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Posts Tagged ‘We’re’

How fast were you going? GoPro HERO5 Black videos can now include GPS and telemetry data overlays

19 Nov

GoPro has updated its Quik desktop software with a new feature that enables HERO5 Black camera owners to overlay GPS and telemetry data onto their videos. This data is gathered by the camera’s various sensors during recording, and provides an extra layer of information for viewers, including things like the date and time the video was recorded, the altitude, elevation gain, and distance in miles or kilometers. 

The data overlays are customizable, and include resizable graphs and the ability to choose which data is included in the video. In addition to the aforementioned data, the overlays can also include a compass to show the camera’s orientation, speed, a speed graph with activity spikes, the GPS path and position pinpoints, and G-Force levels.

The Quik desktop editing software is available for 64-bit PCs running Windows 7 or newer and Macs running macOS 10.10.X or later. PCs are advised to have at least an Intel Core i3 processor and Macs should have at least an Intel Dual Core, though Core i7 processors are recommended for both.

Via: GoPro

Articles: Digital Photography Review (dpreview.com)

 
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Audi Ad Fakery: These Hyperrealistic Photos Were Made with a $40 Scale Model

27 Oct

[ By SA Rogers in Art & Photography & Video. ]

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These photos may seem to depict a $ 160,000 luxury automobile zooming through sand, snow, sea foam and salt flats, but the objects on your screen are smaller than they appear. The lack of a person sitting in the driver’s seat is not an indication that the car is self-driving: it’s because the car itself stands only a few inches tall. This version of it, anyway. Photographer Felix Hernandez bought a $ 40 scale model of the Audi R8 sports car on the internet and created the sets in his studio, with astonishingly realistic results.

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The automaker commissioned Hernandez to create the series as a promotion for the high-end car. As behind-the-scenes photo of his studio setup reveal, most of the work is done with miniatures and special effects rendered mostly in ordinary edible household products. Careful lighting, staging and camera angles make the models appear full-sized, so minimal Photoshopping is needed for the final effect.

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“I love photo manipulation and digital art, but what’s really cool is doing as much as you can in-camera,” says Hernandez in a piece he wrote for PetaPixel. “For snow scenes, I use wheat flour. For desert scenes, I use corn flour. For atmosphere, I add smoke. For rain, I spray water. For droplets, I add corn syrup. In some photos, I add images into my background. I also use Photoshop for adding effects that are difficult or impossible to do in-camera – things like adding a sense of motion, color grading, etc.”

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Previous photosets have included a series in which the artist took photos of a young boy and a miniature boat and blended them together in Photoshop, as well as Stormtrooper figurines hand-painted to make them appear more rugged and worn. See them all on Behance.

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[ By SA Rogers in Art & Photography & Video. ]

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We’re hiring! Developers and Marketing experts needed

08 Oct

We’re looking for two software development engineers, freelance writers and a marketing expert to join our team in Seattle, WA and help build the next generation of dpreview’s content and community tools (and of course, get to play with all the latest photo gear). Check out the details on our jobs page.

Articles: Digital Photography Review (dpreview.com)

 
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We’re Giving Away a Photo Drone!

21 Jul

It’s time to take your photography to new heights, cuz we’re giving away a drone!

Yup, a Phantom 2 Vision+ Drone with a built-in 14MP, HD, wide-angle camera.

We’ve got five ways to enter. So, enter! Five times.

(…)
Read the rest of We’re Giving Away a Photo Drone! (10 words)


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Everything you Always Wanted to know about a Career in Photography but were Afraid to Ask

08 Jun

Before I get into this article, I want to set the stage by saying that the objective here is not to diminish or make light of the concerns and questions that novice photographers have. In fact, at some point in our careers, we have all asked similar questions – sometimes out loud, and sometimes just in the solitude of our own minds. There is no wrong or silly question, and there are no right or wrong answers. These are in no particular order, and the views expressed here are solely based on my own experiences.

Memorable Jaunts DPS Article What you want to know - Beach sunset photos

One of my favorite images to date happened by pure accident – I saw the image in my mind even before I took a single frame.

Where can I learn about everything related to photography for FREE?

We are both lucky and unlucky to live in the era of the Internet. Any google search, on average, yields thousands of pages, articles, and YouTube videos. If you have a burning question about anything and everything, the easiest way to learn is via the Internet.

Sites like our own Digital Photography School are a great resource for almost any topic related to photography, from a beginner to an experienced photographer. Other sites like Creative Live offer many classes on various aspects of photography, as well as other creative genres. While most sites provide a great overview of a particular topic, any in-depth research requires time and money. There are number of virtual, as well as live workshops, all over the world covering all aspects of photography. A few that come to mind are The Design School and Clickinmoms (I have used both services and am very happy with the level of instruction provided there – this is just my personal experience).

You could also check out our dPS ebooks and online courses.

Memorable Jaunts DPS Article What you want to know - Chicago Wedding Photos

I learn a lot online, in the comfort of my own home, but every once in while, I like to take a live workshop – not just to update my portfolio, but also to learn from and meet others in the industry!

How do I shoot in manual mode?

Shooting in manual mode is one of the most intimidating things that most amateur photographers face. If you have a DSLR camera that has a manual mode, it is really not that hard once you get the hang of it. The best thing you can do in learning to shoot in manual, is to understand the exposure triangle and how the three key components of photography – shutter speed, ISO and aperture work – independently and with each other. Here is a good article that digs deeper into photographing in manual mode. Remember this too take time and practice. There is another interesting article here in the Digital Photography School archives that explains all three shooting modes and is worth a read.

Memorable Jaunts DPS Article What you want to know - Understanding backlight

Mastering manual mode is important, especially for images like this – backlit golden hour images…this is SOOC (straight out of the camera).

What lens will give me a blurry background?

If I had a penny for the number of times that I get asked this question from other photographers, as well as my clients who are looking to upgrade their DSLR cameras, I would have an overflowing piggy bank! Blurry backgrounds, or bokeh as it is know in the photography space, is actually a function of aperture (i.e. f-stop), focal length, and distance of the subject from the background. Check out How To Achieve Nice Bokeh [In Plain English] from the dPS archives that addresses this issue specifically.

Memorable Jaunts DPS Article What you want to know - Lilacs in the rain-1

A wide aperture on 50mm lens gives a shallow depth of field where most of the background is blurry.

How much money do I need to spend to get started with a photography business?

There are again any different ways to answer this question. You can essentially spend as much, or as little as you want, to get started. At a bare minimum you will need a good camera system (good is a very relative term here, there are several prosumer cameras on the market today, at various price levels). In many places in the world, particularly in the US, there are several rental companies that offer various cameras and lenses for rent. Borrow Lens, Lensrental and LensProToGo are a few that come to mind. You can also check with your local camera shop to see if they offer rental services.

You do not need the latest and greatest camera system to be a professional photographer. While gear is definitely a plus, skill and the ability to work with what you have to get the results you need are far more important, especially when you are just starting out. Once you develop your own shooting style as well as what you want to focus on, you can slowly build up your gear by adding equipment based on your current needs.

How can I make money from my photography, and do it fast?

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By 401(K) 2012

Sorry to burst your bubble, but the short answer here is that you cannot make money in anything fast. Everything takes time, practice, and patience. Just like any other career, the more time and effort you invest in your photography, the more experience you will gain. With experience comes confidence and recognition. So if your end goal is to be a internationally recognized photographer, treat it like a career and a business and invest in yourself, your education, and your experience. Don’t be afraid to roll up your sleeves and do the hard work – and in time, you will reap the benefits.

How much should I charge for my photography?

This is again something that is very subjective. What you charge for your services depends on many factors like your skill level, the value of photography in the area that you live in, and the buying capacity of the clients that you are targeting. Another thing to understand is the monetary value of your time. Remember your time is not just the amount of time you spend photographing the client – also take into account any travel to and from the location, editing time, and backend work like backing up photos, uploading galleries, and other administrative tasks. Once you have a handle on all these factors as it relates to your situation, charge an amount that makes it worth your while to photograph your clients. If you are looking to earn a living through your photography, then treat it like a business and not just a hobby. Read: 7 Things That Keep You From Charging What You’re Worth (and how to get over them).

What kind of photography should I focus on?

The easiest way to answer this question is to ask yourself what you enjoy photographing. Write down all the genres of photography that interest you, and try them all out if possible. Ask family and friends to model for you, if you are interested in portraits. Photograph different locations at different times of day if you are interested in landscape photography. Experiment with different types of food and styling if you are interested in food photography. Once you have a reasonable amount of experience in these categories, pick one or two to focus on, and give it your best. Don’t be afraid to experiment once in awhile in other genres, just to flex your creative muscles.

Memorable Jaunts DPS Article What you want to know - Bridal Portraits

I am a wedding and lifestyle photographer – that is what I enjoy doing the most. But mixed in my portfolio will be a bit of travel and editorial images that help me flex my creative muscles.

How can I get clients?

This is another big one that I get asked a lot, and I wish there was an easy answer. In fact, this is something that even I still struggle with, six years into my business. Getting new clients, and keeping a steady stream of clients is hard work. You have to constantly market yourself and your services at every opportunity you get. When you meet new people, don’t be afraid to say what you do. It took me a long time to introduce myself as a professional photographer, but once I said it often enough, I realized that I got more confident in not only my photography skills, but also in my business skills. Network and connect with your competitors, as well as other businesses in your area. Do a trade for images if appropriate, and remember not everyone you meet will be interested in getting pictures taken, and that is totally okay.

Memorable Jaunts DPS Article What you want to know - Lifestyle Portraits

A casual conversation at a networking meeting led to an epic family photoshoot and I gained a good friend too.

How can I build a portfolio of my work?

The length of time you invest in yourself and your photography skills is directly proportional to how long you will take to build your portfolio of work. If you constantly focus on learning and improving yourself, the more confident you will become, and the more opportunities you will find to create work that you are proud of. I have a few general rules that I follow in my photography journey

  • Photograph something every week if not every day – the objective here is to learn new techniques and perfect things I already know with respect to my gear.
  • 10:1 ratio – for every 10 minutes I shoot, I want to produce at least one image that I am proud of.
  • Spend time on personal projects – my mantra here is create for the sake of creation.

For me, this is an easy way to constantly update my portfolio with work that I am proud of, and which also represents my creative style.

Memorable Jaunts DPS Article What you want to know - Wedding Styled Shoot

Creating for the sake of creation is a great way to update your portfolio as well as connect with other vendors and creatives in your space.

This is just a small set of questions that I found helpful when I was starting off on my career in photography. If you have others that have helped you navigate the photography waters, feel free to list them in the comments so others can benefit as well.

If you have different questions that you’ve been wanting to ask, this is the place to do it. Let’s see if we can’t get them answered for you as well.


Editor’s Note: This is one of a series of articles this week that are Open for Discussion. We want to get the conversation going, hear your voice and opinions, and talk about some possibly controversial topics in photography.

Give us your thoughts below on the article above and watch for more discussion topics.

See all the recent discussion topics here:

  • 7 Commonly Accepted Photography Beliefs Debunked
  • Is HDR dead? Some dPS Writer’s Thoughts on this Controversial Topic
  • How to Find your Personal Photographic Style
  • Why You May be Failing to Reach Your Potential as a Photographer
  • To Process or Not To Process? Let’s Discuss
  • How much do you process your images? – a dPS POLL
  • Does the Camera Matter? SLR versus Mirrorless versus Smartphone
  • Natural Light Versus Artificial Light: Which is Better?
  • How Limitations Can Help You Grow as a Photographer
  • Brand Name Versus Third-Party Photography Gear: Which is better?

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Why Asking What Camera Settings Were Used is Not as Helpful as You Think

10 Mar

When you view an image that you love, do you find yourself asking, “What camera settings did the photographer use?” This is a common question, that overlooks other important aspects which would have helped to create that image, such as the lighting conditions, and any post-processing techniques involved. As you become more experienced, and progress in your journey as a photographer, you may begin to realize that the things you originally obsessed over, may not be as important as you once thought.

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For this image I used a shutter speed of 1/5th, as this would blur out the background quite nicely, as I panned with the rider to make him pop out more. This meant I had to increase my aperture to f/10, and could also decrease my ISO to ISO 320, too. © Daniel Smith / Getty Images.

A topic that many photographers are caught up in, is knowing which camera settings were used; more specifically, aperture, shutter speed and ISO. Any photographer will tell you that these three elements of exposure are very important in creating the desired image. If you use the wrong combination of these in any given environment, you could very well end up with undesired results. Keeping that in mind, it is completely understandable why new photographers obsess over knowing exactly which camera settings were used.

In theory, this should help you to recreate that particular image, right? Unfortunately this may not be the case. Images are created from much more than just the correct combination of aperture, shutter speed and ISO. These three fundamentals do more than just control the exposure; they also give us a creative language to use in our images.

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In this image, I wanted to show some motion in the gymnast’s movements, rather than taking another frozen frame. To do this I lowered my shutter speed from 1/1000th to 1/15th. This reduction meant I could also lower my ISO from ISO 3200 to ISO 500 and increase my aperture to f/7.1.

But before diving into this further, let’s explore the two different perspectives of this question; firstly from the point of view of a beginner, who would hope to replicate this imagine. They may assume that by knowing the exact camera settings, and dialling them into the camera, that they will somehow magically achieve the same result. Looking at this from an experienced photographer’s perspective, they may ask this question but with a different scope in mind. It may be when they are perplexed as to the techniques behind a particular image, or in relation to a very specific genre in photography, such as astrophotography, where knowing the settings may help provide a breakthrough.

So why is the question unhelpful?

This question will not always equip you with the knowledge you need, to recreate that image, or with your endeavours of becoming a more successful photographer. There is a lot more to creating an image than just the camera settings. By focussing on camera settings alone, you are missing out on a lot more information as to why those settings were used.

Settings are only a small part of what makes up that image. Lighting conditions, post-processing and the outcome the photographer wants to achieve, are just some of the factors that will dictate what settings the photographer uses. It’s akin to having the correct ingredients for a cake, but not knowing the method behind making it, or the reasons behind that method. Relying on camera settings alone does not tell you anything about the environment the image was taken in, nor does it give you an indication of what the lighting conditions were like.

To freeze the action here I used a shutter speed of 1/1000sec. To keep my ISO as low as possible, but still have a little more depth of field than what /2.8 would offer, I used an aperture of f/3.5. I then set my ISO to ISO 3200 to give me the correct exposure. Being indoors, the ISO is a little higher. © Daniel Smith / Getty Images.

To freeze the action here I used a shutter speed of 1/1000th. To keep my ISO as low as possible, but still have a little more depth of field than what f/2.8 would offer, I used an aperture of f/3.5. I then set my ISO to 3200 to give me the correct exposure. Being indoors, with low light conditions, the ISO is a little higher. © Daniel Smith / Getty Images.

Deciding what camera settings to use is a result of knowing how you want the image to look. For the above image, if I told you that I used a shutter speed of 1/1000, aperture f/3.5 and ISO 3200, and you were to go out and dial in the same settings, it would be highly unlikely that you will get the same result. Why? Because the chances of the lighting in your environment, compared to where this image was taken, being the same is highly unlikely.

The reason I chose these particular settings was simple; I needed a fast shutter speed to freeze the action, so I used 1/1000th of a second. I also wanted to use a wider aperture that would allow me to isolate the subject more. A bi-product of this, is that it allows me to maintain a fast shutter speed, but also helps me use a lower ISO. I then use whatever ISO needed to create the correct exposure – in this case it was ISO 3200. The settings you that you require could be 1/2000th, f/4 and ISO 800. The exposure may come out the same, but the settings used are different, and tailored to the specific lighting conditions.

1/160, f/2.8 ISO 100 © Daniel Smith / Getty Images.

1/160th, f/2.8 ISO 100 © Daniel Smith / Getty Images.

Consider the image above. If you ask me what the camera settings for this image were, I will gladly tell you that this was shot at 1/160th, f/2.8 and ISO 100. But what this doesn’t tell you is that I had a speedlight on the ground, off to camera right, at full power. The majority of the light in this image is coming from the flash, with very little ambient (available light) influencing this image at all. Knowing just the settings will not help you to understand how this image was made. There is more to the image than just the camera settings.

The camera settings here are geared more toward the speedlight, as it is quite a distance from the rider. The slower shutter speed is just below sync-speed, which allows for more power of the flash to affect the image (high-speed sync decreases the flash output range) and it also adds a slight blur to the wheels, which gives a nice sense of speed to the image. I used f/2.8 again to aid in the power of the flash, because my ISO was low to reduce the amount of ambient light. The flash is also freezing the majority of the action here.

Knowing why those settings were used, is far more important than just knowing the settings by themselves. It’s knowing the why, that will help you in your journey as a photographer. As the saying goes, “Give a man a fish and you feed him for a day; teach a man to fish and you feed him for a lifetime.” The same principle is at work in photography. Even if I was with you, and told you the settings to use, what will you do when you are alone? You need to understand why those settings have been used.

Reading an image

When looking at an image, understanding what and why you like it, will be of great benefit to you. This is something that you will develop more and more, as you mature as a photographer. Just a hint, it’s not the camera settings that made an image great. It could be the location, the lighting (time of day is very important), composition, perspective, focal length, any editing techniques used, etc., that all worked together to make the final piece. Each one of these is no more or less important than the next, and they all need to be considered.

For me, moving from obsessing over camera settings, to these other factors that influence a photo, was somewhat of an epiphany for me, and made me realize that photography may not be as simple as I once thought it was!

With this image, I used 1/160sec, f/4 and ISO 400. I also have two flashes fired remotely; one camera-right just behind the model giving the rim light on her front side and arms etc. I also have my key light placed at camera left and at ~ 45-degree angle facing the model. Both lights are un-modified (bare-head, or bare-bulb).

With this image, I used 1/160th, f/4 and ISO 400. I also have two flashes fired remotely; one camera-right just behind the model, creatng the rim light on her front side and arms. I also have my key light placed at camera left and at approximately a 45-degree angle, facing the model. Both lights are un-modified (bare-head, or bare-bulb).

As you advance in photography, you will slowly develop a skill that is often referred to as reading an image. This is were you look at an image, and begin to work out how it was created.

For instance you will be able to have a rough idea of the position of the camera, any lighting setups that were used, etc. This is something that you will build upon as you become more experienced. Unfortunately, this is where the magic of photography seems to end. At first, you are in awe of what you captured, when you didn’t quite know how you got it; it all seemed to work like magic. But as you begin to read images, and dissect how they were crafted, that magic can seemingly disappear.

Here I used 1/1000sec to freeze the action, f/3.5 to give less depth of field and ISO 6400 to fill in the exposure gap. The ISO is quite high as this is at a night game. © Daniel Smith / Getty Images.

Here I used 1/1000th to freeze the action, f/3.5 to give less depth of field, and ISO 6400 to fill in the exposure gap. The ISO is quite high as this was a night game. © Daniel Smith / Getty Images.

But before you being to to read photos, you must first be very comfortable with not only the three exposure elements (aperture, shutter speed and ISO), but also how they visually affect images. Once you fully understand each element, you will be able to look at an image and say, “They’ve used a fast shutter speed for this” or, “The aperture used was very wide”.

You may not be able to determine the exact camera settings, but you will be able to put yourself in a much better starting point than when you first begun, when you had no idea where to begin! This illustration gives a very quick visual representation of how shutter speed, aperture and ISO affect the look of an image.

This illustration gives a visual guide to how aperture, shutter speed, and ISO affect an image. *this is just an illustration and does not necessarily give exact representation for each.

This illustration gives a visual guide to how aperture, shutter speed, and ISO affect an image. *Note: this is just an illustration and does not necessarily give exact representation for each.

Conclusion

So you now know why asking, “What camera setting did you use?” is not the most helpful. But rather than leave you there, let’s look at some alternative questions you can ask, while you develop your image reading skills, and get some education under your belt:

  • How did you create this image?
  • What post-processing methods did you use?
  • How did you achieve (whatever part you are most intrigued about)?
  • What camera/lens combination did you use?
  • Why did you use that specific camera/lens combination?
  • Why did you use those particular settings?
  • What was the lighting like?

Now you are armed with some alternative questions to ask that will give you a better insight to how it was made, when you see an image you like.

With this in mind, what questions would you ask about this image? Would you still ask for the camera settings, or how this image was created?

Fig 9

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The post Why Asking What Camera Settings Were Used is Not as Helpful as You Think by Daniel appeared first on Digital Photography School.


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Nikon D750 flare investigated: Why we’re not worried

21 Jan

Much of the talk on the internet since the launch of the D750 has been about flare, or rather the appearance of dark bands when bright light sources are just outside of the frame. Not all models are affected, and Nikon will service cameras that are affected for free. Nonetheless we wanted to see for ourselves what the problem looks like and how much of a cause for concern it should be for D750 owners. Read more

Articles: Digital Photography Review (dpreview.com)

 
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6 August, 2014 – We’re Back, Alain Briot’s Essay – My Vision

07 Aug

 

We’re back and running on all cylinders again.  With just about three weeks in the Arctic running 2 back to back Svalbard workshops and finalizing the launch of the Luminous-Endowment site, we have found we are a bit behind on publishing articles and other news.  And, we have a lot of it in the queue so expect new articles at a faster rate for the next few weeks.  We also have a number of new videos just about ready to come on line.

Today we share Alain Briot’s newest essay – Vision Part 10, My Vision.  In this essay Alain talks about his vision.  Vision in our photography is something we all strive for.  Alain explains how he defines his.  As always Alain makes us think about a number of things.  Trying some of his ideas for defining vision are a good exercise.  I like one of his paragraphs in his conclusion.  

“I want to create images that represent a vision, a dream. Images that suggest an idea rather than impose a specific meaning.  Images that ask the viewer to get personally involved, to invest something of themselves in order to understand and appreciate each image.  I want to create images that invite the viewer to be charmed, enchanted, even seduced by the image.”


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8 Reasons We’re Looking Forward to Springtime Photography

26 Feb

Ah, the changing of the seasons. For us photographers, most seasonal changes bring about opportunities to take great photos under differing conditions, and usually no change is more dramatic than the transition from winter to spring.  The world thaws into a new and color-dripped landscape, ripe for capturing its natural beauty through springtime photography. There is always an influx of Continue Reading

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5 HOT Posts From Our Archives You Would Have Seen if You Were Following us on Facebook

09 Nov

At dPS we have a little problem.

As of this morning dPS has now published 4109 tutorials since we were founded back in 2006!

That’s a lot of photographic learning hidden away in our archives and we’re increasingly aware that many of our readers have not seen some of our most helpful tips and tutorials.

As a result – our team has been coming up with some strategies for highlighting some of the gold in our archives and have begun to experiment with some new ways of sharing it.

How to See the Best Stuff in Our Archives

The most successful experiments so far have been centred around our Facebook page. Over the last few weeks we’e started sharing some of our best content from the past there to those who follow us – and the response has been amazing!

Dps facebook

In the past week alone we’ve had hundreds of thousands of people view, like, share and comment upon these links to old posts and have received a lot of positive feedback about sharing them.

So if you want to explore our archives please Like Our Facebook page.

If you do you’ll see us update around 4 times per day – the updates will be a combination of our new posts and old ones – as well as some fun challenges and discussions.

To get a taste for what you’re missing – here’s the top 5 Facebook posts we’ve done this week:

  • 10 DIY Lighting Hacks for Photographers
  • 15 Tips for Low Light Landscape Photography
  • Get out of Your Photography Rut by Creating Sketches
  • 50 Must Have Wedding Photography Shots
  • 21 Poses for Photographing Kids

Also hot this week was a Facebook only challenge that we ran asking followers to submit a photo on the theme of CUTE.

Following us on Facebook but Not Seeing Our Updates?

Over the last few months Facebook have made changes that mean you don’t always see every post that people and pages you follow make.

If you would like to see all our updates here’s what to do (this should take you 15 seconds at most):

1. Head to our Facebook Page

2. Make sure you’ve clicked our ‘like button’ (it should say ‘liked’ and have a tick next to it).

3. Once you’ve liked us – hover your cursor over the ‘liked’ button until a drop down menu appears (like the one pictured below).

Facebook dps

4. Click the ‘settings’ option and you’ll see an option to choose ‘all updates’ (as you see below). If you select it you’re telling Facebook you want to see all of our updates.

Facebook dps

5. You’re done – you should start seeing all our updates (that is if you check Facebook regularly).

PS: we’ve also started featuring some of our new and old posts on our Google Plus page and plan to keep getting more active there too.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

5 HOT Posts From Our Archives You Would Have Seen if You Were Following us on Facebook

The post 5 HOT Posts From Our Archives You Would Have Seen if You Were Following us on Facebook by Darren Rowse appeared first on Digital Photography School.


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