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Oh, wow… Sony announces 24MP a6300 with incredible AF and 8 fps live view bursts

04 Feb

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Sony has introduced the long-awaited update to its popular a6000 mirrorless camera: the a6300. Featuring a newly developed 24 Megapixel APS-C sensor and a completely revamped ‘4D’ AF system with 425 phase-detection AF points, the a6300 sits at the top of Sony’s APS-C mirrorless lineup. It also appears poised to break down one of the last remaining strongholds of DSLR by a live feed of the action in between frames, with minimal blackout, at a respectable 8 fps shooting rate, with AF.

Key Features:

  • 24MP CMOS APS-C sensor with copper wiring
  • 425-point on-sensor phase-detection AF system
  • 11 fps continuous shooting (8fps continuous live view)
  • Silent shooting 
  • Max ISO of 51200
  • 4K video capture up to 100 Mbps
  • Phase-detect AF compatible with A-mount lenses via LA-EA3 adapter

Capable of continuous shooting at up to 11 fps with AF, the a6300’s 425-point hybrid AF system features ‘high-density’ tracking, which dynamically activated AF points around a subject and adjusts them depending on the motion of the subject itself. The 425 phase-detect points, impressively, reach all the way out to the corners of the frame.

Perhaps the biggest news is that the a6300 is capable of uninterrupted live view at up to 8 fps, potentially addressing one of the biggest shortcomings of mirrorless cameras when it comes to fast action shooting. Traditionally, mirrorless cameras tend to show only a stop-motion sequence of last-shot images at the highest shooting frame-rate, which makes it hard to follow a subject and keep an AF point over it. Live view in between short blackouts at 8 fps brings the a6300 much closer to the experience of a DSLR with optical viewfinder. At the launch event in New York this morning, Sony showed a video reminiscent of Nikon’s recent DSLR vs. mirrorless comparison for fast action shooting at CES, albeit comparing the a6300 to a <$ 1000 DSLR. Results looked impressive.

Notably, the a6300 can use all of its 425 phase-detect points to quickly focus A-mount lenses using a LA-EA3 adapter, which indicates this is now a standard feature that will be available across future E-mount cameras. We also expect phase-detect AF to work with other 3rd party lenses using adapters like the Metabones Smart Adapter.

The a6300 is capable of 4K video capture at up to 100 Mbps. The camera uses a 20MP (6K) region of the sensor to offer 2.4x oversampled 4K video with full pixel readout, and no pixel binning. Videographers should be able to expect sharp, low noise footage, even in low light since almost the entire sensor is sampled.

While the progress in technology is impressive, lack of true weather sealing, a touchscreen, or direct AF point selection with a dedicated joystick or control will continue to be problematic for some. The a6300 will be available in March for $ 1000 body only.

Press Release:

Sony Introduces New ?6300 Camera with World’s Fastest Autofocus 

New Mirrorless Camera Features World’s Fastest AF speed1 and Highest Number of AF points2 plus Newly Developed 24.2 MP APS-C Sensor, High Resolution 4K video recording and more 

NEW YORK, Feb. 3, 2016 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced the latest addition to their award winning lineup of mirrorless cameras, the ?6300 model. 

The camera boasts an unrivaled 4D FOCUS™ system that can lock focus on a subject in as little as 0.05 seconds, the world’s fastest AF acquisition time1.  Additionally, the ?6300 has an incredible 425 phase detection AF points that are densely positioned over the entire image area – the world’s highest number of AF points on any interchangeable lens camera2, and can shoot images at up to 11 frames per second with continuous autofocus and exposure tracking,

The impressive new mirrorless model also has the ability to  support full live-view continuous shooting on the Tru-finder or LCD screen at up to 8 frames per second, ultimately producing a real-time shooting experience that combines all the benefits of an electronic viewfinder with the immediacy of a through-the-lens optical viewfinder. 

The versatile ?6300 is equipped with a newly developed 24.2 MP (approx.. effective) APS-C sized Exmor CMOS sensor that works together with a BIONZ X image processing engine to produce outstanding image quality throughout the entire ISO sensitivity range ISO 100 – 51200 3.  It can also shoot and record high resolution 4K video with full pixel readout and no pixel binning in the popular Super 35mm format.

 “The ?6300 is yet another example of the dominant innovation that Sony continues to bring to the industry, especially from the mirrorless space,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics.  “With this new model, we’ve combined the world’s fastest and most extensive AF system with a superb image sensor and many of our most advanced imaging and video technologies, creating a package that can far exceed the performance of any DSLR in its class.   This camera connects you with the action like never before.” 

Unrivaled AF Performance

Sony’s new ?6300 camera builds upon the acclaimed 4D FOCUS performance of the ?6000 model, utilizing a Fast Hybrid AF system that combines high-speed phase detection AF with extremely accurate contrast AF and allows it to capture and lock on to moving subjects in as little as 0.05 seconds1.  The camera’s High-density Tracking AF technology positions 425 phase detection AF points over nearly the entire field of view, allowing it  to accurately focus throughout a wide area – even on small, fast objects that other cameras would fail to recognize. 

In addition to the extensive AF coverage, the ?6300 debuts a new High-density tracking AF technology that significantly improves subject detection and tracking performance.  This new technology can quickly activate a large number of AF points surrounding a subject – approximately 7.5 times more density than the ?6000 – and intelligently adjust them in accordance with the subject’s motion.  This is a particularly powerful feature when used with high-speed 11 fps continuous shooting or the new 8 fps continuous live-view mode, which provides 100% accurate framing for fast moving subjects on the LCD screen or viewfinder.

Of note is the fact that the camera’s 425 phase detection AF points, enhanced tracking and focus accuracy are all available on the ?6300 when using A-mount lenses4 with a mount adaptor like the Sony LA-EA3.  This is a first for Sony E-mount interchangeable lens cameras with an APS-C sized sensor, as the only other cameras to feature this capability are the full-frame ?7R II and ?7 II models.

Other enhancements to the ?6300 include silent shooting functionality the ability to use AF in focus magnifier mode, expanded flexible spot AF, Eye AF in AF-C mode and more. 

Powerful 24.2 MP Exmor CMOS Sensor and BIONZ X Processor

In order to maximize efficiency and overall camera performance, the ?6300 features a new 24.2 MP sensor that is an ideal match for its BIONZ X image processing engine. 

The new image sensor employs copper wiring in its structure, which improves light collection efficiency and significantly accelerates readout speed. The BIONZ X processor features an upgraded image processing algorithm designed to maximize the sensor’s overall capabilities.  Together, the two key components work together to produce images with low noise and exceptional resolution in sensitivity settings up to ISO512003, in particular in the mid-to-high sensitivity range. 

Ultimate 4K Resolution and Other Professional Video Capabilities

In another first for non-full-frame Sony interchangeable lens camera, the new ?6300 offers internal 4K movie recording in Super 35mm format.  When shooting in 4K, the camera uses full pixel readout without pixel binning to collect 20 megapixels of information – approximately 2.4x5 (6K equivalent) as many pixels as 4K UHD and then oversamples the information to produce high quality  footage with exceptional detail and depth.   

The camera utilizes the XAVC S codec6 during video shooting, which records at a high bit rate of 100 Mbps7 during 4K recording and 50 Mbps during standard Full HD shooting, ensuring maximum detail and clarity in both video formats.  Additionally, the camera will focus approximately twice as fast as its predecessor during movie shooting thanks to its new and improved AF system.  AF speed and AF tracking sensitivity are also adjustable for expanded creativity.  

Other professional caliber video features include the ability to record Full HD at 120 fps at 100 Mbps7, another first for ? interchangeable lens cameras with APS-C sized sensors.  This mode allows footage to be reviewed and eventually edited into 4x or 5x slow motion video files in Full HD8 (24p or 30p) resolution with AF tracking.   The new ?6300 also offers S-Log gamma recording9 for wide dynamic range shooting – approximately 14-stop latitude in S-Log3 gamma setting – and supports S-Gamut for a wider color space.  Both options allow for greater creativity for processing video post-production.

Also included on the new camera is a microphone line input that accepts external microphones and also supports XLR input with Sony’s XLR adapter kit, as well as Gamma Display Assist, a new function that allows users to monitor images or check focus when recording S-Log movies. The new model has enhanced Zebra functionality for greater exposure control.  Picture profile settings are available, as well as Time Code / User Bit and much more. 

Enhanced Operability and Ergonomics

The ?6300 camera is equipped with a high contrast, high-resolution XGA OLED Tru-Finder with approximately 2.4 million dots that offers exceptional corner-to-corner visibility.  There is also a new mode available for the viewfinder that allows display of images at 120 fps, ensuring that action is displayed smoothly with very few afterimages, making subject tracking through the Tru-finder easier than ever.    

Aesthetically, the new ?6300 camera features an extremely solid feel in hand thanks to its robust, magnesium alloy design.  It can be customized to fit nearly any shooting style or preferences, with 9 customizable buttons that one of 64 different functions can be assigned to.  The camera adds a digital level gauge as well as upgraded dust and moisture resistance10, a reinforced lens mount structure and a new shutter release button and mode dial with improved operability and grip.

The new ?6300 camera is Wi-Fi® and NFC compatible and fully functional with Sony’s PlayMemories Mobile™ application available for Android™ and iOS platforms, as well as Sony’s growing range of PlayMemories Camera Apps™, which add a variety of creative capabilities to the camera.  It also supports QR code for easy connection to non-NFC smart phones.

Pricing and Availability

The Sony ?6300 interchangeable lens camera will be available in March for about $ 1,000 for the camera body or for about $ 1,150 paired with a 16-50mm F3.5 – F5.6 kit lens (model SELP1650).  Prices for the Canadian market will be about $ 1,350 CA for the body and about $ 1,500 CA for the camera kit.  It will be sold at a variety of Sony authorized dealers throughout each region.   

1.      Among interchangeable lens cameras equipped with an APS-C sized sensor as of February 2016, based on Sony research.  Measured using CIPA-compliant guidelines and internal method with an E PZ 16-50 F3.5-5.6 OSS lens mounted.  Pre-AF off and viewfinder in use.

2.      Among interchangeable lens cameras as of February 2016, based on Sony research

3.      Expandable up to ISO 51200 for stills and up to ISO 25600 for movies

4.      A-mount lenses with SSM or SAM only. Users can choose phase-detection AF or contrast-detection AF in AF System menu.

5.      1.6x in 30p setting

6.      An SDHC/SDXC memory card with a Class 10 or higher speed rating is required for XAVC S recording

7.      UHS Class 3 memory card is required for recording at 100Mbps

8.      Number of pixels required for Full HD movie recording is readout from the image sensor

9.      S-Log2 and S-Log3 are based on processing pictures.

10.   This camera is designed for optimal dust and moisture resistance, but is not waterproof or splashproof. For FE lens only

Sony Alpha a6300 specifications

Price
MSRP $ 1000 (body only), $ 1150 (w/16-50mm lens)
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium-alloy
Sensor
Max resolution 6000 x 4000
Other resolutions 3:2 (4240 x 2832, 3008 x 2000), 16:9 (6000 x 3376, 4240 x 2400, 3008 x 1688)
Image ratio w:h 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Processor BIONZ X
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-25600, expandable to 51200
Boosted ISO (maximum) 51200
White balance presets 10
Custom white balance Yes
Image stabilization No
Uncompressed format RAW
JPEG quality levels Extra fine, fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (Sony ARW v2.3, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (2x-8x)
Manual focus Yes
Number of focus points 425
Lens mount Sony E (NEX)
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 921,600
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Viewfinder resolution 2,359,296
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Auto
  • Program
  • Aperture Priority
  • Shutter Priority
  • Manual
Scene modes
  • Portrait
  • Landscape
  • Macro
  • Sports Action
  • Sunset
  • Night Portrait
  • Night Scene
  • Handheld Twilight
  • Anti Motion Blur
Built-in flash Yes
Flash range 6.00 m (at ISO 100)
External flash Yes
Flash modes Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless
Flash X sync speed 1/160 sec
Drive modes
  • Single
  • Continuous (Hi+ / Hi / Mid / Low)
  • Self-timer
  • Bracketing
Continuous drive 11.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Resolutions 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p)
Format MPEG-4, AVCHD, XAVC S, H.264
Videography notes Supports X-AVC S up t0 100 Mbps, ACHD to 28Mbps
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n with NFC
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-FW50 lithium-ion battery & charger
Battery Life (CIPA) 400
Weight (inc. batteries) 404 g (0.89 lb / 14.25 oz)
Dimensions 120 x 67 x 49 mm (4.72 x 2.64 x 1.93)
Other features
Orientation sensor Yes
Timelapse recording Yes (downloadable app)
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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How to Create an Incredible Street Photography Project from A to Z

20 Aug

With a camera in hand anyone can proclaim himself or herself a street photographer. However, urban imagery requires vision. Most street photographers operate in a spontaneous way, but if you take a closer look at their projects they all have a key-element at the heart of their work, an idea that drives them. Street photography translates into emotional reactions to Continue Reading

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Lead Finger: Incredible Miniatures Carved Out of Pencil Tips

30 Jul

[ By Steph in Art & Sculpture & Craft. ]

pencil carvings 3

Eagle feathers, the folds on Yoda’s robe and individual bricks on iconic buildings are among the impossibly tiny details captured in pencil lead by miniaturist Salivat Fidai. The Russian artist uses an X-acto knife to carefully scrape away minuscule shavings of graphite, revealing everything from realistic dinosaur heads to the Eiffel Tower.

pencil carving 5

pencil carving 4

Sped-up videos on Fidai’s Instagram give us a look at the process, which starts with scraping away an inch or two of wood to reveal the graphite core. The artist creates the basic shape of each sculpture and then makes the refinements. This technique requires not just an eye for detail but a very light hand as well, to avoid putting too much pressure on the lead and snapping it.

pencil lead carvings 1

pencil carving 9

pencil carving 8

They’re all cool, but perhaps most impressive are the ones featuring little pieces that have been carefully separated from the main graphite core, like this lock. Many originals are up for sale at the artist’s Etsy shop.

pencil carvings 11

pencil carving 6

pencil carving 7

Another artist creating similar works is Dalton Ghetti, a carpenter by trade who uses sewing needles and razor blades to carve entire chains of graphite as well as other sculptures, all without the benefit of a magnifying glass.

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[ By Steph in Art & Sculpture & Craft. ]

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5 Incredible Storm Photographers and Their Best Images

30 Jul

I’ve been a landscape and travel photographer for nearly six years now. While I will always love standing in front of an amazing landscape at sunset, nothing on earth can compare to the feeling I get when standing in front of a massive supercell with 40-50mph winds at my back, watching it twist and churn, as it tries to lower itself to the ground. It’s the most intense and pure mixture of awe, fear and respect for mother nature that I’ve been able to find to this day.

henrietta-storm-james-brandon

© James Brandon. Henrietta, TX Supercell

ranger-tx-supercell-james-brandon

© James Brandon. Ranger, TX Supercell

I’m just now wrapping up my third season of chasing these incredible storms (you can check out some of my storm images above) and over the past three years I’ve been fortunate to meet some incredible chasers; some of whom are even better photographers. So here’s a collection of four of the best chaser photographers out there (along with a few of their best images). Be sure to check out their websites and links to see more of their amazing work!

Mike Mezeul II

Mike has become one of my best buds over the past few years, we even lead workshops around the world together now (you can find more info on that through the link to my site in my bio). He took me on my first chase and to this day I chase with him about 99% of the time. He’s been doing this stuff for upwards of 15 years now, and is just as good at putting us in position for a storm to develop, as he is at photographing them. In fact, the last time we chased we drove out to west Texas and he put us within 30 minutes of storm that exploded into a supercell.

Check out more of Mike’s work at his website and be sure to follow him on Instagram as well!

storm-chasing-article-4

A storm chaser stands in front of an approaching supercell thunderstorm just north of Gillette, Wyoming in May of 2014. © Mike Mezeul II

"Ardmore Supercell" © Mike Mezeul II

“Ardmore Supercell” © Mike Mezeul II

“A tornadic supercell thunderstorm sweeps across the plains at sunset near Ardmore, Oklahoma.”

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“Pink Mammatus” © Mike Mezeul II

“Mammatus clouds glow a vibrant pink over west Texas after severe weather rolled through the area.”

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“Awakening” © Mike Mezeul II

“A cloud-to-ground lightning bolt strikes over Albany, Texas as the Milky Way shines above.”

Mike Olbinski

I’ve known Mike online for about the same time as I’ve been a professional photographer. We met back in the HDR Days, and I remember being amazed when he got into storm photography. Then, one of his images of a haboob decsending on Phoenix went absolutely viral overnight and he was officially on the map as a storm photographer. But that wasn’t it, he hit gold again a couple years later with his Booker, TX timelapse which you’ve likely seen on TV and even movies. Coincidently, I just met Mike in person for the first time a few weeks ago while out chasing in west Texas. He’s an incredibly nice dude and fantastic photographer. I’ll be joining him soon to photograph Monsoon season in his home state of Arizona. Can’t wait!

Check out Mike’s work at his website and on 500px and read his article here on dPS: How to Photograph Lightning – the Ultimate Guide

storm-chasing-article-9

“Phoenix Haboob” © Mike Olbinski

“A gorgeous dust storm and low level clouds roll into downtown Phoenix on July 3rd, 2014. Always amazing to see a scene like this, but toss in a little sunset color and it blew my mind.”

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“Storm of the Apocalypse” © Mike Olbinski

“A view of the Booker, Texas supercell which was one of the most amazing sights I have ever seen. You can see the crazy timelapse of this storm below.”

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“Alanreed Supercell” © Mike Olbinski

“This storm earlier spawned a brief tornado near Groom, Texas. It moved to the east/northeast across the rolling farmlands…I caught up to it once again here just north of Alanreed. The hail core and structure was magnificent to behold.”

Marko Korosec

Marko is an incredibly talented photographer and chaser from Slovenia. I was turned on to his work through a friend, and when I began scrolling through his images on 500px, my jaw began to drop lower with every image. He seems to be on just about every major photogenic storm there is, and that’s a feat in and of itself. Capturing these storms as well as he does is a whole other feat. I haven’t met Marko in person yet, but I’m sure it’s only a matter of time before we run into each other out on the road beneath a storm.

You can follow Mark on his website and 500px.

"Sunset Supercell " © Marko Korosec

“Sunset Supercell ” © Marko Korosec

“Nicely striated supercell at colorful sunset near Bledsoe, New Mexico on May 29th, 2015″

"Electric Night" © Marko Korosec

“Electric Night” © Marko Korosec

“A lightning barrage during the cold frontal passage over the city of Trieste, Italy on October 14th, 2014.”

"Independence Day" © Marko Korosec

“Independence Day” © Marko Korosec

“Spaceship shaped supercell storm near Julesburg, Colorado on May 28th, 2013″

James Langford

I met James Langford out on the road during one of my first chases with Mike and have since run into him while chasing several times. James is just an all around nice dude. If he’s not chasing on his own, he’s usually “now-casting” (forecasting for a chaser from home) for someone who is. He’s got an incredible collection of storm images as well as some jaw-dropping time-lapses.

You can follow James at his website and Facebook.

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“Perfect Symmetry” © James Langford

“This was captured in western Oklahoma. Experiencing the power and beauty of thunderstorms is something that is really hard to translate into images.  This particular storm was one of the most beautiful I had ever seen.  It moved very slowly the whole time we photographed it, and the structure and colors were incredible.”

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“The Beast” © James Langford

“Capture near Piedmont, Oklahoma, this incredible storm in Central Oklahoma had hail the size of grapefruits and a small tornado around the time this image was created.  I’ve never seen structure and colors quite like this and it ranks as one of my favorite images of all time.”

Kelly DeLay

I met Kelly a couple of years ago through Mike Mezeul. He had a great 2015 season capturing both the Hico supercell and the twin tornadoes in Colorado that went pretty viral. You can view more of his work at his website Clouds365.com and his 500px page.

© Kelly DeLay. Hico, TX Supercell

© Kelly DeLay. Hico, TX Supercell

“Visually, has to be one of my favorite storms ever. This was a very discreet storm and as you can see the rotation was quite evident. The hail core was quite impressive as well, producing baseball sized hail that knocked out a few storm chaser’s windshields.”

© Kelly DeLay. Sister tornadoes - Simla, Colorado

© Kelly DeLay. Sister tornadoes – Simla, Colorado

“My most favorite image of my career. I did describe it as a “shot of a lifetime”. For years I wanted to capture a discreet supercell (no other storms around) with a tornado underneath. I was very surprised to see not just one, but two tornadoes both spinning in the opposite direction.”

© Kelly DeLay. Belle Fourche, South Dakota

© Kelly DeLay. Belle Fourche, South Dakota

“The lightning field was so intense preceding the core, you would see a flash nearby and immediately hear a BOOM. Thats close! Feeling a little safer near Belle Forche, South Dakota I got out and captured a few shots. Again, all you would see is a quick flash. Amazed to look at the back of my screen to see this.”

For more storm photography see:

  • 7 Things I’ve Learned from Photographing Storms
  • How I Shot And Edited It – Stars, Storm and Basecamp, Nepal
  • 33 Blustery Bad Weather Images
  • How to Photograph Lightning – the Ultimate Guide

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7 Incredible Tips for Beginner Photographers

02 Jul

19 7 Photography Tips For Beginners by Prathap Photography Nature Phootography Simplified

As a beginner photographer, I was swaying around too much at times not knowing what was good and what was not. It took me several years, and countless hours, to really understand the right path and to focus my energy on the right techniques. If this sounds familiar to you, then here are seven incredible tips that will help relieve you of the dilemma a beginner faces in photography.

Note: These tips are in no way comprehensive but are definitely a good starting point

1. Buy an Affordable Camera

One of the biggest mistakes you could do is to invest all your savings to buy expensive gear. It will soon prove to be a burden and you might end up selling it if you are not able to pull out photographs that are good enough.

Will you be able to make good photographs from the very beginning? Chances are quite low. Even if you do, you may not be able to justify your purchase, because you do not know if it was the right choice for you or not. Only with experience, will you know which is the best camera or the lens for your photographic needs.

01 7 Incredible Photography Tips For Beginners by Prathap Photography Nature Phootography Simplified

My recommendation would be to buy a camera that is affordable to you, and focus your time and energy in building your photography skills as a beginner. That will go a long way in your photography journey.

2. Learn the Basic Settings

Settings found on cameras, especially DSLRs, can be overwhelming. To be honest, I haven’t used more than handful of settings to date. Why? Because that’s all I have needed to know!

Most important of the settings are:

  • Focusing Modes – AF-S (Nikon)/One-Shot AF (Canon), AF-A (Nikon)/AI-Focus AF (Canon), AF-C (Nikon)/AI-Servo (Canon)
  • Camera Metering Modes – Evaluative (Canon)/Matrix (Nikon), Center-weighted Average, Spot, and Partial (Canon)
  • Auto ISO Settings
  • Shooting Modes – Manual, Aperture Priority and Shutter Priority

If you learn to use the above settings without even thinking, then you will make your camera an extension of yourself, thereby having much more time for creative expression.

02 7 Photography Tips For Beginners by Prathap Photography Nature Phootography Simplified jpg

3. Understand Exposure

Making a proper exposure under any conditions is the key to making good quality photographs. Exposure is a combination of three pillars of photography called Aperture, Shutter Speed, and ISO. Exposure Triangle below depicts it in an easier way.

02 5 7 Photography Tips For Beginners by Prathap Photography Nature Phootography Simplified jpg

The amount of light passing through the lens opening (Aperture) for a specified duration of time (Shutter Speed) for which the camera sensor, set at a particular sensitivity (ISO), is open is called the Exposure.

03 7 Photography Tips For Beginners by Prathap Photography Nature Phootography Simplified jpg

Changing the value of any of these parameters, results in a change in exposure. That is why it is very important to understand aperture, shutter speed, and ISO to get a strong hold on exposure.

4. Make Use of Semi-Automatic Modes

DSLRs are generally precision machines that give you more control than other compact cameras. You must take control of it, and get it to work the way you want.

Learn semi-automatic modes like Aperture Priority or Shutter Priority to get out of Auto mode. Aperture Priority mode allows you to change the aperture while the other settings like shutter speed and ISO (if it is on Auto ISO mode) are chosen by the camera. Learn the effects of aperture on the end results using Aperture Priority. See the impact of depth-of-field as you change the aperture.

04 7 Photography Tips For Beginners by Prathap Photography Nature Phootography Simplified jpg

Shutter Priority mode allows you to change the shutter speed while the other settings like aperture and ISO (if it is on Auto ISO mode) are chosen by the camera. See how Shutter Priority helps you to change shutter speeds and see the effect of motion blur and freeze the action.

05 7 Photography Tips For Beginners by Prathap Photography Nature Phootography Simplified jpg

Sometimes, you may end up getting an overexposed or underexposed image while using semi-automatic modes. Exposure compensation technique allows you to compensate for the exposure.

Once you are comfortable with Aperture and Shutter Priority, getting proficient with Manual mode is quite easy. Manual mode gives you complete control of all three parameters – aperture, shutter speed, and ISO – to make an exposure.

5. Shoot in RAW Mode

One of the most overlooked feature of DSLRs, and some advanced compact cameras, is the RAW file format mode. In RAW mode, there is no compression applied to the sensor data, nor there is processing done (except little bit in some cases) like color saturation, contrast and sharpness.

JPEG format, the default mode, is compressed with different settings offering FINE to NORMAL quality. Compression means there is loss of data since it reduces the size of the photograph (or data) drastically. For instance, if your camera RAW file is 24 MB then you might end up getting a 8 or 9 MB file if you use FINE JPEG mode and it may be just 4 or 5 MB in NORMAL JPEG mode.

The amount of detail that a RAW file has may give you best possible result in terms of details in the shadow as well as in the highlight regions, considering that you have exposed the scene properly. Though there is an overhead of post-processing needed to convert a RAW file to a readable format like TIFF or JPEG in software, the end result is well worth the effort.

Another important aspect of using RAW format is that you can set the exposure compensation (within limits) and the white balance in post-processing without actually losing any data.

The image below has overexposed highlights as shown in the histogram.

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Using the Exposure Compensation tab I have recovered all the highlights, keeping the details in shadow intact. Also, I have changed the White Balance to Cloudy to get a warmer tone to the entire photograph.

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Here is the processed photograph from of the RAW file shown above. Isn’t it amazing to see how much information a RAW file can hold!

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As a beginner photographer, this might sound overwhelming but it is very easy if you consider the numerous advantages of using RAW format over JEPG format.

6. Learn to Use Histograms

Histograms are probably the most useful tool, apart from TTL (Through The Lens) metering, that digital cameras possess.
A histogram is a graphical representation of the light or color distribution in a photograph. It is a plotted with x-axis showing the light intensity value or the color value (usually a number between 0 and 255) and y-axis showing the frequency of occurrences of that particular value.

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Your camera’s LCD shows the histogram next to each photograph that you’ve taken. Though you could make out if the photograph is properly exposed or not by looking at it, it does not always tell you the details present in different areas of the image. Also, it isn’t possible to make out the clipped blacks (no details in the darker regions) or washed-out highlights (no details in the brighter regions) on the small LCD display, especially on bright sunny days.

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The histogram, on the other hand, gives you a fair idea of the distribution of the details in dark, shadow, mid-tone, highlight and bright regions. Below screenshots show one such example:

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If the histogram is skewed towards the extreme left, then the image is underexposed.

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If the histogram is skewed towards the extreme right, then the image is overexposed.

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A properly exposed histogram is the one which does not have the clipped blacks (extreme left) or overexposed highlights (extreme right).

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Though at times an image could be intentionally underexposed (to get a dark background in case of portraits) or overexposed (in case of sunrise/sunset photography where capturing details in the sun is not be possible) to get certain artistic impact.

7. It’s All About Light and Composition

One of the most often committed mistakes of beginner photographers is to spend a whole lot of time reading, debating, dreaming about the camera and accessories.

But photography is all about light and composition. If there is no light, there is no photograph. No matter how advanced or expensive your equipment is, at the end of the day it is you who have to take the photograph. At the end of the day, how you take the photograph, matters more than the camera or the lens you use.

If you see a masterpiece of Ansel Adams, would you ask which equipment did he use, or would you immerse yourself in the beauty of the photograph?

The skillful use of light and composition is what makes a great photograph. Learning to see the light and how it models the scene around you should be the first step in learning photography. Take note of how light changes the look and feel of the same subject in the course of the day.

Light has quality and direction.

Quality of light is best during early (two hours post sunrise) and late hours (one hour before sunset) of the day. Pre-dawn and post-dusk hours can help you witness, and photograph, some of the most spectacular landscape photographs.

Direction of the light could be frontal, side or backlit depending on where the sun is located relative to the subject. Each has its own application and should be studied thoroughly.

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Composition is the key differentiator between a bad and a good photograph. A photograph that is carefully composed demands viewers’ attention as opposed to a snapshot. Photography composition is a way of organizing the elements in a scene to make a statement that is understood by the viewer. The Rule of Thirds is one of the best photography composition techniques that will quickly improve your photography.

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By keeping the subject on one of these four power points (circled in red) will yield a more dynamic photograph, because there is a visual tension created due to uneven negative space.

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Conclusion

I hope you enjoyed reading this article and got some good ideas about the concepts that you should focus on as a beginner in photography. Have a great time!

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Drawing with Darkness: 24 Incredible Works of Shadow Art

25 Mar

[ By Steph in Art & Installation & Sound. ]

Shadow Art Dancing

How is it even possible that a mess of steel wires or a pile of useless scraps of trash can produce shadows that so perfectly mimic human faces and figures? Whether bringing forth unexpected shapes by combining abstract sculptures with a light source or exploring the psychological connotations of shadows, artists make light and darkness a physical element in each of these works.

Amazing Illusions by Kumi Yamashita

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Faces appear out of the most unlikely shapes and materials, from scrunched fabric to numbers mounted on a wall, while figures spring out of thin strips of metal. Says artist Kumi Yamashita, “I sculpt using light and shadow. I construct single or multiple objects and place them in relation to a single light source. The complete artwork is therefore comprised of both the material (the solid objects) and the immaterial (the light or shadow.)”

Steel Wire Shadow Art by Larry Kagan

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Though they do have a certain beauty in and of themselves, look at Larry Kagan’s wire sculptures on their own, without a light source, and you may find yourself scratching your head at what the word ‘art’ even means. But when they’re illuminated from just the right angle, they transform into something different altogether, becoming birds, insects, ladders and maps of the world.

Plasticine Body Cast Shadow by Rook Floro

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Artist Rook Floro made a plasticine cast of his body to create this eerie shadow sculpture, which he displayed in a gallery while sitting nearby with his entire body painted black. “My sculpture/performance piece is inspired by Carl Jung’s psychological theory about the shadow. It concerns with the repressed ideas, weakness, and desires of oneself that the conscious mind refuses to acknowledge. It represents my ‘shadow’ which involves my hidden desires to be different and become perfect in y own right. We always feel the pressure to be perfect by everything around us such as the media, social network, advertisement, friends, and family.”

Interactive Shadow Picture Book by Megumi Kajiwara and Tathuhiko Nijima

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This adorable Japanese children’s book by Megumi Kajiwara and Tathuhiko Nijima is enhanced with the use of a flashlight to bring out extra figures via pop-up silhouettes. The book is hand-made to order.

Dancing Shadow Sculptures by Laurent Craste
Shadow Art Dancing

Two static sculptures suddenly start to dance as a light source swings maniacally around them in this interactive art installation by Lauren Craste, created for the Chromatic festival in Montreal. It seems straightforward at first, but then the figures seem to take on a life of their own, moving in ways that don’t make sense. The secret is a hidden projector that tracks the movements of the light source to create certain effects.

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The High Life: 12 Incredible Residential Tree House Designs

25 Feb

[ By Steph in Architecture & Houses & Residential. ]

residential treehouses

We’ve seen tree houses that function as oversized sculptures, play structures for kids, sky-high tea houses and elevated retreats for work or meditation, but how many tree house designs actually fulfill dreams of living in the forest canopy full-time? These 12 residential tree houses range from traditional huts built over a hundred feet above the forest floor to a stunning ultramodern cylindrical glass house that envelops an entire tree.

Amazing Cylindrical Glass Treehouse

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This ultramodern, all-glass cylindrical house isn’t just in the trees, it contains one. ‘Tree in the House’ by Masov Aibek is a four-story residence in the woods of Almaty City, Kazakhstan with a spiraling staircase leading to each completely transparent level. A few plasterboard walls provide privacy for the bathroom and sleeping areas. The house will be available for rent, and though it may seem like it’s only suitable for exhibitionists, its location deep in the forest makes privacy less of a concern.

Traditional Residential Treehouses of Asia

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Papua New Guinea’s Korowai Tribe is just one example of people who have traditionally built their homes in the canopies of trees, some as high as 115 feet off the ground. The houses are typically built in a single sturdy Banyan tree, with poles added for extra support. Each house accommodates as many as a dozen people. Elevated houses can also be found in flood-prone areas of India, Cambodia and other Asian nations.

Finca Bellavista Treehouse Community, Costa Rica

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A couple went to Costa Rica in search of a small plot of land and ended up saving 600 acres of rainforest from the chopping block. Uncertain at first what to do with all that acreage, they began to envision a network of tree houses that soon became ‘Finca Bellavista,’ a sustainable treehouse community with individual residences connected by zippiness and suspension bridges. The self-sustaining complex includes a dining hall, open-air lounge, campfire, bath house and ‘wedding garden.’

4Treehouse by Lukas Kos

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Looking a bit like a Japanese lantern when it’s illuminated at night, the 4Treehouse by Toronto designer Lukasz Kos is a modern take on the classic wooden tree house with a facade of slats that provide shade and privacy. A semi-detached staircase on casters provides a stable, steady entrance to the home no matter how much the structure itself may be rocking in the wind.

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Top of the World: 9 Incredible POV Climbs & Dizzying Selfies

02 Sep

[ By Steph in Travel & Urban Exploration. ]

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Your stomach will drop just looking at the stunning photos captured by some of the world’s most daring urban explorers, who scale insanely high towers all the way to the top and take casual selfies like it’s no big deal. Whether illegally base-jumping off One World Trade Center in New York or climbing to the apex of a 2300-foot-tall skyscraper in Shanghai, these daredevils clearly have no fear of heights.

Hong Kong Trio Scale Skyscraper, Snack on Bananas

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If this picture alone gives you a little bit of vertigo, wait until you watch the video. A trio of teenage photographers – Danuel Lau, Andrew Tso and A.S. – climbed a 1,135-foot-tall skyscraper in Hong Kong. Casually snacking on bananas, they make the whole task of getting to the top and photographing themselves with a wide-angle camera on a stick seem like it’s no big deal at all.

Dubai Daredevils Climb City’s Towering Buildings

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19-year-old Alexander Remnev of Russia went on a trip to Dubai with a bunch of friends, and rather than just stick to the typical tourist activities, he decided to go on a little adventure. The daring photographer and his crew climbed many of the city’s tallest and most intimidating buildings and photographed themselves at the top, including the world’s tallest residential building, the 1,350-foot-tall Princess Tower.

Safety-Gear-Free Stunts in Shanghai

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Vitaliy Raskalov and Vadim Makhorov got so high into Shanghai’s sky, they were literally above the clouds. The Russian duo sneakily and meticulously planned their stunt to avoid getting busted by China’s notoriously tough law enforcement, waiting until the Chinese New Year day when there would likely be few people around. They spent nearly 18 hours at the top of China’s Shanghai Tower, which reaches an incredible 2,130 feet into the air when you count the extra length of the crane at the top.

Watch Workers Climb to the Top of a 1768-Foot-Tower

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Have you ever noticed the stairways that are often attached to dizzyingly tall towers, enabling workers to get to the top to perform maintenance? This video gives you somewhat of a perspective on what it’s like to actually climb them to the top.

Rooftopping Photography by Tom Ryaboi

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Few people get quite the same dramatic city views that Tom Ryaboi is able to take in, daring to climb onto the rooftops of the tallest buildings in any given city to take photos while dangling over the edge. The pioneering Vancouver-based ‘rooftopper’ and photographer told Resource Mag, “Rooftopping is something I do whether I have a camera or not. Being in high places is just something I need to do to keep a balanced head.”

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Surf’s Up: Clark Little’s incredible wave photography

29 Jun

Anyone who has attempted surfing can testify to the amazing force generated by even small-seeming ocean waves. That’s part of what makes Clark Little’s photography so impressive. Formerly a surfer himself, Little specializes in capturing shorebreaks – large waves that break on the shoreline. It requires impeccable timing and the dangers are real, but the payoff is evident in his breathtaking photos. Take a look at some of Little’s work. See gallery

related news: Digital Photography Review (dpreview.com)

 
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Nature’s Architects: 6 Incredible Animal-Built Structures

28 Jun

[ By Delana in Architecture & Public & Institutional. ]

animal architecture

Of all the architectural greats we’ve come to admire – Frank Lloyd Wright, Louis Henri Sullivan, Le Corbusier, and Ludwig Mies van der Rohe , to name a few – they all have one unflinchingly common attribute: they’re human. Nature photographer Ingo Arndt sees the world a bit differently, however. He spends his days photographing the incredible architectural accomplishments of the animal kingdom. In his book Animal Architecture, he introduces the human world to the animals who create stunningly beautiful structures with skills acquired only by instinct.

colorful intricate bowerbird nest animal architecture

Most of us have seen birds pick up random objects from the ground to weave into nests: blades of dead grass, pieces of straw, and even small objects discarded by humans. This behavior of collecting and building with found materials is more common than you might realize. Above is the elaborate architectural accomplishment of a male bowerbird: a brightly-colored structure built to attract a mate. Male bowerbirds build these towers and decorate them with any colorful object they can find that might catch the attention of a female. Females select their mates based on the elaborateness of the structure, so the males spend enormous amounts of time and energy collecting materials and arranging them in interesting patterns that will catch and hold the females’ attention. Baya weavers (top picture, far left) weave their homes out of fresh grass that they cut with their beaks. Once constructed, the beautiful grass nests dry and harden in the heat, creating uniquely colored structures.

compass termite towers huge animal built structures

The mere mention of termites can strike fear into the heart of any homeowner, but these little insects are capable of building massively impressive structures. Compass termites build wedge-shaped mounds that can reach up to ten feet in height. Relative to the termites’ size, these structures are almost unbelievably enormous and are usually found in clusters on the Australian plains. The compass termites build their structures in a rigid north-south orientation, the reason for which is not entirely understood by scientists. Similar in appearance are the massive towers of the Australian spinifex termites (top picture, center). These towers can reach a whopping 20 feet high and hold colonies of 3 million termites. The colony works tirelessly to mix saliva with dirt and carry these tiny orbs up to the top to keep building the structure. They even have an established workforce hierarchy, with supervisor termites watching over the workers as they build.

red wood ants nest amazing animal buildings

Ants are perhaps the most well-known animal architects. Able to carry loads many times the weight of their own bodies, ants all over the world build impressive hills using nothing more than instinct, determination, and strength. This six-foot-tall structure was created by European red wood ants and is so ingeniously designed that rainwater is diverted when it hits the hill and no water can penetrate the walls. Australian weaver ants (top picture, far right) take a different approach: they build their homes from leaves that they pull together with incredible strength. The ants use the silk excreted by their larvae to hold the leaves together, eventually creating huge structures worthy of commemoration in architectural halls of fame. These structures and the entire series of 120 stunning nature photographs can be seen in Arndt’s book Animal Architecture.

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