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Posts Tagged ‘Meeting’

Meeting Owl robotic video offers 360-degree views of conferences

22 Jun

Owl Labs, a startup backed by Android co-founder Andy Rubin, has launched a new camera called the Meeting Owl. This 360-degree camera is designed specifically for companies and groups, enabling them to hold video conferences without the burden of manually operating the cameras. The Owl does the hard work itself, automatically focusing the video feed on the person who is talking. Oh, and guess what it looks like? Yep, an adorable, productivity-increasing owl.

The device features a 360-degree camera on the top of its cylindrical body, as well as a total of 8 omnidirectional beam-forming microphones for capturing audio from all directions. The combination of the two enables Owl to capture everyone around a table at the same time, presenting viewers with a full view of the conference room. The camera shifts focus onto whomever is speaking, and presents split-views if multiple people are engaging in a conversation. The microphones isolate important noise from unwanted ambient sounds.

Owl Labs has designed its conferencing camera to work with major video conferencing platforms, including Slack, Skype, Google Hangouts, Zoom, and GoToMeeting; the camera is plug-and-play via a USB cable. According to the company’s website, ‘limited quantities’ of the Meeting Owl are available at this time, with shipping starting within the next four weeks. The camera is priced at $ 799.

Via: The Verge

Articles: Digital Photography Review (dpreview.com)

 
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2 Clumsy Mistakes To Avoid When Meeting With Potential Customers

31 Aug

You recently received an inquiry from someone who really likes your work, is interested in hiring you for a shoot, and wants to meet in person (or on the phone) to discuss more details. Naturally, you’re pretty excited. The thought of booking an event is something that thrills all of us. Then, as soon as the meeting starts, the two cardinal sins of salesmanship rear their ugly heads. What are they?

Talking too much and not listening enough.

Two Clumsy Mistakes Banner

Sure enough, once the prospect asks you a question, it’s as if you’ve suddenly been put in front of a classroom with the responsibility to lecture on photography for the next 25 minutes, flood gates thrown open. And because you want so badly to make the sale, you don’t leave anything out – linking your statements from one benefit to the next, emphasizing personal strengths, advantages, until you’ve suddenly dominated the conversation with what YOU wanted to say and talk about, not what THEY needed to hear.

This is the first massive mistake, and is actually the primary cause for the second mistake. Whether you are just starting to charge for your photography services, or wanting to increase and grow your existing photography business, you cannot allow yourself to command the conversation. When you do this, you miss uncovering the real concerns of the client, what they really want in the end, and ultimately it makes them feel as though they weren’t really heard. Remember, it’s not about YOU – it’s about THEM.

One way to turn this scenario around is to start asking them questions, turn the table. Get them talking about what their vision for the shoot is, what concerns they may have, how they view the end result. A great trick to get them to start talking is to say something like this, “____ (name), I’m fully prepared to discuss the event/project in detail with you, but first I want to get your perspective on it so that we can focus our time together on the things that interest you most.”

Meeting Cafe

By announcing that you’re prepared, you demonstrate your competence and responsibility – and by demonstrating your preparation, you build immediate credibility. Furthermore, by inviting your customer to articulate what’s most important to them, you recognize and validate their importance. In other words, it shows that you care about their thoughts and concerns, and that you want to work together to provide a solution that works for both of you.

The next step is to keep them talking. Again, this is all about them, not you. An easy way to do this is to keep asking questions that are easy to answer such as:

  • Tell me more about
  • What else should I know about?
  • Could you please expand on..?

It’s imperative that you uncover as many of their fears, concerns, wants, desires as you can. Consider asking questions like:

  • What worries you most about this?
  • I can tell that you are frustrated about that – how come?
  • You mentioned that you tried that in the past. Why didn’t it work so well that time? What could have been done differently?

Meeting Consult

The primary benefit of asking all these questions is to uncover what’s really important to them. This is the treasure chest, what they are really after. Once you know what’s most important to them, you can then frame your offer according to the specific desires of that client, which will skyrocket your chance of booking the shoot.

But all of these questions are worth nothing – if you don’t listen to what they’re saying. There are four primary elements to Active Listening:

  1. Attentive body language (nod, make eye contact, smile, etc.)
  2. Verbal attends (uh-huh, okay, sure)
  3. Ask leading questions (open-ended questions that encourage them to talk more)
  4. Restating back to the person what they just said

Meeting

Active Listening is not simply waiting for your turn to talk, and it’s certainly not interrupting them to demonstrate that you already know what they’re talking about. Active Listening is nothing more than allowing the customer to completely share their story with you, then playing back that story to them asking for confirmation and clarification. “Is that right? Did I miss anything?”

With any new skill, it takes time to get down pat. But this is something that will have an immediate effect on your ability to book more events because you are validating the concerns of your potential clients, and linking your services to their exact wants and goals.

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The post 2 Clumsy Mistakes To Avoid When Meeting With Potential Customers by Mark Thackeray appeared first on Digital Photography School.


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On William Eggleston Meeting Henri Cartier-Bresson

14 Jun

William Eggleston: You know, I had a meeting with him [Henri Cartier-Bresson], one in particular, it was at this party in Lyon. Big event, you know. I was seated with him and a couple of women. You’ll never guess what he said to me.

Drew Barrymore: What?

William Eggleston: “William, color is bullshit.” End of conversation. Not another word. And I didn’t say anything back. What can one say? I mean, I felt like saying I’ve wasted a lot of time. As this happened, I’ll tell you, I noticed across the room this really beautiful young lady, who turned out to be crazy. So I just got up, left the table, introduced myself, and I spent the rest of the evening talking to her, and she never told me color was bullshit.

Source.


Thomas Hawk Digital Connection

 
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What I Learned from Meeting Bruce Gilden

29 Oct

by Michael Ernest Sweet

Bruce Gilden

It was bound to happen. I had already been in New York City for a couple of weeks and planned to spend the rest of the summer working the streets. As a street photographer, Times Square is a natural draw. So, Times Square is where I began and that’s where it happened. First, a flash of light, then, a snippet of a safari jacket. At once, I knew this would be the day I met Bruce Gilden.

Bruce Gilden is the stuff of legend for street photographers all over the globe. A full member and vice president of Magnum Photos – the storied international collective of photographers – Gilden is one of the most prolific street photographers at work today. It was in the 80′s that he began seriously working the streets of New York City and quickly developed his signature style. Gilden is known for up close, black and white photographs punctuated by off-camera flash. His subjects: unique and startled looking strangers which Gilden refers to as “characters”.

So, what did I learn from this chance meeting with a great photographer? A lot. I’ve summed up the twenty minute sidewalk master class in four major tips:

Great photographers care about great photographs, not cameras. This was an important aha moment for me. I’ve never had GAS (gear acquisition syndrome) too badly, but there have been a few late nights reading B&H.com. Right away, I noticed Gilden’s very old and very used Leica M6. Now, here is a man that could have any camera he wants (and certainly a new one) and what does he use? The same camera he’s been using for decades but why? Because he knows the camera inside and out. He knows how it’s going to react in every situation. Despite this I had to smile, it was not only tapped up, I think it may well have been tapped together! I asked him about it. He replied that a camera is just a tool. He gestured toward my Ricoh GR IV and told me that my camera was just as capable as his. It’s the guy (or gal) behind the lens my friend. He admired my camera a bit more and well, I was ticked pink as the saying goes. Here’s Bruce Gilden admiring my little Ricoh. I’ve not wasted time lusting over gear since.

Just do it! I watched Gilden work. He’s not scared of anything. Imagine getting into a stranger’s face (mere inches away) and firing a flash. He does that, over and over again. The most interesting part? No one seems to care. Gilden even thanks people afterward more often than not. So much for the old saying about never making eye contact. He not only looks at people, he speaks to them. This was crucial for me to witness firsthand. I’ve been up close and personal with my camera ever since. In fact, the image below (Jackie Who?) was taken moments after my meeting with Bruce.

Jackie Who

It may not be my best shot ever, but it’s an important photograph for me. It was the beginning of my own style, it was the picture which brought me out of my shell and allowed me to get close to people. I get so close now that people can smell my camera. Whatever you do, don’t shoot the streets though a long lens. The photos will lack a background story and are ultimately boring. Get a 28mm and get close, really close. Hey, if someone does say something to you just use this line: “Do you know that guy Gilden? He’s even worse!” I told Bruce about this quote and he laughed and said he’d be sure to use it himself the next time he got cornered.

Edit before you shoot! Many people don’t seem to be able to edit at all from what I see on Flickr. However, editing before you shoot is even more rare. Until I met Bruce I was trigger happy too. Hey, what the heck it’s digital right? No harm done, so I thought. But watching Bruce work revealed something to me. He doesn’t just shoot. He thinks about what he’s going to shoot, he ‘sees’ it and then decides whether or not to pull the trigger. So what difference does this make you ask. Well, it helps remove the clutter of mediocre shots from your life. Instead of buying five hard drives a year, now you can do with two! I know this sounds trivial and it is hard to explain well in writing. Just trust me on this one. Learn to see as your camera does and edit your shots ‘before’ taking them. If you shoot black and white, learn to see in black and white (as Bruce does) I promise you’ll see the quality of your photography improve. Uploading ten great shots at the end of the day will be a heck of a lot more satisfying than trying to find ten great shots in a hundred. You won’t look back.

Use a flash when you don’t need one. So who the heck uses a flash outdoors in bright sunlight? Bruce does. It adds effortless drama to the photograph, especially in black and white. You get some background defocus too. Overall it just adds a layer of ‘wow’ to your street photos with little effort. Of course, there is some learning curve here but give it a go and see what happens. All of my photographs were kind of flat and muted until I learned this trick from watching Bruce work. Now I hardly shoot without the flash. I went from a no flash guy to a flash guy overnight. Mind you, using flash will blow your cover. Sometimes you can get away with photographing someone when there’s no flash and they don’t even notice but chances are this won’t happen if you fire a flash. So, increased risk, increased gain.

My meeting with Bruce Gilden was but twenty minutes. In some ways it seemed like twenty seconds, in others like twenty days. Either way, I took away enough knowledge, tips, tricks and inspiration to last a career. Meeting Bruce Gilden was not only fun, it was ‘fundamental’ to my life and work as a photographer.

Michael Ernest Sweet is an award-winning educator, writer and street photographer. A recipient of both a Prime Minister’s Award and the Queen’s Medal, Michael divides his time between Montreal and New York City. More of his photography can be viewed at MichaelSweetPhotography.com. All images in this article are (c) Michael Ernest Sweet.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

What I Learned from Meeting Bruce Gilden



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Toegepast 15: The Meeting

31 Jan

Some cool visual art images:

Toegepast 15: The Meeting
visual art
Image by Z33 art centre, Hasselt
Jon Stam – Cabinet

photo: Kristof Vrancken / Z33

Knaresborough wall art
visual art
Image by jseft
This wall art is located near the station in Knaresborough. They were put there as part of Knaresborough’s annual festival of entertainment (FEVA) and visual arts one year and have been a feature of the town ever since.

Toegepast 15: The Meeting
visual art
Image by Z33 art centre, Hasselt
Jon Stam – Cabinet

photo: Kristof Vrancken / Z33

 
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Lytro meeting suggests Apple looking beyond conventional photography

25 Jan

Lytro_stacked.png

Steve Jobs met Lytro founder Ren Ng to discuss the photographic aspects of Apple products, according to a new book about the company. Details are understandably sparse but, according to Adam Lashinsky’s book ‘Inside Apple,’ Jobs asked Ng to prepare a list of three things he’d like Lytro to do with Apple. If nothing else, the story is interesting as it suggests Jobs was as excited by the Lytro and its effect on photography as the rest of the tech community has been. It also suggests Apple’s approach to mobile photography might overlap with Lytro’s aim of creating something fun, shareable and engaging, rather than attempting to replace conventional photography. Such an approach would certainly be in keeping with Apple’s ‘disruptive’ approach to technology. (from 9-to-5Mac) [Updated with response from Lytro]

News: Digital Photography Review (dpreview.com)

 
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Gman Squad Episode 5 – Bored Meeting (Half-Life)

25 Aug

HALF-LIFE : In this fifth episode of the Gman Squad sketch comedy/improv machinima series, Wolfer and Xanatos call an emergency meeting for the cast members of the Gman Squad, who have since been on a long hiatus due to the fact that the group is out of ideas on how to continue the series. The meeting is called, and it soon becomes a race amongst the cast to get there, while the tensions quickly heat up. But unbeknownst to them, a much more sinister plot to eliminate the cast is in the midst. Filmed in Half-Life Deathmatch Source, Garrysmod 10, and The Specialists (a HL1 “Matrix” mod). Includes scenes that reference Counter-Strike, HL2, Star Fox 64, The Terminator, one sketch is a parody of Ross Scott’s “Freeman’s Mind”, etc. Starring Crackbone, Stev, Wolfer, HKSniper as ‘Clyde’, Bulgey, Darkvile, DMGaina, and more. – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – Follow Machinima on Twitter! Machinima ?twitter.com Inside Gaming ?twitter.com Machinima Respawn ?twitter.com Machinima Entertainment, Technology, Culture ?twitter.com FOR MORE MACHINIMA, GO TO: www.youtube.com FOR MORE GAMEPLAY, GO TO: www.youtube.com FOR MORE SPORTS GAMEPLAY, GO TO: www.youtube.com TAGS: gman squad xanatos half-life machinima UPC 14633098525 source black mesa xanatos animation games series comedy funny improv Black Mesa Gordon Freeman PC FPS first-person shooter videogame yt:quality=high valve sierra ea partners