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Posts Tagged ‘massive’

NYC Comes Alive Around Massive Mural in Time Lapse Video

09 May

[ By Steph in Art & Street Art & Graffiti. ]

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A 150-foot-tall figure of a man walking materializes on a Manhattan sidewalk, slowly coming into focus as the city awakens around it, in a new time-lapse video. French photographer and street artist JR directs a team of workers who can be seen scrambling around the piece like worker bees as the hours pass, the sun arcs over the site and thousands of people mill by.

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The New York Times commissioned JR to create the piece for an accompanying story on walking in the city, and produced the video. A camera perched atop the adjacent Flatiron building captures the action as the team wets the pavement before dawn, preparing to adhere the giant paste-up.

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It’s cool to see the process behind installing a wheat paste project this big, and the time lapse shows just how much work goes into it despite the fact that it’s not being hand-painted onsite.

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JR is known for journalistic murals made of his own photography, putting giant faces all over urban structures like walls, roofs, streets and train cars. The photo-realism is especially effective when it’s paired with aging, deteriorating surfaces.

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Massive $33,500 2450mm f/8 NASA lens surfaces on eBay

29 Apr

If $ 180,000 seems a bit steep for the Canon 1200mm f/5.6L lens B&H is currently offering in its used department, then perhaps this $ 33,500 NASA 2540mm f/8 lens on eBay sounds a bit more reasonable. That’s twice the focal length for a fifth of the price! Read more

Articles: Digital Photography Review (dpreview.com)

 
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Towers Transformed: Massive Geometric Mural Collaboration

27 Dec

[ By Steph in Art & Street Art & Graffiti. ]

geometric mural 1

Five distinct styles come together in a duo of massive geometric murals with ‘Recycles,’ a collaboration created for the street art curation project Urban Forms. Artists Tone, Proembrion, Sepe, Chazme and Cekas (photos by Marek Szymanski) all lent their own particular approaches to the diptych on a pair of apartment buildings in Lodz, Poland in nearly-identical compositions that create a mirrored effect when seen from afar.

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Stylized human figures are seen against a backdrop of both geometric and organic forms, which look like architecture and trees at first glance, but are actually more abstract. One mural shows the figures walking toward the viewers, and the other shows them walking away.

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According to one of the artists, the process of bringing such disparate styles together for such a large project wasn’t easy. Tone tells Brooklyn Street Art that getting a harmonious effect that represented each of them equally presented a challenge, but they ultimately found a synergy that allowed each of them to shine.

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Having worked together in the past helped, says Tone. “We have never had a chance to work together in such a configuration, but our knowledge about each others styles helped us separate our separate roles. We began with a very rough concept for the general idea; make the composition somehow integrated with the landscape of Lodz suburbs.”

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Most Massive Murals: 14 Large-Scale Works of Urban Art

04 Nov

[ By Steph in Art & Street Art & Graffiti. ]

Large Murals Asia's Tallest 1

Human faces loom over the city on the sides of skyscrapers, colorful characters cover industrial silos and Boeing airplanes and entire neighborhoods serve as canvases for optical illusions in some of the world’s largest-scale murals. Taking up hundreds of thousands of square feet in some instances, these massive works of urban art required an astonishing amount of paint to produce.

World’s Largest Mural in Berlin
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Believed to be the world’s largest mural, this project in Berlin measures as astonishing 236,800 square feet and consists of imagery inspired by the nature in a nearby zoo. Completed by the French mural company CiteCreation, the work spans three buildings of an apartment complex and appears to significantly best the current Guinness World Record holder, the 178,200-square-foot Pueblo Levee Mural Project in Colorado.

Tribute to Architect Oscar Niemeyer by Eduardo Kobra
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Nearly the entire height of a skyscraper in Sao Paulo, Brazil pays colorful tribute to architect Oscar Niemeyer in honor of what would have been his 105th birthday. Muralist Eduardo Kobra completed the 170-foot-tall work of art in early 2014 with the help of four other artists.

Boeing 737 Mural by Os Gemeos
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It took 1,200 cans of spray paint to complete this incredible mural on the outside of an entire Boeing 737. Brothers Otavio and Gustavo Pandalfo, known as Os Gemeos, painted their signature yellow characters on the plane that carried the Brazilian national football team during the World Cup, completing the project in just a week.

Shepard Fairey’s 14-Story Paris Mural
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Known best for his iconic political portraits, artist Shepard Fairey also works in larger scales, with this 14-story mural in Paris being a notable example. Working in conjunction with Mairie du 13e, Butterfly and Mehdi from Galerie Itinerrance, Fairey completed the mural for a community art project called Street Art 13.

Asia’s Tallest Mural by Hendrik Beikirch
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A 230-foot-high building standing in the foreground of Daniel Libeskind’s glimmering Hauendaue i’Park building in Busan, South Korea, this mural by German artist Hendrik Beikirch depicting a fisherman stands as a reminder of the nation’s working class.

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Most Massive Murals 14 Large Scale Works Of Urban Art

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Sea Fort for Sale: Buy a Massive Maritime Mansion in Britain

29 Aug

[ By WebUrbanist in Architecture & Houses & Residential. ]

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Built in the 1860s and now on sale for half a million pounds (under $ 1,000,000) , it is hard to beat what this sea fort offers by way of views, a prestigious address (No 1 Thames) and amazing location (a short commute by speedboat from London).

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The massive fortified structure (featuring 15-foot-thick walls) can be accessed by boat or walked to when the tide is low, albeit a long and muddy way to go. A BBC interview (screenshots above and below) shows both the problems and potential of this amazing piece of real estate – there are precedents, too, for converting old British army and sea forts as well as harbor bases.

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The current owner purchased the property from the Crown Estate, which is to say he approach the “Lord High Admiral for Her Most Excellency Majesty Queen Elizabeth”, made an offer and had it accepted.

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However, the buyer-turned-seller, himself a London resident, never found the time or funds to refurbish the place, so it remains in a state of partial decay – a would-be purchaser should expect a significant outlay for renovating the building’s exterior and interior alike.

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Still, for someone with a fortune as well as a vision, it is hard to imagine a neater place to escape from city life. The firm WT Architecture has already taken a stab at conceptual designs for rehabilitating to structure (renderings shown above and below). As their drawings illustrate, there is a rich variety in terms of materials, shapes and spaces to work with, including a cavernous central stone circle with a tall wood-and-concrete watchtower and an adjacent rectangular brick structure (that could be used for guests).

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sea fort renovation rendering

As BldgBlog notes, “At first glance, it’s an amazing offshore castle, a fairy tale artificial island of 19th-century military Romanticism roughly an hour’s boat ride east of London. But don’t jump in too quickly, lest you overlook the ruinous state of the place: it needs almost literally everything, from plumbing to electricity, glass windows to the most thorough cleaning you could imagine, having been open to the oceanic elements for decades”

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Industrial Silos to Public Art: Massive Mural for Vancouver

23 Aug

[ By Steph in Art & Street Art & Graffiti. ]

Silo Mural Vancouver 1

Six industrial silos along the heart of Vancouver’s waterfront have been transformed into colorful, towering human figures in a massive mural project by Brazilian street artist duo Os Gemeos. The identical twins, known for large-scale and often politically-charged urban art, raised funds via IndieGoGo to complete the project for the Vancouver Biennale.

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The silos are a landmark for the city, sitting within an ocean cement manufacturing and distribution plant on Granville Island, but they’re not exactly nice to look at. While the rest of the island is brimming with colorful plants and costumed buskers, the silos stand as the final tie to its industrial past.

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The Sao Paulo-based brothers raised over $ 25,000 for the 2014-2016 Biennale exhibition celebrating art in public spaces, helping to offset the total cost. The finished work, which will be the team’s largest yet, will be unveiled on September 7th, 2014. The mural will measure a total of 23,500 square feet and stand 75 feet tall.

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“We have an ongoing project called ‘Giants’ that has been realized in several places in the world such as Greece, USA, Poland, Portugal, the Netherlands, Brazil and England, and we will continue now in Canada, but with a difference. As the proposed Biennale has a strong connection with sculpture, we decided to find a place where the painting can be transformed, creating a dialogue between the two-dimensional and three-dimensional worlds.”

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“Another aim of this project is to bring new characters to Vancouver while sharing perspectives and cultures and establishing a relationship between the people who frequent this site and integrate this work into city scenery. The connection between water and land on Granville Island, on the false creek margins, also had a lot to do with the choice of location – for us, the water acts as a vein, symbolizing life, and it is very present in our work.”

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Massive 3,000 square foot pinhole photo on display

03 May

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The Smithsonian National Air and Space Museum’s Steven F. Udvar-Hazy Center is already home to some of the most impressive aviation and astronomical technology in the modern wold, but it has also become the home of one of the most impressive photographs ever taken as well. On display now is a 107 feet wide ‘camera-obscura’ image of a decommissioned Marine Corps air station. Learn more

News: Digital Photography Review (dpreview.com)

 
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LensRentals.com needs name for massive lens calibration tool

01 Apr

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One of the drawbacks of running a company devoted to renting out photographic equipment is that it’s necessary to evaluate and service equipment just about every time it comes back. That’s why the team at LensRentals.com have just purchased and installed a massive and cumbersome looking lens calibration system. In one of the geekier unboxing articles, they show every step of the assembly of the device. Learn more

News: Digital Photography Review (dpreview.com)

 
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MegaFaces: Massive Display Enables 3D Selfies at Sochi

22 Feb

[ By Steph in Art & Installation & Sound. ]

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Giant faces measuring 25 feet in height emerge in three dimensions from an ‘architectural Mount Rushmore’ at the entrance of Sochi’s Olympic Park. ‘MegaFaces’ is an interactive installation by architect Asif Khan consisting of a fabric pavilion that is manipulated into the shape of visitors’ faces by 11,000 actuators located just under the cube’s stretchy membrane.

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Three visitors at a time enter a booth located inside the pavilion to have their faces digitally scanned and displayed on a massive scale for everyone outside to marvel at. Each face is magnified by 3500%. The effect is that of a giant pinscreen, but it’s technically the world’s first “three dimensionally actuated large-scale LED screen.”

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The 11,000 actuators that create the images are tipped with translucent spheres containing RGB-LED lights, so a combination of physical movement and light intensity creates the pinscreen effect. The idea is that anyone can “become a hero,” reflected to the world on a large scale.

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“Whether we are taking a self-portrait and posting it for our friends to see, or texting an emoticon to show how we feel, we’ve translated a fundamental means of self-expression into a new medium,” says Khan. “That is why I think of this pavilion as a synergy between architecture and digital platform. At the same time it’s a monument to all of us. The concept is to make people the face of the Olympics.”

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Monument & Void: Massive Stone Museum of Mayan History

07 Feb

[ By WebUrbanist in Architecture & Public & Institutional. ]

mayan museum central void

Commissioned for Guatemala City, this weighty megalithic structure is set to be the largest museum commemorating Mayan culture and history in Central America. Its architectural success, however, comes as much from its empty spaces as from its imposing structure, as evidenced by the eight-story central void shown above.

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At a glance, the building looks like a monolithic box set upon a piecemeal plinth, the latter helping to give the former a sense of impossible mass. This humbling exterior gives way to an only somewhat-more-human-scaled series of spatial experiences inside.

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Heavy stone-clad walls pierced by patchwork voids conspire to reinforce the sense of visual thickness that permeates the project, referencing ancient Mayan temples in terms of architectural materials and concepts but also sheer scale.

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This region-referencing design resulted from international collaboration between Harry Gugger Studio of Switzerland and Over,Under of Boston. More details from these firms below.

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“The new Museo Maya de América is among the most ambitious cultural projects under development in Central America. It is planned to house one of the world’s most significant collections of objects, artefacts, artworks, textiles and knowledge relating to the history and culture of the Mayan Civilisation.”

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“Located on the northern edge of L’Aurora Park, the new museum building will form the culmination of a cultural axis that includes the Guatemalan Museum of Contemporary Art and the Children’s Museum. This dense cluster of cultural institutions, in tandem with the large open spaces of the adjacent park will become a focal point for tourists and residents alike.”

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An open central “void extends down in to the parking levels below ground, providing an interesting route up into the museum and a special place to display underworld-related artefacts. The landscaped roof of the museum is once again given back to the public with a series of different areas including a restaurant and terrace, roof gardens and viewing decks all accessible from the Cenote.”

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“The large surface of the roof will also be used to collect rainwater in a manner recalling traditional Maya practices by drawing water through a series of channels into the Cenote, enhancing the museums commitment to the environment through water recycling.”

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