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Posts Tagged ‘Support’

Laowa and Yongnuo to Support Micro Four Thirds Standard

25 Feb

The post Laowa and Yongnuo to Support Micro Four Thirds Standard appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

laowa-yongnuo-micro-four-thirds-standard

The Micro Four Thirds standard will see official support from three additional companies.

Last Thursday, Panasonic and Olympus declared that several manufacturers would be joining them in the production of Micro Four Thirds equipment, including Yongnuo and Venus Optics.

You may be familiar with Yongnuo already; in addition to products such as their popular budget flashes (e.g., the YN560 IV) Yongnuo is working on a mirrorless Micro Four Thirds camera, one that sports Android software and features a Canon EF compatible lens mount.

Venus Optics is another company that already produces Micro Four Thirds products, though under the brand name Laowa. You can grab several Laowa MFT lenses, including a budget 17mm f/1.8 prime.

But the announcement from Olympus and Panasonic suggests that we should see a number of additional Micro Four Thirds products coming from both Yongnuo and Venus Optics, potentially bolstering both the MFT lens and camera lineup.

The Micro Four Thirds standard was first unveiled in 2008 when Olympus and Panasonic jointly declared their interest in working “toward commercial production of significantly lighter and more compact interchangeable lens type digital camera systems.”

Since then, we’ve seen the steady production of Micro Four Thirds bodies and lenses from Olympus and Panasonic, including the well-regarded Olympus OM-D series, as well as the Panasonic Lumix DMC-G line. Various other manufacturers have also engaged in MFT production, though in recent years the Micro Four Thirds system has been overshadowed by the rise of ultra-portable smartphone cameras, as well as compact APS-C and full-frame mirrorless bodies.

That said, smartphone manufacturers still have a lot of work to do if they’re ever going to match the quality of an MFT camera. And while mirrorless producers do offer MFT-sized cameras, their lenses struggle to compete with the small sizes and weights of MFT offerings. That’s where the Micro Four Thirds system shines; it includes high-quality camera-lens setups that are more compact than anything offered by the competition.

And given this announcement from Olympus and Panasonic, it’s clear that the Micro Four Thirds standard is alive and well, at least for now.

How do you feel about the expansion of the Micro Four Thirds lineup? Would you consider using a Yongnuo or Laowa camera/lens? Share your thoughts in the comments!

The post Laowa and Yongnuo to Support Micro Four Thirds Standard appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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The Photographer’s Ephemeris app updated with support for what3words system

09 Feb

The Photographer’s Ephemeris (TPE), a mobile app that enables photographers to plan outdoor shots based on natural lighting conditions, has been updated with support for ‘what3words’ location tagging. With this system, photographers can tag a 3m x 3m (approx. 10ft x 10ft) area that is assigned three words by the what3words system.

The idea behind what3words is that it is easier to use than typical latitude and longitude coordinates, which involve long strings of numbers that can be difficult to accurately return to. The assigned words are completely random and are presented in a format like ‘jump.house.nine.’ Every spot on Earth has been assigned a three-word location tag.

The TPE app has been updated with support for this system so that photographers can save their favorite locations using what3words and lookup shared destinations using the same location tag format. The option to enter latitude and longitude remains. Users can now access what3words tagging in the iOS and Android versions of the app.

Articles: Digital Photography Review (dpreview.com)

 
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RawTherapee 5.8 update adds new Capture Sharpening feature, CR3 support and more

06 Feb

Free, open-source software RawTherapee has been updated to version 5.8, the team behind the product has announced. This is a relatively small update, at least as far as general users are concerned. RawTherapee 5.8 brings a new tool called Capture Sharpening that automatically recovers the detail lost due to diffraction/lens blur.

The RawTherapee team explains that Capture Sharpening can be used with Post-Resize Sharpening in order to produce ‘detailed and crisp results.’ The tool is found within the ‘Raw’ tab.

In addition, RawTherapee 5.8 adds support for Canon’s CR3 raw image format. The team says that at this point in time, RawTherapee can decode the image data so that users can process these image files; it cannot, however, retrieve the metadata. Though it’s not explicitly stated, it appears the team plans to add metadata support for these files in the future.

Those two features aside, the new update brings various improvements to camera models, optimizes tools, speeds up the application, improves its memory management and fixes a number of unspecified bugs. RawTherapee 5.8 can be downloaded for Windows, Mac and Linux from the software’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Profoto adds Android support to its B10, B10 Plus strobes via Profoto Connect app

31 Jan

Profoto has announced it’s added Android compatibility for its B10 and B10 Plus strobes via its Profoto Control Android app.

Until now, only iOS users were able to control their B10 and B10 Plus strobes on their mobile devices. Now, Android users can control nearly every setting available on the strobes and even perform wireless firmware updates.

The Profoto Control Android app is free to download in the Google Play Store and works with smartphones running Android 7 or later.

Now for Android – Profoto B10 & B10 Plus

Profoto announces Android compatibility for B10 & B10 Plus’s control, offering seamless smartphone connectivity to more photographers.

In September 2018, Profoto launched the B10, a powerful battery-powered flash in a compact size. Shortly afterward in 2019, Profoto released the ever so slightly bigger brother the B10 Plus. Since then, the B10 series has been the preferred light for on-location photographers globally.

At the time, iPhone users could enjoy the freedom to control light by a simple swipe on their smartphone screen. Today, Profoto also offers that freedom to Android users through the Profoto Control Android app available on Google Play Store.

The Profoto B10 series are seriously small with the Profoto B10 similar in size to a medium camera lens and the B10 Plus around the size of a large camera lens. That said, both lights punch significantly above their weight with the Profoto B10 delivering five times the power of a speedlight and the B10 Plus providing twice that amount; light that’s natural and beautiful with a soft, gentle fall-off.

Trigger and control them wirelessly with ease from any Profoto Air remote, from Profoto Connect, or the Profoto A1 or A1X. You can point and shoot with TTL or switch to manual control at any time.

With the B10 & B10 Plus connected to the Profoto Control Android app, you can easily view and control all B10 and B10 Plus settings from the palm of your hand and install new updates in seconds.

Wherever your shoot takes you, Profoto B10 series provides you the power to create with seamless smartphone connectivity – now available for all Android and iPhone users.

Articles: Digital Photography Review (dpreview.com)

 
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DNP Photo launches new dye sublimation printer with mobile support and more

28 Jan

DNP Photo has released its new QW410 compact dye-sublimation photo printer featuring a 4.5in print head, 5.9kg (13lbs) weight and relatively small dimensions at 20 x 19.6 x 24cm (8 x 7.75 x 9.5in). When compared to the maker’s DS-RX1HS and DS620A models, the QW410 has 28% and 35% lower power consumption, respectively.

The model offers a number of key features, including a lay-flat printing function that reduces print curl, support for glossy and matte photo paper, an optional wireless accessory that add supports for directly printing from Android, iOS, Windows and macOS, as well as print speeds as fast as 19 seconds for 4 x 6in prints.

The QW410 features a 300 x 300 dpi resolution and support for the following print sizes:

  • 4 X 6in
  • 4 X 4in
  • 4.5 X 8in
  • 4.5 X 4.5in

Photographers who need to print photos while away from the office can pair the QW410 with an optional portable battery for use without an outlet. DNP Photo also offers an optional carrying bag. The photo printer is available to purchase from several retailers like B&H Photo in the USA, Canada, and Latin America for $ 469.

Articles: Digital Photography Review (dpreview.com)

 
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Edelkrone launches JibONE motion control with mobile app and motorized head support

22 Jan

Edelkrone has launched a new app-controlled jib called JibONE that can be used with the HeadONE and HeadPLUS motorized heads for capturing a variety of shots. The jib supports 50cm (19.6in) of horizontal, vertical and diagonal motion in any direction, including looping motion. Despite its capabilities, Edelkrone says the model is compact enough to store in a backpack.

The JibONE is made from CNC machined aluminum and stainless steel; it measures 61 x 17 x 15cm (24 x 6.7 x 5.9in) when folded and weighs 5.5kg (12lbs) when used with the 1kg (2.2lbs) counterweight. Edelkrone recommends that users keep their setup load to less than 5kg (11lbs). The company says that all DSLR models are compatible with the JibONE.

HeadONE and HeadPLUS motorized heads used with the JibONE.

Operators have two different battery options to choose from for powering the JibONE: LP-E6 and NP-F batteries. Battery life varies based on which are used, but when the JibONE is powered with two Canon LP-E6 14.4Wh batteries (for a total of 28.8Wh), users can expect two hours of continuous operation at full speed or up to 12,000 still images when used in time-lapse mode.

Connectivity comes in the form of Bluetooth LE which enables users to control the jib using an iPhone running iOS 11 or newer or an Android handset running version 5.0 or later. The mobile app offers a simplified interface for recording poses, setting up motion loops, adjusting speed and more. Users can also program camera motions with the jib by manually adjusting the device.

The JibONE is available from Edelkrone now for $ 1000.

Articles: Digital Photography Review (dpreview.com)

 
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Techart releases TZC-01, an EF-to-Z adapter that offers full autofocus, image stabilization support

17 Jan

In June 2019, camera accessory manufacturer Techart released its TZE-01 adapter, which allowed Nikon Z mirrorless camera users to mount Sony E-mount lenses to their systems without losing the ability to use autofocus. Now, Techart is back at it again with the announcement of the TZC-01, an adapter that makes it possible to mount and use autofocus Canon EF lenses on Nikon Z mirrorless cameras.

Techart says the TZC-01 will work with EF-mount lenses from Canon, Sigma, Tamron, Tokina and Zeiss. In addition to ‘native’ autofocus performance, the lenses will also maintain aperture control, stabilization features and EXIF data. In total, Techart lists 62 lenses it says are proven compatible with the adapter:

Below is a demonstration of the adapter from Richard Wong:

Techart has also included a dedicated function button that lets you save a focusing distance to recall with the press of the button and an accompanying lens dock that will let you upgrade the firmware of the adapter.

The TZC-01 is available on Techart’s website for $ 250.

Articles: Digital Photography Review (dpreview.com)

 
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Acer ConceptD Ezel laptops feature a unique five-mode hinge and Wacom pen support

16 Jan

During CES 2020, Acer introduced its ConceptD 7 Ezel and Ezel Pro laptops with a hinge offering five different usage modes. The laptops are designed for creators in need of powerful graphics performance and a high level of color accuracy. The models are joined by the ConceptD 700 workstation for filmmakers and animators.

The Acer ConceptD laptops feature a unique Ezel hinge that enables users to position the screen in unique positions that aren’t possible with an ordinary notebook, including Floating Mode, Sharing Mode and Display Mode. The company describes its new laptop models as ideal for users who want to create, finalize and present their content from the same device.

The Acer ConceptD 7 Ezel laptops are NVIDIA RTX Studio certified with up to 10th-gen Intel Core H processors, NVIDIA GeForce RTX graphics, 32GB of RAM and 2TB SSD storage. The ConceptD Ezel Pro is a more powerful alternative with up to an Intel Xeon processor and Quadro RTX graphics. Both models include the Wacom EMR pen.

In addition, the models feature a 4K IPS display with a 3840 x 2160 resolution, 400 nits brightness, built-in color correction technology, 100% Adobe RGB color gamut and Delta E <2 color accuracy. The screen is protected with Gorilla Glass 6, plus it features an anti-glare coating. Other features include an SD card slot, dual Thunderbolt 3 ports, DisplayPort 1.4 and HDMI 2.0.

The ConceptD 7 Ezel will be available in North America, Europe and China with prices starting at $ 2,699 / €2,499 / 19,999 RMB. The ConceptD Ezel Pro model will have a higher starting price at $ 3,099 / €2,999 / 21,999 RMB.

Articles: Digital Photography Review (dpreview.com)

 
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How to Make a Unified Instagram Feed as a Photographer to Help Support Your Brand

15 Jan

The post How to Make a Unified Instagram Feed as a Photographer to Help Support Your Brand appeared first on Digital Photography School. It was authored by Anabel DFlux.

unified-instagram-feed-for-photographers

Social media has such a strong presence in our world, both in a personal and professional sense. Gone are the days of searching for a photographer via Google. Many are turning to the social media platform, Instagram. Instagram has become a powerful tool for photographers and content creators alike. It is an engagement-oriented online portfolio so-to-speak.

But with thousands of accounts active on Instagram in any given second, how do you stand out from the rest and still attract photography clients? By having a feed that is more aesthetically pleasing than the rest!

Here is our guide on how to make a unified Instagram feed as a photographer.

What does a unified Instagram feed even mean?

Image: This feed by singer Jessica Abari, shows unification by color tonality. She uses blues and pi...

This feed by singer Jessica Abari, shows unification by color tonality. She uses blues and pinks to unify her Instagram feed.

Humans naturally gravitate to cohesiveness, especially those with a certain sensitivity to aesthetic.

A unified Instagram is one in which each image, viewed in totality with one another, look like a piece of a great puzzle. Each one appears to belong and in some way, shape, or form unites with another surrounding it.

It’s the difference between a feed that looks cluttered and disconnected and one that looks like it is a part of a strategically and effortlessly tailored brand.

Having unity in your work not only pushes your brand further, but can attract a slew of eyes on your product (the beautiful images!). Not only is it a trend to have something a bit more cohesive, it has been shown to really aid in acquiring new clients who are attracted to the style your showcasing.

Image: An example of my varied feed – when you have many areas of specialization, it can be difficul...

An example of my varied feed – when you have many areas of specialization, it can be difficult to maintain complete cohesiveness.

This isn’t a tried and true method for all photography businesses. For example, I am a multi-faceted photographer and to have an overly-cohesive feed is just not possible for me. However, my fellow industry mates have very beautifully tailored and structured feeds that work brilliantly for them! Their clients know exactly what to expect and hire them based on their look.

The real secret?

Image: This is an example of my thematic feed of female portraits with animals.

This is an example of my thematic feed of female portraits with animals.

So, what’s the real secret? For the most part, it’s utilizing the same editing mechanism over and over again. Create a preset or a general direction for your editing, and replicate this across your full board. This already creates a look of cohesiveness with minimal effort.

I suggest not using Instagram’s preset filters as these tend to lower the quality of your images. Instead, create your own Presets or Actions in Lightroom or Photoshop. You can even automate these to play on the batch of images you select for posting.

If you find that preset editing really isn’t you, unite your feed by topic or theme. This also allows you an opportunity to really solidify your niche as a photographer and attract the right demographic to your work. Figure out what kind of photographer you are and who or what your most common subjects tend to be, and post images that fit within that scope.

Image: In this feed from Goldilocks and the Wolf, there is unification by the fairytale theme and th...

In this feed from Goldilocks and the Wolf, there is unification by the fairytale theme and the winter landscapes.

Creating a unified feed based on a color palette is also an excellent idea.

Colors are a major way to keep everything looking tailored and express who you are as a creator.

Color theory is a complex topic that can be taught for hours, but the general idea is that certain hues and color combinations attract a specific reaction. Tying marketing into Instagram, find a color palette that tends to attract your customers (and potential customers).

Look at what your followers gravitate towards, and feed into that wanting. It’s okay to break up your feed with text that engages your audience base, and keep everything still looking together.

Bonus tip: create a posting calendar for the month. Preview these images in a mockup of your Instagram feed and see how it all looks together. This provides a lot of insight on the final outcome!

If you make a unified feed and then want to change the theme, what then?

Image: This feed by singer Jessica Abari, shows unification in sets of 3 (with editing style and ima...

This feed by singer Jessica Abari, shows unification in sets of 3 (with editing style and images from the same photo shoot), but also overall because Jessica herself is the theme.

I think a daunting aspect of this is all is permanence.

If you spend the time making your images cohesive with one another and then change your mind, has all of your effort been wasted?

Not at all! It’s quite simple to change your theme. You can choose to gradually shift to your new aesthetic or go bold and post three images in the new style right off the bat and go with that.

Final thoughts

Image: Rachel Lauren’s Instagram Feed. Her feed is unified in both her editing style and theme...

Rachel Lauren’s Instagram Feed. Her feed is unified in both her editing style and theme with the portraits with animals.

Remember that while in the pursuit of unity, don’t lose yourself or who you are as a photographer.

There is a fine line to walk between solely appeasing the masses and ensuring that your individual photography voice is heard. Where that balance is, rests entirely on your own opinion.

As well as this, be wary about appearing too repetitive and monotonous – try to post images that have different compositions or express something new. Being cohesive doesn’t mean being boring.

When you make a unified Instagram feed as a photographer, put your best imaging foot forward first!

The post How to Make a Unified Instagram Feed as a Photographer to Help Support Your Brand appeared first on Digital Photography School. It was authored by Anabel DFlux.


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Nikon Coolpix P950 mega-zoom gains 4K video, Raw support, improved EVF

07 Jan

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The Nikon Coolpix P950 has arrived, retaining the outrageous 24-2000mm equiv. zoom range of its P900 predecessor, while adding modern refinements like 4K video and a higher-resolution EVF.

In addition to its large zoom range, the P950 offers UHD 4K video capture, 7 fps burst shooting and Wi-Fi + Bluetooth. Raw image capture is a welcome addition for more advanced photographers, and anyone will be able to appreciate its higher-res 2.4M-dot viewfinder. The P950 boasts 5.5 stops of stabilization and an accessory shoe to support Nikon’s DF-M1 dot sight – a useful aid for bird and airplane photography.

The Nikon Coolpix P950 will arrive in February with an MSRP of $ 800.

Official sample photos

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NIKON ASSERTS COMMITMENT TO OPTICAL SUPERIORITY WITH THE ANNOUNCEMENT OF CUTTING-EDGE Z MOUNT, F MOUNT AND COOLPIX PRODUCTS

The New NIKKOR Z 70-200mm f/2.8 VR S Redefines a Quintessential Photographer Favorite for the Z System; The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a Ground-Breaking Pro Super-Telephoto Zoom Lens; The COOLPIX P950 Packs an 83X Optical Zoom to Bring the World Closer

LAS VEGAS – CES BOOTH #14018 (January 6, 2020 at 9:00 P.M. ET / 6:00 P.M. PT) – Today, Nikon Inc. announced three new innovative products that affirms the imaging brand’s commitment to bringing optical excellence to all levels of customers. First, the new NIKKOR Z 70-200mm f/2.8 VR S is the latest in the ever-expanding Z mount lens line, giving users of Nikon Z series mirrorless cameras an indispensable workhorse lens for capturing action and portraits. For professional sports and wildlife photographers, the new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is an enticing high-performance, professional super telephoto F mount NIKKOR lens. Finally, the COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, offering creators a spectacular 83x optical zoom and a myriad of innovative features to take their creativity to new heights.

“Nikon continues to innovate and push the boundaries of what’s possible in imaging and lens technology,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The new NIKKOR Z 70-200mm f/2.8 VR S takes advantage of the next-generation optical system offered by the Nikon Z mount to create a versatile 70-200mm lens with astounding sharpness and clarity, cementing this S-line lens as a staple for those who demand only the best from their lenses.”

The NIKKOR Z 70-200mm f/2.8 VR S – Astonishing Details, Uncompromising Zoom
An essential pro-level telephoto zoom lens re-imagined to take advantage of the optical potential of the Z series, the NIKKOR Z 70-200mm f/2.8 VR S is the latest addition to Nikon’s rapidly growing lineup of mirrorless lenses. The NIKKOR Z 70-200mm f/2.8 represents a pivotal lens for the Z series and a must-have for those shooting action, weddings, events, news, wildlife and portraits. Equipped with a versatile focal range, fast f/2.8 aperture and an impressive 5 stops of built-in optical VR image stabilization1, the NIKKOR Z 70-200mm gives mirrorless shooters the flexibility to capture astoundingly sharp images and videos in a variety of scenarios. Additionally, multimedia and content creators using the lens will appreciate the stepping motor (STM) for extremely quiet autofocus operation and reduced focus breathing.

The NIKKOR Z 70-200mm f/2.8 VR S demonstrates the technological benefits of the Nikon Z mount to reinvent a classic lens, while including new features to make this photographer favorite even more superior for Z series users. Parfocal support maintains focus when zooming, while a reduced minimum focus distance (0.5m wide, 1.0m telephoto) vastly increases versatility for photos and video. When used in combination with the in-body stabilization of the Nikon Z 6 and Z 7, the NIKKOR Z 70-200mm f/2.8 promises unparalleled stability with additional optical stabilization. Like other S line lenses, the NIKKOR Z 70-200mm f/2.8 boasts a premium optical design complete with a 9-blade diaphragm as well as Anti-Reflective Nano Crystal and ARNEO coatings for maximum image quality in any light, with a Fluorine coating that resists dirt and smudges. In addition to a rugged weather sealed design the lens is ready to tackle any assignment with a dedicated Info Panel, two customizable Function buttons and an additional custom control ring.

The new NIKKOR Z 70-200mm f/2.8 VR S and AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR are the first Nikon lenses to feature the newly developed SR (Short-Wavelength Refractive) lens element, a specialized-dispersion glass lens featuring characteristics that greatly refract light with wavelengths shorter than that of blue. By controlling short-wavelength light that is difficult to compensate, the lens can more effectively collect light of various specific wavelengths and achieve highly precise chromatic aberration compensation.

AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR: Impressive Reach, Incredible Speed, Absolute Versatility
The all-new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is a versatile, professional lens for the Nikon F mount with a large focal range and fast constant aperture. It’s ideal for sports, wildlife and portrait photographers seeking a bright and fast telephoto lens that offers sharp image quality across a wide range of focal lengths. Thanks to its extensive 120-300mm focal range, the NIKKOR 120-300mm f/2.8 provides users with a pro-level single lens solution, replacing the need to carry multiple lenses. With Nikon’s reliable weather-sealed construction, the NIKKOR 120-300mm f/2.8 is equipped to handle any shooting scenario whether on the sidelines or in the wilderness.

Users will appreciate the constant f/2.8 aperture which offers incredible low-light capability and depth of field that draws emphasis to a subject. The impeccably sharp image quality, beautiful bokeh and enhanced AF performance of the NIKKOR 120-300mm f/2.8 offer speed and sharpness reminiscent of a prime. Engineered with Nikon’s cutting-edge technologies, the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR is the first NIKKOR F mount lens to adopt Nikon’s new SR lens element as well as Nikon’s anti-reflective ARNEO coat to deliver superior chromatic aberration compensation and effectively reduce ghost and flare. The built-in VR function provides an effect equivalent to a shutter speed 4.0 stops1 and includes a Sport VR mode for rapidly moving subjects.

Ready for professional use, the lens is sealed to resist the elements and is engineered for maximum usability, even when handheld. The zoom ring, focus function buttons, tripod collar ring and controls are all designed to ensure superior operability for more comfortable shooting.

COOLPIX P950: 2,000mm Zoom Power, 4K UHD Video & More
With an unbelievable 83x optical zoom NIKKOR lens, the 16-megapixel COOLPIX P950 is a powerful new addition to Nikon’s superzoom bridge camera lineup, which delivers unprecedented image quality from extreme distances. Beyond the staggering 24-2000mm lens, the COOLPIX P950 packs an advanced feature-set complete with Nikon’s renowned NIKKOR optics and advanced stabilization technology with 5.5 stops of VR image stabilization, allowing stargazers and birdwatchers to capture high-quality photos or 4K UHD videos at extreme distances with ease. Plus, by using the COOLPIX P950’s 166x** Dynamic Fine Zoom for far-away subjects and Macro Shooting capabilities to get as close as 0.4 inches, adventure-seekers can bring the unimaginable closer than ever.

Users can rely on the P950 to photograph life’s most unique subjects with incredible accuracy and focus thanks to its Target Finding AF capabilities, 7 fps continuous shooting and ISO sensitivity up to 6400. A great option for photographers of all skill levels, the COOLPIX P950 features user-friendly controls alongside an intuitive menu system and a 2359k-dot EVF, making it easier to review and capture one-of-a-kind shots. Using dedicated Bird-Watching and Moon Modes, photographers can effortlessly snap photos of their world and beyond. The new P950 also adds RAW (NRW) photo recording, an enhanced high-resolution electronic viewfinder and Nikon SnapBridge2,3,4 to seamlessly share images or remotely control the camera.

The COOLPIX P950 is also equipped with an accessory shoe to enable compatibility with a variety of useful accessories, including the optional DF-M1 Dot Sight, which helps users locate subjects and compose shots from far-away distances.

Pricing and Availability
The new NIKKOR Z 70-200mm f/2.8 VR S lens and COOLPIX P950 will be available in February for suggested retail prices (SRP) of $ 2,599.95* and $ 799.95*, respectively. The AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR lens will also be available in February for a suggested retail price (SRP) of $ 9,499.95*. For more information about Nikon and their latest products, please visit?www.nikonusa.com.

1. Based on CIPA Standard. This value is achieved when attached to an FX-format digital SLR camera, with zoom set at the maximum telephoto position.
2. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.
3. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
4. Using the SnapBridge App System Requirements:

a. Android 5.0 or later or 6.0.1 or later
b. A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
c. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.

-Android™ and Google Play™ are trademarks of Google Inc.
-Wi-Fi® and the Wi-Fi CERTIFIED logo are registered trademarks of the Wi-Fi Alliance. The N Mark is a trademark or registered trademark of NFC Forum, Inc. in the United States and in other countries. The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon corporation and its Affiliates is under license.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
** At the maximum image size. The maximum zoom ratio varies by image size. Dynamic Fine Zoom magnification is calculated from the maximum wide-angle position of the optical zoom.

Nikon Coolpix P950 specifications

Price
MSRP $ 799
Body type
Body type SLR-like (bridge)
Body material Magnesium alloy, composite
Sensor
Max resolution 4608 x 3456
Image ratio w:h 4:3
Effective pixels 16 megapixels
Sensor photo detectors 17 megapixels
Sensor size 1/2.3" (6.17 x 4.55 mm)
Sensor type CMOS
Color space sRGB
Color filter array Primary color filter
Image
ISO Auto, 100-6400
White balance presets 5
Custom white balance Yes
Image stabilization Optical
CIPA image stabilization rating 5.5 stop(s)
Uncompressed format RAW
File format
  • JPEG
  • Raw (NRW)
Optics & Focus
Focal length (equiv.) 24–2000 mm
Optical zoom 83.3×
Maximum aperture F2.8–6.5
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom Yes (4X)
Manual focus Yes
Normal focus range 50 cm (19.69)
Macro focus range 1 cm (0.39)
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3.2
Screen dots 921,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 90%
Viewfinder resolution 2,359,000
Photography features
Minimum shutter speed 300 sec
Maximum shutter speed 1/4000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Scene modes
  • Moon, Bird-watching, Creative, Movie manual, Backlighting, Beach, Black and White Copy, Close-up, Dusk/Dawn, Easy Panorama , Fireworks Show, Food, Landscape, Museum , Night Landscape, Night Portrait, Party/Indoor, Pet Portrait, Portrait, Scene Auto Selector, Snow, Sports, Sunset
Built-in flash Yes
Flash range 11.50 m (at Auto ISO)
External flash Yes (via hot shoe)
Drive modes
  • Single
  • Pre-shooting cache
  • Multi-shot 16
  • Interval timer
  • Continuous L
  • Continuous H 120
  • Continuous H 60
  • Continuous H
  • Best Shot Selector
Continuous drive 7.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±2 (at 1/3 EV steps)
AE Bracketing ±2 (3 frames at 1/3 EV steps)
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p, MP4, H.264, AAC
  • 3840 x 2160 @ 25p, MP4, H.264, AAC
  • 1920 x 1080 @ 60p, MP4, H.264, AAC
  • 1920 x 1080 @ 50p, MP4, H.264, AAC
  • 1920 x 1080 @ 30p, MP4, H.264, AAC
  • 1920 x 1080 @ 25p, MP4, H.264, AAC
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes Wi-Fi + Bluetooth
Remote control Yes (via smartphone)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description EN-EL20a lithium-ion battery & USB charger
Battery Life (CIPA) 290
Weight (inc. batteries) 1005 g (2.22 lb / 35.45 oz)
Dimensions 140 x 110 x 150 mm (5.51 x 4.33 x 5.91)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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