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Take Time to Practice These Three Composition Skills Around Your Home

02 Apr

The post Take Time to Practice These Three Composition Skills Around Your Home appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

Practice composition skills around your home featured image

Now is a good time to practice composition skills. With many people having to self-isolate, it means you may not be able to enjoy regular life. This will include being able to get out and photograph the subjects you typically take pictures of.

Make good use of the time to practice. This is not something photographers do as much as other artists. You can imagine that to play a song on a guitar or the piano, you must first practice it. It’s easy for a photographer to pick up a camera and get a pretty well-exposed photo without the need to practice. This can make you lazy, and not make time to work on aspects of your photography that need improving.

Take Time to Practice These Three Composition Skills Around Your Home
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/400 sec., f/10, ISO 400

In this article, I want to encourage you to think outside the subject. Consider taking photos only to work on improving one aspect of your craft – composition.

Find subject material in your environment. Things you would not normally consider taking pictures of. Aim to make interesting and varied compositions by exploring and experimenting.

Practice composition skills

When you practice anything at all, you will get better at it. When was the last time you engaged in improving your composition skills through practice? Have you ever picked up your camera with the sole aim of getting better at using the rule of thirds or any other aspect of composition?

Focus on using negative space for a day, or a week, and you’ll find you incorporate more of it into your photographs.

By repeating what you are doing, you can learn a skill so well that you don’t have to consciously think about it. It will take time and practice to reach this level, but it is quite natural. Whatever you set yourself to practice, in time, you will be able to use that skill without having to think much about it. This is one great way to build your intuition.

Pick two or three composition rules to work on. I’m writing about the rule of thirds, negative space and filling the frame. But you can work on any you like. The key is to not be so concerned about your subject or creating masterpiece photos, it is to practice and learn.

Consider yourself doing this to be like a musician practicing scales. Their aim is not to go out on stage and play scales, but they know that practicing them will help them play better when they do perform.

Yellow mango against blur glass for practice composition skills
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/320 sec., f/7.1, ISO 800

Practice the Rule of Thirds

Let’s start with the most well-known rule of composition in photography, the rule of thirds. This is one many people know and use. To put into practice composition skills, you need to concentrate on the rule, not the subject so much.

Don’t worry if you are not producing great photos. This exercise is designed to help you better understand when to use the rule of thirds.

You might like to use a single subject or various things around you to practice composition skills. For this exercise, I walked around my garden and in my house to create compositions using the rule of thirds.

Take Time to Practice These Three Composition Skills Around Your Home
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/400 sec., f/10, ISO 400

Experiment with each subject you photograph. Compose it in different ways, but make sure to have it somewhere on one of the ‘thirds’. Don’t only take the first composition you think of. If you place your subject on the left for your first picture, place it on the right hand third for the second one. Then rotate your camera 90 degrees and place your subject on a lower third intersection.

Rule of Thirds grid
The Rule of Thirds grid

Push yourself to try out compositions you normally wouldn’t. Don’t think about your results as right or wrong. Or even good or bad. The point of practice is to improve, so if you’re taking photos you don’t particularly like, think about them. Why don’t you like them? What can you do to improve?

Practice using the rule of thirds until you feel you’ve made some good progress with it. Do you have a better understanding of how to use it well?

Rose one a plain background for practice composition skills
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/400 sec., f/10, ISO 400

Using negative space to practice composition skills

Negative space is not a bad thing – at least not when it’s included in compositions intentionally. Negative space is the area of a photograph that is not the main center of attention.

Often there will be nothing at all in these areas – no shapes, lines, or texture.

At other times there will be some detail, but it will not draw attention away from the main subject at all.

Coffee pot in contrast for practice composition skills.
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/320 sec., f/7.1, ISO 800

During our photography workshops, one of the most common mistakes I see people make is to leave too much empty space above a person’s head. This is not usually well-composed negative space. It’s there because the photographer was not paying enough attention to what surrounded their subject.

Practice composition skills by creating photos with strong negative space. Use blank areas to help your main subject stand out. Use a blank wall, a shallow depth of field, or a light subject with a dark background.

There are many ways you can include negative space positively in your pictures.

Again, don’t aim to make masterpieces. Making ‘mistakes’ is healthy when you are practicing.

Experiment and try out various compositions, both horizontal and vertical. Leave space on the left, right, below and above the same subject. Study them together on your computer. Which one do you like the most?

Padlock on a grill
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/200 sec., f/4.5, ISO 800

Aim to fill the frame

Filling the frame is something I aim to do every time I take a photo. Sometimes this can mean much of my frame is filled with negative space. So long as it’s intentional and adds to the photo, that’s fine.

To fill the frame well it’s as much about what you leave out as to what you include. Most important is to be aware of what’s within the four edges of your composition and make sure that it’s relevant to the photo you’re taking.

Sometimes filling the frame can mean coming in ultra-close to your subject so you don’t include all of it. Other times you may choose to move back or zoom out to include some of the surroundings because they are relevant.

Always look around the edges of your frame. What’s in the corners? Are the background elements supporting your main subject? If not, move it, move yourself, or use another technique to eliminate the unwanted element.

Moving even a little can alter the perspective of how elements within your frame relate to each other. As an example of this, I photographed the same objects on my table. The plastic bottle behind my main setting is distracting.

To eliminate it from my composition, I moved lower and to the right a little. In this situation, I could have also moved the bottle.

coffee set up for practicing composition skills
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/80 sec., f/5, ISO 800
coffee set up
© Kevin Landwer-Johan Nikon D800, Lens 105mm, 1/80 sec., f/5, ISO 800

Conclusion

Taking time to practice composition skills may sound a bit boring – just as someone learning the piano might get bored practicing scales.

Try it and see. You may find you enjoy it after a while. Like anything, it takes time for the practice to pay off, so don’t give up easily.

Do you have any other tips you’d like to add? Please share them with us in the comments.

The post Take Time to Practice These Three Composition Skills Around Your Home appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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These are the best portrait lenses for Canon DSLR shooters

02 Apr

We think the Canon EF 50mm F1.8 STM and Sigma 85mm F1.4 Art are the best all-around picks for APS-C and full-frame Canon DSLRs, respectively, but we’ve got more recommendations to meet a range of budgets.

Articles: Digital Photography Review (dpreview.com)

 
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Helping You the Way We Know Best During These Trying Times

18 Mar

The post Helping You the Way We Know Best During These Trying Times appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Helping You the Way We Know Best During These Trying Times
Many people are stuck in their homes at the moment. So let’s make the most of it and do some photography! Image by dPS writer, Lily Sawyer

Let’s face it – we’ve all been stressed about the Coronavirus (covid-19).

For many people, they have had to self-isolate (including members of the dPS team). This can be anxiety-inducing and people can also start feeling isolated and down.

So we want to do what we do best. We want to give you all some photography exercises that you can do in and close to home. That way, you’ll get to focus on your creativity, keep the boredom at bay, and, hopefully, feel less stressed with life until this all starts to resolve itself.

How this will work is that each week over the next month (mid-week before our weekly newsletter goes out, starting tomorrow), we will publish a 7-day challenge. In this challenge, we will give you a challenge idea per day that you can do right within your own home or yard. We will also publish more articles on things you can photograph around the home, as well as some post-processing articles.

We care about our community and wish you all the best at this time. Please stay safe and keep in touch with us – whether by commenting on posts or heading over to our FB group where you can chat and share your photos.

Let us know if there is anything else you’d like to see here on dPS that will help you through these times too.

All the best,
Caz and the dPS team

The post Helping You the Way We Know Best During These Trying Times appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Don’t Be Afraid to Say These Things to Your Photography Clients

11 Jan

The post Don’t Be Afraid to Say These Things to Your Photography Clients appeared first on Digital Photography School. It was authored by Simon Ringsmuth.

say-these-things-to-your-photography-clients

Shooting photos for clients is an interesting business. People pay you to take great photos, but you also have to balance your photographic goals with the very human side of the job. You can’t just boss people around and expect them to come back or give you positive word-of-mouth. On the other hand, you can’t let your clients walk all over you. There’s a fine line between assertiveness and rudeness. However, as long as you are polite and respectful you should never be afraid to say these things to your photography clients.

say these things to your photography clients

Nikon D750, 86mm, f/4, ISO 2800, 1/400 second

“I don’t offer discounts”

If you have been in this business for a while, you have almost certainly had clients ask you about some kind of sale, discount, sweetheart deal, or other tactic to get you to lower your prices.

I used to feel self-conscious about these sorts of requests, thinking I had some kind of obligation to accommodate my clients who didn’t want to pay full price. The thought of not offering a discount made me feel arrogant and cold-hearted.

The truth is, you are worth your price. If people want to hire you to do your best work, then there is no shame in asking them to pay for it. If someone asks for a special deal, politely but firmly decline. Tell them that your prices are competitive and you will take beautiful photos for a reasonable fee.

say these things to your photography clients

Nikon D750, 92mm, f/4, ISO 220, 1/180 second

Additionally, don’t use the phrase “I’m sorry” when discussing your prices. You should never have to apologize for charging what you are worth!

You might think you are being polite, but you have nothing to apologize for. So you shouldn’t feel obligated to say it.

I have had several situations where potential clients have asked me about offering discounts. At first, I felt uncomfortable sticking to my guns. However, every single time I declined to go down in price, I have felt good about the decision. Plus, the clients were still happy with my photos.

Recently someone asked me about taking photos of her daughter’s graduation. When I told her my price, she winced and asked if I offered any type of discount. I said no, and she eventually went with another photographer who had a cheaper rate.

While a part of me wishes I could have gotten this woman’s business, I think of the ramifications if I had gone down in price.

say these things to your photography clients

Nikon D750, 110mm, f/2.8, ISO 160, 1/125 second

She would have expected a similar discount on future sessions, and she would have almost certainly told her friends about this great photographer she knows who gave them a really good discount.

That would have started things off on the wrong foot with other potential clients who might be expecting me to drop my price.

The implications for lowering your prices can be much worse in the long run. So you should never feel bad for saying these things to your photography clients.

“You have something on your face”

There are many ways to fix blemishes, pimples, dust, dirt, and other imperfections in Photoshop.

I have had clients joke about taking ten pounds or twenty years off in Photoshop. That always makes me a little uncomfortable since I think my clients look great just as they are.

With almost every photo session, there is some type of artificial issue that can easily be fixed right on the spot.

If not addressed right away, these things can add hours to your post-processing time.

say these things to your photography clients

Nikon D750, 135mm, f/2.8, ISO 500, 1/350 second

You might feel a little nervous or uncomfortable telling your clients that they have a stray hair on their cheek or a spot of dirt on their shoulder. I know what that’s like, having been in the situation many times!

Kids are fussy, the wind is blowing, rain is starting to fall, and you feel like you’re adding yet another burden to your clients by telling them they’ve got something on their face.

On the contrary, don’t be afraid to say these things to your clients! Every time I have neglected to mention an issue while taking pictures, I have regretted it afterward.

If you fix a blemish on a single photo, you have to fix it on all the photos. If it takes one minute to fix the first time, multiply that by 20, 50, or 100, and the simple task quickly turns to tedium.

Image: Nikon D750, 92mm, f/2.8, ISO 400, 1/250 second

Nikon D750, 92mm, f/2.8, ISO 400, 1/250 second

Not once have I had a client get upset, offended, or otherwise bothered when I told them about a problem like this. If anything, they have appreciated my watchful eye and attention to detail!

Kindly and politely tell them that they have a leaf on their dress, a speck on their forehead, or a butterfly resting on their shoulder. (I’m not kidding, it has happened!) You can deal with it in a few seconds and move on, instead of worrying about it and then wasting hours of your time editing it out on your computer.

“Sure, let’s try your idea”

Any time I prepare for a photo shoot, I always make sure I know the location, the types of photos the clients want, and other pertinent information. I even built several custom photo benches that I bring with me in case people need a place to sit. Basically, I try to have all my bases covered so I can make sure the session goes smoothly.

However, sometimes clients have other ideas. When that happens, I used to get defensive – I’m the professional, my clients need to listen to me!

On a sports team, it’s the players’ job to listen to their coach, and if every person on the field did things his or her own way, the game would be lost in short order.

say these things to your photography clients

Nikon D750, 112mm, f/4, ISO 1600, 1/250 second.

A photo session isn’t a sporting event, and you are a photographer, not a coach, and certainly not a dictator. You have great ideas for how to carry out the session, but your clients might too. It also behooves you to show them you care and will listen to their suggestions.

Even if you might not particularly like an idea that your clients have for poses, locations, or props, you might be surprised at the results. At the very least, it will send a message to your clients that you are flexible and willing to listen to them.

Even if the photos aren’t your favorite, word of mouth from your clients will help build a good reputation for you!

say these things to your photography clients

Nikon D750, 50mm, f/1.8, f/2, ISO 320, 1/250 second.

The image above is one example of how this can work out well for you and your clients. After I shot this family in the middle of a park, one of them told me he wanted to get a picture by a bridge. I was a little hesitant since the lighting and location weren’t my favorite, but I was happy to oblige. These photos turned out to be their favorite from the entire session!

“I have a location I prefer”

This seems a little counter to the last bit of advice since the idea here is to not take your clients suggestions into account. If you shoot outdoors, as I and many others do, you probably have some particular spots you like to use. Your locations have good lighting, pleasant surroundings, few people, and no bothersome elements like trash cans or street signs. You have used these locations many times, and they work great!

Your clients might have other ideas, though, and this is when it’s important to push back a little. I have had clients ask to do photos in spots that might look great for social media selfies, but they just aren’t well suited to a formal photo session.

In these situations, there’s nothing wrong with gently but firmly steering them to a location you prefer.

say these things to your photography clients

Nikon D750, 200mm, f/2.8, ISO 280, 1/250 second

It might seem harsh or uncaring to say these things to your photography clients, but it’s all about setting expectations.

When it comes to choosing a location, you know things your clients don’t. You pay attention to aspects of lighting and composition they would never think about.

If a potential client is insistent on using a spot that you would rather not use, show them your portfolio and explain the reason that you want to do it at another location.

Ultimately it’s your call – you can go with a spot they want, and the pictures might turn out great. But there’s a good chance you will encounter unforeseen obstacles, distractions, and other issues that will lead to sub-par photos.

If your client is insistent, you can politely tell them you won’t be able to meet their needs and recommend another photographer instead. Or you can do the session anyway, but make sure to scout the location first so you can prepare for what awaits.

Image: Nikon D750, 150mm, f/4, ISO 1100, 1/250 second

Nikon D750, 150mm, f/4, ISO 1100, 1/250 second

“Photos will be ready in two weeks, but not sooner.”

Your own timeframe for this might differ, but you must be honest with clients about these types of expectations.

They might have other ideas in mind based on experiences their friends have had with other photographers. If you need a specific amount of time to deliver the photos, then make sure to stand by what you say.

Be sure to explain this early when you establish a relationship with your clients, so they know right away what to expect. You don’t want them complaining on social media because they thought you would deliver their photos the very next day!

Let them know that you need time to carefully cull, edit, and even print their photos. A few extra days of work can mean the difference between good photos and frame-worthy portraits to hang on a living room wall.

say these things to your photography clients

Fuji X100F, 23mm, f/5.6, ISO 320, 1/125 second

Expectations

One trick is to under-promise and over-deliver. I let my clients know that they will receive their final images within three weeks. I almost always send their photos in two weeks. So in their eyes, I have not only met their expectations but vastly exceeded them.

Your clients might want photos quickly, but if you need time to do your post-processing, be firm and stick to your guns. Quality takes time, and you’re not just slapping on a filter like you would see on some social media apps.

And if you need a few weeks to work your magic, then make sure your clients know what to expect.

Image: Nikon D750, 50mm, f/1.8, f/5.6, ISO 6400, 1/90 second. (Using a +4 close-up filter)

Nikon D750, 50mm, f/1.8, f/5.6, ISO 6400, 1/90 second. (Using a +4 close-up filter)

Conclusion

At the end of the day, this is all about establishing a positive, healthy, and productive relationship with your clients.

Always be respectful, and always treat them how you would prefer to be treated yourself. If you say these things to your photography clients it will help send the message that you are a serious professional. Moreover, they will likely want to keep working with you well into the future.

We hope Don’t Be Afraid to Say These Things to Your Photography Clients will help you on your photographic journey. Do you have other things that you feel can be said to clients that can help the session run smoother? If so, share it with us in the comments!

 

The post Don’t Be Afraid to Say These Things to Your Photography Clients appeared first on Digital Photography School. It was authored by Simon Ringsmuth.


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These were the most-clicked-on cameras in 2019

29 Dec

While DPReview readers have already voted for their favorite products of 2019, we were curious to know which cameras were the most popular among site visitors in the past year. For that information, we went to the raw data. What we’ve come up with is a list of the year’s ten most popular cameras (released at any time) based on product page views within 2019. We’ll count it down starting at the top, Casey Kasem-style.

10. Canon PowerShot G7 X Mark III (announced July 2019)

It’s no surprise that a highly capable enthusiast compact makes the list, since this class of camera is always popular with DPR readers. The Canon G7 X Mark II was announced in early July alongside the G5 X II, with which it shares many of the same features. We saw a lot to like about it when we reviewed it – and DPReview visitors clearly saw the appeal too.


9. Nikon D850 (announced September 2017)

We called the D850 one of the most important cameras of the decade and DPReview readers seem to agree – it’s just over two years old (which is approximately one hundred in consumer technology years) and it’s still one of the most-viewed products on the site. It was a very impressive camera in 2017 and it’s still one we recommend to a wide range of photographers today.


8. Canon EOS M50 (announced February 2018)

We all love a built-in viewfinder, which is likely one of the features that drew so many people to the Canon M50 this year. It also appears in several of our use-case buying guides, and its well-rounded stills feature set clearly attracts a lot of attention even nearly two years after its announcement.


7. Nikon Z6 (announced October 2018)

It makes sense that the Z6 appears in this top ten while its higher-resolution Z7 sibling (spoiler alert) doesn’t – 24MP is still more than enough resolution for most photographers, and as a whole package it’s more accessible. For those just starting to think about switching from their beloved DSLRs to mirrorless, the Z6 is a logical jump-off point for that research. While photographers like our own Dan Bracaglia may choose to hang onto their DSLRs for a while longer, we imagine that the number of full-frame mirrorless cameras on this list will only grow each year.


6. Sony a6000 (announced February 2014)

The Sony a6000 has had incredible staying power in the camera market. It’s one of the best-selling interchangeable lens cameras of all time and this nearly six year old camera’s feature set remains surprisingly competitive. It certainly doesn’t hurt that it’s one of the absolute best deals out there – it was competitively priced at its introduction and has come down in price since then to $ 500 with kit lens at the time of writing. The debut of the a6100 may signal the beginning of the a6000’s end, but there’s no wonder at all why it has remained so popular for so long after its release.

Articles: Digital Photography Review (dpreview.com)

 
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These are the next lenses you should buy for your new Micro Four Thirds camera

28 Dec

From pocket-sized prime lenses to fast zooms designed to weather the elements, there are lenses of all shapes and sizes for Micro Four Thirds shooters. If you’ve recently acquired one of these cameras then we’ve got some ideas for your next lens.

Articles: Digital Photography Review (dpreview.com)

 
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These are the next lenses you should buy for your new Fujifilm mirrorless camera

27 Dec

Maybe you were gifted a Fujifilm X-mount camera like the X-A7 or X-T30, or you treated yourself to an X-T3 for being extra good this year. In either case, we’ve got some suggestions when you’re ready for your next lens purchase.

Articles: Digital Photography Review (dpreview.com)

 
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These are the next lenses you should buy for your new APS-C Sony mirrorless camera

27 Dec

If a Sony a6000-series camera found its way into your hands this season you’re already well-equipped to take some great photos. But nothing opens up new possibilities like another lens – here are our suggestions for APS-C Sony mirrorless cameras.

Articles: Digital Photography Review (dpreview.com)

 
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These are the next lenses you should buy for your new DX-format Nikon DSLR

27 Dec

If you’re the proud new owner of a DX-format camera like the Nikon D3500 or D5600, congratulations! The fun is just beginning. We’ve got some ideas for your next lens purchase when you’re ready to expand your kit.

Articles: Digital Photography Review (dpreview.com)

 
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These are the next lenses you should buy for your new APS-C Canon DSLR

27 Dec

Canon DSLRs like the EOS SL3 (EOS 250D in many countries) or T7 (EOS 2000D) are great entry points into the world of interchangeable lens cameras. If you’ve just acquired one of these or another APS-C Canon DSLR, here are some suggestions for your next lens purchase.

Articles: Digital Photography Review (dpreview.com)

 
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