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Archive for July, 2013

Macro photographs reveal the tiny, brutal world of ant warfare

30 Jul

ants2.jpg

Think ants are only interested in crashing your summer picnic? When they’re not after our stray watermelon slices, it seems they’re busy in engaging in ant-to-ant combat. Alex Wild’s macro photography reveals the warring nature (and surprisingly frightening jaws) of these seemingly unassuming insects. His photos reveal fights over territory, conflicts between colonies and brutal take-downs that rival UFC brawls – all going on otherwise unnoticed at our feet.

News: Digital Photography Review (dpreview.com)

 
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New cheat sheet tells you how to keep photos sharp when sharing

30 Jul

fb1.png

The cautious photographer is always conscious of what’s happening to their images when they’re being shared online – whether they’re being resized, re-compressed or otherwise modified from the original. Social networks like Facebook and Twitter all treat images differently, but a new cheat sheet can help you keep your pictures sharp by detailing the pixel dimensions of just about every component on the major social networking sites. Click through for more details on connect.dpreview.com

News: Digital Photography Review (dpreview.com)

 
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Small Space Design: 15 Fold-Up, All-In-One Bathrooms

29 Jul

[ By Steph in Design & Fixtures & Interiors. ]

Compact Bathrooms Main
Making the most of limited living space requires modular solutions that can be moved around and altered at will, and that includes bathroom fixtures. Smart, compact modular or all-in-one bathroom solutions add extra luxuries to tiny rooms, rather than taking them away, making room for tubs, saunas, spacious vanities and storage along with necessities like toilets and sinks. Here are 15 intriguing space-saving bathroom concepts.

Fold-Up Bathtub

Compact Bathrooms Fold Up Tub 1

Compact Bathrooms Fold Up Tub 2

Few people in small urban apartments are lucky enough to have a bathtub. But that kind of relaxing amenity would be more possible if more bathtub designs resembled this one. Designer Dominik Chojnacki envisions a fold-up tub that nestles up against the wall when not in use. Too bad it doesn’t double as a shower for ultimate adaptability.

‘Oneself’ For the Person Who Lives Alone

Compact Bathrooms Oneself

In a one-room apartment where privacy isn’t a problem, perhaps something like this would work (though it would be better if it was at least partially walled off): a gridded wall that opens to reveal a sink, toilet and shower along with storage for towels and other items.

Super-Compact Flight Concept

Compact Bathrooms Flight Concept 1

Compact Bathrooms Flight Concept 2

This modular all-in-one bathroom concept combines a shower, sink, tub and vanity in one compact unit. A portion of the ‘Flight’ cabinet folds down to become an elevated bathtub.

Bathroom on a Wall

Compact Bathrooms FluidWall

Here’s another concept that hides bathroom fixtures in a wall so they’re out of the way when not in use. Each panel of the Fluid Wall has identical hidden mounting points so various components can be swapped out as desired by the user including sinks, toilets, shelves and storage.

Space-Saving Tulip Shower

Compact Bathrooms Tulip Shower 2

Compact Bathrooms Tulip Shower 1

The Tulip Shower is an actual dual-usage, fold-up fixture that serves as a shower when standing or a tub when laying down. It looks sort of like a futuristic space pod full of high-powered massagers and underwater jets. The back surface of the shower provides a space to lean against when you’re lounging in the tub.

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Small Space Design 15 Fold Up All In One Bathrooms

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[ By Steph in Design & Fixtures & Interiors. ]

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Bursting the Burst Mode Myth: [What I Learned from Shooting with Film]

29 Jul

Over the next week we’ll be featuring a mini-series of posts from Rachel Devine (author of our kids photography eBook) in which she’ll be talking about five reasons learning photography on film cameras made her the digital photographer that she is today.

Here’s today’s on Busting the Burst Mode Myth.

no burst mode here

There are a few things I hear as top advice for budding children’s photographers and parents who want to take better photos of their children. I think that setting the camera to burst mode and holding the shutter down while taking photos is the one I hear most often and makes me cringe hardest. Called the “spray and pray” method, lots of digital photographers rely on taking hundreds of images (I have actually heard of thousands of frames shot for one portrait session) at a sitting to get a handful of good shots.

When keen new photographers ask for advice on how to get better photos of kids (their own or for a client) and are told, “It is digital, it will not cost you anything, just put the camera in burst mode and take as many as you can and you are bound to get a good one in there” they are being fed bad advice…or rather non-advice.

I started my photography career on film 16 years ago and when I did, those who swear by the spray and pray method may be shocked to learn that there were lots of other kid and family photographers who had to get the entire session worth of images for their clients on just a few rolls of film. And they did…every time.

Here is why shooting in burst mode not best for everyone and what I think is better advice for those really wanting to get better at taking photos of kids.

Burst Mode does actually cost something

Time:: It takes time on your end to weed through those hundreds of resulting shots. Culling images is a time sucking and soul zapping process where you will be tied to your computer for hours sorting, comparing and slitting hairs. It may be fun the first few times you go through your images, but it will wear on you over time and if you get into the habit of having to shoot this way, you will also have to allow time for sorting and editing all of those images.

Not learning to see:: If you do have to resort to shooting in burst mode, then things really are on auto. Burst mode does not allow for the photographer to make changes to the image and exposure settings while they are taking the shots. With single images taken thoughtfully, the photographer can fine tune the exposure settings and compose carefully. Learn to recognize what makes a great image and then set out to purposefully shoot that.

no burst mode here

Missing Details:: When the camera is set to burst mode, the focus is on quantity and quality tends to take a back seat. People tend to forget to scan the shot for details and end up with an entire series of cute expressions on a child who seemingly has a tree growing out of the top of their head. That photographer can now tack extra time onto their post processing routine to edit that sucker out. I have seen tags left on clothes, dirty faces, cars parked prominently in the background. Things get missed easily in the rapid fire fury.

Connection with the subject:: Finally, I have heard an argument in favor of burst mode that it helps avoid missing any special moments. Really, the wham-bam-thank you ma’am approach to photography may seem like a good idea for kids because they are fast and have short attention spans, but getting them involved in the whole experience is so much more enriching for both photographer and subject. These are not wild animals on safari, but tiny human beings who can and should bring personality to the table when they are active participants in your sessions, not just being shot at. This is especially true for people who enjoy documenting their own children over and over again. Slow down, take a moment to breathe, observe and photograph and then breathe again…it is then when you will not only be photographing the special moments, but also participating in them.

If that all does not speak to you, let’s talk cash…

Shutter actuations:: Your camera does have a shelf life and it really is not determined by when the latest and greatest new model is released, but more by how many times the shutter has actually clicked. While the total end number can vary by camera model and may seem really quite high, it will be reached faster if you are taking hundreds of images each time you go to use your camera.

Where burst mode does come in handy

no burst mode here

Shooting big group portraits :: Great for getting extra shots of the same scene (especially when mounted on a tripod) where you may need to do a head swap because someone closed their eyes.

Sports :: That is pretty much why it is called Sports Mode

Portraits with a point and shoot camera :: The shutter lag present in point and shoot cameras (the time it takes the camera to actually capture the shot from when you press the shutter button is called shutter lag and is very apparent in point and shoot cameras) can cause you to miss the moment even when you are shooting carefully and are ready for it. Setting the little compact cameras to sports mode can help overcome this technical hurdle.

Back in the days of film, we were limited by budget as we had to pay cash money for the film and processing. That made it necessary to shoot mindfully. We ended up with more images that we loved and fewer wasted frames. Today with digital, the costs are hidden, but there are still costs. Take the time to set up the sessions, meter the light, compose and be present while you are photographing your little subjects. Practice shooting digital with the discipline of film. You just may find that you enjoy the act of photographing kids even more than you thought possible.

For more on the topic of Kids Photogrpahy – Check out Rachel’s eBook Click! How to Take Gorgeous Photos of Your Kids.

kids photography tips

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Bursting the Burst Mode Myth: [What I Learned from Shooting with Film]


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Take Your Creativity to New Heights with Self-Portrait Photography

29 Jul

Self-portrait photography, since the beginnings of the industry, has always been popular among photographers. I mean what is there not to love? Finally you get to work with a model that does exactly what you ask of them! Aside from the ego obvious elements, It’s also great for learning how to get to grips with a new camera, practicing newly Continue Reading

The post Take Your Creativity to New Heights with Self-Portrait Photography appeared first on Photodoto.


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On Assignment: Scout and a Shoot Pt. 1

29 Jul
Gonna do something a little different today.

If at all possible, before a job I try to get to the location a day or two in advance and do a quick scout. This helps me to think a little in the interim and to anticipate any problems I might have during the shoot. It also helps me to decide what gear to bring — i.e., not to overpack.

So let's do a quick scout together. In the next post, we'll walk through the shoot itself.

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Traumwirklichkeit – Gedanken zur Sofortbildfotografie

29 Jul

Ein Beitrag von: Birgit Zartl

Als Psychotherapeutin, Kreativtrainerin und Malerin war es klar, dass es mich irgendwann auch zur Fotografie ziehen würde. Die erste Zeit der digitalen Methodik ließ ich relativ bald zugunsten der analogen Fotografie hinter mir und begann, mit der Holga und Rollfilm zu arbeiten.

Die Fotos sind vorwiegend schwarzweiß (nicht zuletzt wegen der Entwicklung mit Caffenol) und zeigen Landschaften, Bauwerke oder auch Objekte, manchmal Doppel- oder Mehrfachbelichtungen. Die Holga ist immer noch ein Liebling von mir, aber meine Kreativität läuft in Phasen ab. Derzeit fasziniert mich die Sofortbildfotografie.

milky apple oil slick © Birgit Zartl

Eher durch Zufall verliebte ich mich in das Design der Sofortbildkamera Polaroid SX-70, einer faltbaren Spiegelreflexkamera aus den 1970er Jahren. Die musste ich haben.

Zunächst experimentierte ich mit Landschaftsaufnahmen, aber bald (nicht zuletzt auch wegen des vom „The Impossible Project“ neu produzierten monochromen Sofortbildfilms) wendete ich mich mehr und mehr dem Stillleben und, nach anfänglichem Zögern, auch der Gestaltung von Selbstportraits, und der Kombination der beiden Genres, zu.

Contacts with Shadows © Birgit Zartl

Wie auch in der Malerei liebe ich es, Traumbilder zu kreieren, auch wenn ich dafür reale Dinge, Blumen oder Körperteile, verwende. Hierbei entstehen Einzelbilder oder auch Bilderserien, die surreale Geschichten erzählen oder Stillleben wie aus einer anderen Zeit.

Stillleben haben etwas Magisches. Sie erklären Dinge, sie bringen den Betrachter zum Nachdenken und wecken den Wunsch, zu interagieren. Oft sind die Elemente der Fotografien eher lose zusammengefügt, einem Assoziationsprozess oder Träumen gleichend.

black hand - cage © Birgit Zartl

Ich bevorzuge monochromen Sofortbildfilm, weil mir Form, Komposition und eine gewisse Reduktion wichtig sind. Ganz anders als in digitaler Fotografie besitzen Sofortbilder weniger Bildschärfe und gerade diese Qualität schätze ich für meine Arbeiten ganz besonders.

Die Art des „Sofort“-Bildes hat den Vorteil, dass man sofort ein berührbares Foto-Objekt in den Händen hält. Außerdem ist jedes Foto ein Einzelstück und dank der zeitweiligen Unvorhersagbarkeit des Filmes auch nur sehr schwer reproduzierbar. Das macht es besonders wertvoll und hebt sich für mich von der digitalen Produktion von Fotos ab.

Fathom © Birgit Zartl ranunculus © Birgit Zartl

Seit Kurzem experimentiere ich auch mit Sofortbild und Collage sowie der Emulsionslift-Technik. Ich konnte meine Arbeiten schon in mehreren Ausstellungen (in Wien un Italien) zeigen und für September 2013 ist eine weitere Ausstellung meiner Sofortbild-Stillleben geplant.

Meine Sofortbildfotografie ähnelt meinem Zugang zur Malerei, die ebenfalls monochrome und in der Motivwahl reduzierte Einzelstücke hervorbringt. Manchmal sind es sogar die gleichen Motive, wie zum Beispiel ein Vogelschädel, den ich von den Shetland Islands mitgebracht habe.


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Time-Lapse Tagging: Short Film Reveals Secrets of Graffiti

29 Jul

[ By WebUrbanist in Art & Street Art & Graffiti. ]

time graffiti artist ladder

You see the finished pieces all over – ornate, curved and layered – but rarely get such a vivid and complete all-angle, real-time view of how their tags come together. If you are even remotely interested in graffiti, this behind-the-scenes video with its shifting point of view is well worth a few minutes of your time.

time lapse graffiti mural

Featuring Melbourne street artist Sofles and directed, filmed and edited by Celina Mills of Unity Sound & Visual, this video provides a whirlwind four-minute window into the creative process behind tagging. Instead of a static shot of a single tag, though, the camera follows the artist from wall to wall, into an abandoned building and more.

time lapse tagging video

What makes it really remarkable, though, is that it gives you a tour of different scenarios and contexts for various styles and types of graffiti creation. It features interior and exterior settings as well as canvasses ranging from blank to brick to already-painted – so you can see what happens from start to finish in all kinds of urban situations.

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6 Lessons the Square Format Can Teach You About Composition

29 Jul

Square format composition

In another article I wrote that one of the main attractions of the square format for me is composition. Today I’m going to elaborate on that idea.

Composition in the square format is a different process than within a rectangular frame. The benefit of understanding of why that is so is that you will be able to apply the lessons learnt to improving the composition of your images in any aspect ratio. Even if you never intend to use it in earnest, it’s worthwhile playing around with the square format for this reason alone.

Let’s take a look at some of these factors:

1. Balance

A square is a perfectly balanced shape. Each side is equal in length. Using the square format encourages the eye to move around the frame in a circle. This is different to the rectangular frame, where the eye is encouraged to move from side to side (in the landscape format) or up and down (in the portrait format). There are many factors that influence the way the eye moves around a photo, including the use of line, texture, colour, selective focus and negative space. But the shape of the frame is a major factor.

In this landscape, composed within the 3:2 aspect ratio of my 35mm camera, the eye is encouraged to move from side to side by the shape of the frame and the horizontal lines:

Square format composition

In this square format photo, the eye is encouraged to move around the frame in a circle:

Square format composition

2. Space

Negative space is the term used to describe the empty space in an image around the subject. Composition is often improved by getting closer to the subject. But sometimes you can create atmosphere or emphasise the shape of the subject by including negative space around it. In the rectangular frame, this can be difficult to do as it results in a lot of empty space. But it can be very effective in the square format.

Here is a photo that I took of a lizard in the 3:2 aspect ratio:

Square format composition

And here is the same photo cropped to a square:

Square format composition

Which do you prefer? There is no right answer – it’s entirely subjective. But it’s interesting how the dynamic of the image is changed by a single crop.

3. Simplicity

The square format lends itself to a simple approach. There is less room within the square frame than the rectangular one, therefore simplifying the composition becomes a necessity.

Creating a simple composition is often much harder than it seems. But it’s a very useful exercise. For your photos to have impact, you want to eliminate as many distractions as possible. The focus should be on your subject. If there are other elements within the frame that pull the viewer’s eye away from the subject that can lessen the strength of the image.

The composition of this image is about as simple as it is possible to get:

Square format composition

4. Shape

How many shapes can you see in the images below? There are circles, squares, diamonds, rectangles and triangles within these photos. The square format lends itself to this style of composition. I think that’s because the square is such a powerful shape in itself, that it emphasises other shapes within it. Linked with this are the ideas of balance and simplicity. Simplifying the composition emphasises shape, and so does placing shapes within a square frame. Converting to black and white emphasises them further.

Square format composition

5. Central composition

In the square format you can often place the subject in the centre of the frame for an effective composition. Generally speaking, many photographers tend to avoid place the subject off-centre for a more interesting composition.The rule-of-thirds is a reminder of this. But in the square format that doesn’t apply.

It’s even more true when the image is simple. The less distractions there are in the frame, the more effective a central composition becomes. If the subject has a strong shape, the empty space around it emphasises the shape. And the square format provides the perfect, balanced frame:

Square format composition

6. Black and white

Take away colour and what do you have? An image that relies on tonal contrast for impact and that emphases visual elements such as line, texture and shape. The square format and black and white seem made for each other, which perhaps explains its popularity with fine art photographers.

Take another look at the photos in this article. Do you prefer the colour images or the monochrome ones? The answer may give you an idea for future photo projects.

Final thought: Have fun

Whether you shoot with the intention of utilising the square format, or go back over old images to see whether they can be improved by cropping to a square, the most important thing is to have fun with the process. Enjoy the challenge of getting to grips with the square format and its implications for composition. Don’t take it too seriously. You’ll create some beautiful images and the lessons you learn about composition along the way will help you create better images in the future.

 

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

6 Lessons the Square Format Can Teach You About Composition


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29 July, 2013 – Why Do We Photograph

29 Jul

Today’s new article is an essay by regular contributor, Alain Briot. It is titled Why Do We Photograph?, and if the fourth part of a continuing series.


The Luminous Landscape – What’s New

 
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