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Posts Tagged ‘Shop’

Historic chemicals producer, Tetenal, has roared back to life with new online shop

17 Sep

After facing imminent closure, Tetenal is back with a vengeance and has relaunched their online shop. This is fantastic news for analog photographers, as Tetenal has been producing critical photochemicals since 1847, making Tetenal the oldest active company in the photo industry.

In January 2019, we reported that Tetenal Europe faced closure. After going into voluntary insolvency protection in 2018, Tetenal Europe GmbH failed to find new investors and was preparing to close its doors. In February 2019, an employee-led management buyout was accepted and Tetenal lived on.

In an announcement at the time, one of the leaders of the employee-led movement, Burkhardt Mueller, said, ‘We respect the heritage and the responsibility for 172 years of photo history that we inherit. Together with the global photo community and commercial partners from the analog photo industry, we will relaunch proven products to ensure reliable sustainable supply for film and photo studios, while developing new business models, products and services.’

A screenshot from Tetenal 1847’s new online store.

Jumping ahead to the current day, the wheels are in motion at the new Tetenal. The company is offering a 5% discount on all purchases from their online store using the discount code ‘tetenalpromo09’. The company offers worldwide shipping.

Tetenal’s relaunch includes new black and white chemistry, including film and photo paper developer, stop, fixer, photo paper tones, stabilizer, wash aids and wetting solutions. If you’re interested in traditional wet plate photography, there’s emulsion available for that as well.

Tetenal is not content to simply keep producing more of the same, however, it is also working on new products. Tetenal has nearly completed the development of Tetenal Developer Tablets. These E6 and C41 developer tablets are dry chemicals you can dissolve in water to make your own solutions at home. This has two major advantages over traditional liquid concentrates. First, tablets have a lower shipping weight and volume. Secondly, liquids can oxidize, which limits shelf life when using chemicals in small batches. Tablets, on the other hand, are easier to store and have a longer shelf life.

Tetenal has nearly finished the development of effervescent tablet forms of E6 and C41 developer. Click to enlarge. Image credit: Tetenal

It is a big deal for Tetenal to survive. While the company is perhaps best known for its film processing chemicals, it is also a producer of source chemicals for many other companies throughout the world. Tetenal also contributes to digital photography by supplying chemicals to companies such as Epson, Eizo and other inkjet and dye sub media distributors. Tetenal’s chemicals are also critical to the motion picture industry.

In an article for PetaPixel, Ludwig Hagelstein wrote an excellent in-depth look at Tetenal since its 19th-century beginnings. It is well worth checking out for those interested in photographic history and analog photography.

Click to enlarge. Image credit: Tetanel

To learn more about Tetenal’s history and its product offerings, head to its website. It’s excellent to see the company continuing to survive and innovate amid challenging market conditions.

Articles: Digital Photography Review (dpreview.com)

 
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Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

22 Sep

The post Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop appeared first on Digital Photography School. It was authored by Jackie Lamas.

There is probably nothing worse than hearing a coffee grinder whirl up as you talk to your potential clients. While coffee shops can seem like an ideal and neutral location for a meet up with a client, it can also be distracting. Here are some other locations for photography pre-consultations with a client.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

1. Vendor office space

As photographers, we work with lots of different vendors that are close by and that over time, we can even become friends with.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

Find a vendor that has an office or retail space and ask them if you can rent the space to hold your pre-consultations. Perhaps they have a small office they don’t use or a large open floor plan where you can hold your meetings.

You could even swap the rent with free sessions or artwork for their space. This will also bring more business into their space while you get to hold your pre-consultation without distractions and in a beautiful space.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

Be sure to keep your samples or products that you plan on showing during your pre-consultation. If you can, talk your vendor friend into letting you use a corner where you can set it up just right for your meetings.

It will leave a much bigger impact than you have invested in making friends with other vendors you trust enough to hold your meetings there.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

Clients will feel more comfortable and be able to ask their questions and get all information without the barista yelling out names and coffee orders.

2. In your own home

Many photographers don’t have a designated studio space, which means that you probably work from a desk somewhere in your home.

Having a pre-consultation, in-person sales appointment, and any other general client meetings, in your home means that you’re able to control the impression you leave on your clients.

Locations-for-Photography-Pre-Consultations

Designate a space in your home where your clients will be able to sit and talk with you comfortably. Have your products all ready to go, and perhaps some candles or incense burning to create a nice ambiance.

Bringing clients into your own home also builds more trust between you and the client. You have all your products right at your fingertips along with any beverages and snacks to offer your client.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

Also, you can use your television as a screen to preview photos, show a slideshow of your work, and even play music in the background.

3. In your client’s home

If don’t feel comfortable having consultations in your home, you can offer to hold the pre-consultation at your client’s home.

This can be really convenient if your client has small children and you need to work around their schedule. Also, this will allow you to view locations for wall portraits and various products that your client perhaps may not have thought of prior to the pre-consultation.

Locations-for-Photography-Pre-Consultations

You can take your products, laptop, or have a printed product guide for your clients to view while you sit in their living room chatting about ideas for their upcoming session.

Ask your clients if they feel comfortable with a pre-consultation visit and offer them free measuring for wall portraits while you’re there. This might give them the incentive to have a consultation at their home.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

Take note of their design style, color schemes, and architecture. This can be really helpful when you do an in-person sales appointment and you’ve correctly matched frames that fit perfectly into their already decorated home.

4. At the venue/location

For wedding clients, the perfect location where you can meet is at the location where the couple will be getting married, if possible.

Locations-for-Photography-Pre-Consultations

Walking the location can also be a good time to look for photo spots that would work perfectly for the day of wedding portraits. You can walk through and get an idea of their style, and it makes the meeting a little less formal.

For portrait sessions, you can choose a favorite location like a park that you have used before where a bench and seating are available. This is because you might be meeting with clients with their children, or you might want to show them your portfolio on your laptop or phone and your products.

Locations-for-Photography-Pre-Consultations

If the weather is comfortable, use an outdoor space that you particularly like that isn’t heavily crowded, like a plaza or benches where you can talk with your clients comfortably.

Remember, some of these places may not have internet, so everything you need should be downloaded or pre-loaded onto your devices. That way, you can show your client without delays or issues.

5. Shared workspaces

Shared workspaces, like We Work, offer members lots of perks and amenities that are just like having an office or studio space of your own.

Locations-for-Photography-Pre-Consultations

Some of these locations have conference rooms you can reserve ahead of time to have your pre-consultation with your clients.

Many shared workspaces have reception, lounge areas, coffee and tea bars, and many other perks that also include internet and distraction-free space. You can hold your consultation without having to sit cramped at a small round table and cafe chairs.

Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop

If you’re holding quite a few pre-consultations and in-person sales meetings a month, you might want to consider paying the monthly fee to use the shared workspace. Or perhaps talk to a friend who has used one and get their take on it.

Conclusion

Many a photographer has had the coffee shop pre-consultation client meeting and while it is practical and neutral, these alternate locations may just prove to leave a more professional impression on your clients.

Do you have any other locations for photography pre-consultations that you’d like to share? Please do so in the comments!

locations-for-photography-pre-consultations

The post Top 5 Locations for Photography Pre-Consultations that are not in a Coffee Shop appeared first on Digital Photography School. It was authored by Jackie Lamas.


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Paint Shop Pro 2019 Ultimate Review

14 Oct

About a year ago I reviewed the 2018 version of this software. It was an interesting comparison for me, as I started using it back when it was still owned by Jasc Software (before Corel bought it).

Now we have the 2019 version, dubbed Paint Shop Pro 2019 Ultimate. And as someone who uses Lightroom and Photoshop, I was interested to see how it stacks up.

The Basics

Corel Paint Shop Pro 2019 is a Windows-only product that comes in two editions – Standard and Ultimate.

The Standard edition features creative presets powered by AI, 360-degree photo editing, enhanced performance, features, enhanced usability and ease of use, and new creative content.

The Ultimate edition includes everything in the Standard edition as well as:

  • Photo Mirage Express
  • Painter Essentials 6
  • Perfectly Clear 3.5 SE
  • Aftershot 3
  • Creative Collection of brushes, textures and backgrounds.

Note: Painter Essentials 6, Perfectly Clear 3.5 SE and Aftershot 3 will run only on the 64-bit version of Windows.

Both come with a 30-day free trial, and the $ 99.99 USD price tag is for a perpetual one-off licence, not a subscription.

For more information, check out the website.

Workspaces

PSP 2019 Ultimate has two workspaces – Essentials and Complete.

Essentials is a cut-down version aimed very much at beginners, while Complete has all the features and options. To distinguish between them, Corel has made the interfaces different shades of grey.

Essentials is a light grey, although you can adjust it to one of three different shades. You can also adjust the size of the buttons on the toolbar to make them bigger (as shown  below), and move the toolbars and palettes around to suit.

Complete is a dark charcoal grey, and has the filmstrip of images along the bottom.

Layers comes up by default in Complete, whereas I had to manually add it in Essentials and dock it where I wanted it to go. So if you plan on using layers I’d opt for the Complete workspace, although you can switch between them quite easily.

Performance

I tested the performance of PSP 2019 Ultimate on my standard Photoshop machine. It has:

  • an Intel Core i7 processor
  • 24GB of memory
  • two 180GB SSD in a Raid 1 configuration for the operating system
  • two 500GB SATA drives in a Raid 1 configuration for extra backup (PSP was installed on this array)
  • network attached storage (NAS) for all my RAW files.

Admittedly my system is about seven years old. But it works fine with Photoshop CS6 and images with many layers.

PSP found my NAS files and let me access them easily. But performance was generally slow and noticeably laggy. When I moved sliders on the RAW image import I had to wait for the software to catch up.

Loading an image file as a layer was quite slow. And if I moved the layer it stuttered instead of moving smoothly.

Image Management and Editing

While RAW files can be imported into the program, the editing features are extremely limited compared to Lightroom and Adobe Camera Raw. Corel does offer AfterShot3 as a RAW image editor, but it’s a separate program and not included in this review.

You can perform basic image edits and compare the Before and After results as shown below.

It also gives you some quicker options for editing photos. One-Shot Photo Fix is a one-click option that does it all. I preferred the Smart Photo Fix, which gives you more control over the edits as shown below. I did like the large preview panes when using this feature.

Other Editing Tools

PSP caters for layers and masks as you would expect. In the image below I applied a text layer to the original photo, changed the blend mode to soft light, and reduced the opacity. I then added a mask to brush out parts of the text.

All the usual suspects are present: adjustment layers, brushes, painting, text, selections and masks. But the creative additions to this version of PSP are interesting.

Art Media

Art Media is a new function that lets you paint over an image in a range of different painting styles (watercolour, acrylic, oil, etc.) It picks up the colour of the image underneath as you paint, allowing for a different creative approach to editing your images.

There’s also a built-in tool that lets you mix colours on a digital palette and paint with various brush styles. Here’s a short video showing how it can be used.

My machine struggled a lot with this. Every stroke was very slow, and as a result wasn’t very accurate.

Here’s an example of a test paint in watercolour mode on top of the original image

When you remove the base image and look only at the painted layer, it looks like this.

Having the paint strokes on a separate layer is a good choice as it lets you apply various layer controls such as blend modes, masks and opacity changes.

Pic to Painting

This is the new AI-assisted painting feature that, glancing at the sample images supplied, looks similar to Topaz Impression. (Here’s a quick video demonstration.)

It provides effects similar to mobile apps such as iColourama, Waterlili and Prisma, but lets you apply them on your computer. Controls are very limited. Choose the style, choose the strength, then apply.

It took a long time to download and install onto my computer. Even previewing the first style took several minutes. While graphics-intensive processing like this can be a bit slow (Topaz Impression can take a minute or so to gather its resources when you first start it up), this was a very long time to wait. Especially for just a preview.

After trying several times, and giving the last test 17 minutes to process, I gave up. Later I discovered that Pic to Painting only works in Windows 10, even though that isn’t stated in any of the advertising.

360-Degree Support

If you have a 360-degree camera (or take a lot of panorama shots), PSP can apparently process these images and let you create different effects. (I didn’t test this.)

Makeover Tools

A set of tools are included to help remove blemishes, lines and red eye, whiten teeth, and even out skin tones. I don’t shoot closeups of faces, so I tested the blemish remover on a blueberry shot.

Here’s the BEFORE shot. The blueberry was a bit old, and when zoomed in you can see creases, bruises and scuff marks.

The Blemish remover settings are essentially a brush. About all you can do is change the size and opacity.

I reduced the brush size to suit. I didn’t see much effect at 40%, so I increased it to around 90%. It seems to do a content-aware fill, as it picked up other lines from the area I was working on. It ended up requiring much more work to solve those extra problems.

Here’s the finished experiment.

Other Useful Features

The size of the buttons on the toolbars can be increased – handy for those with high-resolution monitors and those of us who should probably wear glasses when we edit.

If you click the ‘+’ symbol at the bottom of the Tools palette, a search window appears that lets you search for functions by name in several different ways. This is a great way to find things you don’t necessarily know the name of but can guess what they do.

And being able to change the colour of your workspace backgrounds in both Essentials and Complete mode is a nice touch.

Conclusion

Overall, I found this particular version of Paint Shop Pro Ultimate a bit disappointing. It performed very poorly on my compute, and some of the new features only work if you’re running 64-bit Windows, Windows 10 or both.

It does add AfterShot3 for Raw editing, Perfectly Clear for intelligent photo adjustments, Painter Essentials for the more artistic and Photo Mirage Express for animations. There are also some free bonus additions, and a lot of extras you can purchase (presets, textures, etc.)

Corel has certainly included all the options a photographer might want to process and edit images, as well as a variety of options for further creative exploration. But the hardware requirements needed to access all the extra features is a problem, especially when they’re only mentioned in the technical specifications.

I should note that I joined the PSP Support community to get answers to my questions, and the people there were extremely helpful and responsive. I got several responses to my queries over the course of a few days. The user guide is a bit vague, so if you do have PSP I strongly recommend checking out the Support Community if you need help.

While it is quite cost effective, and a one-off purchase rather than a subscription, I highly recommend downloading the trial version first to see f it will work on your current computer.

Overall score: 3/5

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Never before seen photos of Mount St. Helens eruption found in thrift shop camera

27 Jun
Photographer Kati Dimoff found this camera at a Goodwill in Portland, OR. The undeveloped roll of film inside contained never-before-seen photos of the Mount St. Helens eruption in 1980.

Photographer Kati Dimoff has developed a curious habit. Whenever she enters a thrift shop, she makes a B-line for the used camera section and checks each and every 35mm camera for exposed but undeveloped rolls of film. Recently, this habit yielded an incredible discovery.

On May 26th, Dimoff found herself in southeast Portland, OR. And as is her habit, she stopped by the Goodwill on Grand Ave to have a look at their film cameras. This time, she struck pay dirt.

“I found an Argus C2—which would have been produced around 1938—and it had a damaged roll of kodachrome slide film in it,” she tells DPReview over email. Naturally, she bought it and took it to the folks at Blue Moon Camera and Machine in the St. Johns neighborhood to have it developed.

When I picked up the prints on Monday, June 12th, there was a note on the package that said ‘Is this from the Mount St. Helens eruption?’

Kati tells us Blue Moon Camera is one of the last, best places to get old, expired, and out-of-production film processed, and though they couldn’t breathe color back into the iconic Kodachrome film—the developing chemicals were discontinued years ago—they were able to develop the roll in black and white. What awaited her when she picked up the prints was a short note.

“Blue Moon developed it for me,” she tells us, “and when I picked up the prints on Monday, June 12th, there was a note on the package that said, ‘Is this from the Mount St. Helens eruption?'”

It was. Three of the photos on the roll were taken on or around that fateful day in 1980 when Mount St. Helens erupted violently—considered by many to be the most disastrous volcanic eruption the United States has ever seen.

There were three photos in all. The first, which Dimoff says was likely taken from Highway 30, shows St. Helens in the distance with just a puff of ash coming out from the top. That photo may have been taken during the two months prior to the eruption, when the volcano was occasionally causing earthquakes and venting steam.

The other two photos are more striking. Captured from in front of John Gumm elementary school in St. Helens, Oregon, they show a massive ash cloud—mushroom-like and dramatic.

But this story doesn’t end with three never-before-seen photos of a historic event captured in 1980 and re-discovered in a thrift shop in 2017 (even though that would be enough for us). There was another photograph on the roll: a family portrait.

This photo actually helped Dimoff to identify the owner of the camera. Pictured are Mel Purvis, his wife Karen, his grandmother Faye, and his son Tristan. Mel saw the portrait in The Oregonian and reached out to the paper, who put him in touch with Dimoff.

Now, his grandma’s camera, negatives, and prints are on their way back to their rightful owner.


All photos courtesy of Kati Dimoff, and used with permission.

Articles: Digital Photography Review (dpreview.com)

 
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Unable to recover from failed Kickstarter project, Triggertrap announces it will close shop

01 Feb

Triggertrap, one of the pioneers in the area of smart camera triggers, has today announced that it will cease operations within approximately a month. Triggertrap was founded in 2011, following a successful Kickstarter campaign. The initial product offered a wide range of trigger options, including, sound and motion sensors and an intervalometer.

In 2013 the company launched another Kickstarter campaign, this time for the Triggertrap Ada, a modular and expandable follow-up version to the original product line. Despite the campaign being very successful, raising more than $ 500,000, trouble started when the cost of components was higher than originally quoted by some suppliers and in May 2015 Triggertrap had to admit the project had failed and the Ada could not be delivered. 

The company has never been able to recover from this failure and today one of the founders, CEO Haje Jan Kamps, has posted an article on medium, announcing the closure of the company. 

“Triggertrap, like any startup, had some big highs and lows. At one point, we employed 15 staff; a team of photographers, coders, support, marketing, logistics, and operations. Ever since we announced that our Triggertrap Ada Kickstarter project failed, we’ve been in a downward spiral. For the past 18 months, we’ve been operating with just a few team members, who have been working their asses off to keep the lights on. But ultimately, we weren’t able to claw our way out of the hole, and the company now owes the company’s founders around $ 60k. With no realistic hope of ever paying that money back, and after ten months in a row of struggling to make payroll for our remaining staff members, we decided it was time to give up.”

Technical support for Triggertrap products will end with immediate effect. Apps will remain available for download in the respective app stores but are sooner or later likely to run into incompatibility issues with updated operating system . If you are happy to keep using your current mobile OS and rely just on the Reddit-forum for support, you can still buy a Triggertrap device at a hefty discount in the online store.

Articles: Digital Photography Review (dpreview.com)

 
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VSCO closes up shop in New York to concentrate business in Oakland

14 Jan

VSCO, the company behind popular film emulations tools and a photography app, has confirmed reports that its New York office has been shut down and the employees working there have been laid off. VSCO claims that the closure doesn’t hint at business troubles, however. Rather, the move is an effort to centralize the company’s workforce at its Oakland, California headquarters.

Reports of the closure began surfacing early this morning, and have since been confirmed by the company to TechCrunch, which states some New York employees were given the option of transferring to the Oakland office. VSCO did not reveal how many employees worked at the New York office. The Open Studio workspace formerly located at the NYC office will likewise be relocated to Oakland.

Via: TechCrunch

Articles: Digital Photography Review (dpreview.com)

 
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New in the Shop: The I-1 Instant Camera

29 Jul

Woah.m.g. They did it.

After restoring an old Polaroid factory and bringing back instant film for Polaroid cameras … Impossible Project has made the first new camera for the original instant format in 20 years!

All the good ol’ fun of old Polaroid cams, with new creative features like double exposures, light painting mode, full manual control and more.

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Stacked Ceramics: Shop Floor Made from 25,000 Pieces of Pottery

13 Sep

[ By WebUrbanist in Design & Fixtures & Interiors. ]

ceramic surface side view

A 400-year-old ceramics studio in Japan has completely remodeled their store with a most remarkable addition: a walkable surface constructed from a stack of tens of thousands of scrapped pieces of crockery.

ceramic walkable surface

ceramic stacked tableware discards

Yusuke Seki (photos by Takumi Ota) collected plates, saucers, bowls and cups for this creative endeavor, all to create a display platform for Maruhiro Ceramics in Hasami, Nagasaki.

ceramic steps display level

ceramics on display

To facilitate a more intimate experience, a pair of stairs is placed by the display platform, allowing visitors to walk up and peruse wares, all while enjoying a sense of wonder from the layers of history right beneath their feet.

ceramic platform in use

ceramic wood display cases

Traditionally, flawed ceramics are simply thrown into dedicated landfills, while this rethought application brings pieces of history back up to the surface.

ceramic top detail

ceramic space exxterior

Since the discards are eliminated before the coloring and glazing process, there is an aesthetic consistency to the materials reused in this creative context.

ceramic stairs side

ceramic view outside

Individually fragile, the tableware was turned into modular bricks by being filled with concrete, but their individual shapes and sizes still made this a daunting endeavor to actually deploy. Still, the result is compelling and interactive – not so much of a crackpot idea after all, as it turns out.

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Snarkitecture: 9 Fun Installations & Pop Up Shop Designs

09 Jul

[ By Steph in Art & Installation & Sound. ]

snarkitecture main

If you’re a fully-grown adult wishing you could still dive into ball pits or play with marble runs, design duo Snarkitecture makes it possible and cool to do so with their stark, surreal all-white installations. You’re not being immature, you’re taking part in an artistic process! The Brooklyn-based artists are best known for experimental environments investigating the unknown within architecture, often making use of unexpected materials like inflatable tubes and stiff white foam. Here are 9 of their most playful projects.

Ball Pit

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The National Building Museum in Washington D.C. has been transformed into a ‘beach’ with the addition of nearly 1 million recyclable translucent plastic balls. Visitors are invited to dive into the 10,000-square-foot installation, which “encourages exploration and interaction with one’s surroundings, and offers an unexpected and memorable landscape for visitors to relax and socialize within.” White beach chairs and umbrellas line the ‘shore,’ offering a vantage point from which to observe adults frolicking like 5-year-olds in a McDonald’s playground. The installation will remain in place until September 7th, 2015.

Dig

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snarkitecture dig 2

Armed with helmets, chisels and pick axes, Snarkitecture dug their way through a solid block of architectural foam from inside the Storefront for Art and Architecture at the entrance of the Design Miami Pavilion in 2012. A combination of installation art and performance, the project had visitors watching the designer duo as they excavated a network of tunnels and inhabited them for a month in a sort of human ant farm. “Dig was an experiment between the precision of the architectural plan and the looseness of the unknown,” say the designers. “The installation and performance explored the intersection of primitivism and contemporary architecture; the complexity of the final surfaces and form suggested a digital origin and concealed the simplicity of a space made entirely by hand.”

Parking Garage Air Ball

snarkitecture air ball 1

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1111 Lincoln Road, an ultramodern parking garage by Swiss architecture firm Herzog de Meuron, became the setting for a high-design game of airball with an installation by Snarkitecture and fashion retailer Alchemist. Titled AIRBALL, the interactive installation is “a custom environment designed by Snarkitecture that draws on familiar objects and materials from the visual and spatial world of basketball, while interpreting them through a unique and creative lens.” Visitors to the all-white arena located on level 5 of the car park could compete side-by-side while looking out over the Miami skyline.

Cave

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COS stores collaborated with Snarkitecture to create a surreal cavern sculpted from thousands of paper-thin fabric sheets at Milan Design Week. Hung from the ceiling at various heights, the strips create a luminescent chamber echoing the aesthetics of the fashion brand’s Spring/Summer 2015 collection, drawing visitors in from street level and transporting them to an intimate showroom. Navigating the small hollows within the dangling fabric was a sort of adventure, a pause between the chaos of the external world and the soothing retail space. 

Drift

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Hundreds of sausage-like inflatable tubes were sandwiched within a light metal frame to create an undulating temporary space for Snarkitecture’s ‘Drift’ pavilion at Design Miami 2012. Echoing the materials used for the tent itself, the vinyl tubes dripped down from overhead like man-made stalactites to create an interactive and contemplative environment filled with filtered light and punctuated with occasional views of the Miami sky. “The rising landscape becomes a beacon for visitors approaching Design Miami/ while the excavated cavern presents a moment of exploration before entering the fair.”

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The Little Shop of Emojis – Discounts for All!

11 May

Emojis have taken over our shop. They’re running rampant, discounting shopping carts with reckless abandon. It’s … kind of adorable.

Today only, type any emoji (or combo!) in the coupon section of your cart and you‘ll get a discount. All emojis are valid coupons today!

We’ll be tweeting out clues to the emoji/combo that’ll land you a big ‘ol discount. So follow us on Twitter and a take a crack at the code on our mobile site.
Head to our Emoji-thon!
(…)
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