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Posts Tagged ‘stock’

Shooting Stock Photography: Getting the Most Out of a Single Subject

10 Sep

The post Shooting Stock Photography: Getting the Most Out of a Single Subject appeared first on Digital Photography School. It was authored by Charlie Moss.

Most photographers who experiment with shooting stock photography quickly become disillusioned. They struggle to see a return on their time and financial investment. Even worse, they turn to fellow photographers for advice and are often told that the stock photography market is dead.

But that isn’t the case. There is still a market for stock photography.

However, to create a revenue stream from shooting stock photography, you need to work smarter. That way, you’ll have a more significant library of images with less investment, and you’ll be able to build a revenue stream from your images much quicker.

What is stock photography?

Stock photography is where a photographer takes images that they’ve already shot and makes them available to businesses for licensing.

In return for a fee, the client can use the pictures in their book or on their website. It usually works out cheaper for the client to use a stock photograph than to commission a photographer to go out and shoot a similar image.

The images are usually managed by an agency, who handles all of the marketing and administration.

Is stock photography dead?

This is the first question that photographers often ask me when they find out I’ve been shooting stock photography for over a decade. I am a relative beginner in the world of stock photography, but I can tell you that, in my experience, it is very worth exploring the stock photography market.

shooting stock photography
This old photograph was one of the first I submitted to stock libraries. Back then I used to focus on photographing everything on white backgrounds. It still sells, but if I’d shot more variety ten years ago then I’d be seeing more revenue now!

Canon 350D | Canon EF 55-200mm f/4.5-5.6 | 50mm | 1/125 sec | f/8.0 | ISO 200 | Strobe Lighting

Anyone thinking about shooting stock photography needs to understand that it is a long game to play. You shouldn’t expect instantaneous results. It may take a couple of years to start seeing regular sales that you can predict in your business plan.

But don’t let that put you off. Time spent on photographing and submitting images to stock libraries is an investment in your future income.

Where do stock images come from?

There have always been photographers dedicated to shooting stock photographs. However, many photographers have made a good side income by submitting images that came from other shoots or jobs.

shooting stock photography
An image shot for a DPS article that has since earned me money through a stock library. I used the same subject as the previous shot, but a very different approach.

Fujifilm X-T20 | Fujifilm XF 35mm f/1.4 R | 35mm | 1/350 sec | f/2.0 | ISO 200 | Window Light

In doing this, photographers have made their images work harder for them by pulling double-duty. The photographer has been paid for their time to shoot the initial photographs. But then they may also get paid for the images again when they are licensed from the photographer’s stock agency.

If you are shooting images specifically for your stock library, then you need to make sure you optimize the way you shoot. Getting a wide variety of photographs from a single subject is the key to quickly seeing regular payments with minimal investment.

Getting more from a single subject

If you have purchased a prop to photograph for your stock photography library, then it makes sense to get maximum return on your investment.

This advice will also work for hiring models or visiting particular locations; just take the general principles and apply them to your subject.

shooting stock photography
Fujifilm X-T20 | Fujifilm XF 35mm f/1.4 R | 35mm | 1/240 sec | f/4.0 | ISO 200 | Window Light

I often shoot stock photography images alongside fine art images. By using the same subject with different props and compositions, you can shoot a wide variety of pictures in a short space of time.

Understand what each stock photography agency that you submit to is looking for. If you shoot a variety of images in different styles, you can then send them to various agencies.

In a food photography shoot, it is quite possible to shoot for a wide range of stock photography agencies during the same session. You could shoot a shot for a cafe to market themselves with on social media. You could also shoot an image for a food magazine or recipe book. You could perhaps shoot a fiction book cover, an educational textbook image, and some creative images for bloggers to use.

shooting stock photography

Above are some of the images from a shoot I did with a single subject. I made sure to shoot with both light and dark backgrounds, as well as both modern and more rustic backgrounds. Image buyers want to purchase photographs that will fit with the feel of their brand. The more options that you can give them, the better.

Think about where your images could be used

Don’t forget to shoot in both landscape and portrait format for your stock images. You never know where your image will end up. While a fiction book cover will almost always need a vertical image, a magazine or a blog could use either vertical or horizontal images depending on the page layout.

Another tip is to shoot images that have space for text to be added later. Think about a magazine front cover. It has room at the top to put the name of the magazine. But it also has plain or out-of-focus areas on the side to write the headlines. Browse through magazines and books to understand more about the kinds of images that get purchased and published.

Where to start with shooting stock photography for profit?

As I often say: Just start somewhere.

Research the kinds of images that different stock photography libraries are interested in. Agencies will usually have blog posts on their sites listing the pictures that they’re looking for. And then get shooting.

shooting stock photography
Make sure you capture a wide range of different angles and compositions while thinking about the different ways that your images could be used.

If you’re shooting stock images of small objects, then try creating some different backgrounds so that you can easily change them out while shooting.

That way, you can create multiple styles of photographs in the same session. If you’re shooting models, then scout out locations that have a number of different backdrop styles within a few minutes of each other.

But what you really need to do is shoot images and get them placed with stock photography agencies. If your images aren’t out there and in front of the eyes of potential clients, then you won’t sell any at all! You can refine your workflow later.

Have you had much success with shooting stock photography? Let us know how you’ve got on in the comments!

The post Shooting Stock Photography: Getting the Most Out of a Single Subject appeared first on Digital Photography School. It was authored by Charlie Moss.


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How Does Adobe Stock Work: Successfully Selling Your Photos

04 Sep

Posts with images get 650% more engagement than those without. For this simple reason, stock photos are in high demand and it’s unlikely that demand will be going away anytime soon — and that’s just content writers. Designers, artists, and other creatives always need new design assets and content for their work. This has given rise to a number of Continue Reading

The post How Does Adobe Stock Work: Successfully Selling Your Photos appeared first on Photodoto.


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8 Tips for Editing Stock Photos so they Pass Inspection

17 Jun

The post 8 Tips for Editing Stock Photos so they Pass Inspection appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

dps-tips-for-editing-stock-photos

Editing stock photos requires a little more attention to detail than you otherwise might give your photos. Stock photo agencies have standards to meet and rules to follow. If you want your photos accepted into their libraries, you must adhere to them.

You may have applied to a stock photo agency in the past and had your imaged rejected because they were not up to scratch. Each stock photo agency has its guidelines for what is acceptable and what is not. Learning what these are can save you a lot of wasted effort and time.

Asian lanterns at night for editing stock photos
© Kevin Landwer-Johan. Nikon D700, 105mm, 1/20 sec, f/4, ISO 200, Manual Mode, Pattern Metering..

It’s easier than ever to upload to stock photo agencies

Over the years micro-stock photography requirements for image editing have shifted somewhat.

Camera technology has improved, so there are fewer imperfections caused in images when you take them. With the increase in megapixels and image quality, there’s less need for as much post-processing now.

With more and more stock photography sites coming online over the years, standards are not so tough as they used to be. Newer, smaller agencies want to attract photographers. Not being so strict on image quality makes it easier to meet requirements. Image libraries are populated more quickly because there are fewer rejections.

As stock photo libraries contain millions of photos, the parameters for what style of photo is accepted has changed. Many photo sales sites will accept photos for editorial licensing, whereas in the past most did not.

From one agency to another, the quality and style of photos they accept differ. In this article, I’ll go over some of the most common things to look for in your photos that might hinder them from being accepted.

New Zealand landscape for editing stock photos
© Kevin Landwer-Johan. Nikon D200, 70mm, 1/125 sec, f/3.2, ISO 200, Manual Mode, Pattern Metering.

Common requirements for editing stock photos

When I started learning about stock photography, there were fewer agencies, and their quality standards were much higher. It was more challenging to have your photos accepted into the best agencies. And, when you had been welcomed as a contributor, you could not let your standards drop.

Each submitted photograph gets thoroughly checked. The team of inspectors works with a list of parameters and standards. Every photo must meet these before it’s included in the stock library. In some cases, inspectors will offer you feedback. There can be a provision made to resubmit rejected photos once they are fixed. But not all stock agencies do this. Sometimes if your photos are rejected, there is no opportunity to fix them and resubmit.

Learning to meet the standards will help you improve your image editing skills. The bar may not be so high anymore, but it’s always best to aim to present the highest quality possible.

Some of the most common things stock photography inspectors look for in photos that will get them rejected are:

  1. Incorrect exposure
  2. Excessive noise
  3. Chromatic aberration
  4. Artifacting
  5. Sensor spots, dust, and other blemishes
  6. Poor cropping and alignment
  7. Incorrect white balance
  8. Copyright infringement
beer bottle and opener for editing stock photos
© Kevin Landwer-Johan. Nikon D700, 55mm f/1.4, 1/30 sec, f/3.5, ISO 500, Manual Mode, Pattern Metering.

Editing stock photos so they pass inspection

Before you start editing, you can do a lot to ensure your photos will get accepted. For more of your photos to pass inspection, you need to think like a stock photographer as you are taking your photos.

1. Set your exposure well

Keep in mind the importance of attaining a good exposure. This is far more desirable than correcting your exposure during post-production. Start editing stock photos that are poorly exposed and you’ll run into other problems.

When your exposure is poor, correcting it during post-production can result in artifacts in your image. This is when the digital integrity of the image starts to break down. Stock agency photo inspectors usually reject photos with artifacts.

8 Tips for Editing Stock Photos so they Pass Inspection
© Kevin Landwer-Johan. Nikon D700, 55mm f/1.4, 1/15 sec, f/32, ISO 200, Manual Mode, Pattern Metering.

2. Clean the noise up

Modern cameras have an incredible capacity to take photos in low light. Raising your ISO too high can create an unacceptable amount of digital noise.

Cleaning up the noise is often not at all difficult. With the correct balance of noise reduction slider, you can eliminate it.

When you’ve used a high ISO setting, make sure you zoom into 100% and take a look at the level of digital noise. You may not see it clearly unless you enlarge your photo. Using the appropriate sliders, you will be able to reduce it significantly.

sky lanterns being released a festival in Thailand.
This image contained a lot of digital noise that I removed in Lightroom. © Kevin Landwer-Johan. Nikon D700, 35mm f/1.4, 1/100 sec, f/2.8, ISO 6400, Manual Mode, Pattern Metering.

3. Remove chromatic aberration

Chromatic aberration is sometimes called purple fringing. It’s a fault in digital images caused by contrast in a scene. When you’re editing stock photos, you must look carefully for this problem.

Check along the edges of objects in your photos where there’s a contrast with the background. When you notice a band of color along the edge you will need to correct this. The color is usually magenta or green. Sometimes it can be blue or yellow.

Most popular image processing software now has dedicated tools for eliminating this problem.

4. Clone out sensor spots and other blemishes

Sensor spots look ugly in photos. It’s best to keep your camera sensor clean, but this is not always possible. Other dust and blemishes also need to be removed so you can upload the cleanest photos possible.

Using clone tools is often the best way to clean these blemishes from your photos. Again, zoom into 100% so you can see these spots easily. Work methodically over the whole photo to make sure you don’t miss any.

Sensor spots are usually visible against a clear space in your photos. They are likely to show up in large areas of sky, snow, or other similar elements containing little or no detail.

white cross for editing stock photos
This type of image with lots of sky needs to be checked well for sensor spots. © Kevin Landwer-Johan. Nikon D700, 85mm f/1.4, 1/5000 sec, f/2.8, ISO 200, Manual Mode, Pattern Metering.

5. Straighten your photos

Buildings, lamp posts, horizons, and other elements must look properly aligned. If you’ve taken your photo with your camera on a bit of an angle, the vertical and horizontal lines will not appear natural.

Cropping your photos, so elements in them are aligned correctly, will help them pass inspection.

6. Correct your white balance

Most of the time, I have my camera set to auto white balance. This produces the correct color in my photos most of the time. When the color in your photos looks odd, it must be tweaked so it looks natural.

Having your camera set to save RAW files makes all aspects of post-processing easier, especially color correction. If you have photos where the color looks too cool or too warm, use the eyedropper tool or color correction sliders to help you achieve the natural color.

Lonely girl on the steps for editing stock photos.
© Kevin Landwer-Johan. Nikon D700, 50mm f/1.4, 1/200 sec, f/4, ISO 200, Manual Mode, Pattern Metering.

7. Remove all copyrighted elements when you are editing stock photos

This is the most frustrating aspect of stock photography for many people. So many things are copyrighted and branded. It’s best to avoid anything with a logo or branding when you are taking your photos. Sometimes you can’t, so you need to remove any instances of copyrighted material from your images.

If you are only uploading your images to sell under an editorial license, the requirements for copyright are different. You’ll need to check the terms and conditions for each stock photo agency as they differ from one to another.

Sometimes copyrighted material is in plain sight. Branding on a coffee cup. An outdoor advertising banner. Logos on shoes and clothing. All these are unacceptable when submitting photos to royalty-free microstock photo agencies.

Some of the more elusive things that contain copyrighted material are:

  • Zips with branding
  • Clips on bags with branding
  • Buttons with branding
  • Watches
  • Phones
  • Artworks

Text written in a language the inspector does not read will also often be rejected as they have no way of knowing if it’s copyrighted.

Cloning out any logos or branding can take a long time, so it’s best to avoid including these things in your photos when you can.

jet ski on the beach
I had to clone out a lot of branding from the jet ski. © Kevin Landwer-Johan. Nikon D700, 35mm f/1.4, 1/160 sec, f/6.3, ISO 200, Manual Mode, Pattern Metering.

8. Post-processing editorial stock photos

What’s allowed and what is not allowed is different for regular and for editorial licensing.

Images submitted for sale under a standard royalty-free license can be edited freely. Editorial stock images must meet higher standards. The most important thing to know is you cannot generally make use of the clone tool.

Any alteration to the content, other than sensor spots is not allowed. You must check the rules for each stock agency you submit editorial images to.

Conclusion

Become familiar with the requirements of each stock photo agency you want to upload to. Understand what is acceptable and what is not. This can take some time but ultimately will save you time and stress.

Take your time when you are editing stock photos. Look carefully at each one. Zoom into 100% to ensure your image quality meets the standards required.

I hope you find these tips useful. Do you have any other tips for editing stock photos you’d like to share? Please do so in the comments!

The post 8 Tips for Editing Stock Photos so they Pass Inspection appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Dreamstime increases royalties for stock photo contributors in response to COVID-19’s economic impact

09 Jun

The ongoing COVID-19 pandemic and its economic fallout have impacted everyone, including photographers. Many photographers have lost revenue due to canceled jobs, fewer events to photograph and potential clients, including commercial clients, not having the revenue to spend on photography. Stock photography website Dreamstime has launched multiple initiatives to help photographers and others impacted by the COVID-19 pandemic, including a newly announced increase in royalties.

As of June 1st, Dreamstime is rewarding contributing photographers with a 10% increase in the royalties value for all downloads, including those with exclusive or non-exclusive status. As Dreasmstime points out, this means that a download that previously would have awarded 50% royalties will now award the photographer 55%. Dreamstime itself has been impacted by the economic downturn resulting from the COVID-19 outbreak, so while they aim to offer the increased royalties for as long as possible, they are unable to make any guarantees about the eventual timeframe.

‘This means that financial aid will be now employed for a more community-centered strategy. For you, this means that all purchases beginning with June 1st will reward an extra 10% increase in the royalties value for all downloads, regardless of the exclusive or non-exclusive status.’ – Dreamstime CEO, Serban Enache

In addition to offering photographers increased royalties, Dreamstime has also worked on creating new tutorials and guidelines for photographers trying to stay financially secure during these trying times. Clients have also been offered relief in the form of a free two-month pause on subscriptions.

Further, Dreamstime has been contributing 5% of its sales to the World Health Organization’s Solidarity Response Fund since March. Additionally, active non-government organizations in need of visual content can contact Dreamstime for a free subscription.

As PetaPixel pointed out, the timing of the royalties increase is interesting. In late May, competing stock photo company Shutterstock announced a new earnings structure for its contributors and the response was very negative.

For comparison, Dreamstime’s new structure has been met with a very positive response. In the comment section on the company’s announcement blog post, many users have not only expressed gratitude, but some have even mentioned specifically that they have either shut down their Shutterstock accounts in response to its change in royalty structure.

Articles: Digital Photography Review (dpreview.com)

 
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Lomography launches new high-contrast, ISO 8 panchromatic 35mm film stock

30 Mar

Lomography has announced the impending release of Fantôme Kino B&W ISO 8, a new high-contrast black and white 35mm film stock.

The panchromatic film is cut from a roll of German cinematic production film, according to Lomography, who calls it a ‘monochrome masterpiece [that] evokes the theatre in your everyday.’ As the ISO speed in the film name suggests, this isn’t exactly a high-speed film. So, to help you figure out how best to use it in nearly any 35mm camera system, Lomography has provided this handy exposure and development guide.

Below are a few sample photos provided by Lomography:

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The film is set to start shipping in June 2020, according to Lomography. You can pre-order it now for 20% off, in a 5-pack ($ 35.60) or 10-pack ($ 71.20). Lomography is also offering ten photographers the chance to test the film before it launches publicly. All that’s required to be considered is to fill out this Google Form.

Articles: Digital Photography Review (dpreview.com)

 
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The Canadian Internet Registration Authority has created a free and funny stock photo library

20 Jan
A lumberjack checking out a hockey player is a Canadian take on the ‘distracted boyfriend’ meme. Photo courtesy of CIRA/.CA.

The Canadian Internet Registration Authority (CIRA), the organization in charge of Canada’s ‘.ca’ top-level domain, has published a series of stock photos that poke fun at Canadien stereotypes. In a bid to get more people to add something ‘uniquely Canadian’ to their projects, they’re offering up their library of stock images for free.

Photo courtesy of CIRA/.CA

Anyone can use small, medium, large or extra-large sized images from the library, though they ask for an email address to access the extra-large 4K files. All CIRA asks, in return, is that a credit along the lines of ‘photo by CIRA/.CA,’ along with a link back to their website, is included.

Photo courtesy of CIRA/.CA. Also, no, this is not long-lost relative of Jordan—so far as we’re aware.

CIRA has their own version of the popular ‘distracted boyfriend’ meme, featuring a hockey player, and other distinct nods to Canadian culture including a moose interacting with backpackers and a lumberjack taking a swig of maple syrup. Anyone with the desire to add to this collection of images is encouraged to contact CIRA.

Articles: Digital Photography Review (dpreview.com)

 
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Ilford Photo teases upcoming film stock release in multiple formats

14 Oct

Ilford Photo has posted a teaser on Twitter that appears to show the launch date of an upcoming release (or re-release) of a film stock.

In addition to a release date and time — 3pm (unknown time zone) on October 24, 2019 — Ilford shared four silhouetted images of different film formats. The obvious ones are the 35mm film canister, the roll of 120 film and the vertical 8 x 10 image. But the image with the black background isn’t as clear as the others, although the silhouette does depict a rectangle with what appears to have a 4:3 aspect ratio.

There’s plenty of speculation as to what this tweet is teasing, but Ilford Photo isn’t giving away any hints (aside from the fact it’s not ‘IlfoColor’), so it looks like we won’t know for sure for another ten days.

Articles: Digital Photography Review (dpreview.com)

 
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iOS 13.2 beta adds the ability to change resolution, frame rate of video in stock Camera app

11 Oct

The latest developer beta of iOS (iOS 13.2 beta 2) adds a new feature to the latest iPhone 11 devices that should make shooting video a little easier.

As of iOS 13.2 beta 2, iPhone 11, iPhone 11 Pro and iPhone 11 Pro Max users will have the option to change the resolution and frame rate of the video being captured with a simple tap. As shown in the below tweet from iOS developer Ryan Jones, the update makes it possible to switch between various video settings without the need to go back into the Settings app.

As Jones showcases in the above screen capture, the setting changes are sequential, going from 720p to 1080p to 4K and from 24 to 30 to 60 frames per second.

The lack of settings control from within the iOS Camera app has long been a sore spot of the stock Camera app. This update doesn’t address the issues with the still photography interface and is only a small step in the right direction, but it’s progress nonetheless. Hopefully, we’ll see Apple make it easier to control Raw capture, HDR settings and more still photography settings from directly inside the Camera app.

Articles: Digital Photography Review (dpreview.com)

 
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11 Tips for Shooting Travel Stock Photography to Make Money

30 Sep

The post 11 Tips for Shooting Travel Stock Photography to Make Money appeared first on Digital Photography School. It was authored by Kav Dadfar.

Stock photography is a tough industry to master. The competition is fierce and prices have been falling over the last decade. But if you are willing to put the effort in and have a long term plan, you can certainly reap the rewards. As a photographer who has been involved in stock photography for over a decade, I have certainly seen the highs and lows. So here are my top tips for shooting travel stock images and how to make money from it.

shooting-travel-stock-photography

1. Include people

Picture buyers are always looking for something new and fresh. Including a person can often be what makes your images unique to the thousands of others that already exist. Including a person in the shot also gives the image some context and shows more of an experience rather than just documenting a place.

Some scenes are busy enough that you don’t need someone to pose. But if you do need someone, don’t be afraid to ask a stranger. Rarely have I found that anyone says no. I always offer to send them a copy of the image to sweeten the deal. This doesn’t mean you shouldn’t take the more generic-type shots. It more about maximizing your sales potential by shooting a variety of different images.

shooting-travel-stock-photography

2. Get a model release

So once you have included a person when shooting travel stock photography, it is a good idea to get a model release. If the person or people are mainly unrecognizable, or if you intend to sell your shot for editorial purposes only, you won’t require one. But be aware that some stock agencies will require a model release even if it is someone’s hand showing in a photo. Of course, there are times where it simply isn’t feasible, for example, if you are photographing a crowd of people. Getty Images have a great model release form that you download here.

shooting-travel-stock-photography

3. Shoot portrait and landscape

When shooting travel stock photography, you should always shoot a landscape and portrait version. Not all scenes work in both landscape and portrait, so sometimes it might not be possible. But if you can, it will come in really useful.

But not only portrait and landscape, try to capture some different compositions. For example, place your point of interest on the left or right. Leave room above and below. You are already at the location so you might as well cover as many possibilities as you can. You never know when a buyer will ask if you have that image in a different crop. Doing this will mean that for example, your image may get used as a double-page spread or a front cover.

11 Tips for Shooting Travel Stock Photography to Make Money

4. Leave space for copy

It is important to shoot images with dead space to allow for copy or headlines to be put in. Sometimes this can mean breaking those all-important rules of composition you have spent years perfecting. But it’s worth it to make those sales.

As mentioned above, you can always shoot multiple versions of the same shot. Try to imagine where and how your image will be used in a publication (or even a website), and compose your shot with that in mind.

Image: There was plenty of free space at the top of this image for the copy to be placed.

There was plenty of free space at the top of this image for the copy to be placed.

5. Choose the right agency

This might be pretty obvious, but it’s important to submit your images to the correct stock photography library. If you shoot travel stock photography, then a specialist travel site is best. If you shoot still life, then an agency that specializes in this would be more successful.

Beyond that, spend some time researching the agency that you are thinking of submitting to. For example, are you happy to see your images sold for a few cents? Consider what your commission rate will be as well as they vary greatly from one agency to another.

shooting-travel-stock-photography

6. Think carefully before submitting to Microstock

Every single person I have ever spoken to who submitted to microstock sites regrets doing so down the road. Of course, there are probably some photographers out there who are very happy with their returns. The problem is that you will need such a huge collection of images with a wide coverage to see any returns that will be worth your time. This is because microstock sites sell images for cents. Ask yourself, would you prefer to sell one image at $ 25 or 250 at 10 cents?

11 Tips for Shooting Travel Stock Photography to Make Money

7. Find fresh angles

If you really want to make your images stand out and catch the buyer’s eye, photograph it differently! Every picture buyer has seen the classic shot of the Eiffel Tower, and it has been on the cover of hundreds, if not thousands, of publications. So the same is not likely to catch many prospective client’s attention. It’s not always easy, but if you can capture something different or unique, you might end up with a few sales from it. This could be as simple as photographing something from lower down or higher up.

11 Tips for Shooting Travel Stock Photography to Make Money

8. Unique location

As well as finding fresh angles, find new locations. Iconic locations such as London or New York, are constantly changing, so there are always potential new places from which to capture photos. This could be from a new rooftop bar with a unique view of Manhattan or new art installation on the streets of London. Even if your location isn’t ever-changing, finding somewhere with a view that not everyone photographs can be very useful.

shooting-travel-stock-photography

9. Quality over quantity

This is often a bit of a contradiction when it comes to stock photography because stock photography is a numbers game. The more images you have, the better your chances of making a sale. However, the key is that they have to be quality shots that people would be willing to pay for. This is the reason that it will take most stock photographers a few years to get a wide enough coverage of images to see a decent return.

Try to always shoot the best locations at the best possible time of day. More often than not, this will be sunrise or sunset, but you will need to assess each scene individually. Your aim should be to capture each shot in a way that you can sell it.

11 Tips for Shooting Travel Stock Photography to Make Money

10. Stay local

Shooting good travel stock photography doesn’t always mean jetting off to far-flung locations. You can often produce great travel stock images a lot closer to home. If, like me, you are lucky enough to live near an iconic place (for me it is London), then you already have endless photo opportunities.

Shooting locally has other benefits as well.

You can revisit locations easily if the weather wasn’t great. You don’t have to worry about the additional travel expenses that eat into your profits. In fact, you will probably find that your local shoots end up having a far better ROI (return on investment) than traveling to other places.

11 Tips for Shooting Travel Stock Photography to Make Money

11. Do something different

Another way that you can try to capture different types of images is to use different technology. For example, drones have now been around a while and can offer a completely new and unique view of something that may have been photographed a lot. But there’s no denying it’s getting harder and harder to fly drones in many places. So if it’s something you are interested in, it’s probably a good idea to get a license. But drone images do sell pretty well, so it is worth considering.

shooting-travel-stock-photography

Conclusion

For most people stock photography will never be the main source of income. However, with some preparation and planning, you can certainly make some extra money from your hobby or profession. The key to being a successful travel stock photographer is to treat it like a business as much as possible. Keep your costs as low as you can, and shoot as often as you can.

Do you have any other tips you’d like to share? Do you make money from shooting travel stock photography? Share with us in the comments!

 

shooting-travel-stock-photography

The post 11 Tips for Shooting Travel Stock Photography to Make Money appeared first on Digital Photography School. It was authored by Kav Dadfar.


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DJI has most of the drones on its website listed as ‘out of stock’

21 Aug
A search on DJI’s official online store confirmed that the Mavic 2 Pro is currently out of stock.

DJI, the world’s leading drone manufacturer, is currently out of stock on most of its models including the Mavic 2 Pro and Phantom 4 Pro.

DroneDJ’s Haye Kesteloo recently conducted a thorough search of their official online store and discovered that the only drones available for purchase are the DJI Mavic Air Fly More Combo, in all colors, the DJI Mavic Pro Platinum, the DJI Mavic Pro 2 (with the DJI Smart Controller combo), the DJI Mavic 2 Zoom with or without DJI Smart Controller, the DJI Inspire 2 and the Ryze Tello in all its variations.

It’s been one year since DJI last released a consumer-grade drone to the public. The Mavic 2 Pro and Zoom have been wildly successful, but with DJI’s planned implementation of ADS-B sensors this coming January, not to mention the forthcoming Holiday season, it would make sense for them to halt production on models headed for discontinuation and focus on new releases.

While a Mavic 2 Pro+ and Zoom+ are rumored, specs from what is being coined as the ‘Mavic Mini’ have recently made the rounds online. Reportedly this drone is expected to weigh less than 250 grams, meaning it won’t need to be registered with the Federal Aviation Administration. As rules and regulations are continually being pushed to allow flights over people and beyond-visual-line-of-sight, a lighter drone makes sense. Other possibilities for a near-future release include a Spark 2 and Mavic Air 2.

Here is the full list of out-of-stock items on DJI’s website, thanks to DroneDJ.

  • DJI Spark Controller Combo – Alpine White
  • DJI Spark Fly More Combo – Alpine White
  • DJI Spark Controller Combo – Lava Red
  • DJI Spark Fly More Combo – Lava Red
  • DJI Mavic Air Arctic White
  • DJI Mavic Air Onyx Black
  • DJI Mavic Air Flame Red
  • DJI Mavic 2 Pro
  • DJI Mavic 2 Pro & DJI Goggles RE
  • DJI Mavic 2 Zoom & DJI Goggles RE
  • DJI Phantom 4 Advanced
  • DJI Phantom 4 Pro V2.0
  • DJI Phantom 4 Pro V2.0 & DJI Goggles RE
  • DJI Phantom 4 Pro+ V2.0
  • DJI Phantom 4 Pro+ V2.0 & DJI Goggles RE
  • DJI Inspire 2 Professional
  • DJI Inspire 2 Premium

While some of these items aren’t available through DJI directly, they can still be found through other third-party retailers.

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