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Posts Tagged ‘versions’

CineStill launches powdered versions of its B&W and color film development kits

11 Feb

CineStill has released powder-based versions of its Df96 monochrome and C-41 color film development kits. The new kits only require a bit of distilled water to bring them to life and make both storing and shipping easier for both retailers and consumers.

Unlike liquid chemicals, which are often limited in shipping options due to weight and various hazardous materials restrictions, powdered chemistry isn’t nearly as restricted. This means these new kits will be more affordable to ship — up to 75% cheaper according to CineStill — and more easily accessible outside of mainland United States and Europe with better shipping times, due to the ability to ship in First-Class and Priority envelopes, which aren’t as regulated for transportation.

The chemicals are identical to their liquid counterparts once mixed according to the instructions. The kits have an ‘indefinite’ shelf-life according to CineStill, until mixed, after which the chemicals should be good for up to one year in a sealed bottle. The Df96 development kit is rated for use with 16 rolls of monochrome film while the Cs41 development kit is rated for 24 rolls of color film.

Beyond saving on shipping, the price of the kits themselves are more affordable. The Df96 monochrome development kit costs $ 16.99, while the Cs41 color development kit costs $ 24.99, $ 3 and $ 1 cheaper than the liquid versions, respectively.

The Df96 ‘Developer&Fix’ B&W monobath and Cs41 ‘Color Simplified 2-bath kit are available for purchase on CineStill’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Leica launches limited edition versions of three classic M lenses

09 Feb

Limited edition versions of the Leica APO-Summicron-M 50 mm F2 ASPH, Summaron-M 28 mm F5.6 and Summilux-M 28 mm F1.4 ASPH lenses have been announced for the Leica M rangerfinder series, with alternative finishes, red markings and different materials setting them out from the normal production versions.

Each of the limited editions has its distance or aperture markings picked out in red paint, and each comes in a different paint or finish to the standard models.

The lens with the most unique features is the APO-Summicron-M 50 mm F2 which comes in black chrome, and substitutes the regular focusing ring for a ‘scalloped’ version that the company says echoes the design of the 1956 model. There is a lot of brass too, with the components of the barrel made in brass, as is the lens hood and the lens cap.

The Summaron-M 28 mm F5.6 will come in a black matt paint that’s especially hard wearing, according to Leica, making it as tough as the black chrome finishes. The Summilux-M 28 mm F1.4 will come in a silver anodized finish.

Each of the lenses will be technically identical to the standard production models, just with these cosmetic differences. There will only be 700 of the 50mm lens, 500 of the 28mm F5.6 and 300 of the 28mm F1.4 – and all will be available by the end of the month.
For more information see the Leica website.

Leica APO-Summicron-M 50 mm F2 – $ 9,595

Leica Summaron-M 28 mm F5.6 – $ 2,995

Leica Summilux- M 28 mm F1.4 – $ 6,995

Press release:

Leica Camera AG presents three new design options in the Leica M-Lens portfolio.

Leica Camera AG presents new design versions of the Leica APO-Summicron-M 50 mm F2 ASPH., Leica Summaron-M 28 mm F5.6 and Leica Summilux- M 28 mm F1.4 ASPH. lenses for the Leica M-System. The special series of the three lenses are distinguished by unique design highlights and are being offered in a limited number of examples. The performance and technical specifications of the lenses are otherwise identical to those of the serial production products.

The new series of lenses includes a black chrome version of the APO-Summicron-M 50 mm F2 ASPH. standard lens. In comparison to the serial production lens, this design alternative features a characteristically scalloped focusing ring that recalls the appearance of the Summicron 50 mm F2 (II) from 1956. The components of the barrel of this special series are machined from brass. The engravings for the focal length and the distances in feet are picked out in red. The lens is supplied complete with a classic, round brass lens hood engraved with ‘Made in Germany’ and a lens cap turned from solid brass. The edition of the lens in this design version is strictly limited to 700 examples. The APO-Summicron-M 50 mm F2 ASPH. in black chrome is available from 21 February.

The second special series presents a version of the Leica Summaron-M 28 mm F5.6 in matt black paint finish, a lens from the classic line-up of Leica M-Lenses. The Summaron-M is modelled on a screw mount lens produced at the Leitz factory in Wetzlar from 1955 to 1963. With a length of less than 2 centimetres, this extremely compact wide-angle lens is the smallest lens of the M-System lens portfolio. The special paint used for this special series is particularly resistant to wear and lends the lens an appearance almost identical to that of the classic black chrome finishes.

A further feature of the new lens is the engraving of the aperture scale visible from the front, with numbers now picked out in red. This edition of the Leica Summaron-M 28 mm F5.6 in matt black paint is limited to 500 examples for the global market. The lenses will be on sale from 28 February.

The third design option, the Summilux-M 28 mm F1.4 ASPH. in a silver anodised version, offers owners of Leica M-Cameras in silver a further high-performance lens that matches the finish of their cameras. This fast wide-angle lens is an ideal companion for reportage photography and delivers impressive imaging performance in all lighting situations. The lens with the alternative finish will be on sale from 28 February in a limited edition of 300 examples.

Articles: Digital Photography Review (dpreview.com)

 
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These LEGO Leica M cameras are tiny, blocky versions of iconic rangefinders

18 Dec

Over the years, Leica has partnered with LEGO multiple times to create brick-made versions of its popular rangefinder cameras. Now, a new set is available, a pair of LEGO Leica M camera sets.

The LEGO Leica M cameras come in a black and brown variety. Like their respective real-life counterparts, the cameras feature all of the important details you’d expect from a Leica rangefinder: a clear viewfinder, various dials, a shutter, a rear display and even camera strap mounts.

All that’s missing is the iconic red dot. But a red permanent marker would get the job done. Alternatively, these could be the LEGO equivalent of Leica’s P-series cameras, which forgo the iconic red dot for a more subtle approach.

The cameras are currently listed on the Leica Store Miami website. Both sets retail for $ 45 USD. The Black/Gray version is available for pre-order while the Brown/Gray version is available for purchase.

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics announces Laowa 10-18mm F4.5-5.6 FE lens, RF & Z mount versions “coming soon”

26 Oct

Venus Optics has announced the Laowa 10-18mm F4.5-5.6 FE zoom lens, a new ultra-wide-angle manual lens for full-frame Sony cameras.

“In response to the demand from mirrorless camera shooters of having a compact wide angle zoom, Venus Optics [has] managed to compress the size of the 10-18mm FE Zoom to the smallest in its class,” reads the press release. The lens measures in at 3.5in/9cm long, 2.75in/70mm in diameter, and weighs only 17.5oz/496g.

It’s constructed of 14 elements in 10 groups, including two aspherical elements and one extra-low dispersion element. The lens has a minimum focusing distance of 6in/15cm and a minimum aperture of F22 with a five-blade aperture diaphragm.

The rear of the lens has a 37mm filter thread for adding filters to, as well as a 100mm magnetic filter holder system for the front of the lens. A built-in switch de-clicks the aperture on-demand if you’re planning on using the lens for video shooting.

Venus Optics has shared a gallery of sample images captured with the lens on Flickr.

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The lens is currently available for pre-order for $ 849. The first 50 pre-orders through Laowa’s site will receive a free 100mm magnetic filter holder system.

Venus Optics says a Canon RF- and Nikon Z-mount version of the lens will be “coming soon.”

Articles: Digital Photography Review (dpreview.com)

 
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AI-based upsampling tech creates high-res versions of low-res images

01 Nov

Upsampling image and video files usually leads to pixelation and soft textures, simply because algorithms are not capable of replacing non-existing image detail. But scientists at the Max-Planck Institute for Intelligent Systems in Germany have come up with a clever solution that is capable of producing better results than anything we’ve seen so far.

The team has developed a tool called EnhanceNet-PAT, which is capable of creating high-definition versions of low-resolution images, using artificial intelligence. It’s not the first attempt at solving the super-resolution task but the approach is a new one.

Talking to Digital Trends, Mehdi M.S. Sajjadi, a member of the research team said

“Before this work, even the state of the art has been producing very blurry images, especially at textured regions. The reason for this is that they asked their neural networks the impossible – to reconstruct the original image with pixel-perfect accuracy. Since this is impossible, the neural networks produce blurry results. We take a different approach by instead asking the neural network to produce realistic textures. To do this, the neural network takes a look at the whole image, detects regions, and uses this semantic information to produce realistic textures and sharper images.”

To train the technology, large image libraries were fed into the AI-based system to accumulate knowledge of textures. The neural network is then given the task of upsampling previously downsized images. Finally, the research team compares the results to the original high-resolution image and modifies the algorithm to correct for errors or inconsistencies—this way, the algorithm keeps improving and after some time can work without any human help.

According to the team, photographic applications for the network include upsampling old movies to 4K resolution or restoring old photographs. However, the system could also be used to enhance object detection, for example in image search or mobility applications, such as self-driving cars. It seems that cheesy “Enhance!” trope from CSI is about to become reality…

To learn more about this technology, check out the full research paper here.

Articles: Digital Photography Review (dpreview.com)

 
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Atomos releases new ‘Flame’ versions of Shogun and Ninja recorders

21 Mar

Atomos, a name synonymous with off-camera video capture, has announced the release of its Atomos Flame series of field monitors, the Shogun Flame and the Ninja Flame. The new series kicks the monitors’ performance up a couple notches with some new features while also addressing some common requests from existing users.

Most notable is support for HDR (high dynamic range) video. The new monitors include the AtomHDR image processing engine which can display 10 stops of dynamic range to match 10-bit Log footage from cameras, revealing details in shadows and highlights that would be clipped on traditional monitors. Log formats from most major camera manufacturers are supported, including Canon, Sony, Panasonic, JVC, Arri, and Red.

HDR is made possible in part by the bright 1500 nit panel, which the company tells us is about four times brighter than existing models. However, even if you’re not shooting HDR this extra brightness could be very helpful. Atomos says it’s so bright that it should allow for easy outdoor monitoring without a hood.

One improvement sure to please a lot of videographers is a hot-swappable dual battery system that lets you keep shooting uninterrupted, along with an improved battery charger which is three times faster. Additionally, both models have ‘battle-ready armor’ to keep working in the field. We’re not sure what ‘battle-ready’ really means when it comes to video gear, but some extra bumpers will definitely let videographers worry a little less about every little bump to their equipment. Both models record 4K/HD to 10-bit 4:2:2 ProRes or DNxHR using standard SSDs.

The Ninja Flame is an HDMI only model with an MSRP of $ 1295. The Shogun Flame supports both SDI and HDMI, including bi-directional conversion, XLR audio inputs and outputs, LTC/Genlock connectivity and Raw to ProRes/DNxHR recording for some Sony and Canon cameras (not specified). It has an MSRP of $ 1695.

The Flame series is expected to ship the week of March 28.


Press release:

Atomos Ignites HDR & High Brightness in the Field: 1500 nits, 10 stops, 10 bit from $ 1295

Melbourne, Australia – 22nd March 2016: In the same way that the original Atomos Shogun helped fast track the transition from HD to 4K filmmaking, Atomos are intent on delivering 4K HDR to everyone with the launch of the Shogun Flame and Ninja Flame.

The Atomos Flame Series delivers the world’s most advanced 7” field monitor, accurately displaying 10 stops of the luminance detail of Log with 10 bit HDR Post Production color accuracy, for the first time in a field monitor. The AtomHDR engine not only resolves HDR brightness detail (dynamic range), with 10-bit color accuracy it also resolves 64 times more color information than traditional 8-bit panels. For Rec709 standard dynamic range scenes, the 1500nits brightness aids with outdoor shooting as does the upgraded continuous power management system that will keep you shooting longer in the field. Of course you also get the professional 4K/HD ProRes/DNxHR Recording, Playback and Editing that has made Atomos famous. Shogun Flame and Ninja Flame are available for sale in quantity week of March 28th, from the authorized Atomos reseller network.

“HDR is simply amazing, it’s the next revolution for filmmaking, once again Atomos are first with the technical solution to make it quicker, easier and more affordable for filmmakers” said Atomos CEO and co-founder Jeromy Young, “Anyone that sees HDR, from content creators to consumers are immediately sold, – more life like shots and real world detail. Our job is to open up HDR to all filmmakers by removing the technical and affordability hurdles that might slow its progress.”

The Flame series of monitor-recorders are equipped with the AtomHDR engine, utilising the power of the 1500nit panel in tandem with Atomos’ patent pending image processing to resolve the brightness detail of Log camera signals with the color accuracy of 10 bit HDR images mastered in post production. This means that the usual complications of exposing Log signals on a washed out image are eliminated – with AtomHDR you simply frame, expose, focus and shoot. All major camera makers log formats are supported – Sony, Canon, Panansonic, Arri, Red and JVC.

The monitor itself is a calibrated 7” 1920×1200 325ppi IPS with upgraded 10-bit color accuracy, resolving 1.07 billion colors compared to the 16.7 million colors of traditional 8-bit panels. This all but eliminates the color branding seen on traditional panels and in tandem with AtomHDR lets you see images as you would with your own eyes.

For existing SDR, Rec709 delivery or scenes that do not have the wide brightness variation required for HDR shooting, switch to traditional video mode (Rec709) and activate a Brightness slider that lets you take advantage of the impressive “Daylight Viewable” 1500nits of brightness emanating from the Flame units. This adds huge versatility for the Flame series – if you have scenes that call for HDR, activate the AtomHDR mode. If you don’t, switch to High Bright mode for outdoor monitoring hood free.

Shogun and Ninja Flame have a rugged built in armour ensuring it is battle-ready for the field and also now inherits the Atomos patented continuous power system pioneered on our HD range.  The hot-swappable dual battery system automatically swaps to the second battery when power is low, allowing hot swapping to new fresh batteries.  This coupled with our new improved battery charger which is 3 times faster means that power is always taken care of. 

The addition of AtomHDR, the 1500nit brightness, 10-bit colour accuracy and Continuous power genuinely positions the Flame Series as the best 7” Field Monitors in the world, but as we know with Atomos they are much more than monitors alone, featuring advanced recording, playback and editing capability as well. Both units record 4K/HD direct from the sensor to 10-bit 4:2:2 Apple ProRes or AVID DNxHR/DNxHD onto affordable yet reliable SSD’s from the world’s leading media brands. They also feature on the fly 3:2 and 2:2 pulldown removal and advanced recording features such as Timelapse & Pre-roll. Playback with controls is possible on screen or out to larger monitors and you can even use the built-in focus, framing and exposure tools to judge the shot and then start tagging to make decision making in Post faster and easier. 

The Ninja Flame is a HDMI only model with all of the above features and ships with a host of accessories including a HRPC hard case, a snap-fast HDR sunhood, fast battery charger, control cable, 2 x NP-F750 4 cell batteries, USB 3 Docking Station, D-Tap Cable, 5 x Master Caddy Cases and a 12 V 3A AC-DC Power Adapter. MSRP is US $ 1295

The Shogun Flame is a HDMI & SDI model with bi-directional SDI/HDMI conversion, Raw to ProRes/DNxHR recording for select Sony and Canon cameras, balanced XLR audio input/output and LTC/Genlock connectivity. It features the same above accessories as well as the XLR breakout cable for an MSRP of $ 1695.

Flame Series Key Features:

  • With a Dynamic range to match that of a 10-bit camera LOG footage, AtomHDR monitors deliver the detail in highlights and shadows usually clipped on traditional monitors.
  • A highly advanced field monitor even in non-HDR scenarios with 1500nits brightness for outdoor shooting, native full HD resolution and optional calibration to ensure natural LCD colour drift can be corrected over time.
  • Record direct from the sensor in pristine 4K UHD (up to 30p) or record high frame rate HD (up to 120p)
  • long with recording the high pixel density of 4K, the Ninja and Shogun Flame also record higher resolution 10-bit colour information and more precise yet efficient 4:2:2 colour encoding.
  • Recording to Apple ProRes and AVID DNxHR visually lossless edit-ready codecs ensure you capture full individual frames like film, providing more flexibility and creativity in post.  Can be delivered to any standard – never worry about having your footage technically rejected due to the format again.
  • Ready for real-word conditions with built-in armour protection, dual battery hot-swappable continuous power system to ensure you always have power and a raft of included accessories including a new fast charger and snap-fast sun hood.
  • Our patented hot-swappable dual battery system for continuous power is backed up with the included power accessories (2 x 4-cell batteries, D-Tap adaptor and blazingly fast battery charger)
  • An arsenal of creative weapons including focus and exposure tools, 3D Custom Looks, Waveforms (LUMA and RGB) and Vector Scopes ensure you set the shot up perfectly every time.
  • XLR audio via breakout cables for Shogun Flame or 3.5mm line level input with audio delay, level adjustment and dedicated audio meters with channel selection for Ninja Flame.
  • We support affordable, readily available SSDs from the world’s most trusted media brands.

The Flame Series is shipping (March 28th) for a MSRP of:

Shogun Flame

  • US:   $ 1,695 ex. TAX
  • EU:   € 1,695 ex. VAT 
  • GBP: £ 1,295 ex. VAT
  • AUD: $ 2,695 Inc. GST

Ninja Flame

  • US:   $ 1,295 ex. TAX
  • EU:   € 1,295 ex. VAT 
  • GBP:  £ 995 ex. VAT
  • AUD: $ 2,049 Inc. GST

About Atomos

Atomos exist to help creative professionals cut through technology barriers by creating easy to use, cutting edge products including 4K & HD Monitor-recorders, a pocket size ProRes recorder, signal converters & power management solutions. Each product serves a different need but all share the common benefit of enabling a faster, higher quality and more affordable production schedule for video professionals. 

Website: www.atomos.com

Articles: Digital Photography Review (dpreview.com)

 
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Wired Wood: 13 Handmade Versions of Electronic Gadgets

14 Apr

[ By Steph in Gadgets & Geekery & Technology. ]

wood gadgets record 1

Anyone who longs for the days of simpler, longer-lasting gadgets will love these lo-fi wooden versions of modern tech, including a pixel display made of blocks, laser-cut wood records, an orb-shaped computer mouse and even an all-wood version of a classic arcade game system.

Lo-Fi Pixel Display
wood gadgets pixel display 2

wood gadgets pixel display

Wooden blocks measuring 1.5 inches across stand in for digital pixels in this analog version of a display screen created by Han Lee. The 64 blocks were laser-cut and connected to an Arduino Uno, which controls the imagery.

Laser-Cut Records
wood record

Designer Amanda Ghassaei programmed a laser cutter to turn round slices of wood into playable records. Audio data is ripped from a WAV file and then turned into a PDF of a vector graphic containing all of the little bumps and grooves needed to reproduce the music on a record player.

White Fruit Radio

white fruit radio

Inspired by the way biological organisms organize their internal and external components, the ‘White Fruit Radio’ makes use of sycamore’s acoustic properties. There are no buttons or knobs on the outside – instead, it’s controlled by rubbing your finger across the ripples on the side.

Tiny iPhone Speakers

wood gadgets iphone speaker

Measuring less than a cubic inch each, these cute little ‘i-Dear’ speakers can hang from your keychain until you need to plug them in to your iPhone or other portable media player. Powered by built-in rechargeable batteries, they’ll play for about five hours before they need to be plugged into a USB power source again.

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Wired Wood 13 Handmade Versions Of Electronic Gadgets

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[ By Steph in Gadgets & Geekery & Technology. ]

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Adobe Creative Cloud update brings ability to download previous versions

29 May

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Adobe has rolled out version 1.6.0.393 of Adobe Creative Cloud, bringing some new features and improved file transfer support. The biggest addition that this update brings to Creative Cloud is the ability to install previous versions of Adobe’s design tools directly from the Creative Cloud installer. Graphics professionals and creatives will be able to maintain legacy versions of CC apps without having to juggle multiple serial numbers. Read more

News: Digital Photography Review (dpreview.com)

 
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Adobe releases final versions of Camera Raw 8.3 and Lightroom 5.3

12 Dec

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Adobe has announced the final versions of Camera Raw and DNG Converter 8.3, along with Lightroom 5.3. Different versions for ACR 8.3 are available for Photoshop CC and Photoshop CS6 – both from Adobe.com and through the update mechanisms in the software. DNG Converter is available for free for users of older versions of Photoshop. The latest versions brings support for 20 cameras, including the Nikon Df and Nokia Lumia 1020 that weren’t in the release candidate versions.

News: Digital Photography Review (dpreview.com)

 
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Nikon D400 and Nikon D400v : Two versions – One for Photography and One for Video

14 Dec

artoftheimage.blogspot.com – Nikon D400 and Nikon D400v Two versions – One for Photography and One for VideoCheck out the new Art of the Image Recommended Photography Gear List at goo.gl PS If you have kids or know someone with kids, check out my latest online book, “Diary of a Nerd King” at www.nerdkingdiary.com. It’s funny and it’s FREE! Please pass it along… thanks! PSS If you have toddlers or small children, check out http for my children’s ebooks for Kindle, iPad, iPod, iPhone, laptops, etc! Please pass it along… thanks!
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