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Posts Tagged ‘Snow’

Weekly Photography Challenge – Snow White

12 Dec

Check out these images of snow I rounded up earlier today.

Thomas Hawk

By Thomas Hawk

Weekly Photography Challenge – Snow White

This week your challenge is to go photograph something snow white – so what that means is that if you do not live in a place where it snows you can still shoot based on the theme white. Try doing a white subject on a white background, something high-key.

Howard Ignatius

By Howard Ignatius

Howard Ignatius

By Howard Ignatius

Sheree Zielke

By Sheree Zielke

Thomas Hawk

By Thomas Hawk

Rene De Paula Jr

By rene de paula jr

Will Montague

By Will Montague

Ben Raynal

By Ben Raynal

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

Francisco Gonzalez

By Francisco Gonzalez

Randi Hausken

By Randi Hausken

Jérémy Lelièvre

By Jérémy Lelièvre

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Make it Snow with Pure Photoshop Actions Winter Wonderland Set

18 Nov

winter-wonderland-action-1

When it comes to post-processing, photographers definitely have opinions about Photoshop Action sets. Some photographers love them, others consider them cheating. For me personally, Actions are most valuable when they either (a) make the editing that I would do by hand more efficient and/or (b) offer something unique and fun that may be outside my normal editing style, but fits a particular session.

In this case, the Winter Wonderland Action Set by Pure Photoshop Actions (available for Photoshop CS and above, and Elements 6-11 for $ 25 regular price) fits a bit of both those criteria. It’s not something that I use every day, but it really is a fun action set to have on hand during the winter months!

Essentially, the Winter Wonderland Action Set allows you to add snow with one click during post-processing. It includes several different kinds of snow, fog, and mist that can add a little something extra to your winter images. It also offers some tints and adjustments that allow you to tweak the final images towards your normal style of editing, whether you lean towards natural and clean, or a faded vintage look.

winter-wonderland-action-2

The first thing that I should mention, right off the bat, is that some of these actions run very slowly. The “Pure Snowfall 1” action in particular always seems to take several minutes to run. On the other hand, the “Soft Snow” action runs quickly every time. That said, even with “Pure Snowfall 1” taking several minutes to run, it’s still much faster than adding in individual snowflakes by hand, so it’s a win in my book.

Original image on the left, final image using PPA Winter Wonderland on the right.

Original image on the left, final image using PPA Winter Wonderland on the right.

As with most action sets, you should be prepared to tweak Winter Wonderland to fit your particular image. Winter Wonderland adds masks to most of the actions after they’ve run, and I find that I use them quite often. The most common tweak that I make to the Winter Wonderland set is to remove the added snowflakes from the subject’s eyes, nose, and mouth. I prefer the “snow” to look as natural as possible, so I do tend to leave the snowflakes around the hairline, and sometimes even on the cheeks.

winter-wonderland-action-4

The actions in this set tend to do a pretty good job of varying the size of the snowflakes in order to give a more realistic foreground and background, but there is also a snowflake brush included with the set, which allows you to pick the overall size of snowflake you want, and then scatters additional snowflakes in that size randomly over the image.

Original image on top, final image edited with PPA Winter Wonderland on the bottom.

Original image on top, final image edited with PPA Winter Wonderland on the bottom.

My editing style tends to be pretty clean, so that is about where I usually stop with this action set. However, the set also includes a number of actions that allow you to achieve a subtle vintage feel to your final images, and I’ve also enjoyed testing those options out as well.

winter-wonderland-action-6

Original image on the left, final image edited with PPA Winter Wonderland on the right.

Original image on the left, final image edited with PPA Winter Wonderland on the right.

When I use the Winter Wonderland action set, my ultimate goal is that if I were to post the image on Facebook, the majority of my client pool would not readily be able to tell that the snow was added in post-processing. Of course, some of my photographer friends are likely to be familiar with this particular action set, and others may be familiar enough with Photoshop to know that something’s up, but my hope is to create images that look natural enough that they could easily pass as being real. So, in order to accomplish that goal, one of the key pieces is to only use images in which your model is dressed appropriately for snow, and there could feasibly actually be snow in that location.

This particular set of images is my favorite set that I’ve ever edited with Winter Wonderland, and I think that’s due in large part to the fact that there was actually snow on the ground during our session. So, it’s not too much of a leap for a casual viewer to see snow on the ground, and find it feasible that snow could be falling at the same time. On the other hand, if I were to run this same action set on an image taken at sunset during the summer months, it would likely look ridiculous…which would really only work if you’re going for a super campy “Christmas in July” themed session.

winter-wonderland-action-9

winter-wonderland-action-10

Original image on the left, final edited image with PPA Winter Wonderland on the right.

Although I’ve seen Winter Wonderland marketed almost exclusively towards photographers doing portraits or family photography, don’t underestimate this set for landscape and nature images as well. As long as the content, and coloring of your landscape or nature image, would be appropriate for a photograph taken in the winter, there’s no reason not to give it a try!

winter-wonderland-action-8

Just for the record, I purchased the Winter Wonderland Action Set on my own, and Pure Photoshop Actions has no idea that I’m writing this article. I have just enjoyed the Winter Wonderland set quite a bit, and thought that it was worth sharing (and reasonable price at $ 25) as we head into the winter months in the northern hemisphere.

Have you tried the Winter Wonderland Action Set? If so, what did you think? If not, is there an image you’re eager to try it on?

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The post Make it Snow with Pure Photoshop Actions Winter Wonderland Set by Meredith Clark appeared first on Digital Photography School.


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Snow Cover: Subterranean Museum Pierces Alpine Mountain Peak

06 Aug

[ By WebUrbanist in Architecture & Public & Institutional. ]

mountain museum overhang

Buried within a mountaintop nearly 7,500 feet above sea level, this remarkable semi-subterranean mountaineering museum, designed for a unique client – the first man to scale Everest without oxygen.

mountain peak museum

musem picture windows

Designed by Zaha Hadid (images by Werner Huthmacher), the Messner Mountain Museum Corones refers to Reinhold Messner. Located atop Mount Kronplatz in Italy, it is the first in a series of planned mountaintop museums, each designed to create a sense of journey and adventure for its visitors.

mountain view out

In this case, one arrives from the side then continues below the surface before emerging to discover a dazzling view of the surrounding landscapes and peaks, framed by huge windows or enjoyed from a balcony jutting over the edge.

museum curved forms

museum interior design

As one travels through the building, the focus shifts from artifacts and exhibits within the museum back to the outdoor world that inspired this famous climber to become the first to ascend all fourteen of the world’s tallest peaks. The signature curves of Hadid’s work guide one through narrowing and widening spaces, slopes and steps, each shaping the experience.

mountaintop museum plan

From the architects: “A composition of fluid, interconnected volumes, the 1000 sq. m. MMM Corones design is carved within the mountain and informed by the geology and topography of its context. A sharp glass canopy, like a fragment of glacial ice, rises from the rock to mark and protect the museum’s entrance”

mountaintop museum

Without further landscaping, it is hard to say whether the building in reality reflects the mountain-piercing concept, but a freshly-constructed work of architecture is rarely finished until more greenery (and maybe in this case some additional dirt) comes back into play.

museum from above

mountain museum balcony

More from Messner on the museum itself: “On Kronplatz I present the development of modern mountaineering and 250 years of progress with regard to the equipment. I speak of triumphs and tragedies on the world’s most famous peaks – the Matterhorn, Cerro Torre, K2 – and shed light on alpinism with the help of relics, thoughts, works of art, and by reflecting the outside mountain backcloth in the interior of MMM Corones.”

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[ By WebUrbanist in Architecture & Public & Institutional. ]

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Snow Calligraphy: Reverse Graffiti Artist Tags Parked Vehicles

02 Mar

[ By WebUrbanist in Art & Street Art & Graffiti. ]

snow calligrapher signature work

For years, this graffiti calligrapher has made his mark around New York City, but some of his best work is reserved for special (and somewhat unpredictable) occasions, relying on seasonal snowfall.

Processed with VSCOcam with lv01 preset

Known for his interior and exterior calligraphic murals as well as his signature snow pieces, Faust notes that virtually “everyone has an affinity for writing in the snow as a child. When most people grow up they lose the urge. I guess I just haven’t been able to shake it.”

snow car front artwork

As with other forms of reverse graffiti, his snowy script is ultimately temporary and removes material that would be wiped and swiped away by brushes or wipers, thus leaving no lasting impact or damage.

snowgraffiti car windshield

snow front of car

Some of his messages speak to the season (of snows and ice) while others are simply signatures left on the hood, trunk, windshield or window of a car as a simple surprise to brighten the dark winter days of passers by.

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[ By WebUrbanist in Art & Street Art & Graffiti. ]

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Let It Snow! 4 Tips For Super Snow Photos

29 Jan

Oh, the weather outside is frightful. But photographing snow is so delightful!

It’s especially delightful when you know how to make the most of that sparkling, snow-covered landscape.

Check out our four tips for taking brrr-eautiful snow photos, and in no time you’ll be running around and enjoying the cold stuff as much as the sledders and snow-angel-makers.

We guarantee that the gorgeous winter shots you’re going to get are worth leaving the comfort of your heated blanket. (And hey, that blanket will still be waiting for you when you get home!)

Catch Snowflakes On Your Tongue and in Photos

(…)
Read the rest of Let It Snow! 4 Tips For Super Snow Photos (696 words)


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Shooting Winter Wonderland: How to Take Great Snow Images

14 Jan

Shoot what you love. The Amazing Images Will Follow. That’s my motto. Above, you can see a shot of my daughters, Zoe and Tenley, on their first day of snow ever. Zoe wanted to hold the snow in her hands and blow it, Tenley agreed, and just as Zoe was blowing, Tenley reached up and whitewashed her face with the Continue Reading

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Tips for Photographing Snow

16 Mar

Some of may still be in the throws of some nasty weather that Mother Nature can surprise us with like an early spring snow storm. Assuming of course it’s not completely freezing, why not get out there and do some winter photography!

In this short video you will get 8 tips for photographing snow; things like proper exposure, capturing falling flakes, what lens to use, and white balance.

Need more help with winter or snow photography?

  • Winter Photography Tips | Bendy straws and Ziploc bags?
  • Tips to Protect your Gear in Harsh Weather Conditions
  • 5 Uncommon Snow Photography Tips That Can Transform Your Winter Scenes.

The post Tips for Photographing Snow by Darlene Hildebrandt appeared first on Digital Photography School.


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Civic Secrets: Urban Patterns Revealed in Street-Side Snow

14 Feb

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

urban sneckdown intersection image

Ingenious and contagious, the idea is spreading: after it snows, document where cars do not go, then use that to understand where sidewalks and other public areas can be expanded without any spatial cost to vehicular commuters.

urban public space activism

Jon Geeting of This Old City shows how these so-called ‘sneckdowns’ can work after a snowstorm in Philadelphia. Starting with simple phone-camera photographs, he added colored-line highlights that illustrate actual traffic patterns. These captures implicitly suggest ways to eliminate  car parking, introduce pedestrian plazas and potentially much more.

urban snow implied space

As for the strange name, he explains: a sneckdown “is a clever combination of “snow” and “neckdown” – another name for a curb expansion – that uses snow formations on the street to reveal the space cars don’t use. Advocates can then use these sneckdown photos to make the case to local transportation officials that traffic calming interventions like curb bumpouts and traffic islands can be installed without any loss to car drivers. “

urban post snow photos

Bypassing cumbersome urban planning studies, this approach is a free, easy and highly visual way for people to first understand and then communicate possibilities for future usage to local politicians and business owners. Simple cell phone photos provide the backdrop, allowing activist citizens to argue for everything from sidewalk and green space extensions to the creation of entire urban islands, outdoor seating for restaurants or other civic functions … all in places where, as the snow shows, no one generally drives anyway.

While the phrase and phenomena are gaining all kinds of fresh traction, the idea is not new to those in the know – Street Lessons from a Blizzard (above) by Streetfilms talked about the same process a few years back, and others have discussed it before as well. With the rise of Instagram and Twitter, however, more and more ordinary citizens are snapping shots locally, tagging them and spreading the word.

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Blickfang: Ashes and Snow

01 Oct

In the beginning of time, the skies were filled with flying elephants. Too heavy for their wings, they sometimes crashed through the trees and frightened other animals.

In „Ashes and Snow“ eröffnen mehrere Serien mit Elefanten das Buch. Es folgen Wale, mit denen Gregory Colbert taucht, sowie verschiedene Vogelarten, Giraffen, Zebras, Großkatzen und Affen. Manchmal allein, manchmal mit Menschen. Auf Dünen, Bäumen, im Wasser oder tempelartigen Gebäuden.

Kein Bild hat einen eigenen Titel, die Serien fließen, gehen ineinander über, wechseln sich ab. Es war nicht leicht, ein Bild auszuwählen, das für mich das Bild dieses Buches ist. Vielleicht ist das das hier gezeigte, es vereint fast alles, was mich an Gregory Colberts Arbeiten berührt: Tiere, Menschen, Natur gehören zusammen, passen genau ineinander, sind ein Ganzes.

Die Fotos sind klar und gleichzeitig surreal. Warm und erdfarben, trotzdem mit einem Hauch von Blau. Sie wecken die Sehnsucht nach ursprünglicher, sicherlich aber auch romantisch verklärter Ursprünglichkeit in mir (wieder).

Ashes and Snow © Gregory Colbert

Gregory Colbert wurde 1960 in Toronto, Kanada geboren. Seine Karriere begann 1983 in Paris, wo er Dokumentarfilme über gesellschaftliche Probleme drehte. Über die Filmemacherei kam er zur Fotografie und stellte erstmals 1992 aus.

In den folgenden zehn Jahren stellte er nicht aus, sondern startete über vierzig Expeditionen in entlegene und exotische Ecken der Welt, um dort die wundersamen Beziehungen zwischen Mensch und Tier zu fotografieren.

2002 präsentierte er seine Arbeit der zurückliegenden Dekade unter dem Titel „Ashes and Snow“ in Venedig als eine der größten Einzelausstellungen Europas. Diese wird seitdem ständig erweitert, während Colbert die Welt bereist, neue Länder, Menschen und Tiere fotografiert.

Seine Ausstellung „Ashes and Snow“, die neben Fotos auch Filme zeigt, ist als reisende Ausstellung angelegt. Die Räume, in denen sie präsentiert wird, werden „Nomadic Museum“ genannt, dessen Architektur als das Äquivalent offener Arme konzipiert ist. Das Museum kann zerlegt und einfach andere Orte der Welt gebracht werden, um dort präsentiert zu werden.

Ashes and Snow © Gregory Colbert

Überhaupt ist dieses Buch eines der schönsten, die es gibt. Ein haptisches Erlebnis. Dickes, weiches Papier in einem warmen Weiß, groben Schnittkanten, eingebettet in einen stark strukturierten braunen Umschlag. Mit einem Band verschlossen.

„Ashes and Snow“* in die Hand zu nehmen, das Band zu lösen, den unvergleichlichen Umschlag aufzublättern, mich nach einiger Zeit der Kontemplation wieder aus den beruhigenden Serien zu lösen und das Band wieder ums Buch zu wickeln, ist jedes Mal wieder etwas Besonderes.

* Das ist ein Affiliate-Link zu Amazon. Wenn Ihr darüber etwas bestellt, erhalten wir eine kleine Provision, Ihr zahlt aber keinen Cent mehr.


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Blickfang – Snow, 1960

10 Sep

Ich bin der Meinung, dass man von guten Fotos nie genug bekommen kann. Und deshalb stelle ich Euch heute ein Bild vor, das an anderer Stelle schon einmal gezeigt wurde. Denn es schließt den ersten Teil der Reihe Fantastische Bildbände zur Straßenfotografie ab, nämlich mit dem Bildband „Saul Leiter“ aus der Photofile-Reihe.

Jedoch ist die Abbildung dieses Blickfanges nicht dem kleinen Bändchen entnommen, sondern dem zweisprachigen Band „Saul Leiter: Retrospektive – Haus der Photographie / Deichtorhallen Hamburg“*. Dieser ist mächtige 300 Seiten dick und mit den Maßen 23 x 28 x 2,8 cm auch kein Band, den man so leicht aus den Augen verliert.

Doch nun zu unserem Bild, das mittlerweile als Ikone der Fotografie gepriesen wird und ein Markenzeichen Saul Leiters ist. Hierzu möchte ich Brigitte Woischnik zitieren, die in einem Artikel auf Seite 236 Leiters Art, zu fotografieren so beschreibt:

Doch Saul Leiter ist nicht nur ein nimmermüder Flaneur, er ist auch ein stiller, geduldiger Beobachter. Die Ambivalenz zwischen dem direkten Sehen und dem Verborgenen zeigt sich in seinem gesamten Werk. Er fotografiert nicht nur die Tür und das Fenster eines Cafés oder Ladens, sondern bevorzugt durch dieselben hindurch. Das verborgene, nicht wirklich „sichtbare Innere“, das ist es, was er ergründen, was er sichtbar machen möchte.

Und als Paradebeispiel dient die Aufnahme „Snow“ aus dem Jahre 1960, zu finden auf Seite 42 des Bandes.

Saul Leiter, Leiter, Saul, NYC, New York, New York City, Snow 1960, 1960, Color, Colour, Farbe, Farbfotografie, Frühe Farbfotografie, Schnee

Leiter fotografierte durch eine von Tauwasser beschlagene und stellenweise abgewischte Scheibe, die den Hintergrund unscharf abstrahiert. Hinter – oder vor – der Scheibe steht ein Mann im Schnee und schaut sich irgendetwas an. Er hat eine Mütze auf und trägt grüne (Arbeits-)Kleidung. Im Hintergrund ziert die Aufnahme ein gelber Laster, der dem Bild einen feinen, dezenten Farbkontrast verleiht. Ein zweiter Mensch ist angeschnitten, mit dem der Protagonist jedoch nicht kommuniziert.

Dieses Bild habe ich in den letzten Monaten immer und immer wieder studiert. Und jedes Mal ertappte ich mich dabei, zu denken, dass dieser Herr auf sein Smartphone sieht oder gar ein Postbote ist, der mit seinem PDA die Lieferung überprüft. „Ach nein, stimmt ja gar nicht“, erinnere ich mich. „Herr Gommel, wir schreiben das Jahr 1960 und nicht 2013.“

So hat die Aufnahme etwas Magisches, Ungewohntes. Und obwohl ich eine große Liebe zu den Aufnahmen Martin Parrs hege, der direkt und offensichtlich fotografiert, schätze ich diese abstrakte, nicht direkte und nicht offensichtliche Bildsprache von Saul Leiter mindestens genauso. Sie spricht eine tiefere emotionale Ebene an, fasziniert und begeistert.

Lustigerweise habe ich (sehr wahrscheinlich) einen Fehler im Buch gefunden. Denn auf Seite 239 schreibt Woischnik zur fotografischen Variante, die am selben Ort aufgenommen wurde, folgenden Satz:

Auf die rechte Seite der Scheibe, die Regenstreifen unterbrechend, haben flinke Finger eine Nachricht geschrieben, …

Jedoch können wir, wenn wir uns „Snow“ genauer ansehen, erkennen, dass an der Scheibe braune Überbleibsel eines „L“ sind. Was darauf schließen lässt, dass es sich nicht um eine handgeschriebene Botschaft handelt, sondern viel mehr um eine aufgeklebte Schrift, die bis auf das L abgezogen wurde und deren klebrige Überreste die Feuchtigkeit nicht angenommen haben.

Den Bildband möchte ich dennoch sehr empfehlen. Denn er zeigt das umfassende Werk Leiters und bildet neben den Fotos seine besonderen Zeichnungen ab, die nicht minder signifikant sind, da Saul Leiter sich als Maler verstand.

* Das ist ein Affiliate-Link zu Amazon. Wenn Ihr darüber etwas bestellt, erhalten wir eine kleine Provision, Ihr zahlt aber keinen Cent mehr.


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