on a landscape outing. I currently have two I use regularly. Which ones I use is far less important than the process of choosing a tripod. Too often, beginning photographers skimp on the tripod purchase, going for something cheap that doesn’t suit their needs, and in the end, their images suffer. First and foremost, a tripod needs to support the weight you plan to put on it. This means taking the total weight of your camera and heaviest lens, and making sure your tripod will support that weight.  The fact is, a heavy tripod will better support the weight you put on it, but in today’s world a premium is put on lighter weight. Carbon fiber tripods are lighter weight and generally support heavier loads than aluminum tripods, but at a higher expense. One of the tripods I use is a Manfrotto XPro B, with an Arca Swiss B1 ball head.   This tripod and head combination weighs over 6 lbs., but is rock solid in any conditions. The tripod legs are rated to support 15.4 lbs, and the head is rated to support over 90 lbs! My other tripod is a Gitzo 1541T Traveler with an Acratech GPss ball head. The legs are rated to hold 17.6 lbs, and the head is rated to hold 25 lbs.  This is a smaller setup that folds down to about 20″, and weighs less than 3 lbs. This is what I use when I fly, or when I am hiking longer distances. The thing to realize about a tripod is that a good one is built to last. If you take care of it, a tripod can last a lifetime of shooting.

2. Stepping Up A Level

My trusty bubble level always reminds me to be sure my camera is straight. Nothing annoys me more than a crooked horizon line!

My trusty bubble level always reminds me to be sure my camera is straight. Nothing annoys me more than a crooked horizon line!

These days, just about every DSLR out there has a built-in electronic level, a feature I simply LOVE.  However, sometimes in the heat of the moment I will simply forget to level my camera properly, since the built-in level isn’t always visible on the screen.  Because of this, I still carry a hot-shoe mounted spirit level in my bag.  It’s hard to miss it sitting on top of the camera, and it always reminds me to be sure the camera is level.  And yes, while some tripods do have levels built-in, they aren’t always easy to see, and depending on where they are mounted, it may indicate the legs are level, but doesn’t mean the camera is level because the head can still tilt.

3. Filters

I’m a big fan of using neutral density filters and graduated neutral density filters for landscape work.  I have a set of Schneider filters that I use with a Lee filter holder. The Schneider filters are not cheap.  They are optical glass, heavy, and high quality. There are more economic options available in Lee-style filters, including Cokin, Formatt, and Lee.  The filters I use are 4×5 size, which allows me to adjust the horizon on the graduated filters based on my composition. My kit consists of 3-, 4-, 5-, and 6-stop ND filters, and 2-,3-, and 4- stop grads, which come in both hard and soft-edged styles.  Which style you use is dependent on the scene in front of you.  I also have a circular polarizer I use often for controlling reflections and cutting haze.

4. Flashlight

I often find myself shooting before the sun rises, and after the sun sets. This means hiking to and from my location in the dark. A flashlight can be a lifesaver in these situations.  In addition, at times I go out to shoot night landscapes, to get stars in the sky, or the moon. If there’s no light in the foreground and I’d like some, a flashlight is the perfect way to paint some light back in.  I also carry a headlamp in my bag so I can work handsfree and have a light on while digging around in my bag.

5. Step-Up Rings

When you have lenses that have different diameter front elements, it can be maddening to have to buy filters for each lens. An easy workaround for this is to buy step-up rings.  I have a complete set that covers from 52mm up to 82mm.  I then simply purchase the filter for the largest lenses I own and use the step up rings for smaller lenses. Much easier and more cost effective than buying filters to fit each lens.

For this image, I used a 4-stop hard edged ND grad, to bring the sky back within the dynamic range of the camera. I used the hard edge here because there was nothing intersecting the horizon from the foreground, which made it very easy to line up the darkened edge with the horizon out on the bay. Exposure was 1.3 seconds, ISO 100, f/16. EOS 5D Mark II with EF 17-40 f/4L.

For this image, I used a 4-stop hard edged ND grad, to bring the sky back within the dynamic range of the camera. I used the hard edge here because there was nothing intersecting the horizon from the foreground, which made it very easy to line up the darkened edge with the horizon out on the bay. Exposure was 1.3 seconds, ISO 100, f/16. EOS 5D Mark II with EF 17-40 f/4L.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

What’s In My Bag- Landscapes


Digital Photography School

 
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What’s On My iPhone 5 [2012] – *80 apps*

17 Feb

Retweet this video: clicktotweet.com How To Get FREE iTunes, GooglePlay, Amazon, Hulu, & Fandango Gift Cards on iOS/Android: goo.gl Follow me: Instagram.com FOLLOW ME FOR UPDATES HERE: Twitter: www.twitter.com Facebook: www.facebook.com Subscribe to my vlog channel: www.youtube.com Blog: www.SenseiPhone.com About SenseiPhone SenseiPhone covers the latest iPhone jailbreaks, tweaks, apps, firmware, latest iOS news, and more! We are mastering iPhone from all aspects. We bring everything about iPhone to our readers (you) in an easy and interesting way. Our goal is to make you a master of iPhone, like us. Intro visual done by: YouTube.com Intro Music done by: YouTube.com Music provided by: YouTube.com Equipment Used to Produce this Video: Camera: Nikon D5100 Lens: Nikon DX AF-S NIKKOR 18-55mm Mic: Blue Snowball Editing Software: Final Cut Pro X Lighting: Cowboy Studio Lighting Kit