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Slideshow: A bewildered roadrunner at the US—Mexico border took hom the grand prize in this year’s Bird Photographer of the Year competition

02 Sep

Bird Photographer of the Year 2021 winners

Winners of the 2021 Bird Photographer of the Year awards were announced today. Over 22,000 images were submitted from around the globe. Mexican photographer Alejandro Prieto took home the £5,000 grand prize for his image of a roadrunner standing next to the 3,000km-long US–Mexico border.

‘The border wall crosses deserts, mountains, and even mangroves. It is not just desert, and is in fact very biodiverse with more than 1,500 animal and plants species threatened by the wall,’ says Prieto. ‘I have watched many different animals reach the wall before turning around and heading back.’

The Bird Photographer of the Year awards also gives back. The organization donated £8,000 to Birds on the Brink. They fund grass-roots bird conservation projects around the world. All 2021 winners can be viewed on the competition’s main website.

Gold Award Winner and Bird Photographer of the Year: ‘Blocked’ by Alejandro Prieto (Mexico)

About this Image: The 3,000km-long US–Mexico border traverses and straddles some of the continent’s most biologically diverse regions. It is home to uniquely adapted mammals, reptiles, birds and plants, some of which are found nowhere else on the planet. Numerous species will be affected if the US government decides to build a wall along the border with Mexico. Border infrastructure not only physically blocks the movement of wildlife but it also destroys and fragments habitats.

Many desert animals are, to a degree, nomadic wanderers and a wall would sever habitat connectivity and prevent them moving freely from one place to another. In this photograph, a Greater Roadrunner approaches the border wall at Naco, Arizona, with what almost looks like a sense of bewilderment.

Gear and Specs: Nikon D850 with Nikkor 70–200mm f/2.8 lens. Focal length 112mm, 1/320 second, f/14, ISO 200.

Gold Award Winner, Best Portrait: ‘Underwater Portrait’ by Felipe Foncueva (Spain)

About this Image: This underwater image of a Brown Pelican was taken off the Pacific coast of Costa Rica, near the mouth of the T.rcoles River, where there are small fishing villages. Groups of pelicans await the return of fishermen and take advantage of the scraps they throw into the sea.

Looking at this image, I am struck by the similarity between the way the pouch beneath the pelican’s bill functions and the throat of a feeding baleen whale. At first glance you could be forgiven for thinking you are looking at a marine mammal rather than a bird!

Gear and Specs: Canon EOS 5D Mark IV with Canon 8–15mm f/4 Focal length 15mm; 1/10th, f/9, ISO 200.

Silver Award Winner, Best Portrait: ‘Sing Heartily’ by Maofeng Shen (China)

About this Image: June marks the start of the breeding season for Demoiselle Cranes on the vast grasslands of Keshiketeng in Inner Mongolia. It is a blessing to witness the arrival of these beautiful birds, and a privilege to have documented their nesting behaviour. In order to capture wonderful, intimate moments of breeding behaviour without causing disturbance, I did a lot of homework.

I drove more than 800km to the vast prairie of Keshiketeng two days before I planned to photograph and did my groundwork. I got up at 3am on 29 June 2018 and rushed to the location of the breeding cranes. In order not to disturb their peaceful life, I had previously set up my equipment in the long grass and lay down, disguised on the ground.

In the morning light, the figures of the Demoiselle Crane family of four gradually appeared out of the gloom. Just as they were leisurely foraging for food, suddenly the distant sound of shepherds herding sheep could be heard. It seemed as if the sound was enough to inspire the pair of adults to call, as they stood back to back. This evocative sound cut through the silent sky for a brief moment, then everything quietened down again. I enjoyed the company of the crane family for the next four hours.

Gear and Specs: Canon EOS-1D X Mark II with Canon 600mm f/4 lens, 1/640 second, f/6.3, ISO 400.

Bronze Award Winner, Best Portrait: ‘Night Hunter’ by Jonas Classon (Sweden)

About this Image: Poised for attack and staring intently, this Great Grey Owl has fixed its penetrating gaze on a vole in a Swedish forest. On the night of a full moon, I photographed the owl as it raised its deadly taloned foot, with my car headlights adding a little more illumination to the scene. When I looked at the photo afterwards it gave me goosebumps.

Gear and Specs: Canon EOS-1D X Mark II with Canon 200–400mm f/4 lens. Focal length 300mm, 1/160 second, f/4, ISO 3200.

Silver Award Winner, Birds in the Environment: ‘Claiming the Forest Floor’ by Joshua Galicki (United States)

About this Image: This image shows a male Ovenbird singing on top of a fallen log. The bird is staking its claim to a breeding territory shortly after arriving from a lengthy migration to the northeast United States from wintering grounds in Central America. Ovenbirds are quite small – 15cm or so in length – and unlike most other New World warblers, prefer to forage on the forest floor among the leaf litter. I have observed and studied North American songbirds for years and care deeply for all of my subjects.

This shot was taken with a non- intrusive remote set-up to capture the expanse of the Ovenbird’s environment. The camera and lens were camouflaged next to the bird’s favourite singing log and the shutter was remotely triggered. No bait or tape lure were used for this shot, nor was any stress placed on the bird. As a result, this is an image of an Ovenbird behaving naturally.

Gear and Specs: Canon EOS-1D X Mark III with Canon 24–70mm f/4 lens. Focal length 24mm, 1/500 second, f/8, ISO 6,400.

Bronze Award Winner, Birds in the Environment: ‘Yellow-billed Oxpecker with Cape Buffalo’ by Barbara Fleming (United States)

About this Image: Yellow-billed Oxpeckers chatter constantly as they fly in and out of a Cape Buffalo herd, landing wherever they can to rest and feed. They spend almost their entire lives around large mammals, to the point where even courtship and mating take place in their company. Oxpeckers feed on ticks and other insects, although they also have a predilection for the mammal blood.

In this image both oxpecker and buffalo were in motion, moving in different directions and at different distances from the lens. This added to the challenge of capturing this symbiotic pair, but enhanced the satisfaction at achieving my goal. The image was darkened in post-processing.

Gear and Specs: Nikon D4S with Nikkor 500mm f/4 lens and 1.4x teleconverter. Focal length 700mm, 1/1,600 second, f/8, ISO 1,600.

Gold Award Winner, Attention to Detail: ‘Disappearing’ by Rafael Armada (Spain)

About this Image: Reflections are one of the details I like most in nature because light undergoes incredible transformations when it interacts with water. In a way, it is nature playing with us, with our forms and with the forms that we see. In this photograph, the same water that creates the reflection strikes with force to destroy it, in a sense to overthrow the King. The King is still standing; he knows his reign is not over… not yet. But it will end the day that water no longer creates reflections in the sand.

Gear and Specs: Canon EOS-1D X Mark II with Canon EF 100–400mm f/4.5–5.6 II lens. Focal length 100mm, 1/30 second, f/14, ISO 100.

Silver Award Winner, Attention to Detail: ‘Growing Up’ by Raymond Hennessy (United States)

About this Image: Great Northern Divers (known as Common Loons in North America) and their chicks take to the water soon after the chicks hatch. The size difference between adult and youngster is evident in this image and shows just how much growing is left for this tiny chick: it is dwarfed by the large bill of the adult next to it. I took this photo as the pair floated incredibly close to my kayak in the soft afternoon light.

Gear and Specs: Nikon D4S with Nikkor 500mm f/4 lens. Focal length 500mm, 1/640 second, f/4, ISO 400.

Gold Award Winner, Bird Behavior: ‘Floral Bathtub’ by Mousam Ray (India)

About this Image: This image was taken at North Bengal Agricultural University in Cooch Behar, West Bengal. To set the scene, here in India autumn days (when the photo was taken) are typically hot and humid – sporadic rains interspersed with sweltering heat – while the nights are cold. I was keen to capture images of Crimson Sunbirds drinking nectar from banana flowers. Typically, these flowers point towards the ground, but in some ornamental species they point skywards and some of their outer petals open up like cups, holding water from rain or dew.

Late one evening, a female Crimson Sunbird suddenly arrived and started sipping nectar. Her thirst quenched, she then started bathing in the water stored in this banana flower petal. It’s quite common to find birds refreshing themselves in the evening, visiting puddles and pools, dipping their heads and wetting their wings and body. However, it was a unique experience to see this sunbird immersing herself upside down in water contained in an ornamental flower petal, like a lady in a bathtub. Her relaxed and indulgent manner, lit by the glow of sunset, was truly a sight to behold.

Gear and Specs: Nikon D500 with Nikkor 300mm f/4 and 1.4x teleconverter. Focal length 420mm, 1/4,000 second, f/7.1, ISO 1,600.

Silver Award Winner, Bird Behavior: ‘The Face of Death’ by Massimiliano Apollo (Italy)

About this Image: After many years of frequenting these rice fields in northern Italy, I finally managed to capture what is for me the perfect shot! In late summer, prior to migrating south, the region’s Purple Herons try to feed as much as possible and take advantage of the abundance of prey present in the rice fields.

I had long dreamt of a shot like this, one that would allow me to see the expressions of the two subjects – predator and prey. I can also say with some satisfaction that this shot is completely wild and no form of baiting was employed – just a lot of patience, perseverance and, why not, a little luck!

Gear and Specs: Sony A9 II with Canon 600mm f/4 lens and 1.4x teleconverter. Focal length 840mm, 1/2,000 second, f/6.3, ISO 3200.

Bronze Award Winner, Bird Behavior: ‘Entangled’ by Julie Halliday (Falkland Islands)

About this Image: In the past, the Imperial Shag went by the name of King Cormorant. This subantarctic and Antarctic species breeds in dense colonies, and on the Falkland Islands it favours gentle cliff-top slopes, often mixing with Southern Rockhopper Penguins and Black-browed Albatrosses.

Imperial Shags use various displays to reinforce pair-bonds, ranging from head-wagging, gargling and kinking their necks, to making throat-clicking noises and nibbling or biting the tips of the bill. This pair allowed a close approach, and as one came in to land, they went through a ritual courtship greeting.

Gear and Specs: Canon EOS 5D Mark III with Canon 70–200mm f/2.8 II lens and 2x teleconverter. Focal length 400mm; 1/1,600 second; f/5.6; ISO 250.

Gold Award Winner, Birds in Flight: ‘Thirsty’ by Tzahi Finkelstein (Israel)

About this Image: Common Swifts live their lives on the wing and are a challenge to capture in flight. With a diet of flying insects, they need to drink from time to time, and even that behavior is performed on the wing. I had had this image – of a swift skimming over water – in my mind for a long time.

I finally found a suitable place to attempt it, and to get the photo I had to sit in water wearing a wetsuit, shrouded by a portable hide, every day for three weeks. Eventually, I got this photo on the final day – the day after the birds had all gone.

Gear and Specs: Nikon D500 with Nikkor 300mm f/4 PF lens. Focal length 300mm, 1/4,000 second, f/7.1, ISO 1,800.

Silver Award Winner, Birds in Flight: ‘The Art of Motion’ by Nicolas Reusens (Spain)

About this Image: This image is one of my favorite shots from my last trip to Ecuador. Using a complicated set-up, I was able to trigger two sets of flashes during a single exposure, using a shutter speed of 1/25 second. I then tried to introduce a sense of movement into the image by adding continuous lighting to the scene. After three days of photographic attempts to get a single picture with an intense atmosphere, this is what I achieved. I hope it was worth it!

Gear and Specs: Canon R6 with Laowa 100mm f/2.8 Macro lens. Focal length 100mm, 1/25 second, f/13, ISO 200.

Bronze Award Winner, Birds in Flight: ‘First Come, First Served’ by Hannes Lochner (South Africa)

About this Image: This image captures the moment when two Southern Yellow-billed Hornbills chase after the same insect in a mid-air competition. In hornbill society, there appears to be no such thing as a fair fight, and the slower of the two birds played dirty by grabbing the tail feathers of the other. In spite of this cheating, the attempt failed, so maybe there is some justice after all in the world of hornbills!

Gear and Specs: Nikon D850 with Nikkor 70–200mm f/2.8 lens. Focal length 120mm, 1/5,000 second, f/4, ISO 200.

Articles: Digital Photography Review (dpreview.com)

 
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This flower bloom time-lapse took three years and 8TB of raw footage to create

09 May

You can pick your favorite symbol of springtime from any number of familiar images. In Seattle, the local favorite is a rain-soaked figure clutching a latte with a cold, dead look in their eyes. But it’s hard to beat the natural beauty and optimism of a blooming flower. That’s the imagery that dominates filmmaker Jamie Scott’s recent time-lapse titled ‘Spring,’ a follow-up to his popular video ‘Fall’ of a couple of years ago.

He gives FStoppers a fascinating look at what it takes to create a time-lapse of this scope. Not surprisingly, a lot of patience and hard drive space were involved. Watch the video, check out the behind-the-scenes and let us know what you think in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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The filmmakers who took a stroll on Yellowstone’s Grand Prismatic are facing jail time

08 Nov

Three of the four Canadian filmmakers who were caught roaming onto Yellowstone’s Grand Prismatic hot spring have pled not guilty to charges of foot travel in a thermal area and disorderly conduct. Hamish McNab Campbell Cross was the only member of the group representing clothing brand High on Life to plead guilty to his charges. He’ll pay a fine of $ 8000 and accepts a five year unsupervised probation.

The remaining three have received court-appointed lawyers and may face a bench trial if they do not accept plea deals. The Jackson Hole News and Guide reports that the group’s previous attorney, who removed himself from the case due to a conflict of interest, mentioned that the US Attorney is considering jail time.

The Grand Prismatic incident is just one of quite a few recent cases park vandalism. Stiffer penalties for offenders may help reduce incidences of vandalism, but is an $ 8000 fine enough? Do the filmmakers pleading not guilty deserve jail time? Tell us what you think in the comments.

Related: Opinion: Park vandals need to be stopped

Articles: Digital Photography Review (dpreview.com)

 
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How I Took This Award Winning Night Sky Group Photo

17 Jul

Last weekend one of my photos was selected as a category winner in the national night sky photography competition, the David Malin Awards. The category was “People and Sky”, and Darren asked if I could write a post describing how the photo was created.

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I assist friend and colleague Phil Hart with regular night sky photography workshops under the beautiful dark skies of country Victoria (Australia). Knowing my love of fisheye photography, Phil had an idea for a photo to help promote the course: A group photo under the stars by fisheye lens.

I immediately had a vision in my head of the photo and knew it would look cool, so I set myself to working out how to achieve the difficult task of composition and balancing light. Once night fell and we made sure the students were all confident with their new skills and happily taking photos of the night sky, I put my Sigma 8mm f4 circular fisheye on my full-frame Canon 5D MkIII. To achieve this effect you will need a circular fisheye lens and a full-frame camera, or a fisheye lens designed to give a circular image on a cropped sensor. A diagonal fisheye will not capture the whole hemispherical field of view needed to image the whole sky.

Testing the setup and lighting.

Testing the setup and lighting.

From experience shooting the night sky with this lens, I knew that I would be shooting at the widest aperture of f4 and the full 30 seconds shutter speed. Balancing noise and sufficient exposure I chose an ISO of 8000. These settings give me a good exposure of the night sky and particularly the milky way, which would feature in the shot. This is incredibly faint! My main problem was how to light the faces of the students to approximately the same brightness of the Milky Way.

At first I considered using a flash, but even at the lowest setting, even with significant diffusion, the exposure was too difficult to control. The other problem is that I’d need the light to be omnidirectional so that all of the people in the shot would be evenly lit. Ultimately the solution I came up with was to use my LED video light, dialed down to its lowest power setting and laid face down on the ground on a piece of white paper. Only a little bit of light leaked out from around the edges, but it was even and spread out in all directions. Due to the relatively warm white balance of the Milky Way I adjusted the light’s white balance to be warm to match.

A recreation (in my office) of the setup I used. The video light is pointing straight down into the paper.

A recreation (in my office) of the setup I used. The video light is pointing straight down into the paper.

I took a few test shots to make sure the exposure, focus, white balance and everything else was working just right, and when the galaxy had risen to it’s highest point and was nearly directly overhead we called everyone together. We formed a circle and put our arms over each others’ shoulders to ensure even spacing, and tried to keep where the camera would be in the centre. Linking arms also helped us all to stand as still as possible for the 30 seconds of the exposure. Once we were all ready, I set the camera to 10 second self timer mode and placed it on the ground pointing directly up.

There were a couple of confused comments as people tried to work out how it would look, and jokes about how we all must have looked to anybody watching us from the outside. But once we got a look on the back of the screen, everyone was convinced. This was a truly unique group photo.

Join me on Facebook to learn more and see new photos daily: http://facebook.com/neilcreekphoto.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

How I Took This Award Winning Night Sky Group Photo


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Glitter Portrait: How I Took It

27 Jan

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Recently while surfing through some shots on Flickr I came across the shot above – taken by CT Pham (aka Phamster on Flickr).

The shot was eye catching and an interesting portrait and under it was a description of how it was taken with a link to see some behind the scenes shot. I messaged CT Pham to see if he’d be willing for us to share it on dPS and he agreed. Here’s the behind the scenes info. I’d love to see some shots inspired by this in comments below!

This shot was done in a parking garage with 3 speed lights and a single alien bee strobe AB1600.

I had the glitter cross lit by 2 speedlights gelled with blue and green (the green wasn’t showing up too well).

It is a project I have been thinking of doing for a while and hadn’t had a chance – but last night presented it self.

Setup:

  • 1 speed light in the rear and a shoot thru for the wall and partial side lighting
  • 2 speed lights for the cross lighting
  • 1 AB 1600 for the key light 64PLM was used
  • all speed lights were full power
  • the AB1600 was just below 1/4 power being it was really close to Katie
  • lots of glitter was used – LOL. Really fun shot!

Camera: Canon EOS 5D Mark II
Exposure: 0.006 sec (1/160)
Aperture: f/9.0
Focal Length: 85 mm
ISO Speed: 500
Exposure Bias: 0 EV
Flash: Off, Did not fire

Here are the behind the scenes shots of the setup!

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Check out more of Phamster’s work on Flickr or on his site.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Glitter Portrait: How I Took It


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Christmas Portraits: How I Took It

19 Dec

A Guest post by Judd Green

Every Christmas I like to get the boys together and do a couple of quick snaps as their Christmas portrait.

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It’s good to look back on and see how much they grow and change every year. When I say quick, I mean quick as they have been my test subjects for so long they get over photos very quickly, keeping kids attention during a portrait session is a whole different post all together!

This year I knew exactly what I wanted, but it was going to be a little challenging then normal. When I think of Christmas I think of decorations, but mainly Christmas lights, and what are Christmas lights good for? Bokeh! My 50mm 1.4 rarely comes off my camera these days, perfect for what I wanted to achieve in capturing some good bokeh.

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So I found some old Christmas lights we weren’t using and set them up in the back yard, I had some colored lights hanging over our fence for the background of the shoot and also had some plain white lights in a circle on the ground for the boys to sit in for the shoot. Now as I wanted the lights to be the feature in the shoot, I had to expose for them first and foremost and for that to happen I had to wait for it to get darker if I wanted to shoot wide open.

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But also in order to have the boys correctly exposed I needed my flash. Now when a flash is involved you are then limited in how fast you can set your shutter speed, any faster then 1/250th you will generally miss getting the flash as the shutter closes up again before the flash has any effect. When working with flashes and strobes I like to play it safe and set my shutter to 1/160th and set everything else accordingly. So with my shutter at 1/160th and aperture at 1.4, then the only other setting to adjust is ISO, which I was happy with the result I got setting it to 800.

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Now everything is set, where to put the flash? I wanted a good silhouette around the boys as I like that look. So the flash needed to come from behind, so it sat on the ground behind the boys. And with the settings I had, it was easy for the flash to over power everything, so I had to set it to it’s lowest power setting possible. But with the flash giving the nice silhouette from behind I needed some sort of light source to light the boy’s faces, that’s when the wife comes in and holds my white reflector bouncing the light from the flash onto the boys faces, which I am very happy with the results.

So that’s the story behind a Christmassy shoot lit up by only Christmas lights, one speed lite and my boy’s smiles.

There is so many different ways to get creative with photography and you don’t need the latest and most fancy equipment, just learn the limits of what you have and maybe even push them.
Merry Christmas all!

Judd Green is a Photographer from Brisbane Australia. See more of his work at www.juddricphotography.com

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Christmas Portraits: How I Took It


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