RSS
 

Posts Tagged ‘Type’

Type Face: Monumental Figurative Sculptures Made of Text

25 Jun

[ By Steph in Art & Sculpture & Craft. ]

Jaume Plensa Typeface Sculptures 1

Giant human figures made of jumbled steel letters loom over public spaces in a series of monumental typographic sculptures by artist Jaume Plensa. The contemplative seated figures seem to watch over the landscapes and city squares where they have been installed around the world, from London to Rio de Janeiro.

Jaume Plensa Typeface Sculptures 3

(images via: chris huggins, jaume plensa)

Jaume Plensa Typographic Sculpture 2

(images via: terry madeley)

The text seems to wrap around invisible human forms, looking at times as if it is incomplete. Plensa’s work is not just thought-provoking, it is about thought itself and how words can shape our world and the way we interact with it.

Jaume Plensa Typeface Sculptures 4

(images via: terry madeley, jw sherman, anders sandberg)

Plensa has borrowed paragraphs from biblical texts, classic literature like Dante’s Divine Comedy, and poetry by William Blake. Stand beneath or inside one of these massive sculptures and you likely won’t be able to read much of the text – but that’s not the point.

Jaume Plensa Typeface Sculptures 5

Jaume Plensa Typeface Sculptures 6

(images via: tim green, lorraine 1 + 2, liza31337)

Conceptual dualities, like the play between negative and positive space, are intended to stimulate intellectual engagement, connecting the sculptures with the viewers on an intuitive level. The pieces often include ‘doorways’ so viewers can interact with the work, temporarily becoming a part of it.

Share on Facebook



[ By Steph in Art & Sculpture & Craft. ]

[ WebUrbanist | Archives | Galleries | Privacy | TOS ]

    


WebUrbanist

 
Comments Off on Type Face: Monumental Figurative Sculptures Made of Text

Posted in Creativity

 

DISCUSS: What Type of Camera Bag Do You Use?

29 Apr

photography-bags-5.jpegWhat type of camera bad do you use and recommend?

We have asked this question every couple of years so I’m interested to see how things have changed since last time was there are a lot of newer bags and brands coming onto the market.

What camera bag do you use and recommend – and why?

  • Do you use a brand like Think Tank Crumpler, Tamrac or Lowepro OR do you prefer a more anonymous brand that looks less like a camera bag (and makes it less attractive to thieves)?
  • Do you use a bag that is not really a camera bag at all?
  • Do you prefer a backpack, a sling bag or even a roller bag?
  • What features do you look for in a camera bag?
  • Do you have more than one bag for different situations?

Looking forward to hearing what bag/s you use!

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

DISCUSS: What Type of Camera Bag Do You Use?


Digital Photography School

 
Comments Off on DISCUSS: What Type of Camera Bag Do You Use?

Posted in Photography

 

What Type of Photographer Are You?

11 Feb

A Guest Post by Ben Evans
Diagram
Have you discovered what type of photographer you are? Doing so will make a big difference to your photography, allowing you to improve faster. If you don’t know right now, read on and I’ll help you find out.

Photo1
?Okay so the first thing to understand is that Holistic Photography is both a Craft and an Art. The earliest photographers were often skilled in both painting and chemistry; an unlikely combination today.??We will see that you develop competency in craft and art separately. This understanding gives us the four Types of photographer which we’ll cover in this article.??Times have changed. Digital cameras do almost everything for you now. To take a photo on the iPad you simply press on your subject, then take the picture!??For a photographer who grew up developing film and making prints, this is amazing. Sepia-toning a photo to make it brown took ages; now there’s an Instagram filter which does it, well, instantly.??So realise that for most people, learning the craft of photography isn’t necessary to get started. Sometimes some very famous photographers know next to nothing about cameras or lighting; they just have a good ‘eye’ – and great assistants!??What is this artistic ‘eye’? Simply put, it’s the ability to ‘see’ a picture that others might miss. Cartier-Bresson had it; so did Avedon.

A photographer with a good eye can make better photographs with a phone than an untrained person could with the best camera in the world.??There’s a hint in the last paragraph; I used the word ’untrained’. Yes, it’s possible to get this elusive ‘eye’ for yourself. How? Well the best place to start is with the principles of Aesthetics.??Of course Art also requires an oblique approach to learning, covering psychology, philosophy and heightened self-awareness; but this is beyond the scope of this article.

Photo2??Unless they’ve developed themselves in different fields, most people begin at square one. This is our first type of photographer.??

>The Untrained Photographer

Photo3
?The untrained photographer is someone who takes pictures. That’s all. They don’t really know what they’re doing or what they’re looking for. Of the billions of images of Facebook, most were taken by the untrained.

Of course there is no shame in this. Photography need not be part of anyone’s life. A camera can just be a useful tool to save and communicate life’s little attractions. And just by the law of averages, if they’re out and about and take enough pictures, maybe one or two will be great.?So how do we move on from this average state? We develop our technical skill, which we’ll deal with later, or we work on our Artistic ‘eye’.??Designers, painters and the fashion-conscious have a head start. I have a friend who finds no interest in sunsets or people’s faces. Don’t take your fascination for the world for granted; a lot of people don’t have it.??A large part of having a good ‘eye’ is colour consciousness. You can study which colours work well together. A combination of blue and yellow or red and green works well, for example.

Photo4
?It’s also very important to be aware of the world around you. The artist really looks at the world. They want to see what’s there, not what they think is there. Practice this.??As with most creative endeavours, experiencing what’s been done before is a catalyst for improvement. It therefore pays dividends to visit art galleries and study great artworks.??You may be doing all of these things already. Perhaps your childhood encouraged an artistic temperament. If you have a good eye already, well that’s half the battle won.??

The Art Photographer

??The artist doesn’t really know anything about photography, cameras, lenses or proper technique; but they do have a good eye. This takes them quite far, especially now with Instagram, Photoshop and the ever-improving ‘auto’ modes on digital cameras. They know what they’re looking for, but not how to get there.

It may be worth buying their finished work if the quality is good, but they’re unlikely to have enough consistency for you to consider commissioning them. They focus on the world too much and overlook the camera. Serendipity and clever dSLRs can only take you so far.

The Practical Photographer

??Photography can be technically complicated, especially if you want the best image quality and need to use artificial lighting and post-processing. To develop a high degree of skill takes time and effort; so camera operators can be in demand.

Specialised equipment can also be prohibitively expensive, further limiting the supply of reliable image-makers. They’re a safe bet, but you can’t expect too much soul or originality.

Photo5

Don’t assume because the subject is interesting that there’s much going on behind the camera. It’s perfectly possible to take uninspiring pictures of beautiful people or sublime landscapes if the focus is on niche techniques and maximising sharpness.??

The Holistic Photographer

??As in most things, a balance produces the best results. I’m talking about the balance between the Artistic ‘eye’ and technical mastery of photography. The Holistic Photographer knows what they want to create, and they understand how to control the camera to achieve it.

Photo6

While very aware of the principles of aesthetics, they also have enough trust in themselves to break the rules when necessary. The camera becomes an extension of the mind’s eye, and the focus is on preserving moments or expressing ideas and feelings.

What To Do Next?

??So where are you at on the journey? If you’re reading this, chances are that you’re already more advanced than most people, who are untrained. But are you focussing on developing your Art, or your Craft??
You can see that you will supercharge your own progress by balancing both. What do you need to concentrate on? Are more visits to exhibitions in order? Or would you benefit from a month spent shooting in Manual mode so you can master exposure? Why not have a look through your photographs with a friend and find out???And the takeaway? You’ll get the best results by learning both the art and craft. Holistic Photography involves learning to See and communicating what you’ve seen effectively. It is having something to express, and understanding how to work with the realities of photography to create something tangible. Skilled artistic creation is worth striving for; you will find that it is its own reward.?

Love photography? Get your copy of Ben’s best-selling book, ‘Photography: The Few Things You Need To Know’ for 99p now at www.GreatBigBear.com.

Ben Evans is an English Photographer who teaches photography classes in Barcelona with Barcelona Photography Courses.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

What Type of Photographer Are You?


Digital Photography School

 
Comments Off on What Type of Photographer Are You?

Posted in Photography

 

JDM 97 Honda Civic Type R EK CTR GT5 Suzuka Seasonal Gran Turismo 5 RHD

07 Jan

www.flickr.com I decided to switch my gear box/shift stick onto the other side since most of the cars that I drive are JDM and are right hand drive. I know this edit is not the greatest nor is the quality or my driving skills but its fun driving like this. All driving aids are off. EK CTR is all stock other then soft, racing tires. Everything was captured with a Nikon D90 and the pedals/footwork was filmed with a GoPro HD Hero. —– GT5 Gran Turismo 5 Honda JDM Type R EK 97 Honda Civic Civic Type R CTR MOMO G25 Playseat Modified PS3 Reverse mounted pedals RHD Right Hand Drive Suzuka Circuit Japan Rules! Japan Suzuka mikeschmeee Logitech G25 Modified Logitech G25 mikeschmeee

 
 

DC5 Honda Integra Type R Tsukuba Circuit Gran Turismo 5 JDM DC5-R ITR GT5 RHD

22 Oct

www.flickr.com Just a little clip of me having fun at Tsukuba Circuit on GT5. Its a fun track and I hope to visit it one day in person. The DC5-R is a bit quicker then the DC2-R. Car is all stock except for soft, racing tires. My fastest time with the DC5-R was 1:01.215 on the 5th lap. I didn’t bother recording it all as it gets boring watching a video like this after two laps. Not as exciting as it would be on the real track. I was too lazy to redo the recording as you can see its a bit blurry but the replay and footwork clips are fairly crisp. I think I got the hang of FCP and recording in HD. My easy settings within FCP were set differently so now I can upload HD footage… I think. Thanks for watching Mike — JDM RHD DC5 DC5-R Honda Integra Type R Gran Turismo 5 GT5 Tsukuba Circuit Type-R Japan Japanese Cars I ? Japan ?????? ??? ?????????Nikon D90 GoPro HD Hero ???????????R ????????R ?????mikeschmeee

mashup with insomnia by faithless

 
Comments Off on DC5 Honda Integra Type R Tsukuba Circuit Gran Turismo 5 JDM DC5-R ITR GT5 RHD

Posted in Nikon Videos