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Posts Tagged ‘still’

Animated Still Lifes: 7 Relaxing Cinemagraphic Illustrations

11 Apr

[ By WebUrbanist in Art & Drawing & Digital. ]

animated bedroom fan gif

Reclining in the space between the extremes of sped-up, movie-style GIF files and traditional, immobile paintings, this artist brings lazy scenes of everyday reality to life.

animated-window-tree-view

animated-train-ride-gif

Rebecca Mockam is a Brooklyn-based illustrator and comic artist whose cinemagraphs move only as much as needed, a different kind of visual artist’s takes on medium most often associated with photography.

animated gif magazine cover

Note that these reduced-sized examples don’t do justice to the detail and seamlessness of her originals, so it is worth looking more closely at her portfolio for these and more.

animated tabletop phone gif

Her work is peaceful and contemplative, lending itself to a lot of potential comparisons, including Edward Hopper and Norman Rockwell. At the same time, much of the subject matters is definitively contemporary, including all-too-familiar ringing phones and tablet swipes. Still-life Americana revisited, this approach (in the age of portable computers, tablets and phones) uses a medium that makes sense with its era.

animated-pitchers-mound-gif

animated-street-scene-gif

Mockam has worked on everything from art exhibits and comic covers and is currently drawing a graphic novel titled Four Points, set to be released in 2015. She uses a Wacom tablet for most of her illustration work, sketches with a pencil and ink with various brush pens, and a nib & ink when it comes to drawing comics.

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[ By WebUrbanist in Art & Drawing & Digital. ]

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Is Full Frame Still the Best?

12 Feb
Nikon D800

The Nikon D800, a 36.3 megapixel full frame camera.

For many years photographers have accepted that, when it comes to image quality, a full frame camera beats one with a smaller sensor every time. Let’s look at some of the reasons why.

Advantages of full frame cameras

  • Full frame camera sensors have larger pixels. This means they create images with less noise and all-round better image quality.
  • Full frame cameras usually have more megapixels. While this doesn’t matter to most photographers, it may be useful if your client demands large images or you want to make large prints.
  • There are more wide-angle primes available. If you prefer prime lenses to zooms, you have more choice at shorter focal lengths with a full frame camera.
  • Legacy lenses can be used as intended. If you own a 24mm prime lens that you used with a 35mm film camera, you can use it exactly the same way on a full frame camera. On a camera with a smaller sensor the crop factor means you are effectively using a longer focal length.
  • There is less depth-of-field at any given aperture, and focal length setting, than there is with the equivalent focal length on an APS-C camera. For example, a photo taken at f/2.8 with an 85mm lens on a full frame camera has less depth-of-field than one taken at f2.8 on with a 50mm lens on an APS-C camera even though the field-of-view of both lenses is approximately the same. This is a benefit if you like to create photos with bokeh.
  • The top cameras in a manufacturer’s range are usually full frame. Let’s say you want to buy a durable, weatherproofed, Canon EOS camera, designed to handle everything a professional photographer could possibly throw at it – then you need the EOS-1D X. An APS-C (cropped sensor) version of this camera does not exist.
Portrait taken with EOS 5D Mark II

This portrait was taken with an EOS 5D Mark II. Using a full frame camera helped obtain the out of focus background.

Disadvantages of full frame cameras

Full frame cameras have some disadvantages too:

  • They cost more money than cropped sensor cameras. Larger sensors are more expensive to manufacture, therefore full frame cameras will always cost more than similar models with smaller sensors.
  • Size and weight. Full frame cameras are larger and heavier – they have to be to fit the larger sensor. However, the new Sony A7 and A7R cameras go against this trend.
EOS 1D X

The EOS-1D X – Canon’s largest and most expensive full frame camera, designed for professional use. It’s an amazing, high precision camera for the most demanding photographer. But it also shows the main disadvantages of full frame cameras: size, weight and expense.

The rise of the mirrorless camera

If you’re an aspiring pro, you may feel that you need a full frame camera to be taken seriously. In fact, this has never been completely true. There are plenty of professional photographers who use crop sensor cameras. The quality is more than good enough, and if you’re a sports or wildlife photographer you may also appreciate the extra reach that an APS-C camera gives you with telephoto lenses.

So far most of these points apply mainly to digital SLR cameras. But over the last few years we have seen the rise in popularity of mirrorless camera systems (sometimes called compact camera systems). It is easy to see why these are popular. Their small size and unobtrusive design means they are easy to carry while travelling, and less likely to draw attention if you in an area where the locals are sensitive to photographers. Mitchell Kanashkevich has written an excellent article on this topic: Istanbul and My Review of Fuji X100S as has our own Valerie Jardin using the same camera.

Furthermore, the new Fujifilm cameras such as the X-Pro 1 and X100S have garnered a lot of praise for their high image quality, with some reviewers saying it is on a par with that of full frame digital SLR cameras (there is more information on the science behind it here).

Fujifilm X100S

The Fujifilm X100S. This camera has had some very positive reviews. Some photographers are moving away from full frame digital SLRs and towards smaller, mirrorless camera systems.

A new question

It seems to me the question has shifted. We used to ask ‘what camera gives you the best image quality?’ and the answer was inevitably – full frame. Now the question has become ‘which camera is best for me?’ Image quality is only part of the equation, and has become less important as the gap between full frame and crop sensor cameras has narrowed. So if you’re in the market for a new camera here are the things you might want to consider before making a purchase:

  • Budget – this is important for fairly obvious reasons. Don’t be afraid to buy a crop sensor camera if your budget doesn’t stretch to full frame.
  • Existing lens compatibility – If you’re staying within the same camera system, how do your current lenses work with the new camera? Some lenses are designed for crop sensor cameras and won’t work with full frame. Does upgrading to full frame mean that you will also have to spend money on new lenses?
  • Total cost with accessories –  If you’re moving to a new camera system, how much will you need to spend on lenses and other accessories? For example, there are a lot of photographers praising the merits of Fujifilm cameras and writing about making the switch from their current system. But bear in mind these guys make a living from photography and expect to spend a certain amount on camera gear each year. Cameras are tax deductible expenses and this is effectively a discount on new equipment that hobbyists don’t receive.
  • Size and weight – These are important factors if you like to travel with your cameras, but maybe not so important if you take most of your photos locally. Despite the advances in mirrorless cameras the digital SLR design is still the best for most types of photography. The trade-off is size and weight, as digital SLRs are bigger and heavier than other types of camera.
  • Alternative lens options – Do you want to use lenses from other manufacturers or old lenses on your camera? If you’d like to experiment in this area then think about a mirrorless camera system, as most of them have lens adapters that let you use them with a variety of different lenses. This can be a lot of fun and source of experimentation in itself.
Sony A7

The Sony A7 (pictured) and A7R are the world’s smallest full frame digital cameras with interchangeable lenses.

What do you think?

What are your thoughts on the full frame versus crop sensor debate? Share your thoughts and experiences in the comments below.

More reading on this topic here:

  • Review: Comparison Canon 5D MarkIII vs the Canon 6D
  • The Best and Worst Cameras, Lenses and Video Cameras of 2013
  • All about Gear [Best of dPS 2013]

Mastering Photography

Mastering Photography ebook

My ebook Mastering Photography: A Beginner’s Guide to Using Digital Cameras introduces you to photography and helps you make the most out of your digital camera, no matter which one you own. It covers concepts such as lighting and composition as well as the camera settings you need to take beautiful photos like the one in this article.

The post Is Full Frame Still the Best? by Andrew S. Gibson appeared first on Digital Photography School.


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Time Stands Still: Sublime Slow-Motion Subway Panoramas

11 Feb

[ By WebUrbanist in Art & Photography & Video. ]

slow mo foto

A subway speeds by the platform, leaving most passengers with a fleeting impression and fast-fading memories of people glimpsed only for a moment, but not this crafty slow-motion documentarian. If you watch no other video today, this week or this year, make the time for at least one of those below.

In the above video excerpt, Adam Magyar captures frozen bystanders in fast succession (50 frames per second) at a Tokyo, Berlin and New York (Grand Central) train stations. His custom technology captures everything, and limited post-processing generates a kind of three-dimensional panoramic portrait of everyone in view. These finished products come both in the form of prints and videos, but the latter in particular are must-watch wonders.

“In Stainless, I scan rushing subway trains arriving to stations. The images record a number of tiny details of this moment. We see people staring towards their destinations standing at the doors framed by the sliding door windows. They are scrutinizing the uncertain future. Similarly to all my images, their main motivation is arrival. The darkness of the tunnels deep below the city turns these chemically clean mock-ups into fossils of our time. “

time subway black white

Magyar uses slit-scan and other technologies and techniques to, as writer Joshua Hammer describes, “bend conventional representations of time and space, stretching milliseconds into minutes, freezing moments with a resolution that the naked eye could never have perceived. His art evokes such variegated sources as Albert Einstein, Zen Buddhism, even the 1960s TV series The Twilight Zone.”

The extended film from Tokyo is shown above. It is truly mesmerizing to watch the most mundane behaviors caught in mid-act, be it a wet dog in mid-shake, creamer hanging over coffee mid-pour or a woman seen in mid-sneeze. It took Magyar years to perfect his craft – the worthy projects that led up to it (shown below) are essential to understanding how he achieved his current mastery.

1-uyFMTPB431muvczp1PH1uQ

time people linear rows

time square people aligned

If the process behind this uncanny effect seems impossibly complex: his signature un-moving montages came with a great deal of time and technological experimentation. This Stainless series is indeed just the latest in a long line of  experimental photo projects, starting with Squares (shown above) which features collections of people taken out of time and selected to force a grid-like order on passersby.

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Time Stands Still Sublime Slow Motion Subway Panoramas

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Mobile Hotel: Converted Double-Decker Bus B&B Still Drives

24 Jan

[ By WebUrbanist in Boutique & Art Hotels & Global. ]

bus hotel with tractor

Quintessentially British, this boutique suite sleeps six, features a wood-burning stove and much more, but perhaps most amazing of all: the vehicle remains road-worthy, despite its conversion to a sweet retreat.

bus boutique road worthy

The Big Green Bus was originally part of the west midlands metro transit system and purchased by its new owner (and renovator) Adam Collier-Woods for approximately $ 7,500 at auction on eBay.

bus hotel renovation project

bus hotel working kitchen

The still-working bus, driven back into the countryside by its buyer (and moved around on demand), required more than $ 15,000 to be turned into a unique three-bedroom accommodation, including a functioning kitchen and bathroom facilities.

bus hotel big green

bus hotel seating sleeping

bus hotel wood stove

Currently set on a “glamping site in the heart of the Sussex countryside,” the bus has its own decking area, a fire pit and all this next to a beautiful pond.” The rural property can accommodate extra campers for parties larger than six who wish to enjoy a stay. In addition to pantry essentials (tea, coffee, milk, herbs and olive oil), logs for the fire pit or stove are available on request.

bus hotel outside view

bus british countryside site

More from its maker and operator about its present location: “A gorgeous 15 minute walk away through country lanes to Chiddingly is the Six Bells pub, a classic traditional country pub, luring all sorts of music, poetry and arts lovers to its various festivals. Brighton is close by too with all its various charms, is 25 minutes drive down the road, or leave your car at Glynde and take the train. Lewes has more trains per hour, Make sure you get to the Lewes Farmers Market on the first Saturday morning of every month.”

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The Dirtiest Secrets of Food Photography That Still Make Your Mouth Water

02 Oct

Food photography is an extremely cunning concept and industry. It essentially uses trickery to make food look so good to your eyes that you end up not being able to control yourself and want to indulge in that food. Naturally, the food-photography industry has aggressively worked to connect eating delicious food with the tactics of sex-sells marketing, which is why Continue Reading

The post The Dirtiest Secrets of Food Photography That Still Make Your Mouth Water appeared first on Photodoto.


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29 August, 2013 – The 10 Commandments of Cinematography for Still Photographers

29 Aug

When still photographers first approach shooting video or cinema, they sometimes feel a bit overwhelmed by the new jargon, and especially the techniques needed to produce quality images.

Our latest article, The 10 Commandments of Cinematography for Still Photographers may help with understanding the basics.


"Having been to Antarctica with Michael and Kevin, I would say after having traveled the world and shot nearly my entire life as an exhibiting photographer,  it was one of my highlights in my life and I talk about it, all the time.  The images and experience of seeing something visionary and nearly extinct from the world, to see and experience the wildlife and scenery that does not fear humans is amazing.  The images I shot there won me two Smithsonian awards and nearly 18 other international awards". – Tim Wolcott

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Why Analog Photography (Still) Rocks!

28 Aug

by Matthias Hombauer and Karl Blümel from “The Analog Docs”.

015 The Analog Docs

We are two professional music and wedding photographers and we shoot digital when necessary. However, we clearly see the point of going back to analog like a lot of pros are doing nowadays. In this post, we would like to discuss the benefits as well as the drawbacks of film photography from our point of view. 

Since we love film, we decided to start our own project named “Analog Docs“, where we exclusively use analog medium format cameras. 

The following points are true for all analog camera systems.

001 The Analog Docs

1. The Look

Ok, let’s face it. Film shooters will tell you how much they love this special look of film. This is similar to music lovers who tell you that vinyl sounds more organic than a CD. A lot of digital shooters try to imitate this look on their digital files – but you can hardly get there. Film has an incredible colour palette and a huge dynamic range of detail in both highlights and shadows. So why imitate when you simply can shoot analog?

005 The Analog Docs

2. Film will make you a Better Photographer, Promise!

When shooting film, you are bound to know exactly what you are doing. You have to nail the exposure, how you frame the picture and how to direct the model so that he or she doesn’t have his or her eyes closed in the moment you release the shutter. Every picture costs money and believe us, you want to be sure to know your camera beforehand. Furthermore, most of the cameras have got only manual focus lenses and you need an external light meter to get the right exposure. This sounds a little bit frightening to someone who has experience only in digital photography. It’s a steep learning curve but it’s absolutely worth it.

006 The Analog Docs

3. Film is a Time Saver

When we are shooting digital, we return from a job with hundreds of pictures, which have to be sorted out and post-processed (we always shoot RAW). With film, we come back with 40 pictures and most of them are awesome. We have outsourced the developing and scanning process of our films and get them sent from our photo lab. Once you know how to handle the different films like Fuji or Kodak already in the camera, you will save a lot of time with post-production. Honestly saying, there is almost no post-processing necessary and you can spend more time on doing the things you love, too.

008 The Analog Docs

4. Film Gear is Cheap (but this Might Change in the Future)

20 years ago, a professional medium format camera was as expensive as a car. Today you can pick a Mamiya, Hasselblad or Fuji for a decent price and you’ve got an awesome camera, like the pros were/are using. For Contax cameras, this is another story. The price is skyrocketing in the second hand market, cause it is the most popular camera for wedding photographers nowadays. However, you can also acquire an old 35mm camera for a few bucks and get the whole analog experience with it. 

009 The Analog Docs

5. BOKEH Madness

BOKEH (Japanese for ‘blur’) is the way “the lens renders out-of-focus points of light”. And this seems to be the search for the Holy Grail for every portrait photographer. There are tons of articles and discussions going on in the web about which lens is the best. The bigger the aperture is, e.g. 1.2, 1.4, the narrower is the depth of field. This makes you just focus on the eyes where the eyelashes are already out of focus. The quality of BOKEH on a medium format camera looks different than a 35mm camera system. So therefore we love our medium format cameras to get this special out-of-focus look. 

010 The Analog Docs

6. Forget to search the Rumours Sites

One advantage of these old cameras is that once you bought them you don’t have to satisfy your needs to have the newest equipment for it: It’s as simple as that: There will not be new stuff released. Most of the cameras we use are 30+ years old and everything you need is available on the second hand market. And there are also a lot of reviews about the equipment in the web, which make it easier to decide which system you should get. Additionally, these cameras are built like tanks and they are of superior quality compared to the newest DSLRs.

016 The Analog Docs

Advantages:

  • the look
  • you will become a better photographer
  • film saves you time 
  • it’s still cheap (when you know what you are doing)
  • gorgeous BOKEH

Disadvantages:

  • old camera systems, sometimes no service for them
  • you have to calculate per picture
  • it takes more effort to get your pictures

017 The Analog Docs

To us as professional photographers, the advantages are still striking. We provide the best quality you can get from a camera to our clients, which is the most important point. As said in the beginning, we are also shooting digital when needed. When shooting for newspapers and magazines, the time pressure to deliver the pictures won’t always allow for the analog option. However, the best magazine photographers like Martin Schoeller or Dan Winters are still shooting film. 

Sure, there is the option of digital medium format cameras, which are gaining wide popularity in the scene. The prices are dropping but they are still in the 30 000$ range. Compared to digital, buying an analog medium format system is a no-brainer.

019 The Analog Docs

So the final question you should ask yourself is: What do I use my camera for?

If you are a sports or newspaper photographer, then shooting film might not be the best choice. But for all of you who want to shoot great portraits, landscapes or architecture and you are willing to learn more about the craft of photography, you should definitely give film a chance.

Matthias Hombauer (Ph.D.) and Karl Blümel (MD) are both professional photographers based in Vienna/Austria. They are founder of “The Analog Docs”. They also have a facebook fanpage.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Why Analog Photography (Still) Rocks!


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Digital Still Life Photography [Book Review]

30 Jul

Digital Still Life PhotographyThis is a sumptuous book in a number of departments: it’s large, beautifully printed and full of useful, easily navigated information.

So why the word ‘digital’ in the book’s title?

Author Sint explains ‘I hate using Photoshop to correct my mistakes because I feel the time required to do so is both unproductive and unprofitable. … what I really love more than Photoshop is downloading pictures that I find pretty close to perfect the moment I open the image’s file.’

The book’s style is thoroughly disarming and direct to the point: when approaching a still life photograph the first step, Sint suggests, ‘is to spend a moment thinking about what type of photograph you are trying to create.’

He then describes the techniques in shooting simple setups on a plain background, the need for speed and the need to plan your shoot efficiently. After all, time is money and the more shots you can pack in per hour the higher your financial return. This book Sint affirms is about ‘how to make a living taking pictures …’

An initial step is to select a suitable shooting space. It should ideally be a big space, one that includes an office, shooting area, storage for props etc, conference area, makeup room and maybe a kitchen. However, in an effort to describe how little you really need, the author describes his own first studio: a room 250 square feet in area, containing his own twin bed, a dresser, small nightstand … with the remaining 225 square feet dedicated to the studio!

Next, you should assemble the necessary tools to make the space work: timber and the necessary power and hand tools; some form of canned compressed air or even a compressor and more. This is followed by three simple building projects: building a simple set flat; a diffusion screen; a light table.

The important subject of lighting gets serious attention, with tips on how to assemble and use a continuous light array, electronic flash, reflectors, barn doors and snoots, hair lights, scrims, a lighting umbrella etc. The variations in continuous and flash light are explained thoroughly and examples given as to which type suits what subjects.

To give an idea of the depth of detail found in the book, just go to pages 150 and 151 on clamps but not just ordinary clamps but ‘super clamps’! These can do so many more things on a still life shoot than merely position a light as they come in handy to build backgrounds etc.

More follows on soft and hard lighting, the colour of light sources, how to vary a lamp’s colour balance and filtration plus a useful primer on working with fluoro lighting and how to mix it with flash. Fluoros may be 20-30 per cent green in hue so you may filter the flash output with green gels and then add a magenta filter to the camera lens to bring everything back to a daylight balance.

A superb eight page section takes you step-by-step through the shoot of an expensive Cartier watch: how to pose it, light it, position fill lamps. And then there is the fundamental advice never to perform post editing on the original digital file: duplicate! And only work on a copy.

This book will be invaluable to the photographer who wants to move into the studio. Big time!

Author: S Sint.
Publisher: pixiq.
Distributor: Capricorn Link.
Size: 28x22x2cm.
Length: 271 pages.
ISBN: 978 1 4547 03273 3.
Price: Get a price on Digital Still Life Photography at Amazon (currently 50% off).

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Digital Still Life Photography [Book Review]


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Canon still pursuing Foveon-style multi-layer sensor design

24 May

Canon_Patent.png

Canon has patented a color-sensitive multi-layered sensor design, showing the company is still pursuing the technology. Like Sigma’s Foveon chips, the multi-layered design allows each of the sensor’s pixels to capture color information without the need for colored filters. The patent, discovered by the Japanese Engineering Accomplishment blog, suggests a system to promote resonance within the sensor, in an attempt to make the lower layers of the sensor more sensitive. (from Egami blog)

News: Digital Photography Review (dpreview.com)

 
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GIF creator receives honor, still chafes at mispronunciation

22 May

Steve-Wilhite_2569576b_20130522185903.jpg

If you’ve ever wondered who to thank (or blame) for those 8-bit animated graphics that remain prelevant even on today’s high-bandwidth Internet, Steve Wilhite is your man. He was honored for that achievement at this year’s Webby Awards and took the opportunity to once again remind us how ‘GIF’ should be pronounced. (via New York Times)

News: Digital Photography Review (dpreview.com)

 
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