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Posts Tagged ‘stock’

Adobe Stock Apparel line celebrates the worst of stock photography

17 Sep

Adobe is promoting its stock photo service with a ‘limited edition clothing line’ celebrating such stock photo atrocities as ‘laughing woman eating healthy vegetable salad’ and ‘smiling seniors using laptop.’ The campaign pokes fun at famously bad images that services like Shutterstock are rife with, and commemorates the images by putting them on t-shirts and sweatshirts. Fortunately, or unfortunately depending on your views on ironic t-shirts, none if it is actually for sale, but you can view the whole collection in a mock lookbook. 

The promotion rests on the premise that Adobe Stock weeds out the so-called low quality images found in other stock websites, saving creatives from spending time sifting through the cheesiest of photos. It’s also worth noting this comes just after the news that Shutterstock is now offering a Photoshop plugin, making it possible for designers to access their extensive collections within Adobe’s own software. 

Articles: Digital Photography Review (dpreview.com)

 
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Great Gear that’s Back in Stock

20 Jun

What did the camera gear say when it found itself in a pot of soup, again?

We’re back in stock!

A few of our favorite goodies are back in action in the Photojojo Shop. Grab ‘em while we’ve got ‘em!

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Back in Stock, and Better than Ever

27 May

These gizmos were too popular for their own good, and they ran right out.

Whelp, they’re back, for now, so order ‘em up quick before they fly off our (internet) shelves.

Turn your phone into a light meter, create a photo print masterpiece, eat your favorite camera and more. There’s a reason these gadgets are so well-loved.

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Selling Stock

29 Dec

I just prepared a short post on how I’ve found a market for some of my past images for members of the online photography workshop at www.shootforlove.com. In the meantime […]

 
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20 Tips to Improve Your Travel Stock Photos

20 Oct

Here are 20 tips to help you take the best stock photos while traveling or around your hometown. Even if you don’t do stock photography, you can use these tips to help you get better images.

NEAR SKOGAR, ICELAND - JUN 19:  Skogafoss waterfall on June 19, 2015, was in the film The Secret Life of Walter Mitty in 2013.

NEAR SKOGAR, ICELAND – JUN 19: Skogafoss waterfall on June 19, 2015, was in the film The Secret Life of Walter Mitty in 2013.

1. Check stock photo websites to see popular locations

In addition to doing some web searches for areas of interest, a great way to know which locations are popular is to check popular stock photo websites, such as Shutterstock or iStockphoto. You’re not looking to recreate any existing shots, but it helps to know what’s been done well already and, more importantly, what is missing.

2. Check the itinerary of sightseeing buses

A great way to see what popular locations are is by reviewing any websites for sightseeing buses. Make a note of their stops and add them to your shot list.

3. For international travel, learn the basic words of the language

Iceland rushing water 750 px

Learning some key words like, “please”, “thank you”, and “Okay?” can make communication much easier abroad, and help spur friendships. uTalk is a terrific app to learn a new language, and Duolingo is great to refresh a language you are already familiar with.

4. Check out popular postcards

Taking a peek at postcards in tourist shops will give you an idea of the popular sites. Again, you are not looking to recreate shots, but you might be able to add a few locations to your shot list.

5. Get recommendations from locals

Check with the clerk at the grocery store, or gift shop, at your current stop for nearby locations that would be worth photographing. You may learn about some lovely hidden gems that will enrich your experience.

6. Consider renting a car to have greater control of your travel plans

Iceland goats 750 px

You never know what you’ll encounter on the road

Public transportation is fine within many cities, but if you’re going between towns renting a car allows you to pull off by the side of the road, and take those random shots that were not on your itinerary.

7. Take photos when you have a chance, you might not go back the way you came

Don’t figure you’ll catch something on your way back, you never know when serendipity will take you in a different direction than you intended. Get the shot now.

8. Take the sightseeing bus (or boat)

A sightseeing bus is a great way to get to the popular destinations, and if it’s a double decker bus, or a boat, you get views you couldn’t get otherwise.

9. If shooting for editorial stock always note the location of the photo

An editorial stock photo is going to require a location in the caption, so always note the name of the town. Take a quick shot of the welcome sign as you enter the town, or take a photo of a store with the town’s name. Of course having the location saved on your photo itself helps a lot too, but having it embedded within your photos makes it easier to quickly remember where you were. As another reminder, save all handouts from tourist spots, maps, and travel guides you pick up along the way to refer to later when processing your photos.

Iceland car GPS 750 px

10. Check your photo settings frequently

You don’t want to look back on your photos for the day and realize you had set your ISO to very high for an indoor shot, and forgot to reset it when you went out into a sunny location so your outdoor photos are grainy. Or you set your photo size to small when you need a big file to get photos large enough to be accepted by the stock photo sites. If this sounds like the voice of experience, it is. We all make these mistakes – don’t be too tough on yourself if you make them too, just live and learn.

11. Ask the experts

You’ll sometimes find professional photographers taking shots. If they seem approachable, ask them, politely, what they are photographing. Some will be very eager to discuss what they are doing, others not so much, but it’s worth a shot. You might get some great insights.

12. Give yourself time to get the shot right

You’ve traveled thousands of miles to get there, you won’t be able to go back and reshoot, so give yourself the time to get the shot right. Work the photograph to clean up the background, to remove distractions so the focus is on the area of interest. Sometimes just taking a few steps to the side, or turning a bit can make a dramatic difference by removing distracting elements in your background, or focusing the eye on the area of interest.

Iceland Glacier Lagoon big blue side 750 px

Glacier on the side, not noticeable

Iceland Glacier Lagoon big blue 750 px

Glacier is the main focus of the shot

Hanging around also allows you to absorb the atmosphere of the place, and keeps you from rushing from photo to photo.

13. Think layers

While you’re waiting for that right shot, think in terms of three layers: The area of interest as the middle layer, with a clean background layer to set it off. Wait for an interesting foreground to present itself, maybe people, or animals in this case, going past your area of interest. This makes the photograph come alive, gives it some depth, adds to the interest.

Iceland Glacier Lagoon geese 750 px

Geese add a sense of proportion to the glacier and bring the scene to life

14. Think like a guidebook author or a nature artist, or…

Pretend you are writing for a tourist guidebook – what kind of shots do you want in your guidebook? What would your potential readers like to see? How about if you were an artist preparing for a nature exhibit – what photographs would you want as part of your exhibit? Look at each location from different perspectives to get new ideas.

15. Take a variety of shots

Give your clients as many options as possible. Take 15-20 shots at any one location, walk around and check different positions, try different angles, think close-ups, wide shots, vertical as well as horizontal shots. You’ll then have plenty of options to choose from for your final photographs.

Iceland puffin with fish left 750 px

Iceland puffin with fish and buddies 750 px

Close-up and wide shots gives you and your clients options

16. Look behind you as you leave your location

Don’t leave the best shots behind your back. As you leave a location turn around and see what shot you might be missing.

Iceland Seljalandfoss exit side 750 px

Don’t miss the great shot behind you

17. Offer to take photographs for others

Share your skills – if you see a group of people taking a group photograph, offer to take the shot for them. It makes for another chance to interact with people, and if you learned a bit of the language, all the better.

18. Be mindful of other people’s desire for privacy

People will make it pretty clear whether they are okay with being included in your photographs. Stay away from editorial photos of little children, and if you accidentally take a photo of someone who clearly doesn’t want to be in your photo, let them know you have erased the shot. On the other hand, many people will be eager to have you take their picture, and oblige happily.

19. Back up your photographs every night and cull as you go

Upload your photographs to your laptop and/or to the cloud, you’d hate to have your camera stolen or lost mid-travel, and lose all those shots. While you’re at it, delete the photos you know are not going to work out, those with people blocking the view, or out of focus, etc. Don’t wait until you get home to the daunting task of sifting through thousands of photographs.

20. Process your photos right away upon your return

The longer you wait to process your photos the harder it will be to get to it. Unprocessed photos tend to get heavier with time and sink to the bottom of your to-do list. It’s best to process them while you remember what the sights really looked like, so you remember to uncover that rainbow you know was there but might not be so visible before Photoshop.

Iceland Gulfoss rainbows 750 px

Don’t forget to uncover the rainbow.

Best wishes on your photography adventures. Please share in the comments below if you have any questions or additional tips.

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The post 20 Tips to Improve Your Travel Stock Photos by Susan Montgomery appeared first on Digital Photography School.


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Adobe Updates Photoshop and Lightroom with Creative Cloud 2015 and Launches Adobe Branded Stock Photography Library

16 Jun

Lightroom Dehaze UI

Today Adobe is announcing updates for their Creative Cloud 2015 Photography package as well as the launch of their new stock photography offering Adobe Stock.

I saw a demo last week of the new Creative Cloud enhancements. The enhancement that I liked the most was a new slider in Lightroom for haze and dehaze. With the haze slider you can now reduce unwanted haze in photos or add haze back in if you want more of an ethereal foggy type mood. I think that this tool will be especially dramatic when working with long exposure photography where you have clouds or low fog and want to get the mix of fog to subject just perfect.

Photoshop is also adding in an additive noise function where you can produce more camera like realistic bokeh and blur noise when desired, making the transition in blur more natural. The Photoshop healing brush also now heals in real time and is faster than previous versions.

These feature enhancements and updates will not be available to the current desktop versions of Lightroom and Photoshop, they will only be available for Adobe Creative Cloud subscribers. This is in line with Adobe’s previous stated goal of providing fast and rapid real time updates and upgrades to their subscription customers. I’m assuming that eventually these new enhancements will make their way to desktop upgrades/updates, but at present Adobe seems to be focused on providing the best and most current features available to their subscription customers.

There are also additional features being launched for the mobile versions of Adobe products including better tone and vignette adjustment for Lightroom mobile and an Android version of Photoshop Mix.

Adobe’s Creative Cloud photography package costs $ 9.99/month and you can subscribe to it here. They also offer a 30 day trial for you to try out Creative Cloud to see if it is right for you.

Adobe Stock

In addition to the improvements in Lightroom CC and Photoshop CC, Adobe is also announcing the launch of their new stock photography service simply called Adobe Stock.

Because Adobe is so widely used by creatives in general, leveraging their software products to sell an Adobe labeled stock photography library seems to make a lot of sense. Adobe’s stock photography service will be featured as a menu item in Photoshop and will allow stock buyers to use watermarked versions of stock photos to create mockups and test design/layout ideas. Once a stock buyer is ready to license an image they can license it directly from Photoshop and download the unwatermarked version of the image.

Images will cost $ 9.99 each to license or Creative Cloud subscribers can purchase one of two different subscription plans. The first plan costs $ 29.99/month and allows a subscriber to license up to 10 images a month and a second plan will cost $ 199.99 per month and will allow a subscriber up to 750 images per month.

Adobe will pay out 33% of their sales proceeds to photographers — photographers interested in applying can apply here.

Because so many stock photography buyers are connected into Adobe’s ecosystem, I think this stock photography offering will end up being very successful and represents formidable competition to the current stock photography giant Getty Images. Earlier this year Adobe purchased the stock photography agency Fotolia, but this new stock offering appears to be a different offering marketed directly under the Adobe brand and available through Adobe’s flagship Photoshop product.

More: MacRumors, The Verge, Engadget, Techmeme.


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Quick Tips for Getting Into Stock Photography

01 Jun

Getting accepted as a stock photographer can be a difficult and frustrating process. Especially when your best photos get rejected by photo reviewers. After helping many photographers trying to become accepted as Shutterstock contributors, I have discovered how the process can instead become a fun and educational experience.

Stockphoto1

Why become a stock photographer?

Stockphoto3

Earning money on your digital photography work is a great way to earn an extra income. But it is often not the main motivation for why many people try to become contributors. Being accepted, and being able to call yourself a stock photographer, means something. Similar to how many people develop their skills so they one day can become a professional in their field, being able to call yourself a stock photographer will for many mean more than saying you’re a professional photographer.

When someone presents themselves as a professional photographer, people tend to have different views of what that means. Some associate a professional photographer with someone that makes high quality photos. Others may think of the person they hired to photograph their wedding. Or perhaps someone that has their photos sold in a gallery. Some may think a professional photographer is only someone that has a diploma, or someone that works full-time and earns their main income from their photography.

Being able to say you’re a stock photographer says something about the level you have reached. Why? Because the stock photography industry is well known for its high quality requirements.

Furthermore, the best part of being a stock photographer is knowing your work is being purchased, appreciated, and used all around the world. With modern tools like Google image Search, you can back trace and find were and how your most popular photos are being used.

Stockphoto4

Are you qualified?

If you know how to make a manual exposure, get the focusing correct and have a good eye for correct white balance, you’re most likely qualified to become a stock photographer.

Expect to get rejected

It might take a few attempts. But once you’re accepted, as many existing stock photographers can testify, it made them an even better photographer. A rejection of your initial submission might feel like a disappointment at first. But take advantage of the feedback and suggestions provided. Your initial submission will most likely be more strictly evaluated than the general submissions you’ll make in the future after getting accepted.

Stockphoto7

Find the motivation to learn

Try to see your first submission as a homework assignment for reading the stock agency’s submission guidelines. Like any course or workshop, your first homework assignment is not expected to be flawless. There will most likely be room for improvement. With this attitude, learning about stock photography can be an educational, fun, and even motivating experience.

The first batch of photos is the hardest

For example, when signing up to one of the most popular stock photography sites like Shutterstock, you are asked to submit 10 samples of your best work. Seven of these must pass the strict inspection of their reviewers. But if rejected, you’re provided with great feedback to help you improve your photography.

Stockphoto5

It gets easier after getting accepted

As any existing stock photographer can testify, your initial batch of submitted work is much more strictly evaluated than the general submissions you will make in the future after getting accepted.

You’re closer to getting accepted than you might think

A submission that is not approved is often not completely rejected either. Many rejected photos can have only one minor issue that can sometimes even be fixed with a little editing. Even though it may feel like your entire batch of submitted work was rejected, you might only be a few adjustments away from getting accepted.

Stockphoto2

Try again. Many existing stock photographers did.

Many existing stock photographers did not get accepted on their first attempt. For every initial submission that is not approved, take good use of the feedback that is required. See it as a free portfolio review from experts in the field. Be inquisitive, study the material and try again!

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The post Quick Tips for Getting Into Stock Photography by Kjell Leknes appeared first on Digital Photography School.


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Stock Photos That Don’t “Suck”: the Basics of Stock Photography

20 May

As a freelance stock photographer, I have to admit I am insulted when I see articles written about how horrible the market is for stock photography. Has the bar been lowered so far that we are forcing consumers to seek out photographs that simply “don’t suck”? I don’t think so. Some people feel that the proliferation of digital cameras and Continue Reading

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Nikon 1 V3 stock shortage prompts official apology

08 Jul

The Nikon 1 V3 has been out of stock with many retailers online and elsewhere, making the mirrorless camera hard to come by. The duration of the stock shortage has prompted an apology from Nikon Japan, which it recently posted on its website. Read more

related news: Digital Photography Review (dpreview.com)

 
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Women To Get A Stronger Image In Stock Photography

22 Feb

women-stock

The stock industry is about to change.

We’ve heard that before but this time the change, if it happens, will be positive, affect content rather than distribution and will give new opportunities to photographers to shoot not just more images but more interesting images.

The change is coming from Sheryl Sandberg. Facebook’s CEO has teamed up with Getty to promote a new collection of images that portray women in a more positive way. Instead of the usual clichéd stock images of women in suits, women holding babies and women laughing alone with salad, the collection will show girls on skateboards, women in the operating theatre and women planing wood. Even men get a look in with dads now shown wearing the bjorn.

The collection currently contains more than 2,500 images which will be returned alongside the usual results for relevant search terms. Buyers can also search the collection exclusively. Ten percent of the proceeds from the photos will go to LeanIn.org, Sandberg’s non-profit organization.

The aim, says Sandberg, is to change the way women and girls are portrayed in the media and to remove many of the old stereotypes that she believes hold women and girls back.

“When we see images of women and girls and men, they often fall into the stereotypes that we’re trying to overcome,” Sheryl Sandberg told The New York Times, “and you can’t be what you can’t see.”

The effect of the shift in imagery could be huge. The three most-searched keywords on Getty are “women”, “business” and “family” and yet buyers often complain they can’t find the images that portray those keywords in the way they want. Writing in The Cut last November, for example, Emily Shornick produced a slideshow of results for the keywords the publication typically needs to illustrate. “Girl power” and “feminist” returned women, often scantily clad, in boxing gloves and gripping dumbbells and power tools; “career women” stand on cliffs or climb symbolic ladders, hold folders and fall asleep on computers; a “businesswoman” is a multi-armed octopus who can hold a baby, a computer, a frying pan and an iron in her many hands. Despite the millions of images available on stock sites, few of the results produced the “feminine sass” the publication was hoping to find when it searched for “girl power.”

The aims of Getty’s new collection then are laudable. More images of women engineers and female coders in the media and in advertising can only be a good thing for encouraging girls to take up the sciences. They may even come as a relief to photographers looking for a shoot more creative than one that involves telling another model in a business suit to hold a laptop and smile.

Do Advertisers Want Strong Women?

The question, though, is whether buyers will go for these new portrayals. The Cut might be looking for sassy images of girl power but how representative is that magazine of buyers in general?

It’s possible, in fact, that despite the advances women have made in the workplace over the last few decades, art buyers have gone backwards.

In 1981, Lego’s famous ad showed a little girl holding a model made of colored bricks. That ad wasn’t just portraying the creativity that its product allowed children to enjoy. It was also suggesting that its bricks were for all children, boys and girls alike. Today’s toy marketing is much more gendered. Stores now are more likely to have pink shelves for girls and blue shelves for boys. In catalogs, girls brush princesses, pet puppies and play with dolls; boys build towers, push cars and experiment with chemistry sets.


toys-stock

That three-quarters of the more feminist images now included in Getty’s Lean In collection aren’t new suggests the company might indeed struggle to make sales. Those photos were drawn from Getty’s main collection where, presumably, they were passed over by buyers who chose instead to purchase images with traditional portrayals.

For photographers, that represents a dilemma. As keen as photographers might be to produce more positive depictions of girls and women, they have to shoot what sells not what they wish customers would buy (especially if that 10 percent donation to LeanIn.org is taken before Getty has calculated their royalties.) Restaurant owners might wish people would buy fruit juice instead of soda, but if people buy soda, they’ll continue to offer it. This wouldn’t be the first time that buyers have complained about the stereotyped nature of stock imagery even as they fill their shopping carts with it.

Getty Can Make The Market

The real strength of this initiative though is that Getty has thrown its weight behind it. The company doesn’t just supply images to a market. It also tries to influence that market. Each year, its research department issues reports on trends in the stock industry. That tells photographers what they might want to shoot if they want to increase their sales but it also tells buyers what they should be buying if they don’t want their ads to look old and out of date. Getty is influential enough to create trends as well as report on them. Current trends, the company says, include a preference for realistic body shapes and more shots of women at work.

Getty’s collaboration with Lean In is a positive move but photographers will need to be careful. It’s easy for Getty to promote a particular kind of image but if the sales of those new images fail to occur it will be the photographers who are left holding the bill for the shoots. Photographers who find that their traditional portrayals of happy salad eaters and boxing businesswomen make them profits shouldn’t have to risk their revenues to please buyers who are afraid to take risks themselves.

The best strategy will be to continue shooting images that you know can find buyers, keep an eye on the trends and the Lean In collection, and ease more positive portrayals into the shoots as you see those becoming popular.

If the stock industry is changing again, we’ll all need to manage that change carefully.


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