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10 Incredible Bird Photography Tips for Beginners

26 Feb

What is the most important factor in getting your bird photographs noticed by a large audience? Is it the camera or the lens or the bird?

Bald Eagle Flying Away With A Catch

Imagine you have a Canon 1DX or Nikon D4 and 800mm lens. You have been to a place to photograph the magnificent Bald Eagles. Everything seems perfect! Isn’t it?

But, what if you do not know what makes a good bird photograph? Do you think just by shooting a burst of photographs will give you the best photographs? Definitely not…you may get snapshots but not photographs.

“There is nothing worse than a sharp image of a fuzzy concept.” – Ansel Adams

Today you will learn some of the core principles of Bird Photography that will give you an understanding of what makes a good bird photograph.

1. You Don’t Need Expensive Lenses for Great Bird Photography

A great bird photograph does need several factors such as:

  • Quality and Direction of the light
  • Composition
  • Knowledge about the bird and its activities
  • Background
  • Knowledge about the gear you are using
  • Proper Settings
  • Proper Exposure
  • Your position
  • 3 + 1 Ps (Patience, Perseverance, Practice + Passion)

You see, it takes a lot more to become a good bird photographer. A decent APS-C or DX format camera body with telephoto lens of up to 300mm is more than sufficient to really get great bird photographs.

It is important to realize that bird photography is much more than just the camera or the lens. There is no denial of the fact that the longer the lens, the easier it is to photograph birds which are skittish. But, the lens itself cannot make a great bird photograph.

But, if you do not have a longer telephoto lens, nothing stops you from taking a great photograph of birds like Mallard ducks, geese, gulls, and herons that are easily approachable. If you cannot take a close-up of a Bald Eagle, nothing stops you from taking a unique photograph of a Bald Eagle in its habitat.

Everything boils down to how you view the situation. “Is the glass half empty or half full?”

2. Light and Composition

Green Heron Standing TallPhotography is all about light. Light has few characteristics that will make a photograph wonderful.

Early morning and late afternoon light is usually the best time for bird photography. The light during these times is soft. As a bonus, the birds are very active as well.

Soft light has some wonderful characteristics like:

  • It does not cast harsh shadows on the bird
  • It brings out a glow to the bird’s plumage
  • It gives the catch light in bird’s eye

Composing a bird photograph helps you to convey your message in the best possible way. Bird Photography composition is generally very simple. Following a few basic composition principles will help you make a difference:

  • Use rule of thirds composition to place the bird off-center
  • Use color contrast by aiming for complementary background
  • Fill the frame with the bird
  • Use a clean background

3. Transport the Viewer into the Bird’s World

We see our world at 5 to 6 feet high, but birds see the world in few inches to few feet. To get a feeling of the bird’s world, then you need to get down to their level!

Go Low and Go Slow…

Always try to photograph the birds from their eye level, except the birds in flight of course. It has greater benefits that will overshadow any of your complaints like I can’t bend down, lie down etc. Some of the obvious benefits are:

  • You get more intimate photographs of birds since you will get an eye contact
  • You will get pleasing blur both in the foreground and background
  • You make the bird less scared since you can hardly move
  • You will transport the viewer into the bird’s world

Goslings Crossing the Road

4. It’s all in the Eye

Take a look at any photograph of a bird. What is the first thing you want to see? It’s the eye…right?

We tend to make an eye connection with any living being. It is no different with birds. The eyes are the windows to the soul. If there is no light in the eyes, then they look dull or lifeless. Birds look lively when there is light in their eye.

This light in the eye is called a catch light.

Sparrow perching on a tree branch

By following few guidelines you can easily get better bird photographs:

  • Always keep the bird’s eye in sharp focus
  • Check for a catch light in the bird’s eye (easy to get if the bird is front lit)
  • Make sure to photograph from bird’s eye level

5. Fill the Frame

In bird photography, mostly we photograph an individual bird. While photographing individual birds, it is always a good idea to fill the frame with the bird.

Advantages of filling the frame with the bird are:

  • It is easy to focus on the bird
  • It is easy to achieve a pleasing blur or bokeh effect in the background
  • It is easy to properly expose for the bird
  • It is easy to compose in the field

Juvenile Blue Heron Close Up

6. Tell a Story

Storytelling in bird photography should not be confused with the stories that run for pages. Storytelling is a way to express the time of the day, mood, place or activity of the bird in one photograph. Viewers should be able to picture themselves in the scene.

Simply put, a photograph with bird and its surrounding will give a better sense of story than just the bird filling the frame. Though, it may not always be true.

Great Egret in Misty Morning

Here are few tips you can follow while you photograph a bird in its habitat:

  • Make the bird an integral part of the photograph by including its natural habitat
  • Show the interaction of birds if there is more than one bird in the photograph
  • Indicate the weather conditions by including either snow, rain or mist
  • Take photographs during sunrise and sunset
  • Show season by including flowers in bloom, autumn colors, or snow

7. Capture their Action and Behaviour

Birds are always in action. They hardly sit idle. Capturing birds in action involves more effort and patience compared to photographing perched birds.

Here are few tips to capturing birds in action:

  • Photograph early in the morning or late in the afternoon when birds are very active
  • Use burst shot mode to take several photographs during the action
  • Track the bird until focus is locked before pressing the shutter
  • Learn to anticipate the action either by observing or reading about them

Juvenile Blue Heron with a Fish

Birds tend to ignore you when they are very hungry. It is very easy to photograph them in action during these times. But, care should be taken not to disturb them and maintain considerable distance.

Capturing bird’s behaviour is much tougher than any other aspect. Generally because birds become alert the moment you are in their sight.

The alert bird is always trying to fly away and rarely will you see its behaviour. You can observe actual behaviours of a bird when it is comfortable. There are few ways to make the bird comfortable:

  • Use a natural place to hide, like a bush or tree or something that obscures you
  • Wait patiently until the bird ignores you
  • Visit the location several days in a row, until the bird becomes comfortable with your presence or you get the right opportunity

Juvenile Great Egret Behavior

Remember to research and learn everything about the bird you are photographing. This will definitely make you a better bird photographer and also you will enjoy knowing about the bird.

8. Capture their Magnificent Flight

The most interesting part of bird photography is capturing their magnificent flight. This is a very tricky aspect for beginners and pros alike. It is not easy to take flight photographs that will wow viewers.

The success with birds in flight photography largely depends on the bird as well as the technique that one employs. Smaller birds are generally very erratic in their flight and also a bit difficult to track since they are generally too small in the frame. But the larger birds are slightly less swift and are not as difficult to track.

If you want to be successful with flight photography, start with the larger, slower moving birds. Learn all the field techniques to capture the perfect photographs of these birds.

Belted Kingfisher in Flight

Here are simple tips that will help you capture those magnificent flight photographs:

  • Learn about the bird’s flight patterns
  • Know their landing and taking off patterns
  • If there is more than one bird, it is almost always the case that if one flies, the rest will follow the suit
  • Track the bird for a while and let the camera achieve focus before pressing the shutter
  • Use Aperture Priority so that you do not have to worry much about the changing light conditions

9. The Background Makes the Picture

This is one of my favourite topics which I repeat often. What are your thoughts on this? – Is it the background or the bird which makes the picture?

Go through all your favourite bird photographs and see it for yourself. Let me know what you think, in the comments below.

Except extreme close-up portraits of birds, every other type of bird photograph will look great when the background is clean and complementing the bird.

Seagull the Eagle

It is very important to keep a check on the background while taking bird photographs. Just follow these simple tips:

  • Avoid taking bird photographs when the background is too distracting
  • Avoid taking bird photographs when the background is plain and boring
  • Wait for the bird to assume a good position or you change your position to get an interesting background
  • Choose maximum aperture values to throw the background completely, or slightly out of focus

10. Practice with Common Birds

I urge you to practice with common birds. You might have understood by now that the techniques are not dependent on camera, lens or the bird. I was using 18-200mm lens for first 4 years. I learned and practiced most of my birding techniques with common birds like seagulls, Mallard ducks, geese and herons.

I spend most of my time photographing these common birds, and I gave myself a challenge to make some unique photographs of them, that has fuelled my passion so long. I put more importance on learning and practicing photography, than whatever gear I possess. I am very glad to say that I learned most of the photography basics here at Digital Photography School.

I hope my story so far is an inspiration to you to embrace the beauty of these common birds.

Wrap up

Barn Swallow Taking OffFocus your time and energy in learning all the core principles outlined above. Prove it to yourself that you have so much passion to go out and photograph the birds every day, or as often as you can.

Remember that proper techniques will always outsmart equipment. Make every attempt to make amazing photographs of the common birds. Enjoy photographing birds. That is the secret to success.

Share your experience with us. Do you go out very often to photograph birds? Do you think technique outsmarts the equipment? I would be glad to answer any questions you have. Do let us know if you have any other suggestions on bird photography.

The post 10 Incredible Bird Photography Tips for Beginners by Prathap DK appeared first on Digital Photography School.


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50 More Incredible Tumblr Blogs for Photographers

04 Nov

Tumblr is a magic land of GIFs, memes and photography. If you step into this world, you should know in advance that there is no looking back. Browsing through the images can take you hours, so you may even forget to feed your pet! But no worries: Tumblr will help you go through it – there are tons of cute Continue Reading

The post 50 More Incredible Tumblr Blogs for Photographers appeared first on Photodoto.


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Incredible photos of Earth from the European Space Agency

11 Oct

Golden_curves_large.jpg

There’s no better view of the earth than the one you get from space. The European Space Agency’s mission is to ‘find out more about Earth, its immediate space environment, our Solar System and the Universe’, and as such, every year it produces thousands of high-resolution images of earth from orbit. Click through for a selection of stunning photographs and links to the ESA’s website (which, unlike NASA’s US government-funded site, is still online). 

News: Digital Photography Review (dpreview.com)

 
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Sharon Montrose Answers What It’s Like to Photograph Lions and Other Incredible Animals

15 Aug

When was the last time you got to snuggle a wolf puppy at work?

Never? Us neither. Sharon Montrose, on the other hand, can raise her hand to that one (and we’re green with jelly).

Sharon’s the photographer behind The Animal Print Shop. You might’ve spotted her portraits of wide-eyed baby giraffes, raccoons looking smug, and baby bears being baby bears.

We asked about how she discovered her awesome talent for photographing animal personality and what working commercially is all about.

While wolf pups might not be next up on your model list, you’ll get inspired to sit your pet down for a session!

Sharon Montrose on Animal Photography

p.s. We’re hiring for an amazing opening at Photojojo. We’re looking to re-invent what/how/where we publish online, and we’re seeking one amazing somebody to lead the charge as Editorial & Community Lead.

Who is Sharon?

The first time we heard about Sharon, she was snapping a baby giraffe in this Etsy interview. That’s when we knew that she probably had the best job in the world.

Sharon’s an acclaimed animal photographer who happened upon her talent for capturing portraits of animals when she was inspired to photograph her own dog one day (read more about that in the interview).

While she shoots dogs and cats commercially (you’ve probably seen her photos on billboards), Sharon has had the opportunity to work with less common animals like bear cubs, ostriches, and flamingos in her personal photography. This project is what became her Animal Print Shop series. Read about where the animals come from here.

Looking through Sharon’s portfolio is a roller coaster ride of awwww and is that real! and dang, she’s inspiring. Read on to learn more about how Sharon got started and what gets her inspired.

Is photographing large animals intimidating?

Q: You’ve photographed buffalo, cows, giraffes, lions even! Is it intimidating to stand in front of an animal that large with your camera?

A: No. I’m naturally a somewhat fearful person, but I when I get behind the lens, my fear is goes away–I think I’m too distracted getting my shot to be afraid. 

How do you get great photos of wiggly subjects?

beforeQ: So, kittens and puppies aren’t known for their sitting-still-in-one-spot skills. How do you manage to get great photos of them regardless?

A: Patience and timing. With animals that move around a lot, you have to be ready and focused to hit the shutter in that split second when they stop.

How many shots does it take to get that one photo?

beforeQ: When you’re shooting for your Animal Print Shop series, how many shots does it take to get that one incredible photo?

A: It really depends on the animal–if it’s a calm animal (like a cow) who will just stand there and look around, I can get my shot in a couple frames. Others though, like little lion cubs, are running all over the place and take some serious time and patience.

How did you get into animal photography? before

Q: Did you know you wanted to get into animal photography off the bat? If not, what was getting there like?

A: At first I had a very tough time turning what I loved doing into a way to earn a living. I floundered before I became established as a working photographer. I was shooting headshots and weddings and doing okay at it, but I wasn’t happy doing either and had lost the love I had for photography.

Around the same time, I adopted my first dog (several members of my family also had dogs), so I started taking photos of all the dogs in my life to see if it reignited the love I once had for photography. It did, and I learned an important lesson as a result: I had to have an authentic connection with my subjects.

Shortly afterwards I began work on my first book Dogtionary (Viking Press 2001). The book came after many failed attempts at marketing myself as a private party pet photographer. Back in 1998 people didn’t spend money on their dogs like they do today.

The book (and subsequent books) established me in my niche because the internet was still new, so being published was more productive in those days and there were very few published photographers with dog books in the United States. There were only a handful of us in the shadows of the great William Wegman, Elliot Erwitt, Henry Horenstein, and Keith Carter. I think it was me, Jim Dratfield, Kim Levin, Valerie Shaff, Sharon Beals, Deborah Samuel, Jeff Selis, and Debra Marlin. If I forgot someone, I’m human, please don’t send me hate mail.

Can you describe a shoot in 5 steps?

beforeQ: Can you describe a shoot (let’s say one from your Animal Print Shop series) in 5 steps? Give us an idea of what happens start to finish!

A:
1. Phone calls: Reaching out to my contacts to see if there’s anything out there for me to photograph.
2. Production: Coordinating the logistics and equipment for the shoot.
3. Shoot day: The best day!
4. Editing, post production, and test printing.
5. Producing Materials for New Release: Producing product shots, printing inventory, and adding the new release to the site, plus marketing efforts.

What is having a professional team like?

Q: What is having a professional team like? Are you ever like, “I wish it was just me?” 

A:never wish it was just me. I literally couldn’t do what I do without my team–I’m very lucky to have them.

What didn’t you realize you would be doing?

beforeQ: You’re pretty much running your own business as a photographer. What do you do a lot of now that you didn’t realize you would be doing when you started?

A: Answering questions about myself in interviews. I take my work seriously, but I don’t take myself seriously–so it’s a weird challenge.

How much creative free-reign do you typically get?

beforeQ: In commercial photography how much creative free-reign do you typically get? We’re guessing you’re working with clients’ marketing teams and maybe stylists — how collaborative is it?

A: It’s always a collaborative effort to get the shot, sometimes with many different creatives coming together: creative director, set decorator/prop stylist, production, and my crew.

If I have been selected for a job by a creative team, it’s because they like what I do and believe I can nail their comp, so it’s inherently collaborative.

Usually after we’ve been successful at getting their comp and the client is happy, I’ll shoot variations and freestyle a little to get extra options and make sure they have everything they need — that’s where I get free-reign. And sometimes they end up using those shots instead or in addition to the original concept.

Who are your top 3 favorite photographers?

Sally Mann, Robert Mapplethorpe, Edward Weston.

Where or who is your favorite inspiration? 

beforeQ: When you want to photograph your own stuff, where or who is your favorite inspiration? 

A: Honestly, it’s hard to shoot my own stuff now since I’m so busy running The Animal Print Shop. Inspiration does strike though, and I usually just pull out my iPhone to take a few snaps. It’s usually of my dogs or my crew messing around at the shop to post on Instagram.

Unless I’m in my most favorite place on earth: Yosemite. There you will find me somewhere along the Merced River in all my photo glory looking like a total Ansel Adams wannabe, photo-geek. True story.

Do you have any favorite phone photo apps or tips?

beforeQ: We see you’re on Instagram. (OMG wolf puppy!) Do you have any favorite apps or tips?

A: I like VSCOcam and Squareready. But don’t ask me, I’m old.



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Incredible Shrinking Building: Top-Down Demolition in Style

31 Jan

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

demolition top down

Japanese culture is commonly thought of as being centered around quiet politeness and public respect. If so, this may be a physical representation of that interpretation -a  remarkably subtle and deferential structure-destroying process with many levels of conscientious thought behind it (not to mention a brilliant visual effect, per the video below).

demolition process deconstruction phases

This elegant form of razing is “reverse engineering” in a much more literal sense – taking apart what has been put together with equal care. The strange structure that seems to move down the building does just that: at each stage, it is held up, then strategically lowered as the process unfolds, making it appear as if the building is shrinking (perhaps imperceptibly to pedestrians, but noticeable as time lapses).

Demolition might be too strong a word: Taisei’s Ecological Reproduction System (aka Tecorep) caps buildings and proceeds to disassemble them piece by piece and level by level in order to reuse intact components and materials.

building deconstruction by floor

The process does more than just aid in reuse – it lower environmental impact, from dust and debris to sound, all of which are buffered. And as elements are dropped down by crane, the power generated by that release of potential energy serves to generate electricity for the deconstruction efforts. The entire system is, in short, incredibly considerate and extremely well thought-out.

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[ By WebUrbanist in Architecture & Cities & Urbanism. ]

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Set Your Photographs Apart with These Incredible Pro-Lighting Techniques

10 Jan

This is the trailer for our Fashion and Beauty Lighting Secrets DVD. Part out our Pro Photography Masterclass DVD series. Get More FREE Training at my website: www.photography-tips-online.com See how these stunning shots were created from start to finish. Broaden your knowledge of studio and location lighting for Beauty Portraiture and Fashion Photography as Karl Taylor reveals some of his incredible lighting secrets. In this programme Karl shows you 9 incredible lighting set-ups and model shoots in an easy to understand format that will give your images that professional edge. On this DVD you will learn: * Beauty Studio Lighting * Soft Light on Location * Lighting Panels * Soft Dish Techniques * Fashion Lighting * Mixed Lighting Sources for Drama * Fashion Lighting on Location * Beauty Dish and Backgrounds Get More FREE Training at my website: www.photography-tips-online.com
Video Rating: 4 / 5

 

The Incredible Lost and Found Art of Hand-Painted Signage

24 Oct

[ By Delana in Design & Graphics & Branding. ]

While technology usually makes things faster, it rarely produces the kind of unique and soulful results that come from the hearts and hands of humans. The sign industry fell as a casualty to a world obsessed with technology’s quicker, cheaper, utterly identical products. But a new generation of traditional sign painters is revitalizing this amazing trade, bringing the soul back to the business of storefronts and billboards.

(all images via: Princeton Architectural Press)

A new book from filmmakers Faythe Levine and Sam Macon details the history and current state of the surprisingly fascinating sign painting industry. (Princeton Architectural Press, the book’s publisher, provided WebUrbanist with a copy of the book for the purposes of this article.) The book tells the stories of sign painters, both young and old, and their take on their unique industry. Each segment of the book includes examples of the painters’ work and often glimpses into their workspaces.

As recently as the 1980s, it was impossible to walk down any street in America without seeing hand-painted signs of some type. Storefronts, billboards, murals, banners, and even street signs were hand-lettered with brushes and paint, relying entirely on the skill of the painter to make them readable and eye-catching. And their skill is considerable. Just imagine trying to paint a professional-looking sign – one that can not only rival a vinyl sign but outstrip it in terms of individual style – using nothing more than a toolkit of brushes and some jars of paint. The vast majority of us couldn’t do it.

In more recent years, distressingly homogeneous signs have largely – though not completely – taken the place of these carefully hand-lettered ones. The technology used to create signage today is fast and cheap, but lacks that human touch. Entire streets full of store fronts in any given city look exactly the same – laser-cut vinyl letters don’t allow for any type of personality or variation, and that is to the detriment of not only the sign painters, but also the general public and – maybe most significantly – the store owners themselves.

According to Sean Barton, one of the sign painters featured in Levine and Macon’s book, many business owners don’t want to invest in their shops like they used to. They would rather slap up a vinyl sign that costs next to nothing than take pride in their livelihood. A great-looking storefront with hand-painted signage is bound to attract more business than a shop that looks exactly the same as 20 other shops on the street. This is beginning to dawn on many business owners, says Barton – they are realizing the power of hand-painted signs and showing a new appreciation for this nearly-lost craft.

And that is what this resurgence of hand-painted signage is about: the power of individuality. Seeing the same lettering, the same color schemes, the same type of signs everywhere we go has made us immune to the sad fact that uniformity has taken over our cities. This is never more apparent than when we walk by a shop with carefully hand-painted signs. It, almost without fail, will seem like the coolest and most interesting shop on the street, even before we walk through the door. Why? Because that store owner took pride in his or her business and chose to display the individuality that other shops are missing.

Many sign painters working today began their painting careers under very different circumstances: as graffiti writers. It makes sense, in a way, to move from the illegal side of painting in public to the legal side. But can they possibly get as much enjoyment and satisfaction from painting the letters and logos of their clients as they did from tagging boxcars? Apparently, the sign painting business offers enough of a challenge to keep these modern-day artisans fulfilled. In sign painting, as in graffiti, planning and spacing are key – and in both, the painter’s personality and humanity shine through.

There is a deeper message here, not only for business owners but for all of America. When corporations began taking over the towns and cities with their homogeneous style and predictable experiences, we lost something. We lost the personable nature of Main Street and the colorful mish-mash of downtown. As our culture begins to pull away from the trap of corporate sameness, we will no doubt see at least some businesses return to the traditional art of hand-painted signs. And the sign painters will, as always, remain behind the scenes as the people who dramatically impact our buying habits, but about whom we rarely stop to think.


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[ By Delana in Design & Graphics & Branding. ]

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Iron Man, Spider-Man & The Incredible Hulk vs Giant Robots 3D Animation Marvel Cartoon

19 Sep

Click the link below (in video description) to see how an 18 year old makes over 8 per day through the internet… This is the craziest thing I have ever seen.. It’s so freaking cool! tinyurl.com