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Posts Tagged ‘massive’

1969 US Geological Survey photo of a massive lava ‘bubble’ goes viral

07 Apr
Photo by JB Judd/USGS

A photograph captured by US Geological Survey (USGS) photographer JB Judd in 1969 is ‘going viral’ online this week. The photo shows a massive, symmetrical lava dome fountain that was captured during a 5-year-long eruption of the Kilauea volcano’s Mauna Ulu cone between 1969 and 1974.

The so-called lava “bubble” measured approximately 65ft / 20m in height, and it owes its Internet fame to this “Throwback Thursday” tweet by the USGS:

After a bit of digging, the internet managed to unearth Judd’s original photograph of the lava bubble, which seems to have been flipped horizontally, straightened, and edited to produce the image shared on Twitter. The USGS photo page lists the estimated height of the bubble as 50 to 75 meters, or approximately 164 to 246 feet, and describes symmetrical dome fountains such as these as “rare.”

The image is one of many public domain photos in the USGS photo archive. To see more, head over to the USGS website where you can browse the full collection.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe releases ‘massive update’ to Camera Profiles in ACR and Lightroom

03 Apr
The new Profiles panel in Lightroom CC. Credit: Adobe

Earlier today, Adobe launched a major update to Camera Profiles (now known as just “Profiles”) in Adobe Camera Raw (ACR), Lightroom Classic CC, Lightroom CC, and both versions of Lightroom Mobile. The update brings six new Adobe RAW profiles, over 40 new Creative profiles, a new profile browser, and a bunch of new features and feature enhancements across both mobile and desktop.

The most significant update here is obviously Profiles.

Camera Profiles has now been renamed “Profiles”, and the whole panel has been moved so it’s easier to find. In Adobe Camera Raw and Lightroom Classic CC, Profiles have been moved from the Camera Calibration panel into the Basics panel; in Lightroom CC, they’ve been added to the top of the edit panel.

But this update isn’t just about adding Profiles to Lightroom CC and moving them around a bit. There are now six new Adobe RAW profiles to work with.

Six New Adobe RAW Profiles

In addition to the tried and true Adobe Standard, you now have Adobe Color, Adobe Monochrome, Adobe Landscape, Adobe Neutral, Adobe Portrait, and Adobe Vivid. Credit: Adobe

Previously, the only Adobe RAW profile you had at your disposal was Adobe Standard. Now, you’ve got six more to choose from:

  • Adobe Color: designed to improve the look and rendering of warm tones, improve the transition between certain color ranges, and slightly increase the starting contrast of your photos. As the new default, it was designed to work with the widest range of photos.
  • Adobe Monochrome: Tuned to be “a great starting point” for any black & white photo. Results in better tonal separation and contrast than Adobe Standard converted to B&W.
  • Adobe Landscape: Produces more vibrant skies and foliage tones.
  • Adobe Neutral: Provides a starting point with very low contrast. Adobe claims this one is most useful “for photos where you want the most control, or that have very difficult tonal ranges.”
  • Adobe Portrait: Provides “more control and better reproduction of skin tones.” This means less contrast and saturation applied to skin tones throughout the photo, so you have more control over how those tones turn out.
  • Adobe Vivid: A “punchy, saturated starting point.”

The point of each of these profiles (and Adobe Standard) is to give your images a unified “look and feel” regardless of the camera you’re using. But now, rather than a single profile, you’ve got six “starting points” to choose from depending on your genre and photo editing style.

Adobe Color replaces 10-year-old Adobe Standard as the default profile for newly imported photos, but you’ll still have access to all of them in the new Profiles section of the Basics panel.

New Creative Profiles

Creative Profile comparison. Credit: Adobe

You now have 40+ Creative profiles to choose from, split up into four groups: Artistic, Modern, Vintage, and Black & White. These profiles can be applied to both Raw and non-Raw photos, and come with a 3D Lookup Table (LUT) for a level of control that was previously reserved for Photoshop.

Creative profiles also come with an Amount slider, so you can increase or decrease the effect.

Black & White Creative Profiles comparison. Credit: Adobe

Additionally, Adobe has also been working with some popular Lightroom preset creators to create a range of 3rd Party Profiles, some of which are already available today. These include profiles by photographers Brian Matiash and Matt Kloskowski, and companies like RNI Films and Contrastly.

You can find links to all of the 3rd Party Profiles on the Adobe blog post about this update.

Updates to Lightroom CC on Android and iOS

The new Detail tab in Lightroom CC for Android. Credit: Adobe

In addition to the Profiles update described above, Lightroom CC for iOS, Android and ChromeOS all got some feature updates and upgrades as well.

On the Android/ChromeOS front, a new Details tab provides Sharpening and Noise Reduction options, Grain options have been added for “realistic film grain,” and some additional control for sharing images over Lightroom CC Web have been added as well.

For iOS users, the new Geometry tab will help you straighten crooked and skewed photos using new Upright, Guided Upright, and Geometry sliders; the same Grain options mentioned above have been added, and Adobe has introduced a Left-Handed Editing Mode on the iPad. The company has also done some iPhone X layout optimizations to take advantage of the dreaded notch.

The new Geometry tab in Lightroom CC for iOS. Credit: Adobe

A Few More Things

Finally, in addition to everything mentioned above, a few minor improvements have been made to Lightroom CC and Lightroom Classic CC on the Desktop.

In Lightroom Classic CC, the Dehaze tool has been made more accessible by moving it to the Basics panel, the Tone Curve panel has been expanded for better/more precise control, and the face-tagging algorithm has been improved.

In Lightroom CC, support has been added for Network Attached Storage (NAS) devices, and a new filter option has been added that allows you to sort your images by “sync status.”


To learn more about all of the updates detailed above, and particularly if you want to dive deeper into the new Profiles features, head over to the Adobe blog or update your Adobe Camera Raw, Lightroom CC and/or Lightroom Classic CC to the latest version. This update went live about 15 minutes ago, and should be available to all Creative Cloud subscribers.

Articles: Digital Photography Review (dpreview.com)

 
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Samsung unveils massive 30TB solid state drive, the world’s largest SSD

20 Feb
Photo: Samsung

Samsung has reached another solid state storage milestone with its newly-announced Serial Attached SCSI PM1643 30TB SSD. The drive, which was developed for enterprise use, has double the capacity of the 15.36TB SSD Samsung introduced in early 2016. The company packed 512Gb V-NAND chips alongside 1TB NAND flash packages into the new drive, the combination enabling it to offer a 30TB capacity in a 2.5-inch form factor.

“With our launch of the 30.72TB SSD,” Samsung’s Jaesoo Han explained, “we are once again shattering the enterprise storage capacity barrier, and in the process, opening up new horizons for ultra-high capacity storage systems worldwide.”

In addition to hitting a record capacity, Samsung explains that its PM1643 is the first SSD to feature Through Silicon Via (TSV)-applied DRAM, which totals 40GB in this model. The company also managed to include an endurance level that supports writing 30.72TB of data to the drive every day for five years (the warranty period) without failure, an error correction code (ECC) algorithm for reliability, software offering sudden power failure and metadata protection, and sequential read/write speeds up to 2,100MB/s and 1,700MB/s.

Photo: Samsung

Samsung plans to offer other versions of this drive with capacities ranging from 800GB to 15.36TB. As for the 30.72TB model, the South Korean company explains that it started producing “initial quantities” of the drive last month, with lineup expansion planned for later in 2018.

The drive price isn’t listed, but we’re less excited about this specific drive (since it’s an enterprise drive) and more excited about the tech trickling down into consumer-focused higher capacity SSDs that photographers and videographers can use for backups.

Read the full press release below for more details about these drives.

Samsung Electronics Begins Mass Production of Industry’s Largest Capacity SSD – 30.72TB – for Next-Generation Enterprise Systems

New ‘PM1643’ is built on latest 512Gb V-NAND to offer the most advanced storage, featuring industry-first 1TB NAND flash package, 40GB of DRAM, new controller and custom software

Korea on February 20, 2018 – Samsung Electronics, the world leader in advanced memory technology, today announced that it has begun mass producing the industry’s largest capacity Serial Attached SCSI (SAS) solid state drive (SSD) – the PM1643 – for use in next-generation enterprise storage systems. Leveraging Samsung’s latest V-NAND technology with 64-layer, 3-bit 512-gigabit (Gb) chips, the 30.72 terabyte (TB) drive delivers twice the capacity and performance of the previous 15.36TB high-capacity lineup introduced in March 2016.

This breakthrough was made possible by combining 32 of the new 1TB NAND flash packages, each comprised of 16 stacked layers of 512Gb V-NAND chips. These super-dense 1TB packages allow for approximately 5,700 5-gigabyte (GB), full HD movie files to be stored within a mere 2.5-inch storage device.

In addition to the doubled capacity, performance levels have risen significantly and are nearly twice that of Samsung’s previous generation high-capacity SAS SSD. Based on a 12Gb/s SAS interface, the new PM1643 drive features random read and write speeds of up to 400,000 IOPS and 50,000 IOPS, and sequential read and write speeds of up to 2,100MB/s and 1,700 MB/s, respectively. These represent approximately four times the random read performance and three times the sequential read performance of a typical 2.5-inch SATA SSD*.

“With our launch of the 30.72TB SSD, we are once again shattering the enterprise storage capacity barrier, and in the process, opening up new horizons for ultra-high capacity storage systems worldwide,” said Jaesoo Han, executive vice president, Memory Sales & Marketing Team at Samsung Electronics. “Samsung will continue to move aggressively in meeting the shifting demand toward SSDs over 10TB and at the same time, accelerating adoption of our trail-blazing storage solutions in a new age of enterprise systems.”

Samsung reached the new capacity and performance enhancements through several technology progressions in the design of its controller, DRAM packaging and associated software. Included in these advancements is a highly efficient controller architecture that integrates nine controllers from the previous high-capacity SSD lineup into a single package, enabling a greater amount of space within the SSD to be used for storage. The PM1643 drive also applies Through Silicon Via (TSV) technology to interconnect 8Gb DDR4 chips, creating 10 4GB TSV DRAM packages, totaling 40GB of DRAM. This marks the first time that TSV-applied DRAM has been used in an SSD.

Complementing the SSD’s hardware ingenuity is enhanced software that supports metadata protection as well as data retention and recovery from sudden power failures, and an error correction code (ECC) algorithm to ensure high reliability and minimal storage maintenance. Furthermore, the SSD provides a robust endurance level of one full drive write per day (DWPD), which translates into writing 30.72TB of data every day over the five-year warranty period without failure. The PM1643 also offers a mean time between failures (MTBF) of two million hours.

Samsung started manufacturing initial quantities of the 30.72TB SSDs in January and plans to expand the lineup later this year – with 15.36TB, 7.68TB, 3.84TB, 1.92TB, 960GB and 800GB versions – to further drive the growth of all-flash-arrays and accelerate the transition from hard disk drives (HDDs) to SSDs in the enterprise market. The wide range of models and much improved performance will be pivotal in meeting the growing storage needs in a host of market segments, including the government, financial services, healthcare, education, oil & gas, pharmaceutical, social media, business services, retail and communications sectors.

Articles: Digital Photography Review (dpreview.com)

 
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This 2018 ‘ecosystem map’ captures the whole photo industry in one massive infographic

25 Jan

Photolemur, the makers of an AI-powered image editor, have put quite some time and effort into creating a comprehensive “Market Map of the Digital Photo Industry” that includes all sorts of brands, manufacturers, publications and other organizations that are involved in the industry in some shape or form.

“The aim of this initiative is to become the gate to the digital photo industry and to help photographers, new companies, VCs, entrepreneurs, journalists, and bloggers to understand who the major players in the world’s digital photo industry are,” writes Photolemur in the accompanying text. “Note that some companies work in more than one segment so we decided to link them only to their primary segment on the map.”

In the map you’ll find anything from camera and lens manufacturers, to Raw image processors, to providers of online education services, all neatly sorted and categorized. The company says it is planning to update the market map over time, adding more entries to existing categories as well as creating entirely new categories.

On the market map website you can contact Photolemur via an email link if you think they’ve missed out an important player in the industry. If you submit your name and email address, you can also download the map as an Excel file or high-resolution PDF.

Articles: Digital Photography Review (dpreview.com)

 
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Sea Monsters: Massive Crocheted Sea Urchins Float Over Singapore

14 Jun

[ By SA Rogers in Art & Installation & Sound. ]

Mutant sea urchins seem to have evolved into monstrous, buoyant creatures capable of rising above the surface of the sea, glowing softly against the skyline in Singapore. Made from crocheted lace, these three oversized urchin installations by Choi + Shine invite passersby to pause within them and take in the city through their patterned shells.

Created for this year’s i Light Marina Bay Festival, which focuses on sustainability, The Urchins are hand-crafted and interactive, each one hanging high enough to dwarf even the tallest visitors. Made from UV- and weather-resistant polyester cord stretched on an aluminum frame, the urchins hang from ultra thin cables.

“At night, the mysteriously hovering and glowing large Urchins create a sense of magic as if time has stopped,” says Choi + Shine. “When viewers enter into the Urchins, they will be surrounded by a single layer of glowing, lacy surface, where they can enjoy the detail and texture of the Urchins and see the city, water and the sky through this visual filter.”

“When other viewers see the occupants in the Urchins, the occupants will glow within the lacy room, creating an illusion of ethereal levitation of the occupants, while the occupants become a part of the artwork.”

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EHang uses 1000 GhostDrone 2.0 drones for massive light show in China

25 Feb

Just a few days after Intel wowed audiences with a 300-drone aerial light show at the Super Bowl, Chinese drone company EHang raised the bar with a 1000-drone light show for audiences in China.

EHang performed its ‘Meteor Sky’ show in the city of Guangzhou in celebration of the traditional Chinese Lantern Festival on February 11. To create the spectacle, the company used 1000 of its GhostDrone 2.0 drones configured with color changing lights.

A long exposure captures the drone show near Guangzhou’s Canton Tower.

Putting on a show of this scale requires some impressive logistics. Just arranging the drones prior to flight required an area 290m long by 19m wide, and over 30 EHang engineers and staff put in thousands of hours to develop, choreograph and test the show. The company also developed an advanced communication network and safety system which maintained a minimum 1.5m distance between drones during flight. Despite the complexity, the entire show was controlled by a single computer on the ground.

EHang staff arrange drones in preparation for its ‘Meteor Sky’ light show. The entire staging area was 290m x 19m in size.

EHang notes that the show also served as a trial to see if drones could provide an environmentally friendly alternative to fireworks.

What do you think about drone light shows? Tell us in the comments!

Articles: Digital Photography Review (dpreview.com)

 
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Teamlab Jungle: Step Inside a Massive Musical Instrument Made of Light

17 Feb

[ By SA Rogers in Art & Installation & Sound. ]

teamlab jungle light vortex

Anyone who visits ‘Music Festival, TeamLab Jungle’ this summer will get to immerse themselves in a space made of light, interacting with moving beams to help produce collaborative crowd-sourced music. ‘Light Chords’ is one of three ‘4D’ light-based installations the Japanese interdisciplinary group has planned for the event, all of which represent a unique intersection of art, design, technology and nature.

teamlab jungle light chords

teamlab jungle

‘Light Chords’ aims to create the sensation of being inside a massive musical instrument, touching the ‘strings’ to produce a sound and hearing it reverberate all around you. The beams of light rise into the sky when touched and then settle back down to be activated again.

teamlab jungle day

teamlab jungle light vortex 3

The second 4D space, Light Vortex, places visitors at the center of a surreal light show that bends and stretches around the space, while ‘Light Cave’ builds complex light-based architecture over attendees’ heads.

teamlab jungle vortex

teamlab jungle light vortex 4

Known for their use of illumination as an artistic medium and for a focus on interactivity, TeamLab brings their ‘Music Festival’ to various cities and spaces each year, with different experiences to be had by day and by night. Before dark, TeamLab Jungle is designed as a music festival for families, while after dark it becomes more like a dance party with BACARDÍ-sponsored bars.

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Digital Dynamo: Massive Motion-Activated Media Wall Animates Office

16 Aug

[ By WebUrbanist in Art & Installation & Sound. ]

motion activated display

Spanning 1,700 square feet of interior walls in a Washington, DC office building, this stunning digital display cycles through different settings and seasons, reacting to workers as they walk through the building.

Designed by ESI, the bright and dynamic lobby installation is also visible through expansive glass panels at the front of the building, making it visually accessible to the public as well.

seasons lifecycle media

seasons series

The design shifts between three core programs: Color Play, Cityscape and Seasons. The scenes are constantly shifting, generated by algorithms that keep them fresh from one day to the next. Ambient sounds play in the background, adding a layer of effect to the visual experience.

series rose blossoms

exterior view

The installation is 80 feet wide and 13 feet high, seamlessly integrated into the architectural surfaces. In Season mode, it displays DC’s famous cherry trees through periods of the year. In Color Play, bright patterns light up the walls. In Cityscape, iconic architecture, statues and transportation settings are shown.

color play interactive

motion display

“The different media create distinct rhythms to give terrell place a unique identity and strong street presence,” says Michael Schneider, Senior Creative Technology Designer at ESI design. “Each of the media scenes reflects the time of day and the movement of people through the lobby, acting almost as a large abstract data-visualization of the ebb and flow of Terrell Place.”

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Cairo’s Trash Capital Gets Colorful with Massive Anamorphic Mural

31 Mar

[ By Steph in Art & Street Art & Graffiti. ]

cairo street art

One of Cairo’s seven settlements of the Zabbaleen, garbage collectors who make their living picking through and efficiently recycling the city’s trash, has gotten a little brighter with the addition of a massive multi-building mural that only comes into focus from a particular perspective. ‘Calligraffiti’ artist eL Seed organized a community-wide effort to paint sections of the mural onto the walls of 50 structures, blending arabic calligraphy with contemporary graffiti style. The work spells out a quote by Saint Athanasius of Alexandria, who said “Anyone who wants to see the sunlight clearly needs to wipe his eye first.”

cairo street art 4

cairo street art 7

It’s not clear how many of the city’s inhabitants can actually access the spot on Mokattam Mountain where the various pieces of the mural actually come together into a cohesive whole, but it has certainly added some vibrancy to their neighborhood of Manshiyat Nasr. In photos of the mural, you can clearly see the trash bags piled high on the roof of virtually every building in the frame, and the streets look much the same.

cairo street art 3

cairo street art 5

‘Zabbaleen’ literally translates from Egyptian Arabic as ‘garbage people,’ and their community is known throughout the world as ‘Garbage City.’ Over 90 percent of their 20,000-30,000 population is Coptic Christian. They’ve supported themselves by processing Cairo’s trash for decades, using donkey carts and pickup trucks to transport it. Organic waste is fed to pigs and their recycling rate is an impressive 80 percent (compare that to the Western world’s average of 20 to 25 percent.) Their way of life is currently under threat due to Cairo authorities’ decision to transfer trash contracts to three multinational disposal companies.

cairo street art 2

“The Zaraeeb community welcomed my team and I as if we were family,” says eL Seed. “It was one of the most amazing human experiences I have ever had. They are generous, honest and strong people. They have been given the name of Zabbaleen (the garbage people,) but this is not how they call themselves. They don’t live in the garbage but from the garbage, and not their garbage, but the garbage of the whole city. They are the ones who clean the city of Cairo.”

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Paint the Town: Massive Mural Transforms Mexican Neighborhood

31 Jul

[ By Steph in Art & Street Art & Graffiti. ]

rainbow mural 4

Waves of rainbow color cascade down a hillside neighborhood in Mexico’s drug capital as a street art collective paints over 200 houses. ‘German Crew’ enlisted the help of youth living in Las Palmitas to transform the town, brightening the facades of almost every single building in continuous swoops of fuchsia, orange, yellow, green and blue.

mural before

rainbow mural 1

The muralists covered 20,000 square meters (225,280 square feet) with powerful pops of color. Commissioned by the Las Palmitas municipality, the project is five months in the making, and these photos only show completion of the first stage. The aim is to revitalize the town, which is located in the state of Sinaloa, where most of the country’s drug cartels are based.

rainbow mural 2

rainbow mural 3

rainbow mura 5

According to the German Crew Nuevo Muralismos of Mexico, the project involved the participation of 452 families, or 1,808 people living in the neighborhood. Keeping kids and teenagers busy painting all of those houses nearly eradicated violence among youths while it was in progress. Lots more photos can be found on the crew’s Facebook page and Instagram.

favelas

favelas painted

Previously, street art duo Haas & Hahn transformed 34 buildings in a Rio de Janeiro favela (above), with the similar effect of creating jobs, bringing the community together and making a place that’s often feared by outsiders feel more welcoming. These large-scale mural projects can bring attention to under-served neighborhoods and help boost residents’ sense of pride.

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