RSS
 

Posts Tagged ‘School’

10 High School Football Photography Tips

11 Oct

The post 10 High School Football Photography Tips appeared first on Digital Photography School. It was authored by Jeff Guyer.

high school football photography tips and advice

Are you looking to capture top-notch, action-packed, jaw-dropping photos of high school football?

You’ve come to the right place.

I’ve been doing high school football photography for years, so I’ve picked up plenty of key tips, techniques, and secrets to capture amazing shots. And in this article, I aim to share it all with you, from essential equipment to camera settings to creative tricks and more.

So if you’re ready to elevate your football photography, then let’s dive right in, starting with equipment:

1. Use the right gear

I’m not going to spend a lot of time here discussing camera bodies. Some of the photos in this article were taken years ago using a Nikon D70, and they look great. As long as you’re photographing with a reliable DSLR or mirrorless camera, you’re going to be fine. A fast continuous shooting speed and a capable autofocus system is helpful, but if you can’t afford these features, then don’t worry too much.

For a football photographer, your big concern is lenses. Happily, it is possible to get really great shots with a few basic options. When I first started shooting sports, I used just one lens, a 70-200mm f/2.8. I was able to shoot and edit creatively enough to get a variety of images. If you can only afford one lens right now, definitely opt for a longer zoom.

Don’t just buy any long zoom, however. Make sure it’s plenty fast; in other words, it should ideally feature a maximum aperture of f/2.8. Fast lenses are going to be hugely important once the sun goes down because most high school sports have a prohibition against using flash. You’ll need that ultra-wide aperture to keep a sufficiently fast shutter speed (otherwise, your photos will all turn out blurry!).

By the way, I’d also recommend investing in a nice monopod to keep your camera steady. In good light, you can handhold, but as the day turns into night, you’ll want some form of support – and tripods tend to be annoyingly unwieldy.

As with any type of shoot, make sure you have all of the necessary backups: batteries, memory cards, etc. Also, make sure you also have a plan for when it starts raining. Note that rain will fall on occasion, so be prepared for it. The Think Tank Hydrophobia should do the trick.

high school football in the rain

Trust me. At some point it’s going to rain!

2. Consider how you’ll get in

If you’re serious about football photography, consider contacting the school/venue ahead of time and ask about media credentials. In exchange for your images, you might be able to get a free pass into the game.

Otherwise, you’ll probably have to pay to get in (just like anyone else!). The good news is that it’s usually less than $ 10. You might be able to talk your way in on the day of the game, but the money goes to a good cause, so if you’re forced to pay, it’s not that big of a deal.

3. Get to the game early

Teams take the field to warm up anywhere from one to one-and-a-half hours before game time. And warm-ups are going to give you one of the best opportunities for quality shots.

For starters, the light is better. The sun won’t have set, and you’re going to get strong, powerful natural light, particularly if you shoot with the sun at your back.

Plus, players also tend to move a little more slowly in warm-ups than in the actual game, so you’ll have an easier time capturing motion. You’ll also get more of an opportunity to isolate individual players.

In some cases, you may even be able to actually walk out onto the field to shoot. However, if you do, please be careful! There will be around 150 kids warming up, many of whom are big, fast, and not paying attention to you.

Always remember: the kids’ job is to play football, not give you a good photo op. So make sure you don’t get in the way!

high school football in good light

Get there early and take advantage of the sun while you can.

4. Know the sport

The key to getting quality photos in football?

Have a solid understanding of the game. Know how it is played.

After all, every game has an ebb and flow of its own. If you know how the game goes, then you’ll be ready when the game hits its highs (and you’ll know when you can relax and take your finger off the shutter).

Plus, knowledge of the game will allow you to anticipate moments before they happen. Will it be a running play or a passing play? What are the odds that they’re going to fake the punt on 4th down? Do you need to be on the sideline or the end-zone for the action? The home side of the field or the visitors’?

The more you understand the subtleties of the game, the better prepared you will be.

players snapping the ball

5. Focus like a pro

In football photography, you need to master two types of focusing:

  1. Mental focus
  2. Camera focus

First, mental focus: These kids are big and fast and strong, and are trained to run through anything in their way. So please, please, please pay attention to the game, anticipate change, and get out of the way if players are barrelling toward you.

I once saw a photographer stand his ground on the sidelines, despite the fact that a player was being pushed out of bounds right at him. I watched as his camera, lens, and monopod all went flying in three different directions (he flew in a fourth). He was ultimately wheeled off the field with cuts to his face and a leg that had been broken in two places. No photograph is worth that. So focus on where you are and what is going on around you.

player running with the football

As for the other kind of focus:

You’re photographing an action sport and you want action photos. So set your camera to its continuous autofocus setting (AF-C on some cameras, AI-Servo on others).

Now, the kids will be wearing helmets, so don’t worry if you can’t focus on the players’ eyes. Sure, if you can get the eyes, that’s great. If not, your best bet is to lock on the players’ numbers, or even the ball once players start moving. Here, your camera’s tracking mode will be a big help. Of course, feel free to experiment with other AF area modes, just in case one suits your style of shooting.

The goal is speed and accuracy. And at first, you may struggle. That’s normal. But keep practicing, keep working at it, and you’ll eventually improve.

football player with ball

6. Use the right camera settings

Football players move fast, and if you come home with 250 blurry photos, you aren’t going to be happy. So pay careful attention to your shutter speed, because the faster your shutter speed, the better your chances of freezing the action.

I generally like to start with a shutter speed of 1/500s and adjust my aperture and ISO accordingly until I get the look I want. Since football is an outdoor sport, the lighting is going to change over the course of the game. You may start out with great natural light, but you’ll often end in the dark with less-than-ideal stadium lighting. This, in turn, may mean slowing down your shutter speed to let in more light, as well as opening up your aperture to its maximum or raising your ISO.

Mastering these settings – and knowing what to adjust during a game – takes some practice. Be prepared for some trial and error. Here, Shutter Priority mode is often your friend, as you can input your desired shutter speed and ISO, then let your camera automatically adjust the aperture. You might also consider using Auto ISO with some sort of cap (but before you go this route, test different ISO values and determine your maximum “good” ISO).

intimate details and portraits

7. Carefully choose your vantage point

Beginning football photographers struggle to position themselves correctly. They often pick an empty bleacher seat near the field, set up their gear, and stay in place for the entire game.

But if you want truly excellent photos, you need to position yourself carefully – and if possible, you should move with the action.

How do you pick the best position? First and foremost, let the light guide you. It sounds dramatic, but really, you should just take advantage of the sun while you can. Especially when you’re starting out, put the sun at your back so that it’s falling onto the field and nicely illuminating the players. As you get more experienced, you can try switching things up and working with backlight (i.e., situations where the light comes from behind the players, as in the photo below) or even sidelight, but as a beginner, keep things as easy as possible.

football photography in beautiful light

Obviously, the closer you are to the action, the better your photos will be. So get as close to the field as possible. If you can, position yourself on the sidelines, below the bleachers. This will give you the best angles, plus it will give you room to move with the game.

Be aware that some stadiums will have restrictions on where you can and can’t stand, regardless of your press credentials. “The Box,” for example, is the area on the sideline between the 20-yard lines. This area, for a variety of reasons, is off-limits to anyone other than players, coaches, trainers, etc. A game official who is a stickler for the rules could penalize the team for your presence in the box. If that happens, start running and don’t look back!

There is a natural tendency to shoot a football game primarily from “your” team’s side of the field. If you’re a parent, this is where you know people and feel comfortable. But try going around to the other side of the field once in a while. That way, you can capture the action with your team’s colors and sidelines in the background.

8. Be creative and keep your eyes open

Sure, you’re photographing football, but that doesn’t mean you can’t be creative with your angles and compositions. If you are selling game photos on your website, getting creative will only help!

I tend to think in terms of portraits; how can I highlight a specific player in the best way possible? Changing angles resulted in getting this quarterback against a perfect background:

player preparing to throw the ball

Don’t fall into the trap, though, of assuming that everything worth photographing is right there on the field in front of you. Spend some time in the stands. Shoot the crowd reactions. Photograph the band and the cheerleaders. Capture the traditions. There is so much more going on in a stadium than just a football game. So turn your back on the action once in a while and take a look around you. There are stories everywhere.

Most importantly, learn to keep your head on a swivel!

coaches and cheerleaders

dog on the football field

Pay attention. You never know who might drop in.

9. Consider using your camera’s continuous shooting mode

Beginner sports photographers tend to set their camera to its fastest shooting mode, then follow the “spray and pray” strategy where you capture a series of shots over a split-second window.

But is this advisable? Or should you use your camera’s single-shot mode?

Honestly, it really depends on you and your style. Ask five photographers, and you’ll get five different answers. When I first started shooting high school sports, I was working with a slow camera that didn’t let me “spray and pray” consistently and hope for the best. It may have been frustrating back then, but it was probably a good thing. I learned to compose my shots and choose my moments a little more carefully. Over time, I developed a pretty fast shutter finger and a better eye for sports action. So even now, with a faster camera, I tend to leave my camera set for single clicks.

Ultimately, I’d recommend you try out both settings. Work with your camera’s continuous shooting mode for a while. Then, once you’ve gotten some shots you’re satisfied with, switch over to a single-shot mode and see how it feels!

players with the football

10. Listen to the coaches (and follow proper etiquette)

If you are covering a particular team over the course of a season, introduce yourself to the coaches. Your job will be easier if they know who you are and why you are there. Plus, play your cards right with the coaches and there’s no telling what kind of access you might get.

football players preparing for a game

Being nice to coaches gets you all kinds of access.

If a coach or official tells you something, listen. If they ask you to move, move. You’re in their house and you have to play by their rules.

As I mentioned above, don’t use flash. It’s not allowed, plus it can seriously impact the game. It may sound silly, but you have no idea what the consequences of an unexpected flash might be. There could be college scouts in the stands, and if you blind the receiver with your flash, they might not get a scholarship or even get recruited at all.

Also, if play stops for an injury on the field, show respect and put your camera down. While injuries might make for compelling photography, you may be witnessing the end of a child’s life-long dream or even their chances of going to college. You don’t want the student or their parents to see that on your website. This is high school, not the NFL. Be sensitive and keep things in perspective.

High school football photography tips: final words

Any seasoned photographer will tell you that photographing sports is not easy, and football may be one of the hardest games to shoot.

However, with with a little practice and preparation, your images will start to improve. Remember these tips, apply them to your photography, and pretty soon, your photographs will be outstanding.

Now over to you:

Do you have any tips for football photography? Have you photographed any games? What was it like? Share your thoughts in the comments below!

Table of contents

Sports Photography

  • GENERAL
    • 8 Tips On How to Photograph Sports
    • Tips from the Sports Photography Pros to Help You Get the Money Shots
    • Indoor Sports Photography
    • SETTINGS
      • How To Use Sports Mode
    • LIGHTING
      • Shooting Portraits and Action Sports with Speedlites – Workshop
    • GEAR
      • Lens Review Canon 300mm f4 Lens for Sports Photography
      • Aquatech CO-7 Underwater Sport Housing [REVIEW]
      • Shooting Motorsports with a Micro Four Thirds Camera
    • ADVANCED GUIDES
      • Tips for Photographing Football (Soccer)
        • How to Shoot High School Football

        • Play Ball! Covering Your Bases Shooting Baseball
        • How to Capture the Perfect Action Shot in Sports Photography
          • Low Light Sports Photography
          • 3 Tips for Taking Better Motorsport Photos
          • Catching the Action: Photographing Youth Sports
            • Top 5 Tips for Extreme Sports Photography
          • POST-PROCESSING
            • Using Photoshop to Create the Illusion of Depth of Field with your Sports Photos

          var dpsTopics = {
          id: 53961,
          titles: [{“id”:”use-the-right-gear”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”1. Use the right gear”},{“id”:”consider-how-youll-get-in”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”2. Consider how you’ll get in”},{“id”:”get-to-the-game-early”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”3. Get to the game early”},{“id”:”know-the-sport”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”4. Know the sport”},{“id”:”focus-like-a-pro”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”5. Focus like a pro”},{“id”:”use-the-right-camera-settings”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”6. Use the right camera settings”},{“id”:”carefully-choose-your-vantage-point”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”7. Carefully choose your vantage point”},{“id”:”be-creative-and-keep-your-eyes-open”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”8. Be creative and keep your eyes open”},{“id”:”consider-using-your-cameras-continuous-shooting-mode”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”9. Consider using your camera’s continuous shooting mode”},{“id”:”listen-to-the-coaches-and-follow-proper-etiquette”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”10. Listen to the coaches (and follow proper etiquette)”},{“id”:”high-school-football-photography-tips-final-words”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”High school football photography tips: final words”},{“id”:”use-the-right-gear”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”1. Use the right gear”},{“id”:”consider-how-youll-get-in”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”2. Consider how you’ll get in”},{“id”:”get-to-the-game-early”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”3. Get to the game early”},{“id”:”know-the-sport”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”4. Know the sport”},{“id”:”focus-like-a-pro”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”5. Focus like a pro”},{“id”:”use-the-right-camera-settings”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”6. Use the right camera settings”},{“id”:”carefully-choose-your-vantage-point”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”7. Carefully choose your vantage point”},{“id”:”be-creative-and-keep-your-eyes-open”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”8. Be creative and keep your eyes open”},{“id”:”consider-using-your-cameras-continuous-shooting-mode”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”9. Consider using your camera’s continuous shooting mode”},{“id”:”listen-to-the-coaches-and-follow-proper-etiquette”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”10. Listen to the coaches (and follow proper etiquette)”},{“id”:”high-school-football-photography-tips-final-words”,”permalink”:”https:\/\/digital-photography-school.com\/how-to-shoot-high-school-football\/”,”title”:”High school football photography tips: final words”}] };

          The post 10 High School Football Photography Tips appeared first on Digital Photography School. It was authored by Jeff Guyer.


          Digital Photography School

           
          Comments Off on 10 High School Football Photography Tips

          Posted in Photography

           

          11 Tips for Photographing High School Senior Portraits

          01 May

          The post 11 Tips for Photographing High School Senior Portraits appeared first on Digital Photography School. It was authored by Guest Contributor.

          11 tips for photographing high school senior portraits

          Looking for some senior portrait tips to take your photos to the next level?

          In this article, I’m going to give you plenty of helpful tricks, techniques, and advice – so you can capture stunning portraits, consistently. Specifically, I’ll share:

          • A handy trick that guarantees you never run out of poses
          • A few easy ways to get seniors feeling comfortable in front of the camera
          • A step-by-step process for generating plenty of satisfaction and free advertising after your session
          • Much, much more!

          Sound good? Let’s get started.

          What to do before the senior portrait session

          When it comes to planning for sessions, seniors are some of my favorite people to work with. Don’t get me wrong, I love families, children, engaged couples, and wedding ceremonies, but seniors are close to the top of my list.

          senior portrait tips

          Why, you may ask? It’s simple: seniors are excited to model, seniors are some of my best marketing tools, and seniors know what they want. They also have a great sense of style, which translates well in their photographs.

          When a high school senior books a session with me, I get started immediately. I don’t wait for the actual photoshoot; instead, I take several steps right away to let my client know I am excited about working with them. I have found that if you do these things, your session will not only run smoothly, but you will have a client who loves to refer you to their friends.

          So here are the key items to do prior to the photoshoot:

          1. Communicate your excitement

          First things first, before doing anything else:

          Let the senior know how excited you are about working with them. Since seniors are all about social media, I send out a tweet explaining how excited I am to work with them and to plan their session – and I make sure to do this within a few days of the booking.

          senior with guitar in woods

          2. Really get to know your client

          After sending out the tweet (above), I give the senior a tailored questionnaire so I can get to know them better.

          Some of the questions found in the questionnaire include:

          • What are some of your favorite features about yourself?
          • What do you want to remember most about this time in your life?
          • Are there any specific locations you have in mind for your shoot?
          • How would you spend your ideal Saturday?
          • How would you describe your personal style?

          This helps me tailor the photoshoot to their personality, interests, and needs.

          3. Give clothing suggestions on a Pinterest board

          Even though seniors are on top of the latest styles, they often need help deciding what to wear to their session.

          So a week before the session, I send them a link to a Pinterest board – one that’s full of clothing and prop examples. This gives the senior specific ideas of what to bring. It helps your client, and it also helps you achieve the look you want in your own portfolio.

          senior portrait tips black and white

          What to do during the senior portrait session

          In this section, I explain my session workflow – what I do to make the hours I have with my senior memorable and stress-free (and fun!).

          You can have a great experience by following these tips:

          1. Have a real conversation

          Many seniors don’t feel totally comfortable in front of the camera. So to break the ice, talk to them, ask them questions, and find out what their plans for the future are.

          Seniors are at an awesome stage in their lives; they have their whole future ahead of them. So encourage them and invest in them when you have the chance.

          They will feel appreciated, valued, and confident after hearing reassuring words from an adult who isn’t their parent.

          senior portrait girl laughing

          2. Praise your client (and show them photos)

          Most seniors have never been in front of a professional photographer other than for the cheesy pictures their parents had them take when they were younger. So make them feel comfortable.

          Praise them when they look good in front of the camera. I love to turn my camera around and show them some little peeks of how well they are doing. They love this! It will encourage them to keep up the good work, and it will give them confidence in their appearance.

          3. Keep plenty of posing examples on hand

          You may have some go-to poses you use for your seniors. But since each person is different, you need to have several tricks up your sleeve.

          Enter the smartphone.

          Before your session, simply browse the web and take screenshots of poses you like.

          Then, when you hit a rut during your senior portrait shoot, just whip out your phone and look at your saved poses.

          It might feel like cheating at first, but seniors love this approach. They think it’s so cool that you’re invested enough that you planned for their poses. It makes them feel valued.

          senior portrait tips

          4. Make sure to bring props

          I love to bring small props for my seniors to hold or sit on during the photoshoot. This could be an old folding chair, a cute beach hat, an old quilt, or even some books.

          Props are a great way to spice up your senior portraits. Plus, some people feel really awkward in front of the camera at first, so little props will give them something to do with their hands while they adjust to your presence.

          What to do after the senior portrait session

          After a session, you can keep your clients excited, satisfied, and ready to recommend your services with these senior portrait tips:

          1. Post a teaser

          The day after a senior portrait session, I post a “teaser” or “sneak peek” photo from their session on Facebook.

          Your senior will share that teaser with all of their friends through social media, which means more publicity for you and your business. (That’s another reason why I love seniors!)

          2. Send out a handful of photos in advance

          The following week, after I have edited all of the images, I will send ten files to them through PASS.

          The senior will also share these images through Facebook, and it will help them understand why they should purchase a disc with all of their high-resolution images.

          3. Give the senior a great gift bag

          As soon as I have all of the images edited, I will order a custom book and send it to the senior – along with a really appealing package.

          The package includes a handwritten note, business cards, and other little goodies. My seniors always love how personal I make the gift bag for each of them (another great reason to send them a questionnaire and to get to know them well during the session).

          4. Post on your blog

          After you’ve delivered all the final images, blog about the session, including images you didn’t include in the original ten.

          This blog post will also be shared on social media with their friends and family (more free advertising!).

          senior by the ocean

          Bonus tip: Edit for longevity

          When post-processing senior photos, always remember that you are photographing for the parents as much as you are photographing for the senior client. I keep “fad” type editing out of the equation because I know ten years from now the parents will want a solid (i.e., not overly processed) image on the wall.

          Instead of using “fad” editing techniques, I always let style come from the locations I choose. You can do this by choosing old brick buildings, abandoned farmhouses, fields of cotton, etc. The seniors love this, and their parents will appreciate the timelessness of the photographs they receive.

          senior portrait tips girl in forest

          Senior portrait tips: final words

          It is not hard to rock a session with your seniors. It just takes some extra things to go above and beyond – so the seniors know you appreciate them.

          All of these extra things will make your client feel special and will translate into those coveted word-of-mouth referrals for you!

          Now over to you:

          Which of these senior portrait tips do you like most? Which will you try the next time you’re doing senior portraits? Share your thoughts (and photos) in the comments below!

          This post was written by guest contributor Meghan Newsom. Meghan is a lifestyle and wedding photographer located in northern Alabama. When she’s not writing for her lifestyle blog, cooking up gluten-free recipes, or taking pictures, you can find her exploring outside with her husband and pup.

          The post 11 Tips for Photographing High School Senior Portraits appeared first on Digital Photography School. It was authored by Guest Contributor.


          Digital Photography School

           
          Comments Off on 11 Tips for Photographing High School Senior Portraits

          Posted in Photography

           

          Special edition Leica CL kit celebrates 100th anniversary of the Bauhaus school of art & design

          20 May

          To celebrate the 100th anniversary of the founding of the Bauhaus school of art and design in Germany, Leica has released a special edition version of its Leica CL camera system, complete with a matching Elmarit-TL 18mm F2.8 lens and carrying strap to complete the kit.

          With the exception of two small visual changes, this special edition Leica CL remains nearly identical to its less-special counterpart, complete with a 24-megapixel sensor, 4K video and wireless connectivity. The two changes are the addition of a ‘Bauhaus’ logo embossed into the black leather wrap on the front of the camera and a notable change to the usually-red Leica nameplate on the front—it’s now black.

          Leica describes the special edition as ‘an elegant, iconic piece of german product design, that exemplary obeys the principle of form follows function.’

          Included with the camera in the special edition kit is a matching silver Elmarit-TL 18mm F2.8 lens and a black leather carrying strap that’s also embossed. The sets, of which only 150 will be produced, will be individually numbered and retail for $ 3,750 exclusively at Leica Stores and Boutiques.

          Articles: Digital Photography Review (dpreview.com)

           
          Comments Off on Special edition Leica CL kit celebrates 100th anniversary of the Bauhaus school of art & design

          Posted in Uncategorized

           

          Back to School Canvas Photo Print Giveaway (16? x 20? Canvas Print)

          20 Sep

            Dear readers, Welcome to this months Giveaway.  For this one, we have partnered with Canvasonthecheap.com. We have personally used them in the past and liked the quality of their product. And now for the Giveaway details: One lucky winner will receive a 16″ by 20″ canvas print of their chosen photograph.  Here is all you need to do: Like Photodoto on Continue Reading

          The post Back to School Canvas Photo Print Giveaway (16″ x 20″ Canvas Print) appeared first on Photodoto.


          Photodoto

           
          Comments Off on Back to School Canvas Photo Print Giveaway (16? x 20? Canvas Print)

          Posted in Photography

           

          Adobe slashes Creative Cloud school pricing to just $5 per user per year

          04 May
          Credit: Adobe

          Earlier today, Adobe announced new Creative Cloud educational pricing for K-12 schools (meaning primary and secondary schools, for those outside the US), slashing the price for individual schools and school districts to just $ 5 per license per year with a minimum purchase of 500 licenses for a school, or 2,500 licenses for a school district. Additional licenses can be purchased for $ 50 per 250.

          Adobe says the move “underscores Adobe’s commitment to providing students and teachers with the world’s leading digital creative tools and skills,” and is the company’s way of “nurturing creativity and creative problem solving,” both of which, research shows, will be key skills in tomorrow’s job market.

          The plans give students access to all of the Creative Cloud applications and 2GB of cloud storage each. But best of all, students won’t have to be in the classroom to use the apps—named user licensing allows students to log in to and install Creative Cloud applications at home or on their mobile devices as well.

          “Making Creative Cloud available at $ 4.99 per year, per license—with access in schools and at home—is going to be a game changer, providing students and teachers access to apps that will unlock their inherent creativity in new and exciting ways,” says Adobe’s Mala Sharma, VP and GM of Creative Cloud Product, Marketing, and Community. “Making Creative Cloud affordable is just one of many actions we’re taking to reduce the barriers to teaching these skills in today’s classrooms.”

          There is one thing Sharma forgot to mention: providing students with access to the Adobe CC suite starting as early as Kindergarten and Elementary School will also create a whole new generation of Adobe addicts who complain about the subscription costs but are willing to keep paying them anyway… welcome to the club kids.

          For more information on the new pricing and Adobe’s other Creative Cloud offers for educators, students, K-12 schools and beyond, click here.

          Press Release

          Adobe Empowers Educators with New Creative Cloud Offering for K-12

          A new offer on Creative Cloud exclusively for K-12 schools and districts underscores Adobe’s commitment to providing students and teachers with the world’s leading digital creative tools and skills

          SAN JOSE, Calif. — May 2, 2018 Adobe announced today that, beginning May 15, 2018, Adobe Creative Cloud will be available to K-12 schools for $ 4.99 per license, per year, with a minimum purchase quantity of 500 user licenses for a single school, or 2,500 licenses for a school district. This offer includes unprecedented access for educators and students to all Creative Cloud applications at school, at home and on any device. Adobe is committed to delivering the best tools and resources for nurturing creativity and creative problem-solving skills into the hands of educators and students. This new pricing and licensing, as well as new professional development offerings and lesson plans focused on Adobe Spark and Creative Cloud (details below), and recent release of Spark for Education with premium features free of charge for K-12 students are prime examples of that commitment.

          “Strengthening the ‘A’ in STEAM, and making art and creativity core to the student learning experience is Adobe’s responsibility. Digital storytelling is a critical skill for all students, and enabling them to start creating videos, editing photos and publishing websites by grade 6 and earlier is key,” said Mala Sharma, VP & GM of Creative Cloud Product, Marketing and Community, Adobe. “Making Creative Cloud available at $ 4.99 per year, per license—with access in schools and at home—is going to be a game changer, providing students and teachers access to apps that will unlock their inherent creativity in new and exciting ways. Making Creative Cloud affordable is just one of many actions we’re taking to reduce the barriers to teaching these skills in today’s classrooms.”

          Creative Cloud for K-12 Lowers Access and Cost Barriers Associated with Teaching Creativity and Creative Problem Solving to Students

          A recent study conducted by Adobe, and several other third-party studies, show that jobs of the future will demand both creativity and creative problem-solving skills – two different capabilities that nearly all educators recognize as being essential for students to learn in school. However, research also shows that the biggest barriers educators currently face to nurturing these skills are the lack of access to necessary tools and technologies, and the costs associated with new technologies.

          As part of Adobe’s commitment to providing educators with access to the tools and support they need to address these barriers, affordable access to Creative Cloud will encourage educators to develop new projects and lesson plans that bring out the creative skills in their students. Students will have access to all Creative Cloud applications, many Creative Cloud services and 2GB of storage. Adobe has also introduced named user licensing, which allows students to log into their accounts and work on Creative Cloud projects from any location on any device, be it their homes, the library or on the go. These licenses can be deployed by K-12 schools in a way that is consistent with data privacy laws under COPPA—the Children’s Online Privacy Protection Act.

          New K-12 Professional Development Offerings Make Adobe Spark a Great Project Tool in Every Class

          Adobe is partnering with educators who use Adobe Spark in their classrooms, and will be sponsoring over 100 Edcamps taking place across the United States over the summer until back-to-school 2018. Edcamp leads educator-driven professional development grouped sessions, where educators drive and determine the topics of conversation. In addition, Adobe will be sending Spark experts to a select number of Edcamps over the summer. For more details on Adobe Spark sponsored Edcamps, please visit https://www.edcamp.org/edcamp-locations .

          Educators can find new free professional development courses, lesson plans and a complete guide to using Creative Cloud in the classroom on the Education Exchange, Adobe’s free platform where educators can access courses taught by their peers and share teaching materials and curriculum.

          Availability and Pricing

          This offering is available for purchase starting on May 15, 2018 and will initially be available in the US, Europe, Japan, New Zealand, and India. In the US, school sites are eligible for the offer starting at $ 2,495 per year, which includes 500 user licenses for students and teachers ($ 4.99 per user license), and school districts are eligible for the offer starting at $ 12,475 per year, which includes 2,500 user licenses. Also in the US, additional purchases can be made in increments of 50 user licenses starting at $ 250. Pricing and minimums vary by region.

          For more information and to purchase Creative Cloud for their K-12 classrooms, K-12 schools and districts can contact their Authorized Adobe Resellers, and for general information, please visit www.adobe.com/education/k12.html.

          Articles: Digital Photography Review (dpreview.com)

           
          Comments Off on Adobe slashes Creative Cloud school pricing to just $5 per user per year

          Posted in Uncategorized

           

          Looping Bicycle Bridge Lets Cyclists Ride Right Over a School Roof

          06 Apr

          [ By SA Rogers in Architecture & Cities & Urbanism. ]

          bike bridge 1

          Many a cyclist has fantasized about being able to bike right over the chaos of a city, avoiding traffic, intersections and trouble areas so they can just enjoy the ride. A Dutch architecture firm has made this fantasy into a reality with a continuous bike bridge that crosses the Amsterdam-Rhine Canal in Utrecht and then loops right over an adjacent university building’s roof. Officially open this week, ‘Dafne Schippers Bicycle Bridge’ by NEXT Architecture reclaims urban space for people who aren’t driving vehicles.

          bike bridge 2

          It’s unusual to see a bridge so seamlessly integrated into adjacent infrastructure on land in a way that’s interactive with the public, while also performing an important service. Measuring 360 feet long, the bicycle bridge connects the old Oog in Al section of Utrecht with new district Leidsche Rijn.

          bike bridge 3

          Open to both cyclists and pedestrians, it lifts up off the ground in Victor Hugo Park, reaches a pinnacle of nearly 115 feet above the surface of the water, and continues onto the roof of a local Montessori school.The bridge then loops around a public garden before once again reaching ground level.

          bike bridge 4

          bike bridge 5

          Commissioned by the city of Utrecht, the structure will save more than 7,000 cyclists time on their route each day. The architects wanted the bridge to connect the bicycle route, park and school in a single fluid movement, creating a cohesive landscape. With the bicycle bridge on the south side, space for a recreational area is created on the north side, oriented toward a park.

          bike bridge 6

          It would be cool to see architects take inspiration from NEXT’s creation to the next level, building something even more complex that’s lifted above the busy streets of an urban center.

          Share on Facebook





          [ By SA Rogers in Architecture & Cities & Urbanism. ]

          [ WebUrbanist | Archives | Galleries | Privacy | TOS ]


          WebUrbanist

           
          Comments Off on Looping Bicycle Bridge Lets Cyclists Ride Right Over a School Roof

          Posted in Creativity

           

          Picture of school boy in uniform wins Swiss photographer £15,000 Taylor Wessing prize

          17 Nov

          $ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_4662939106″,”galleryId”:”4662939106″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

          London’s National Portrait Gallery has announced the winner of its annual Taylor Wessing Photographic Portrait Prize, with Swiss photographer Claudio Rasano scooping the top award of £15,000. The winning image, of a school boy from South Africa, was part of a series studying how people can remain individuals while wearing the same uniforms. Rasano has featured in the short list for the prize in two previous years, but this is the first time he has won.

          Second prize went to Joni Sternback for a tintype portrait of a pair of surfers which won him £3000, while the £2000 third prize went to Kovi Konowiecki for a picture of a pair of Jewish girls. Both photographers are from America.

          The competition also provides an additional £5000 prize for a photographer under the age of 35, which was won by the UK’s Josh Redman. His John Kobal New Work Award grants him a commission to photograph someone from the UK film industry for the gallery’s collection.

          The winning images, along with over fifty other entries, can be seen at the National Portrait Gallery in London until the 26th February. Entrance is £6. For more information visit the National Portrait Gallery website.

          Press release

          CLAUDIO RASANO WINS TAYLOR WESSING PHOTOGRAPHIC PORTRAIT PRIZE 2016 FOR HIS PHOTOGRAPH OF A JOHANNESBURG SCHOOLBOY

          Claudio Rasano won the Taylor Wessing Photographic Portrait Prize 2016 for his portrait of a Johannesburg schoolboy, the National Portrait Gallery has announced. The prestigious £15,000 award was presented to the Swiss-Italian photographer at an awards ceremony last night (Tuesday, 15 November 2016).

          The winning portrait, part of Rasano’s series Similar Uniforms: We Refuse to Compare, was taken in February 2016, in Johannesburg, South Africa and focuses on issues of preserving individuality in the context of school uniforms. The photograph was shot in daylight, outdoors and in front of a plain white paper background. The sitter for this particular inkjet print is eighteen-year-old Katlehong Matsenen.

          Rasano explains: “Children themselves have been known to rebel against uniforms, especially as they approach the awkward age characterised by the need to fit in and the desire to stand out, all at the same time. Some experts too have spoken against school uniforms on the grounds that they suppress individuality and diversity.”

          Claudio Rasano was born in 1970 in Basel, Switzerland. His work has been included in numerous international exhibitions and previously featured in the Taylor Wessing Photographic Portrait Prize in 2011 and 2013. Rasano’s awards include the Shortlist for the Athens Photo Festival, 2016; Bieler Fototage 2015; Leica Oskar Branack Prize 2015 and a finalist in the Photography Masters Cup 2015.

          Second prize has been awarded to Joni Sternbach’s large-format tintype portrait of surfers Thea Adler and Maxwell Schultz and third prize has gone to Kovi Konowiecki for his photographs Shimi Beitar Illit and Tilly and Itty Beitar Illit part of a series of inkjet prints that portray Orthodox Jews from around the world. The John Kobal New Work Award, worth £5,000, was won by Josh Redman for his portrait, Frances.

          The winning portraits will be on display as part of the Taylor Wessing Photographic Portrait Prize 2016 exhibition from 17 November 2016 to 26 February 2017. The annual exhibition is one of the most prestigious photography awards in the world and showcases new work that has been submitted by some of the most exciting contemporary photographers. Since the international competition began in 1993, it has remained a hugely important platform for portrait photographers and offers an unparalleled opportunity for celebrated professionals, emerging artists and amateurs alike.

          The competition judges had no knowledge of the identity of the entrants, and the diversity of styles in the exhibition reflects the international mix of entries as well as photographers’ individual and varied approaches to the genre of portraiture. For the second time, photographers were encouraged to submit works as a series in addition to stand-alone portraits, and there was no minimum size requirement for prints. This year, for the first time, the rules also allowed photographers to submit photographs on different supports to the competition – to encourage the demonstration of a range of different photographic processes.

          The prize-winning photographs and those selected for inclusion in the exhibition were chosen from 4303 submissions entered by 1842 photographers from 61 countries.

          Dr Nicholas Cullinan, Director, National Portrait Gallery, says ‘My congratulations to Claudio Rasano for his winning portrait of schoolboy Katlehong Matsenen taken in Johannesburg earlier this year. The quality and diversity of both this year’s shortlist and exhibition are a testament to the engaging work being produced by international photographers. Each and every photographer who entered has contributed their part to the debate and evolution of contemporary portrait photography.’

          Tim Eyles, Managing Partner, Taylor Wessing LLP, says: ‘One of the great joys and honours of sponsoring the Taylor Wessing Photographic Portrait Prize for the past nine years- and being part of the judging panel- is having the rare opportunity to catch an intimate glimpse into the lives of people from around the world. Each winning portrait tells a different, unique story and builds a genuine connection between the viewer, the subject and the photographer. I hope that you will share our enjoyment of the photographs in this year’s exhibition, and join me in congratulating the photographers whose portraits are featured.’

          American artist Joni Sternbach was born in the Bronx, New York and is a Visiting Artist at Cooper Union School of Art, faculty member at the International Centre of Photography and The Penumbra Foundation in New York, where she teaches wet plate collodion. Sternbach uses early photographic processes to create contemporary landscapes and environmental portraits, centring on man’s relationship to water. Her series Surfland, features large-format tintype portraits of surfers. Her prize-winning portrait was taken in February 2016 at Davenport Landing, Santa Cruz, California, USA. Sternbach says: ‘For me, this photograph represents many of the challenging aspects of creating a portrait. I was in an entirely new location and faced with people I’d never met before. In this spectacular environment, I aimed to create a dynamic complexity within the picture that was both unique to that person and also understandable to others.’

          American artist Kovi Konowiecki was born and raised in Long Beach, California. After pursuing a professional career in football, Konowiecki is in the final stages of an MA in photography at the University of the Arts, London. His work lies between documentary and fine art, often focusing on portraiture and telling stories that also reveal his identity, and his experiences of growing up in Long Beach. Shimi Beitar Illit and Tilly and Itty Beitar Illit are part of a series of inkjet prints that portray Orthodox Jews from around the world. The colours and floral background create a painting-like quality, highlighting the mysticism of the subjects and their association with a history that many may find unfamiliar.

          Konowiecki explains: ‘When I set out to photograph the faces of Orthodox Jews around the world, it was an attempt to both strengthen my ties to my family’s history and shed light on the traditions of a people that seem strange to modern society. The project started by contacting members of the Jewish community from where I grew up, and evolved into travels across the world to capture Orthodox Jews who, although they live thousands of miles apart, are bound together by history, tradition and a set of values that serve as the cornerstone of the lives of many who live in today’s society.’

          £5,000 John Kobal New Work Award: Josh Redman for Frances

          The £5,000 John Kobal New Work Award has been awarded to Josh Redman for his photograph Frances, from an on-going series of pared down studio portraits. Redman says, ‘This was Frances’s first serious photo shoot, and it’s an honour to have been part of her initiation into modelling at age 83. During the 3-hour sitting we chatted over pastries about her late husband, the War, her lifelong job as a typist and her daughter Tineka.’ Born in the UK in 1984, Redman was a sculptor and potter until 2012 when he decided to sell his kiln, buy a camera and move to London. Since then he has worked as a freelance photographer, winning the AOP Assistant Award in 2014 and has been commissioned by Adidas, SKY TV and The British Museum amongst others.

          The John Kobal New Work Award is given to a photographer under thirty-five whose work has been selected for the Taylor Wessing Photographic Portrait Prize exhibition. The winner receives a cash prize of £5,000 to include undertaking a commission to photograph a sitter connected with the UK film industry for the Gallery’s Collection.

          The competition was judged from original prints by Dr Nicholas Cullinan, Director, National Portrait Gallery; Dr Phillip Prodger, Head of Photographs, National Portrait Gallery; Carole Sandrin, Curator, Musée de l’Elysée, Lausanne; Christiane Monarchi, Editor Photomonitor; Nadav Kander, Photographer and Tim Eyles, Managing Partner, Taylor Wessing LLP.

          The exhibition also features an In Focus display of previously unseen prints from a new body of work by the award-winning Spanish photographer, Cristina de Middel. The photographs, making their international debut in the exhibition, are part of the series ‘Gentleman’s Club’, taken of prostitutes’ clients in brothels in Rio de Janeiro, Brazil. By recruiting her sitters through a newspaper advert, she inverted the normal roles of the business by placing herself in a position of power. Sitters were asked about their experience, personal history and motivations. In Focus is an annual showcase for new work by an internationally-renowned photographer, which is exhibited alongside the images selected for the Taylor Wessing Photographic Portrait Prize 2016. De Middel is the second In Focus artist, selected by the Gallery’s curators, following last year’s inaugural display which featured the work of Pieter Hugo.

          TAYLOR WESSING PHOTOGRAPHIC PORTRAIT PRIZE 2016
          17 November 2016 – 26 February 2017
          Tickets with donation: Full price £6, concessions £5 / Tickets without donation: Full price £5, concessions £4 (Free for Members and Patrons) Supported by Taylor Wessing npg.org.uk/photoprize #photoprize

          PUBLICATION
          A fully illustrated paperback catalogue including all photographs from this year’s exhibition features an interview with the In Focus photographer Cristina de Middel and interviews with the prize-winners by Richard McClure. RRP £15 with a special price of £9.99 when purchased directly from the National Portrait Gallery shops.

          Prizes: First prize is £15,000, second prize is £3,000, and third prize is £2,000. The winner of the John Kobal New Work Award receives £5,000.

          Tour: The exhibition will tour to Sunderland Museum and Winter Gardens from 18 March – 4 June 2017 and The Beaney House of Art and Knowledge, Canterbury from 8 July – 29 October 2017.

          Articles: Digital Photography Review (dpreview.com)

           
          Comments Off on Picture of school boy in uniform wins Swiss photographer £15,000 Taylor Wessing prize

          Posted in Uncategorized

           

          23 Academic Images of School Days

          17 Oct

          The kids are back in school in most places around the world. So what kinds of images represent school, students, and the education process?

          Going to school means different things to each of us. Here’s what it means to these photographers (first two are my images of kids in Nicaragua):

          nicaragua-nov2014-0626-2000px-800px

          nicaragua-feb14-0279-1100px-800px

          Omiya Tou

          By Omiya Tou

          Nick Amoscato

          By Nick Amoscato

          Nikita No Komment

          By Nikita No Komment

          World Bank Photo Collection

          By World Bank Photo Collection

          Vladimir Fedotov

          By Vladimir Fedotov

          Freaktography

          By Freaktography

          Depinniped

          By depinniped

          Darlene Hildebrandt

          By Darlene Hildebrandt

          Jesuscm

          By jesuscm

          United Nations  Development Programme

          By United Nations Development Programme

          Hansel And Regrettal

          By Hansel and Regrettal

          Dean Hochman

          By Dean Hochman

          United Nations Photo

          By United Nations Photo

          Mal B

          By Mal B

          Jacob Surland

          By Jacob Surland

          Jinx!

          By Jinx!

          Vanessa Lynn.

          By Vanessa Lynn.

          C.C. Chapman

          By C.C. Chapman

          Casey Fleser

          By Casey Fleser

          Eric Parker

          By Eric Parker

          Melissa

          By Melissa

          googletag.cmd.push(function() {
          tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );

          googletag.cmd.push(function() {
          mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );

          The post 23 Academic Images of School Days by Darlene Hildebrandt appeared first on Digital Photography School.


          Digital Photography School

           
          Comments Off on 23 Academic Images of School Days

          Posted in Photography

           

          Weekly Photography Challenge – School Days

          17 Oct

          Many of us had a love-hate relationship with going to school as kids. There are fun parts, and not so fun parts for each person. But there are some things that we always think of fondly, no matter where you went to school or your age. Here are some images of school days to get you thinking.

          Todd Petrie

          By Todd Petrie

          Weekly Photography Challenge – School Days

          This week it’s your job to head back to school. Find something school related for the theme this week whether it be a school bus, old desk, classroom, or playground. Photograph it using all the usual rules of good composition and lighting.

          Barbara Mazz

          By Barbara Mazz

          Rae Allen

          By Rae Allen

          Saku Takakusaki

          By Saku Takakusaki

          Todd Petrie

          By Todd Petrie

          Patrizia

          By Patrizia

          Share your images below:

          Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

          Naosuke Ii

          By naosuke ii

          Amanda Tipton

          By amanda tipton

          Share in the dPS Facebook Group

          You can also share your images on the dPS Facebook group as the challenge is posted there each week as well.

          googletag.cmd.push(function() {
          tablet_slots.push( googletag.defineSlot( “/1005424/_dPSv4_tab-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78623” ).addService( googletag.pubads() ) ); } );

          googletag.cmd.push(function() {
          mobile_slots.push( googletag.defineSlot( “/1005424/_dPSv4_mob-all-article-bottom_(300×250)”, [300, 250], “pb-ad-78158” ).addService( googletag.pubads() ) ); } );

          The post Weekly Photography Challenge – School Days by Darlene Hildebrandt appeared first on Digital Photography School.


          Digital Photography School

           
          Comments Off on Weekly Photography Challenge – School Days

          Posted in Photography

           

          My Space: 15 Creatively Painted High School Parking Spots

          29 Aug

          [ By Steve in Art & Street Art & Graffiti. ]

          senior-parking-1aa

          So custom-painted assigned high school senior parking spots are a thing now, and it appears students are expressing a LOT (ahem) of creativity.

          senior-parking-1b

          senior-parking-1c

          The concept looks to be a win-win for both schools and students: the former collect fees for each space and nip parking spot rage in the bud; the latter get to be creative and take pride in their work. Take Martha Caldera’s take on Drake’s “If Youre Reading This Its Too Late” mixtape, which garnered her (and others as well) a measure of Twitter fame and thousands of shares.

          States Caldera, “The only thing that’s going to motivate me to wake up for school tomorrow is pulling up in my parking spot.” One wonders if Drake – who played high school student Jimmy Brooks in Degrassi: The Next Generation – would approve.

          PokeSpot

          senior-parking-2a

          Topics and themes for the parking spaces are pretty much left up to the individual students. Many choose to express their currents interests as illustrated by Reddit-user mrpopper96 above. Trends are fleeting, of course, but no worries since next year’s senior class simply paints over the work of their predecessors.

          School Of Fish

          senior-parking-9a

          senior-parking-9b

          This parking space may be slippery even when it’s NOT wet. We’re not sure what kind of car this student drives but please, please, please let it be the one in the second image.

          Tread On Me

          senior-parking-4a

          Jeep Patriot parking only? We’ve come a long way since Peter Fonda’s character was hassled for his Stars & Stripes motorcycle gas tank. We’d hassle the dude above over his spelling but hey, that’s the school’s job.

          Reece Witherspot

          senior-parking-5a

          senior-parking-5b

          When the Good Lord gives you lemons, make lemonade. When your parents name you “Reece“, well, see above. By the way, is that a space painted like a Rebel Flag just intruding into the top of the second photo? Who knows, Reece might go to Robert E. Lee High School.

          Next Page – Click Below to Read More:
          My Space 15 Creatively Painted High School Parking Spots

          Share on Facebook





          [ By Steve in Art & Street Art & Graffiti. ]

          [ WebUrbanist | Archives | Galleries | Privacy | TOS ]


          WebUrbanist

           
          Comments Off on My Space: 15 Creatively Painted High School Parking Spots

          Posted in Creativity