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Posts Tagged ‘Report’

Report: Nikon rumored to be announcing Z6s, Z7s mirrorless cameras by year’s end

07 Jul

Nikon Rumors is reporting that Nikon will be announcing two new mirrorless cameras this year, the Z6s and Z7s. As the names suggest, these alleged models will be incremental updates to the current Z6 and Z7 models.

According to Nikon Rumors’ report, the two rumored cameras will use the same sensors as their respective predecessors but feature dual Expeed processors. Other rumored specifications include a new EN-EL15c battery, USB-C powering, dual memory card slots (assumed to be dual CFexpress), 4K60p video and have the option to use an add-on vertical grip, which would be sold as an optional accessory.

Nikon Rumors says it expects the announcement to be made in October 2020, but as with all things this year, there’s the chance it could be pushed back to a further date.

Articles: Digital Photography Review (dpreview.com)

 
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CIPA’s April report shows digital camera production, shipments are down 56.4%, 63.7%, respectively, YoY

03 Jun
Total shipments of digital cameras (DSCs) worldwide for the month of April 2020 (Orange) compared to 2019 (Black) and 2018 (Blue).

Japan’s Camera & Imaging Products Association — better known as CIPA — has released its latest numbers, showing what camera shipments looked like for the major manufacturers through the end of April 2020. As is to be expected in these turbulent times, the numbers are down across the board.

As a whole, shipments of digital cameras in April 2020 were down to 550,000 units, a decrease of 63.7% year-over-year (YoY) compared to April 2019. Interchangeable lens and built-in-lens camera shipments for April 2020 were at 300,000 units and 252,000 units, respectively, a YoY decrease (compared to April 2019) of 63.7% for both unit types. Further split up, CIPA’s numbers reveal DSLR and mirrorless sales were down 60.8% and 67.0, respectively, YoY for the month of April.

Total shipments of interchangeable lens cameras (both DSLR and mirrorless cameras) worldwide for the month of April 2020 (Orange) compared to 2019 (Black) and 2018 (Blue).

While these decreases are alarming without context, they shouldn’t be surprising considering the current state of the industry (and world as a whole through this COVID-19 pandemic). In addition to slower sales due to COVID-19, the pandemic also all but froze supply chains and production for many camera manufacturers. CIPA’s numbers reveal production for April 2020 was down 56.4% for all digital camera units compared to April 2019.

Nearly every camera manufacturer has made it clear in some form or another that things will get worse before they get better and CIPA’s April numbers further confirm those sentiments. It remains to be seen how much the market recovers as more of the world opens up following the COVID-19 pandemic, but with more countries easing stay-at-home orders and quarantine restrictions, there’s a chance we’ll start to see some semblance of a recovery, even if it takes a few months to show in the numbers.

You can find CIPA’s graph and detailed breakdown on its report page.

Articles: Digital Photography Review (dpreview.com)

 
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As protests continue in the US, journalists report being targeted by police

02 Jun
A photograph of the state capital building in Lansing, Michigan, during the protest on Sunday, May 31.

Over the past week, protests have been taking place around the United States (and across the globe) after George Floyd, an unarmed black man, died in police custody. The officer concerned has since been charged with his murder.

Nearly every major city in the United States has seen some kind of protest in recent days. While many stayed peaceful, others have resulted in disorder, which has seen special police units, SWAT, National Guard and even federal agencies deployed in an effort to keep things under control.

When violence erupts, regardless of where it happens in the world, the media are on the front lines – with all of the risks this entails. For example, during violence in Minneapolis over the weekend, Reuters photographer Lucas Jackson had the lens attached to his Canon 1DX Mark II destroyed by a ‘protester wielding a crowbar’.

Most experienced photojournalists could tell similar stories, but increasingly, members of the press are reporting coming under threat from law enforcement officers, too.

From television news anchors being arrested live on air to camera operators and photographers being targeted by non-lethal rounds, credentialed members of the media and freelance photographers covering the protests have found themselves under threat from law enforcement. So much so that the matter has attracted international attention.

One of the first instances of police apparently targeting the press came in Louisville, Kentucky when officers started firing non-lethal projectiles at a reporter and camera operator for local NBC affiliate WAVE 3 News:

Linda Tirado, a freelance photographer, was covering the protests in Minneapolis on Friday night when she was hit in her left eye by what she believes was a rubber bullet fired by police. Speaking with The New York Times, Tirado said she ‘put [her] camera down for a second, and then my face exploded.’

Tirado was carried away by protestors and was taken to a hospital, but has since been told by doctors that she is permanently blind in her left eye.

It’s unclear whether Tirado was deliberately targeted, but it seems that some members of the press have been. According to data compiled by Neiman Labs and others, during the ongoing protests, photojournalists and other members of the media have reported being attacked ‘at least 100 times’ by authorities, in many cases despite presenting press credentials.

The Columbia Journalism Review has shared a comprehensive summary of police attacks on the press throughout the recent protests:

CJR: The Police Abuse the Press. Again.

Articles: Digital Photography Review (dpreview.com)

 
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Report: B&H furloughs 20% of its staff amidst COVID-19 pandemic

05 May

According to a report from the New York Post, B&H Photo furloughed ‘about 400’ of its 2,000 employees last Wednesday, more than a month after the iconic photo and electronics superstore was forced to shut its doors due to the COVID-19 pandemic.

The New York Post cites ‘sources close to the company’ and managed to obtain a memo sent out to employees by B&H human resources director Izzy Friedman. The New York Post writes:

In a memo to affected employees, human resources director Izzy Friedman said B&H “waited as long as possible” before making the cuts, and noted the company had been paying and providing benefits for affected workers “through the Passover holiday break, and beyond to make this easier.”

B&H was likewise waiting to “evaluate the various stimulus benefits available,” but was forced in the end to furlough workers because the “crisis has continued with no clear end in sight,” Friedman added.

The New York Post also spoke with a B&H employee, who said the company’s call center is ‘busy as hell [filling orders for] computers, movie cameras and accessories for setting up a home office’ amidst the global stay-at-home directives in place around the globe. As it stands, customers can still place orders online and pick up orders pick up products curbside, but the inside remains closed at this time.

We have contacted a B&H spokesperson for confirmation of this news and other details. We will update this story with additional details if we receive a response.

Articles: Digital Photography Review (dpreview.com)

 
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Canon’s Q1 financial report shows Imaging Systems net sales and profits are down 13.9%, 80.6% YoY

24 Apr

Canon has released its first-quarter (Q1) financial report, revealing just how bad the COVID-19 pandemic has affected its bottom line and suggesting it’s only going to get worse before it gets better.

The report starts off by stating on its ‘Key Message’ summary page that the COVID-19 pandemic has ‘completely [changed the] global economic landscape’ with the following bullet point saying the ‘global economy faces worst recession since the Great Depression’ due to the ongoing pandemic.

Across the board, Canon saw a 9.5% drop in net sales and an 18.7% decline in operating profit for Q1 (January 1 through April 23), year-over-year (YoY). But even those numbers look great in comparison to those found within Canon’s Imaging Systems division, which accounts for camera and inkjet printer sales.

The report shows net sales and operating profit for Q1 within the Imaging System division is down 13.9% and 80.6%, respectively, YoY. Further split up, Canon states its net sales are down 24.8% YoY specifically for cameras, while its inkjet printer net sales were actually up 7.3%. Despite the current situation, Canon hasn’t changed its projections which currently have net sales and operating profits down 2.5% and up 11.5%, respectively for the entire 2020 fiscal year.

That may very well change though, as Canon expects its second quarter (Q2) to be even worse, as Canon’s current downward trajectory didn’t even start until mid-way through Q1. Combined with the uncertainty of when the COVID-19 pandemic will begin to subside, Canon says it’s difficult to provide accurate estimates of future financials and even clarifies that once the global economy is back on the rise, it’s unlikely cameras will see an immediate return to normal sales.

In addition to the impact on supply, sales of interchangeable-lens cameras were also greatly affected. One after another, live events were canceled or postponed and chances to use cameras decreased. In addition to this, we believe it will take time to see a recovery in the demand for cameras, which are considered luxury items, even after the global economic turmoil has subsided.’

Whatever happens, it seems Canon has little intent on slowing down. In its summary of the results, Canon says it ‘will steadily push forward [its] strategy that focuses on models for professionals and advanced-amateurs to maintain medium- to longterm profitability,’ an obvious nod to the forthcoming EOS R5 camera, as well as new RF lenses on the horizon.

Something worth keeping in mind, as with all financial reports, is that numbers alone don’t tell the whole story. There is plenty going on behind-the-scenes and there is a lot of grey area within the net sales and operating profits within any given division.

For this particular Q1 report, a standout example of this is in the dramatic discrepancy between the net sales and operating profit within Canon’s Imaging Systems division. While we obviously can’t confirm this to be the case, the 80.6% decline in operating profit could very well be due, at least in part, to the research, development and marketing expenses of the EOS R5 and other professional and ‘advanced amateur’ camera systems Canon plans to release in the near future. It’s shaping up to be an industry-shaking camera based on the currently-known specs and actively developing such a system doesn’t come cheap.

You can read through all of the Q1 financial documents on Canon’s investor relations website.

Articles: Digital Photography Review (dpreview.com)

 
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Some Galaxy S20 Ultra smartphone reviewers report multiple camera issues

02 Mar

The Galaxy S20 Ultra, the highest-end model in Samsung’s newly unveiled S20 smartphone family, features multiple cameras, including a 108MP sensor, forming what the company refers to as a ‘groundbreaking’ mobile camera system. The phone is only available for preorder at this time, but a number of units have been shipped to tech reviewers, some of whom are reporting various camera issues ranging from autofocus problems to excessive skin smoothing.

The Verge and PC Mag are among the reviewers to describe some issues with the Galaxy S20 Ultra’s camera system, including times where it hunts for autofocus, sometimes failing to lock on to the subject. As well, the camera is said to excessively soften skin and faces, producing a heavily processed appearance. PC Mag in particular reports that the Ultra’s 100x zoom ‘isn’t that usable’ due to producing a tight and shaky picture with focus issues.

Android Central‘s Hayato Huseman shared a video recorded with the Ultra, which shows it struggling to focus for around the first five seconds of the recording:

In response to complaints, Samsung told The Verge that as part of its effort to ‘optimize performance to deliver the best experience,’ it is ‘working on a future update to improve the camera experience’ offered by the S20 Ultra. That statement is quite vague, however, raising questions over whether these problems will be fixed before the phone arrives for consumers.

Michael Fisher of Mr. Mobile argued in a recent tweet thread that S20 Ultra reviews should proceed despite the promised update because, among other things, Samsung didn’t specify what its update will fix and when it will be made available. He also points out that the S20 Ultra is quite expensive (it costs $ 1400) and that ‘consumers deserve to know whether it’s worth that premium.’

Articles: Digital Photography Review (dpreview.com)

 
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Confirmed report: PDN is retiring its print and online magazines, PhotoPlus and WPPI to stay

29 Jan

Over the past few weeks, there have been rumblings behind-the-scenes that Photo District News (PDN) is shutting down. Curious to know the veracity of these claims, DPReview contacted PDN’s publisher, Emerald Expositions, last week and were connected with a high-level source who confirmed off-the-record that the details in the rumors were indeed true and an official statement would follow ‘in the next few weeks.’

This afternoon though, American Photography’s Pro Photo Daily published a statement from an Emerald Expositions spokesperson confirming the exact news we were told was off-the-record: that PDN would cease operation of its print magazine and no longer post new articles to PDN Online, but continue to publish Rangefinder Magazine as well as continue both the PhotoPlus and WPPI tradeshows.

A look at what will be the final six print issues of Photo District News.

We have confirmed, via our aforementioned source at Emerald Expositions, that Pro Photo Daily’s quotes were from an Emerald Expositions spokesperson, but that they were said off-the-record and not meant to be shared at this time. Thus, we’re now at a point where Emerald Expositions hasn’t publicly confirmed its closure but has confirmed the now on-the-record statements are indeed true.

Until Emerald Expositions publicly shares further details, we will stick to quoting only what Pro Photo Daily shared in its article:

‘PDN’s current owner, Emerald Expositions, has confirmed that the print edition of the magazine will no longer be published, and that no new content will be added to its online edition. Rangefinder magazine, also owned by Emerald Expositions, will continue to be published […] “The PDN online content will not vanish, and we’re looking for ways to ensure that what content there is will continue to be easily accessible, but there won’t be new content,” said a spokesperson for Emerald Expositions, which operates business-to-business trade shows in the United States, including the PhotoPlus show in New York and the WPPI show in Las Vegas, the largest trade show for wedding and portrait photographers and filmmakers. Both trade shows will continue.’

Our source at Emerald Expositions also shared with us the following statement, paraphrased for clarity with permission:

‘We [at PDN are] extremely appreciative of the PDN community and photo community at large. Our goal is to give our engaged and committed community the info they want when and where they want it. PDN, in its current form, is being retired [but] our community and content isn’t going away; it will just be servicing the community in different ways.’

We will share more information regarding PDN when the details are made public by Emerald Expositions.

Articles: Digital Photography Review (dpreview.com)

 
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Report: Adobe Photoshop CC for iPad is missing key features according to beta testers

18 Oct

Late last year, Adobe promised the future arrival of ‘real Photoshop’ for the iPad, something consumers expected would be a desktop-class offering able to compete with Affinity Photo and other apps already available on Apple’s tablets. The Photoshop for iPad app entered private beta testing in late August ahead of its public launch and now details are starting to roll in from testers.

According to Bloomberg News, some Photoshop on iPad beta testers are reporting a lack of key features they had thought would be available in the app. Some of these missing or stunted features are said to involve core aspects of the software, including raw editing, layer styles, filters, smart objects, the pen tool and parts of mask creation.

One tester claimed the beta version of the app is ‘inferior’ to Affinity Photo and Procreate, two apps available on the iPad.

A promotional photo currently on Apple’s website showing off a demo version of Adobe Photoshop CC, which still reads ‘Coming to iPad in 2019.’

Adobe’s Creative Cloud chief product officer Scott Belsky told Bloomberg that the final version of the software will include more features, which are being added close to launch because the company must work with Apple in order to bring the software to iPadOS. Instead of packing as many features as possible into the software before launch, Adobe told Bloomberg that its engineers focused on features they believed would be most desired by iPad users.

Users can expect the ability to sync their work with the desktop version of Photoshop using Creative Cloud, plus there will be support at launch for all Photoshop files and non-destructive editing. As well, users can expect ‘entirely new tools’ that revolve around native iPad features, namely the Apple Pencil and touchscreen.

Adobe says that it will continue to expand iPad on Photoshop’s abilities over time following its launch in the coming months.

Articles: Digital Photography Review (dpreview.com)

 
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Report: Stalker used eye reflections in online photos to locate, assault pop star

15 Oct
Screenshot from the NHK World-Japan newscast.

A news report from NHK World-Japan claims a crazed fan used eye reflections in images uploaded to social media, among other things, to track down a famous Japanese pop star’s condominium in Tokyo where he allegedly assaulted her.

The report claims Hibiki Sato admitted to figuring out which train station the star left to walk home by studying the light direction visible in some of her videos, as well as a reflection of the station visible in her eyes in an image she uploaded to social media. Equipped with those details, Sato allegedly waited at the station for the pop start to arrive, followed her to her residence, and assaulted her.

Though the situation is bizarre, the idea of high-resolution images inadvertently revealing information via eye reflections isn’t new. In 2013, for example, a study published in PLOS revealed that it is possible to extract images of identifiable bystanders from eye reflections captured in high-resolution images. The technique was presented as a potential tool for helping law enforcement gather data as part of investigations, but it’s clear the concept can be used by anyone for nefarious reasons as well.

Articles: Digital Photography Review (dpreview.com)

 
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Report: The camera components inside the iPhone 11 Pro Max cost $73.50

11 Oct

Technology analyst firm TechInsights has started its teardown of Apple’s latest flagship smartphone, the iPhone 11 Pro Max which features a triple-camera setup, including an ultra-wide angle and 2x tele lens.

The analysis of the camera components is still in progress (check back to the TechInsights website for updates) but the team has already been able to compile a cost estimate for all component groups used in the device. At $ 73.50 the camera and imaging components add the biggest chunk to the overall bill, highlighting how important the camera is these days on smartphones.

Apple iPhone 11 Pro Max (512GB) cost analysis (source: TechInsights)

Only the applications processor ($ 64), display (66.50) and non-electronic components, such as the housing ($ 61) come close. The overall bill is $ 490.50 which, at a $ 1449 retail price for the torn down 512GB model, should leave a sizeable profit margin for Apple, even after adding overhead expenses into the calculation.

Incidentally the cost of the iPhone 11 Pro Max camera components is only $ 0.50 more than what UBS found for the Samsung Galaxy S10 5G. For the full iPhone 11 Pro Max teardown head over to the TechInsights website.

Articles: Digital Photography Review (dpreview.com)

 
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