$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1994814304″,”galleryId”:”1994814304″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });
The Tamron SP 35mm F1.4 can produce excellent images. But don’t take our word for it – check out the sample photos from this week’s episode of DPReview TV and judge for yourself.
View the Tamron SP 35mm F1.4 sample gallery
Articles: Digital Photography Review (dpreview.com)
Tamron claims that its SP 35mm F1.4 Di USD lens is the finest it has ever produced. This week, Chris and Jordan put it to the test to see how it performs.
Also, subscribe to our YouTube channel to get new episodes of DPReview TV every week.
$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_1994814304″,”galleryId”:”1994814304″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });
Articles: Digital Photography Review (dpreview.com)
 |
Tamron has announced the development of a compact tele-zoom for full-frame Sony E-mount bodies: the 70-180mm F2.8 Di III VXD. The lens will be just 149mm (5.9″) long and will weigh in at 815g (1.8lbs), and it will use the same 67mm filters as the two other lenses in the series: the 17-28mm F2.8 and 28-75mm F2.8.
The 70-180 will offer ‘several’ specialized glass elements and will use the company’s VXD linear focus motor. The minimum focus distance is a relatively short 0.85 meters (33.5 inches). The lens will be sealed against dust and moisture, and will have a fluorine coating to repel oil and water from the front element.
Tamron says that the 70-180mm F2.8 Di III VXD will be available in Spring of next year.
Press Release:
Much-anticipated third model in its series of F/2.8 high-speed zoom lenses delivers superb optical performance with extremely quiet, fast focus
70-180mm F/2.8 Di III VXD (Model A056)
October 23, 2019, Commack, NY – Tamron announces the development of a new high-speed telephoto zoom lens for Sony E-mount full-frame mirrorless cameras, the 70-180mm F/2.8 Di III VXD (Model A056). Availability of this new zoom is planned for Spring 2020. The lens will be on display at the upcoming Photo Plus Expo in New York City this week and Salon de la Photo in Paris next month.
Developed under the concept of “making high-speed zoom lenses user-friendly,” Model A056 features a compact and lightweight design, an ideal match for full-frame mirrorless interchangeable lens cameras. The 67mm filter diameter is the same as all other Tamron lenses in this series. The optical design includes several specialized glass elements that contribute to the lens’s superb imaging performance and its very short 33.5 in MOD (Minimum Object Distance) expands overall versatility. The lens adopts Tamron’s newly developed VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism that produces a quiet, quick autofocus drive.
Other features that support a great shooting experience include a Moisture-Resistant Construction helpful for outdoor shooting and Fluorine Coating for easy maintenance. In addition, Model A056 is fully compatible with various camera-specific features including Fast Hybrid AF and Eye AF. This new model joins the 17-28mm F/2.8 Di III RXD (Model A046) and the 28-75mm F/2.8 Di III RXD (Model A036) and brings Tamron’s total of F/2.8 zoom lenses for full-frame mirrorless cameras to three.
Main features
* Specifications, appearance, functionality, etc. are subject to change without prior notice.
| Principal specifications | |
|---|---|
| Lens type | Zoom lens |
| Max Format size | 35mm FF |
| Focal length | 70–180 mm |
| Image stabilization | No |
| Lens mount | Sony FE |
| Aperture | |
| Maximum aperture | F2.8 |
| Aperture ring | No |
| Optics | |
| Special elements / coatings | Fluorine coating |
| Focus | |
| Minimum focus | 0.85 m (33.46″) |
| Autofocus | Yes |
| Motor type | Linear Motor |
| Full time manual | No |
| Focus method | Internal |
| Distance scale | No |
| DoF scale | No |
| Physical | |
| Weight | 815 g (1.80 lb) |
| Length | 149 mm (5.87″) |
| Sealing | Yes |
| Zoom method | Rotary (extending) |
| Power zoom | No |
| Zoom lock | Yes |
| Filter thread | 67 mm |
| Hood supplied | Yes |
| Tripod collar | No |
Articles: Digital Photography Review (dpreview.com)
The post Tamron SP 35mm F/1.4 Lens Review – A Perfectly Executed Prime Lens? appeared first on Digital Photography School. It was authored by Adam Welch.
I’ve evaluated and reviewed quite a few lenses over the years – twenty-three to be exact. Throughout those reviews, I’ve been fortunate enough to encounter many that were good, a few that were great, and an oh-so limited few that were absolutely magic. Yet, I can honestly say that I have never experienced the overwhelmingly universal praise and excited electricity surrounding a freshly released lens as I have witnessed with the new Tamron SP 35mm F/1.4 Di USD (for Canon, Nikon). This is the prime lens that is currently wowing the masses with its mind-bending sharpness and wide-open f/1.4 speed.
Ironically enough, this little beauty marks the 40th Anniversary of Tamron’s “Superior Performance” line of lenses. Tamron has specifically geared all of the glass in SP line towards meeting the needs of discerning professional photographers.
So, needless to say, whenever I get the chance to review any new SP lens from Tamron, I always feel all warm and fuzzy inside. Would the Tamron SP 35mm f/1.4 live up to the hype? Could it? I was incredibly curious to find out, and, of course, I want you to come along for the ride.
First things first; this is a gorgeous lens. It possesses a clean and simplistic style which in my experience has been the hallmark of virtually all of the modern SP line. The lens itself is a velvety deep satin black with white lettering and, of course, that signature metallic-colored ring finishes off the minimalist design.
There isn’t a lot to see here aside from the focusing ring (which is nicely rubberized), and the AF/MF switch. Oddly enough, the SP 35mm F/1.4 lacks the Vibration Control functionality which leaves quite a bit of open real estate on the lens body.
I say the absence of Tamron’s proprietary VC image stabilization is odd not because it will necessarily be missed on a lens of this focal length, but instead because it is present on the close cousin of this lens – Tamron’s 35mm F/1.8 Di VC USD (Canon, Nikon, Sony). The exclusion of VC on this 35mm could very well be a weight-saving measure to avoid making an already robust lens heavier. More on this in just a bit.
This lens includes generous moisture sealing throughout, which if you’ve read any of my other reviews of Tamron glass, you’ll know that I absolutely love. There’s just something extremely comforting about the physical presence of that rubber gasket at the rear of the lens.
Image courtesy of Tamron
It also comes with a very nice storage bag.
Overall, it’s safe to say that the look of the new SP 35mm lens impressed me right out of the gate.
Here’s the list of specifications for the Tamron SP 35mm f/1.4 Di USD courtesy of Tamron:
As you can see, this is not a feather-weight prime lens. The 35mm F/1.4 with the lens hood comes in weighing just shy of 2lbs(907g) on my home scales. That makes for a hearty setup when mounted on larger DSLR cameras.
With that said, the overall balance of the lens, when mated to a Canon 5D MK III, is remarkably pleasant. It’s not light, but it’s not overly bulky either. Take into account the fact that the lens houses 14 elements, and you become somewhat surprised that it doesn’t weigh more.
“But Adam…it’s only a lens hood. Do you really think it’s worth its own section?”
Yes, yes, I do.
Don’t get me wrong, I understand how trivial this may very well be, and it’s most certainly only my highly subjective…borderline neurotic…opinion.
Tamron has recently introduced a locking mechanism to some of its new lenses. This is the second time I’ve encounter this hooded curiosity from Tamron with the first being the 24-70mm F/2.8 Di VC USD G2 (Canon, Nikon).
In short, I’m conflicted. Of course, the goal of this feature is to keep your lens hood from accidentally popping off your camera. The issue I see with this is that such a static locking mechanism could possibly lead to a broken lens hood, or worse, breakage of the front mount of the lens barrel. Instead of the lens hood simply popping off, there could ultimately be a situation where “something’s gotta give” should a substantial impact occur. What’s more, the need to depress a button to remove the hood is just a little tedious. Then again, I must say the locking mechanism is finely executed and works quite well for its purpose. It’s a feature that I could come to enjoy, but for the time being, not so much.
Relax. I’m finished talking about the lens hood.
Newly introduced with the Tamron SP 35mm f/1.4 is a revamped mechanism that supposedly aids in more speedy and less noisy autofocusing. It’s called the Dynamic Rolling-Cam System.
Image courtesy of Tamron
Not only is that a pretty cool name but the Dynamic Rolling-cam System assists Tamron’s already capable Ultrasonic Silent Drive AF with moving that large f/1.4 focusing unit and is reported to make the entire AF experience of the Tamron SP 35mm f/1.4 much more reliable. I tested the AF with my Canon 5D MK III and my trusty Canon 7D Mk1. In both cases, the AF of the lens was quite snappy and accurate, even in low contrasted scenes. This lens also features a full-time manual focus override so that you can easily tweak focus manually while still in AF mode.
If you’ve heard anything about this lens already then you probably know it’s reported to be sharp – I mean scary sharp – with beautifully creamy bokeh and superb contrast. Well, it’s all true. So if you want to take my word for it, feel free to skip down to the sample images. If not, keep reading.
Yep. The Tamron SP 35mm f/1.4 is exquisitely sharp even wide-open at f/1.4. The center is tack sharp with only a minuscule softening at the corners. At smaller apertures beyond f/2, this lens absolutely shines with virtually no vignetting past that aperture mark as well – virtually zero distortion. Also of note is that as you move toward f/16, there are majestically pronounced starbursts at point sources of light.
Colors pop wonderfully with this 35mm lens. Equally, the contrast is great, and I noticed no chromatic aberrations even at f/1.4. I wasn’t as overly impressed with this area of the lens as some have been, but it truly does produce some beautifully contrasted photos with perfectly adequate color separation. Tamron has also introduced the second generation of their BBAR element coating which is purported to reduce ghosting and flare greatly.
Here are a few sample images for your inspection. There have been no adjustments to sharpness, color (except WB) or contrast.
F/8
F/4.5
F/8
F/16
F/1.8
F/1.8
F/2.8
F/1.8
F/2.8
F/1.8
F/13
F/2.8
F/4.5
F/1.4
I’ve also put together a full-length video review of the Tamron SP 35mm f/1.4 if you would like to dig a little deeper into the characteristics of this lens.
What else can I say about the Tamron SP 35mm f/1.4 lens? Fortunately enough for both of us, the results from this lens happily speak for themselves. I’ll admit that going into this review I had already been bombarded with tales of its sharpness and high contrast, so the bar was set alarmingly high. So high in fact, that I was concerned that I would be let down by the performance of this lens once I actually used it. Banish all such thoughts!
The SP 35mm f/1.4 Di USD from Tamron is a perfectly executed fast prime. It combines all the best attributes of fine glass and bundles them into a sleek looking package that performs fantastically. It’s a fast focusing beauty that would be right at home in the field or on the street.
The best part? It will set you back considerably less than some other lenses in its class. At the time of this review, the Tamron SP 35mm f/1.4 sells for $ 899US.
Have you used the Tamron SP 35mm f/1.4 lens? Do you have any other “go-to” prime lenses that you absolutely love keeping in your bag? Let us know in the comments!
The post Tamron SP 35mm F/1.4 Lens Review – A Perfectly Executed Prime Lens? appeared first on Digital Photography School. It was authored by Adam Welch.
 |
Tamron has released firmware updates for three of its F mount lenses to add support for Nikon’s FTZ adapter.
Back in November 2018, Tamron announced firmware updates (1, 2) for half a dozen lenses that added support for Nikon’s F to Z mount adapter. Now, three additional lenses gain support: the Tamron SP 85mm F/1.8 Di VC USD (Model F016), 70-210mm F/4 Di VC USD (Model A034) and 100-400mm F/4.5-6.3 Di VC USD (Model A035).
No additional changes are mentioned in the firmware update, but regardless of whether or not you have a Nikon Z6 or Z7 camera, it’s probably in your best interest to download and install the firmware updates via Tamron’s TAP-in Utility, which works with the Tamron TAP-in console to update compatible Tamron lenses.
Articles: Digital Photography Review (dpreview.com)
$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_6810541835″,”galleryId”:”6810541835″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });
We’ve been shooting around with the new Tamron SP 35mm F1.4, a lens the brand recently referred to as its “finest ever,” and we can see why. Image quality appears to be excellent with good sharpness from corner to corner – even wide open – and well-controlled chromatic aberration and ghosting. Sunstars and bokeh are also pleasing, but we’ll leave that for you to decide.
This fast prime is also reasonably compact for a 35mm F1.4, even when coupled with the Nikon FTZ adapter and mounted on a Z7. AF speeds using said combo were also plenty fast/precise. Have a look for yourself.
See our Tamron SP 35mm F1.4 gallery
Articles: Digital Photography Review (dpreview.com)
The post Thoughts and a Field Test: The Tamron 17-28mm f/2.8 Lens for Sony appeared first on Digital Photography School. It was authored by Suzi Pratt.
Sony lenses are notoriously expensive, so it’s a welcome relief that third-party manufacturers have been making solid E-Mount lenses. The Tamron 17-28mm f/2.8 is one such lens. It is the highly anticipated follow-up to the Tamron 28-75mm f/2.8, which was announced in 2018 and is almost always on backorder due to its popularity. After testing the Tamron 17-28mm f/2.8, I have no doubt that this lens will be equally popular.
Read on to find out why.
First off, 17-28mm is indeed a niche and unique focal length. No other manufacturer makes a lens with this range. The closest comparison is the 16-35mm f/2.8, a focal length made by Sony, Canon, and Nikon.
If you’re disappointed about having less reach with the Tamron, consider that if you use this lens with a Sony full-frame, you can always shoot in APS-C mode, which gives you more range. This is one of the most useful features on my Sony a7R III.
Why Tamron went for this slightly more limited focal length is puzzling, but it likely explains how they kept the lens to such a small size. In the comparison photo below, you’ll see that the 17-28mm is essentially the same size as the original Canon 16-35mm f/2.8 and the Sony 24-70mm f/4. Weight-wise, the Tamron is the lightest, coming in at 420 g (0.93 lbs). That is quite a bit lighter than Sony’s own 16-35mm f/2.8, which weighs a whopping 680 g (1.5 lbs).
Since we’re on the subject of comparisons, let’s talk price. Sony charges $ 2,200 USD for their 16-35mm f/2.8 lens. While their lens offers more solid construction and a more flexible focal range, this is still a chunk of change. On the other hand, the Tamron 17-28mm is priced at $ 899 USD, which is quite reasonable for an f/2.8 lens.
Size comparison of the Canon 16-35mm f/2.8 (left), the Tamron 17-28mm f/2.8 (center), and the Sony 24-70mm f/4 (right).
The Tamron 17-28mm lens does not have optical image stabilization (OIS). However, it’s so lightweight that it’s still pretty easy to shoot stable photos and videos handheld. In fact, its size goes well with the Sony a7R III and the Sony a7 III.
The Tamron 17-28mm f/2.8 is equipped with a smooth and quiet autofocus (AF) system. It pairs well with modern Sony mirrorless cameras, and all AF modes are available, including Eye AF. In practice, I found Eye AF to be a bit sluggish and hit or miss. But then again, I don’t consider 17-28mm to be my ideal focal range for portraits anyway, and I would rather reach for a midrange zoom or a standard 50mm lens.
A wide-angle lens like the 17-28mm is ideal for capturing landscapes, interiors, and real estate. Those are the types of photography I focused on while testing this lens. The portraiture I did was minimal, and it was mainly for the purpose of shooting at an aperture other than f/11 to see how the bokeh performed (it did very well).
A handheld shot taken from a doors-off helicopter ride.
For my first test shooting with the 17-28mm, I took it on a doors-off helicopter ride. If you’ve ever been on one of these, you know how incredibly windy it can be in the main cabin and how difficult it is to get any shots in focus. This is very much a “spray and pray” kind of photography scenario. To my surprise, the 17-28mm did incredibly well.
From the moment I started shooting with the Tamron 17-28mm, I almost immediately forgot it was a third-party lens. Autofocus was snappy (I wasn’t using Eye AF), there was zero lag or miscommunication between the lens and the camera, and the image quality was stunning. Photos were tack sharp, there was no distortion, and the colors even seemed to pop a little more than usual.
Since this lens is so compact and lightweight, don’t expect all-metal or polycarbonate materials like Sony uses in their GM lenses. However, the build quality of the Tamron 17-28mm still feels very solid in the hands, and I think it would hold up well over time.
Tamron says the 17-28mm is equipped with “moisture-resistant construction” and a hydrophobic fluorine coating to repel dirt and fingerprints. Not much else is said about weather sealing, and I wouldn’t feel comfortable subjecting this lens to extreme weather conditions.
One of the biggest benefits of buying a Tamron lens is their generous 6-year warranty. Effective for six years from the date of purchase (in the USA only), Tamron lenses are “warranted against defective materials or workmanship.” Meanwhile, Sony provides 1 year of warranty on their lenses.
Based purely on specs, this lens pairs beautifully with the Tamron 28-75mm f/2.8. In fact, Tamron claims the combined weight of both of those lenses equates to less than 1 kg (2.2 lbs), which is incredibly light for two f/2.8 lenses. Both lenses also take the same filter size of 67mm, making it easy to swap polarizers and ND filters. This feature alone makes it very compelling to invest in both lenses.
During the reigning days of DSLRs, many photographers scoffed at third-party lenses, saying that “you get what you pay for.” Perhaps back then they had a point.
But today, third-party lenses have really stepped up their game, and the Tamron 17-28mm f/2.8 is one of the best examples of superior third-party glass. If you’re in the market for a wide-angle lens for your Sony body, you can’t go wrong with this lens.
For more information on the Tamron 17-28mm f/2.8 lens for Sony, check out this video I filmed, along with some additional sample photos below:
The post Thoughts and a Field Test: The Tamron 17-28mm f/2.8 Lens for Sony appeared first on Digital Photography School. It was authored by Suzi Pratt.
Tamron USA has shared the above video on Facebook teasing four new lenses for Sony E mount camera systems.
In the 18-second video, which is accompanied by the description ‘Tamron Thrives on Challenging the Limits,’ Tamron shows off the silhouette of four new lenses alongside its currently-available 17-28mm F2.8 Di III RXD and 28-75mm f/2.8 Di III RXD lenses.
 |
No additional details are given, but based on the sizing of the lenses, it appears as though the tallest of the four lenses will be a telephoto zoom (note the focus and zoom rings on the edge of the silhouette) and the remaining three lenses will be more compact primes.
In a follow-up post, Tamron says the lenses will be ‘Coming Soon,’ but leaves it at that. Sony Alpha Rumors is reporting the new lenses being shown off at PhotoPlus in October, but that’s far from confirmed at this point.
Articles: Digital Photography Review (dpreview.com)
$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_0609865725″,”galleryId”:”0609865725″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });
The Tamron 35-150mm F2.8-4 is being marketed as a dedicated portrait lens, offering focal lengths appropriate for both traditional long lens portraiture as well as wider-angle environmental portraits and lifestyle shots.
It’s the kind of lens that might find a place in the kitbag of a wedding shooter as well as a street photographer. We’ve been shooting the 35-150mm on the Canon EOS R for a few days, and we’re pretty impressed. Check out our sample gallery via the link below.
Take a look at our Tamron 35-150mm F2.8-4 sample gallery
Articles: Digital Photography Review (dpreview.com)
 |
Tamron has issued compatibility notices (Canon, Nikon) for a number of its Di and Di II lenses regarding issues that arise when shooting on Canon and Nikon mirrorless camera systems with their respective first-party lens adapters.
In the notice, posted in its entirety below, Tamron lists lenses that are currently compatible when the latest lens firmware is applied, as well as lenses that are yet to receive firmware updates. Tamron says it will announce the firmware release dates ‘once they are decided.’
Tamron also notes that all of its Canon and Nikon mount lenses released starting May 2019 are fully compatible with Canon EOS R, Canon EOS RP, Nikon Z6 and Nikon Z7 camera systems when used with their respective first-party lens adapters.
Compatibility notice:
Dear users and potential purchasers of Tamron interchangeable lenses.
Thank you for using Tamron products and for your continuous support.
We would like to announce that we have clarified compatibility of following Tamron Di & Di II lenses on Canon EOS R and EOS RP with Canon “Mount Adapter EF-EOS R”.
SP 15-30mm F/2.8 Di VC USD (Model A012) for Canon (*)
SP 70-200mm F/2.8 Di VC USD (Model A009) for Canon (*)
SP 70-300mm F/4-5.6 Di VC USD (Model A005) for Canon (*)
SP 70-300mm F/4-5.6 Di VC USD (Model A030) for Canon (*)
SP 90mm F/2.8 Di VC USD MACRO (Model F004) for Canon (*)
SP 24-70mm F/2.8 Di VC USD (Model A007) for Canon (*)
10-24mm F/3.5-4.5 Di II VC HLD (Model B023) for Canon
SP 15-30mm F/2.8 Di VC USD G2 (Model A041) for Canon
17-35mm F/2.8-4 Di OSD (Model A037) for Canon
18-400mm F/3.5-6.3 Di II VC HLD (Model B028) for Canon
SP 24-70mm F/2.8 Di VC USD G2 (Model A032) for Canon
SP 35mm F/1.8 Di VC USD (Model F012) for Canon
SP 45mm F/1.8 Di VC USD (Model F013) for Canon
SP 70-200mm F/2.8 Di VC USD G2 (Model A025) for Canon
70-210mm F/4 Di VC USD (Model A034) for Canon
SP 85mm F/1.8 Di VC USD (Model F016) for Canon
SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F017) for Canon
100-400mm F/4.5-6.3 Di VC USD (Model A035) for Canon
SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) for Canon
SP 150-600mm F/5-6.3 Di VC USD (Model A011) for Canon(*)
SP AF 28-75mm F/2.8 XR DiLD Aspherical [IF] MACRO(Model A09) for Canon(*)
(*) Not supported in TAP-in Console.
[Note]
a. All Canon-mount models released after in May, 2019 are compatible with EOS R and EOS RP.
b. F/W updates can be performed using Tamrons TAP-in Console (sold seperately) or by visiting your local Tamron Service Center.
Dear users and potential purchasers of Tamron interchangeable lenses.
Thank you for using Tamron products and for your continuous support.
We would like to announce that we have clarified compatibility of following Tamron Di & Di II lenses on Nikon Z6 & Z7 with “Nikon mount adapter FTZ”.
To be released on 7 August, 2019 (Click here for the updating process.)
SP 35mm F/1.8 Di VC USD (Model F012) for Nikon
Planned to release in September, 2019 (Exact date will be announced once they are decided.)
70-210mm F/4 Di VC USD (Model A034) for Nikon
SP 85mm F/1.8 Di VC USD (Model F016) for Nikon
100-400mm F/4.5-6.3 Di VC USD (Model A035) for Nikon
10-24mm F/3.5-4.5 Di II VC HLD (Model B023) for Nikon
SP 15-30mm F/2.8 Di VC USD (Model A012) for Nikon (*)
SP 45mm F/1.8 Di VC USD (Model F013) for Nikon
SP 70-300mm F/4-5.6 Di VC USD (Model A030) for Nikon (*)
SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F017) for Nikon
SP 150-600mm F/5-6.3 Di VC USD (Model A011) for Nikon (*)
SP 15-30mm F/2.8 Di VC USD G2 (Model A041) for Nikon
17-35mm F/2.8-4 Di OSD (Model A037) for Nikon
18-400mm F/3.5-6.3 Di II VC HLD (Model B028) for Nikon
SP 24-70mm F/2.8 Di VC USD G2 (Model A032) for Nikon
SP 70-200mm F/2.8 Di VC USD G2 (Model A025) for Nikon
SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) for Nikon
SP AF 28-75mm F/2.8 XR Di LD Aspherical [IF] MACRO (Model A09) for Nikon (*)
SP 24-70mm F/2.8 Di VC USD (Model A007) for Nikon (*)
SP 70-200mm F/2.8 Di VC USD (Model A009) for Nikon (*)
SP AF 90mm F/2.8 Di MACRO 1:1 (Model 272E) for Nikon (*)
(*) Not supported in TAP-in Console.
[Note]
a. All Nikon-mount models released after in May, 2019 are compatible with Nikon Z6 and Z7.
b. F/W updates can be performed using Tamrons TAP-in Console (sold seperately) or by visiting your local Tamron Service Center.
Articles: Digital Photography Review (dpreview.com)
You must be logged in to post a comment.