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Posts Tagged ‘Love’

Couple Photography: Telling Their Love Story

18 Sep

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A while ago, I went to the funeral for my husband’s dear Grandpa Wes, and I looked through old photos of him and his beautiful sweetheart, Daphene, who passed away just 6 months before (they couldn’t live without each other for very long). They had photos when they were young snuggled up together, holding hands, and even kissing, and it struck me how rare that was. Old photos usually are much more formal, and don’t show a lot of emotion or candid feelings. They also had more recent photos that showed the same affection, and that’s rare as well, to be married for decades and still have that connection. It made me realize even more how much I love what I do, and how much I especially love capturing those real moments, the ones that the grandkids will look back on later and say, wow, Grandpa and Grandma REALLY loved each other!

I’ve found some great ways to get couples to really connect for me, and hopefully these tips will help you capture a love story for every couple you photograph too.

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Be Invisible

I tell couples many times during a session to pretend that I am not there. It usually works to bring their focus on each other, and some of the focus off of me. You want your subjects to act naturally towards each other, and interact how they normally would on a daily basis. You don’t want them to be so worried about you taking their photo, that they forget that they even love each other.

I like to tell them to look at each other, and say everything they feel about the other person with their eyes only. Some couples actually have deep, meaningful connections when I ask them to do this. Others laugh at the corniness, but it doesn’t matter. They are laughing with each other, and the connection is there. Either way, have your camera ready, and capture it.

Another good interaction builder is to ask them to whisper something in the other’s ear. I tell them that I do not want to know what they said to each other under any circumstances! This usually helps them to relax, and gives them permission to whisper all sorts of things to each other that will either ignite sparks, or laughter. It doesn’t matter, as long as they are pretending I’m not there, pretending the camera isn’t there, and making a connection.

187

Get Them Closer

Most of us have a distance comfort zone that we like to keep around ourselves. We don’t usually like people to be too close, especially when a photographer is watching us. Your job is to get them closer to each other. It may feel a little uncomfortable to them at first, but remind them that in a photo it doesn’t look as close as it feels, it just looks like they love each other.

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You want to have a physical connection somewhere. Ask them to bring their foreheads or noses together (depending on height difference). Ask him to put his hand on her cheek, or on her back. She could put her hands on his chest, or on the back of his head. A good old fashioned kiss can work great too. A physical connection could be as simple as a hand hold, but just make sure they are connected. You don’t have to direct every hand placement, and pose them into uncomfortableness. Sometimes it’s enough just to ask them to hug lightly. Little cues go a long way – you want them to be natural with each other, and connect in a way that feels comfortable to them.

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Give Them Something to Do

People that aren’t particularly comfortable with the camera can get even more uncomfortable if there isn’t anything for them to do. Couples sessions can be easier than a solo session in that regard, because at least they have someone to hold on to, but sometimes that isn’t enough to get them comfortable with the situation. If you just expect them to stand there and make beautiful images for you, you might be disappointed.

Tell them to take a walk together, or look at each other and laugh. Corny? Yes. Effective? Most of the time. Use vehicles to sit on, sit in, or lean on. Let him push her gently on a swing. Have them bring a puppy to interact with together, or a horse to hold onto, or a blanket to sit on. Even a wall or tree to lean on can help them feel a little more comfortable.

186

Faces Aren’t Mandatory

It’s great to get a few photos of the couple looking at you, although I still try to get them to have that physical connection with each other (cheeks together, but facing you; her head on his chest, both facing you, arms around each other, etc.). However, you can show even more connection sometimes without showing their faces at all. Intertwined fingers are a favorite thing of mine to photograph. A head on a shoulder, their backs as they walk away, or holding hands can show a lot too. Find those little details that can tell their love story in a subtle way.

195

Be Invisible – Again

You’ve already told them to pretend you aren’t there, but you can really remove yourself by peeking your camera through branches, leaves, or curtains. Not only does it kind of remove you and the camera from the sight of your subjects, but it gives you a great perspective for your photo. It lets the viewer feel like they are peeking into something that they shouldn’t be seeing, and makes the emotions feel even more genuine.

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Who doesn’t like a good love story? If a picture is worth a thousand words, then a whole photo session with a loving couple is a romance novel. Your job as the photographer is to make it a good one.

The post Couple Photography: Telling Their Love Story by Melinda Smith appeared first on Digital Photography School.


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Capturing Unenthusiastic Teens: Forget the Perfect Pose and Get Photos You Truly Love

03 Sep

guitar

I wrote an article recently sharing some tips for Capturing Busy Little Ones, and had a request for a similar article for photographing teens. Since I love photographing teens (who doesn’t??), I’m thrilled to share some tips. These aren’t tips for photographing the aspiring model teens. Those teens are usually pretty easy to photograph, they will pose for you until the cows come home, and love every minute of it. No, I’m going to let you in on some ideas for photographing those teens that aren’t so enthusiastic about being there.

Sometimes they’re super shy, and they just feel uncomfortable with the attention on them. Sometimes they are self-conscious, and think that they aren’t photogenic, so they feel awkward. Sometimes mom made them get pictures taken, and they’d rather be shoveling manure than sitting there with you and a camera. Whatever their hang-up is, these tips will help you capture them in the truest way possible, and get through it with your sanity intact. You might even get through it with a new teenage friend!

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Get to Know Them

Here’s a newsflash: teenagers are people too. They have real feelings and ideas, and sometimes very strong opinions about what they like, and what they don’t like (if you have a teenager of your own, you didn’t need me to tell you that). Spend some time feeling them out, and finding what makes them tick. Watch for cues to let you know what they are going to be down with, and what they might roll their eyes at.

For example, you might notice that they avoid eye contact, and act very uncomfortable when you talk to them a lot. In that case, you may want to do more photos where they are looking at something in their hands, or looking away from you, and ask for eye contact only briefly. Maybe you might notice that the photo shoot was all mom’s idea, and the teen is not at all happy about it. You could diffuse the situation by addressing it directly. “Hey, it’s a bummer to get pictures taken, huh? Moms are so annoying sometimes.”  Ask them questions about their life. Pay attention to more than just the words they say; their body language will give you cues about their personality too.

fence

Don’t Force a Smile

Some kids just don’t like to smile, or they might be angry that they are getting their picture taken in the first place. Repeated requests to “smile” will only make things worse, and at best, get you a fake cheesy smile. Your goal during your session with an unenthusiastic teen, is to gain their trust. Let them know that you are on the same team, and that you aren’t there to torture them. Assure them, through your actions, that you aren’t going to try to make them into something they’re not. The easiest way to do this, if you haven’t picked up on enough cues, is just to ask them.

I might say, “Sometimes people really love jumping pictures. Is that something you would do, or is totally not your style?” They’ll usually let you know exactly how they feel about it, in words or expression, and you can quickly move on if it’s not their thing. Sometimes those that resist the smile the most may actually give you a real, genuine, smile towards the end of the session when you’re best buddies, and they trust you.

skateboard

Photograph Their Passion

Before your session together, encourage your teen subjects to bring things that are important to them. It’s fun for both of you to capture those “action” shots of things that they truly love to do. This also gives you opportunity to give them genuine praise, and puts them at ease. Help them think outside the box. If they are a writer, maybe they’d want to bring a few favorite journals to “write” in, as you photograph them. If they love to run, capture some action running shots, and then a few with them holding their track shoes, or a race medal.

Giving them something to do really helps the shy ones. If they play a musical instrument, you could take some photos of them holding it, but don’t forget those action shots too. Ask them to play something for you, or show you some tricks on their skateboard. If they’re hesitant to actually perform, remind them that the camera won’t capture mistakes, and you’re an expert at making people look really good. That might be enough to loosen them up, and let their passion show.

grass

Do the Unexpected

Most teens will expect you to ask them to smile and look at the camera. They’ll expect you to ask them to “sit there”, “stand here”, “look at me”. Sometimes just shaking things up a little will help them loosen up. You could ask them to lie down in the grass, or climb on a big rock. Maybe a silly expression, or twirling in a field, will shake it up a bit. DO be careful that you watch for cues from your subject before you ask them to do crazy things. Remember to ask them first, like I mentioned before. Some teens will do whatever you tell them to, but they will become increasingly uncomfortable if they aren’t feeling like themselves. Also, sometimes it helps to explain to them WHY you are asking them to do an unexpected thing. You could say, “The sky does amazing things with your beautiful blue eyes when you look up into it. Would you be okay lying down in the grass so we could give that photo a try?”

eyelashes

Capture Something Different

Teens like to be unique. They like to have photos that their peers think are “cool”. You might be tempted to just snap the basic head shots when you have a teenager that isn’t super easy to photograph, just to get it over with. Instead of going into safe mode, use this opportunity to capture something unique. There are lots of details that you can capture without them needing to look at you and smile. Eyelashes sweeping the cheek, hands clasped at the knees while sitting down, profile looking at a distance, details of a guitar with their face blurred in the distance, a close-up of their favorite quote in a book as they read it; those details can tell more of the story of who they are, and sometimes give them a moment to relax. If I’m not taking a photo with their face in it, I’ll tell them that they don’t even have to worry about their expression right then, because it won’t be in the picture. Sometimes they breathe a visible sigh of relief when I tell them that.

truck

Be Yourself

Teens know when you’re being fake. Don’t change your personality to try to be more like them, or to attempt to be “cool”. They’ll trust you more if your compliments are genuine. Look at them when you compliment them, don’t give a routine “you look great” while fiddling with your camera. If you’re a jokester, throw those zingers out. If you are quiet and thoughtful, let that thoughtfulness shine through. You won’t connect with every single person, but you will show your reluctant teen that you are sincere, and that means a lot to them.  Don’t treat them like little kids. They need to know that you recognize them as the almost-adults that they are. If you show them respect, they will usually show you respect right back.

Whether you are photographing a teen who loves to pose and smile, or a teen who is less than enthusiastic about the whole thing, you are lucky. What a privilege to photograph a person at a time of experiencing such beauty, daily transformation, and figuring out the world! Now, go have some fun with your camera and a great teenager. I’d love to see your teen photos in the comments if you’d like to share!

violin

The post Capturing Unenthusiastic Teens: Forget the Perfect Pose and Get Photos You Truly Love by Melinda Smith appeared first on Digital Photography School.


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Capturing Busy Little Ones: Forget the Perfect Pose and Get Photos You Truly Love

29 Jul

PHOTO 1

If you have ever tried to get a three year old to sit still for longer than a nanosecond you know what a challenge it can be to get that “perfect” photo. Well, I’m going to be real here, who wants that perfect photo anyway? Okay, I know you may, but maybe I can convince you to let that go. My favorite photos are always the true ones; the ones that make you smile when you look at them, or maybe even cry a tear or two. Sure, it’s nice to get that beautiful portrait, but which photo is going to help you truly remember the fiery three year old who gave you model-in-the-making poses one minute, and wiped her muddy hands on her white shirt the next?

The first thing you have to do, if you want this experience to be fun for both you and the little one, is to let go of expectations. If you have a certain Pinterest pose in mind, and are determined not to be happy until you’ve forced your little tot into it, you’re both going to be miserable. Sure, use those ideas as a starting point, but then go with what is happening in the moment. You’ll be surprised where your wee subject might take you, and you might like the results much better than what you had in mind in the first place.

PHOTO 2 PHOTO 3

Make sure your cute little one knows that you are on the same team. Most kids have no problem being obstinate, just for fun. If she senses that you really want something from her, she may quickly decide that she wants the exact opposite. I try to take the child by the hand often, even if it’s the first time we’ve met (they usually love this) and let them feel that they are part of where we are going, and what we are doing. If she decides that she wants to put on the pretty dress shoes next, then that’s what we capture next.

PHOTO 4

Bring something for her to do. I prefer not to use props generally, but a few well-chosen, meaningful props can work wonders. This keeps her attention, plus you have the added benefit of capturing those hobbies that she is into at the moment. Let her share her passion with you. Instead of trying to pose her just so, and telling her how to hold the fishing pole, and where to look – ask her to show you “how she fishes with daddy”. Let her be the expert, and you just have your camera ready. Favorite dress-up clothes can bring out the model in lots of kids. Chairs or boxes to climb on, sit on, stand on, and peek through, can be great fun.

PHOTO 5

Try not to give too much direction or commands. Kids start to tune you out pretty quickly if all they hear are orders barked at them: “Sit here, look there, smile, smile, smile!!!”. When I can tell that my little subject is about done, I’ll just let her totally do her thing, and have my camera ready for when the moment is right. If she wants to take her shoes off and splash in the water, throwing rocks, I see a perfect opportunity to capture her in her element. This is where you might get the most genuine joy shining through.

PHOTO 6

When your mini-model is done – you are done. Quit before the meltdown, before she decides that this is the worst form of torture an adult ever created. If you didn’t get everything you hoped to get, don’t sweat it. Sometimes when I look through the photos later, I find gems that I didn’t even remember capturing. You may be pleasantly surprised by how many great images you were able to get, even with truly “busy” little tots. You’re not going to get much worth keeping if you try to force more photos. When little ones are done, they are DONE. Try to keep your photo sessions short, even if you have an agreeable little model. I usually spend less than half an hour shooting if they are under five years old.

PHOTO 7

So, next time you are lucky enough to have an adorable, energetic, little one in front of your camera, remember to relax, breathe, and have some fun. You’ll find that those real photos will be your favorites in the end, and you won’t even miss that perfectly posed portrait with every hair in place.

PHOTO 8

For more tips on photographing kids check out these:

  • Photography Hunting: Play the Waiting Game Photographing Kids
  • Cut the Cheese: 5 Tips for Photographing Kids
  • CLICK! How to Take Gorgeous Photos of Your Kids – a dPS ebook
  • How to Photograph Shy Children

The post Capturing Busy Little Ones: Forget the Perfect Pose and Get Photos You Truly Love by Melinda Smith appeared first on Digital Photography School.


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Chad Moore: Anyone in love with you?

14 May

Die Hedonisten unserer Zeit feiern nicht nur das Leben, sie zeigen auch ihre Wunden an Augen, Armen und im Herzen. Ob nackt auf kalten grünlich schimmernden Fliesen oder weit über der Stadt mit Blick auf die blinkenden Lichter unter ihnen.

Sie sind schön, sie sind cool und sie tragen ihre Kleidung wie dieses Modell mit der Zahnlücke, damals Ende der 90er Jahre. Sie summen und schauen wie Patti Smith, mit der Kippe im Mundwinkel. Heimatlos, grenzenlos – sie sind frei.

Sie verbringen ihre Nächte tanzend in Clubs oder draußen vor der Stadt im See bei Morgengrauen. Suchen Nähe und brauchen Abstand. Wollen Selbstverwirklichung und Spaß. Sie feiern den Luxus der Jugend, begierig.

In ihren Köpfen schlummern die Träume wie Raubkatzen. Die Möglichkeiten sind viele.

Chad Moore, Anyone in love with you?

Chad Moore, Anyone in love with you?

Das Buch verbirgt sich in einem roten Schuber und der Titel „Anyone in love with you? (already knows)“ lässt offen, was der Liebende weiß. Das Buch selbst ist roh belassen. Eine einfache Fadenheftbindung hält die einzelnen Blöcke zusammen. Fast möchte man eine Analogie zum Inhalt entwerfen, aber das überlasse ich den Interessierenden ganz allein.

Chad Moore fasst ein Lebensgefühl zusammen. Das einer auserwählten Jugend, die manchmal nicht weiß, wohin mit sich. Die sieht, dass Werte sich in Luft auflösen, dass die Götter ihrer Eltern wertlos sind.

Chad Moore, Anyone in love with you?

Chad Moore, Anyone in love with you?

Wir sehen Kinder, die zu Erwachsenen werden. Sie befinden sich gerade auf der Schneide zwischen Behütetsein und Losgelassenwerden und ihr Leben wirkt wie ein nie enden wollender Videoclip, zu dem nur die Schönen Zugang erhalten.

Ich könnte einen ganzen Fragenkatalog formulieren, wenn ich die Bilder sehe. Fragen über uns, das Wollen und Müssen, Fragen über die Bedeutung von Freundschaft. Fragen über Nähe und Abstand, über Tiefe und Oberflächlichkeit. Fragen über das Wohin. Und über die Liebe.

Natürlich ist das eine sehr subjektive Wertung meiner Eindrücke. Das Buch lässt mich nicht kalt. Vielleicht entwerfe ich eine Meinung über eine Jugendkultur, die so überhaupt nicht exisitiert und jongliere mit meinen eigenen Vorurteilen beim Betrachten der Hippen und Schönen.

Aber leider ist mir gerade mein Bier ausgegangen und auch die Kippe im Mund will nicht so recht schmecken, wobei mir gerade auffällt, dass ich Nichtraucher bin. Die Identifikation fällt mir also schwer.

Chad Moore, Anyone in love with you?

Chad Moore, Anyone in love with you?

Chad Moore, der Fotograf, lebt in New York. Das ist aber auch schon fast alles, was es über ihn zu sagen gibt, denn obwohl wir hier dem Leben, dem Rausch und den Genüssen uns unbekannter Menschen folgen dürfen, so hält Chad Moore sich mit Informationen über seine Person völlig zurück.

Für wen ist dieses Buch nun eigentlich? Vielleicht für diejenigen, die ein bisschen mehr Wirklichkeit auf Bildern möchten, ungeschönt und ein bisschen trashig? Vielleicht auch für die, die sich selbst gern so sehen möchten oder ruhelos umherirren, suchen und nicht finden. Oder aber für die, die gern zuschauen, beobachten, lächeln und vielleicht auch ein bisschen den Menschen lieben.

Wer das Buch gern besitzen möchte, macht entweder bei unserem Gewinnspiel mit oder aber er vertraut lieber auf seinen Geldbeutel und bezieht das gute Stück über dienacht.

Informationen zum Buch:

Offene Fadenheftung,
14 x 20 cm,
158 Seiten,
Buch im Schuber
limitiert auf 600 Stück
35 € + 3 € Versand innerhalb Deutschland

Um das Buch zu gewinnen, schreibe einen Kommentar mit Deinem Wunschgewinn unter bürgerlichem Namen und gültiger E-Mail-Adresse bis heute um 24 Uhr. Danach verlosen wir es per Zufallsgenerator unter allen Kommentatoren. Die genauen Gewinnspielregeln findest Du hier. Viel Glück!


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The Love Of Modelling

29 Apr

Edrenalin's Early Days

Firstly, I want to share the love and wish everyone a great Valentine’s Day. Whether you are spending it with your significant other, or if that significant other is yourself I wish you all a special day. This website was built from love so it is befitting that love is the theme for this post, that is, the love of creating art and modelling, as well as sharing a little about me.

Having always highly valued creativity throughout my childhood, I started my love affair with the fashion modeling world in 2002. There are people who enter modelling for pretty out there for a variety of reasons such as for money, travel, meeting new people, being involved in the creative process, or simply for ego. My reason came from a different place that not many people actually know about because I haven’t shared the story before, only to close friends, but I am sharing it with you.

It came from, ironically, since when we are talking about Valentine’s Day, from a relationship breakup – my first and only partner to date actually. I won’t go into the sappiness of all the details but at the end of that relationship I felt lost, like I was out of touch with who I was as a person and what I wanted for my future because previously my mind was set on spending my future with this person. It was pretty naïve of me when I reflect back on that experience but, I’m extremely grateful that I went through that experience because it directed me on a path to where I am today.

After the breakup, I was on a journey of finding myself again. I had volunteered my time to numerous charity and not-for-profit organizations, ranging from youth advocacy to creative projects and events, to meet new people, learn new skills and to feel like I was making an impact to this world, as many as I could manage to keep myself so busy to drown the feeling of heartbreak.

From these organizations, it was a matter of being in the right place and the right time when they asked for models to be featured on community campaign posters, I put my hand up, I wanted to help out. I had such great experiences modeling for these shoots that I wanted to do, and once again I was in the right place, when a photography studio set up a pop-up booth at my local shopping mall, offering a promotional photo package. Which I thought why not? That too was a great experience and it became part of my first professional modeling portfolio. I posted these pictures online, such as Myspace, when it was popular, and other photographers saw them and contacted me to shoot with them.

I’d post the photos from these shoots online and then other photographers noticed them and then they asked me to shoot with them. It was like a domino effect and shoot after shoot, my portfolio got stronger but what I also discovered was that with every photo I learned something new about myself. Each photographer brought out and captured a different perspective of me and so I was able to see different sides of my personality in different photos that I didn’t realize I possessed before and so the more shoots I did the more pieces of the puzzle formed for self-discovery.

No longer was I held back by what people said or thought about me, I was discovering for myself who I really was inside and what I was capable of, my potential, for the first time in my life.

And that’s the story of how I got started my journey into modelling and my own self-discovery. Hope that wasn’t too deep and personal for everyone, but my focus in my life is to live an inspired life and to inspire others and I’ve realized I’m not able to do so without sharing my story. Stay tuned for my next post, sticking to the Valentine’s theme, which details my love for photography.


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How To Start a Photography Project You’ll Love

09 Apr

Once called the “Jay-Z of documentary photography,” Martin Parr is known throughout the world for his absurd, colorful, yet tongue-in-cheek photographs of modern life. But if you asked him about his favorite shots, he wouldn’t mention individual photographs, instead he’d point you to photography projects. And if you want to improve your photo-taking skills, starting a project you love is a Continue Reading

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Tips for Learning to Love Photoshop Actions

13 Dec

This is a guest contribution from Meghan Aileen Schirmer at The Shoppe Designs & Photoshop Actions. Their In Vogue Action Set is available on Snap N Deals now for just $ 29! (until December 24, 2013)

Learning to Love Photoshop Actions

Photoshop actions tips 04

When it comes to Photoshop Actions or presets photographers tend to love them or hate them. But, when done right they can really enhance a digital image in a way that a straight out of the camera digital image cannot achieve. If you use film, that is very different, and the variety in types of film and processing techniques allows for a greater variety of beautiful looks for your images. However digital photography, in general, is limited to that digital look we all know, especially when we are in the context of a commercial photography workflow. You can of course edit your images individually in Lightroom, ACR or Photoshop. But when you use Photoshop Actions and presets it is simply speeding up this process. When you have hundreds of images to edit, time savers are very valuable.

What can you use Photoshop Actions for?

Photoshop Actions can be used for workflow speed, such as simply adding a little contrast and saturation to all of your straight out of camera images. They can also be used to specially edit key images or to add a unique style or look to your images that makes you memorable amongst the sea of competition. Action sets at The Shoppe Designs & Actions usually each contain, several specialized Photoshop Actions that you can use at different opacities and different combinations for various style looks, as well as some utility Actions such as adding contrast or grain.

Action styles

Our In Vogue set was inspired by the pages of high end fashion magazines. In this set you will see the matte look and slight toning of modern fashion photography, as well as the clipped blacks of vintage black and white film. When shooting film is not an option, using Actions to mimic the look of film is a great alternative. Maybe you love the look but are not in a position to switch to shooting film.

Here you can see the plain digital image and then the sample using the In Vogue Action Set. Our Actions are set up to leave you with a folder on top of your background layer in Photoshop, so that you can easily adjust the strength of the action. We give them to you at 100% strength or a bit less, and then you can adjust them to say 20% for a more subtle look. Perfect when you don’t want the image to look like you edited it with Actions, but just want to get rid of that digital feel. See how in these samples the actions are used at a lower opacity to simply enhance the image and not heavily alter it.

Photoshop actions tips 01

Photoshop actions tips 02

Black and white Actions

Using Actions to make your images black and white is an excellent use of them. Especially if you like the black and white film look. Just reducing the saturation on an image in Photoshop is not going to get a gorgeous black and white image, it will be flat and digital looking. Our Actions create different tones, different depths of contrast, flat or deep blacks and some even add grain for that authentic film look.

Photoshop actions tips 03

Photoshop actions tips 04

Applying Photoshop Actions

When using Photoshop Actions, we recommend trying a variety of them on several different types of photos with different lighting conditions. Not all Photoshop Actions work the same on all images, it is just not possible. Some greatly enhance one image, but may not work at all on another. As you use them often you get to know which works best on the different types of images. Some will really bring out the color in one image, while diminishing the color in another. As I mentioned our Photoshop Actions leave a folder on top of your image in your layers palate in Photoshop. We recommend playing each one on an image, then turning the folder off and on to see the effects. Then adjust the opacity of the entire folder and see what looks best. Then you can play another to add different effects and keep adjusting the folder opacity until you love it. It is best to go back to the background layer before playing each one.

Photoshop actions tips 05

In general, I recommend doing basic image editing in a RAW editing program before starting to play with Actions, unless you are using the utility Actions such as ADD CONTRAST. Stylized Photoshop Actions are simply meant to enhance while utility Actions like adding contrast, boosting saturation and sharpness can be used on original camera images.

If you want to use a utility type Action on a bunch of images at once, or a stylized action on a set of similar images, you can do that as well. In Adobe Bridge, go to TOOLS > PHOTOSHOP > BATCH and then choose the folder of images, the action to use, and the destination for them. I recommend saving them in a different folder and not saving over your originals in case you want to edit them differently later.

However you decide to use them, Photoshop Actions can be very versatile and very useful. It is a matter of fitting them into your workflow and discovering how Photoshop Actions in general as well as which Photoshop Actions in particular work best for you and the way you work.

The Shoppe Designs & Photoshop Actions has many well respected action sets to choose from, and the In Vogue Action Set from is available on Snap N Deals now for just $ 29! (until December 24, 2013)


Designer and Photographer Meghan Aileen Schirmer is the owner of The Shoppe Designs, Inc. Meghan has designed and photographed for some of the most well-known companies in the world over the past 15 years. From Sony to Nickelodeon, as well as Grammy winning artists and musicians. She lives in Nashville, TN with her family.

  • Try a FREE sample set of Actions by liking The Shoppe Designs Facebook Page
  • See more available Actions on their website  The Shoppe Actions
  • See the In Vogue Actions set, regular price.

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7 Tips for Helping Women Love having their Photo Taken by You

14 Oct

When I look at a picture of myself, I can point out a million things I hate: my hair is always flat, I hate the ptosis in my left eye, I hate the shape of my brow bone, I have a bad complexion. And I’m a photographer! How can I expect women in front of my camera to feel any different than I do when I have to endure having my photo taken? I know that some men hate having their photo taken, too, and many of them probably aren’t as easy to admit that they hate their complexion or the shape of their brow bone, but I’m sure they think these things.

As in any situation, we photographers just need to start by asking ourselves…what would we want? How would we want a photographer to treat us? It’s a pretty simple, solution, really…to behave in line with the golden rule.

Women usually aren’t afraid to offer criticism about themselves. In fact, we’re downright professionals at criticizing ourselves. So if a woman truly hates having her photo taken, she usually says so upon making the booking with you. At that point, I would first congratulate her on coming to the point of actually making the booking in the first place. That’s a big step!

I wouldn’t have a questionnaire for her to fill out about the things she hates about herself. And I wouldn’t make promises and I definitely wouldn’t mention the word ‘Photoshop’. The instant you say ‘Photoshop’, I guarantee that 90% of women instantly begin thinking of Madonna, Kim Kardashian…any and every celebrity who looks NOTHING in real person like they do in magazines. And they may expect/require you to edit every last hair on their head, freckle on their body, roll of fat on their hips. And before you know it, you’ve aged 10 years infront of your computer editing one session.

Instead, this is how I would proceed:

  • Upon the first conversation and placing the booking, just assure her that having photographs taken by a professional is different and if she’s never done it before, she will probably love it in the end.
  • Simply ask: “what do you hate about it?” This will probably lead on to things she hates about herself. But don’t let her dwell on it too long. Ask what she loves about herself. Make notes about all this and keep them to yourself.
  • When you start shooting,  she might behave or seem awkward and uncomfortable. If so, talk to her as you’re shooting. Ask if she feels a certain side is her ‘good side’. Get her laughing. Tell her she looks great. But don’t patronize her. I mean…I know my left eye is droopy from Ptosis. If someone said it wasn’t, that would make me more uncomfortable.
  • When I edit, I will subtly smooth and ‘suck in’ bumps and bulges. I won’t eradicate them all together because that wouldn’t be natural. But I just do a little work that she won’t even notice and I’ve never had a woman as to get her muffin top put back the way it was! Of course, I understand that this is a controversial topic and doesn’t work for everyone.

Some tips on photographing women:

  • For goodness sake. Please PLEASE be responsible with low shots. I very rarely see a photo of a woman taken from down low (looking up) that doesn’t make her look totally unattractive. This isn’t a good angle no matter the size or shape of who you’re photographing. Friends don’t let friends get photographed this way so beware that a loving friend may tackle you at any point should you choose to proceed with a low shot.
  • On the opposite side of the spectrum. shooting from above (or even a slightly down-angeled POV) can be very flattering for a lady, particularly a fuller figured one. But also beware that this is the calling card of a large lady – this trick has become so well known. Don’t overdo it or you’ll be kind of highlighting the fact that she’s larger rather than minimizing it.
  • Learn from the red carpet – those poses aren’t accidental. Celebrities have training for how to handle the red carpet photographers. Learn their tricks so you can guide your subjects through poses that will highlight their lovely long legs or help minimize their post-partum baby bulge. And you don’t have to tell them what you’re doing because naturally, that will make them feel self conscious.

One hour with a sensitive professional can change a woman’s view of herself forever.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

7 Tips for Helping Women Love having their Photo Taken by You

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Peace, Love and Photo Curtains

20 Sep

Extra photos for bloggers: 1, 2, 3

Gotta keep those good vibrations flowing, man.

Transport yourself and your living space back to the 1960′s with a beaded curtain inspired Photo Curtain.

It’s simple! Grab your favorite jpeg, a few supplies and string together a far out curtain of photographs.

Put on your rose colored sunglasses and paisley poncho and hop on the diy Photo Curtain train.

Craft a Photo Curtain of Your Very Own

p.s. You (and your best pal) could snag a free trip to Way Over Yonder music festival *PLUS* Photojojo gear. Entering takes all of 5 seconds!

Why It’s Cool

The photo curtain adds a little pizazz to any window or door.

Walking through the curtain and you’ll feel like your are being transported through the present and into the past.

You’ll feel like a teenager again, except for this curtain isn’t made out of plastic beads and you are not listening to the latest music on cassette anymore.

Added bonus: When the wind catches the photos they spin like little butterflies made out of photographs.

Ingredients:

  • One photograph, to be printed on multiple pages (we’ll teach you how to do this). Or, a variety of small images
  • Laminating Sheets
  • Circular object for tracing
  • Pen
  • Scissors
  • Fishing line
  • Hot glue gun
  • Hot glue sticks
  • Curtain rod (any longish stick will do)

STEP 1: Enlarge Your Image

before

Making a large image to prints on multiple pages is super simple thanks to blockposters.com.

Choose an image and upload it to blockposters.com.

Choose how many sheets of paper you would like your image to be printed on. The more sheets of paper you use the larger the final image will be and the larger your curtain will be.

Download your pdf and click print.

Sit back and watch as your large scale image prints out in little pieces.

 

STEP 2: Make it Durable

beforeTo help your curtain stand up to the elements, laminate each page you just printed.

If you don’t have a laminating machine, don’t fear! These laminating sheets are easy to get and simple to use.

Place one sheet face down and peel off the paper from the back. Place your photo face down on the sheet and rub to get the bubbles out.

Grab another sheet of laminate and stick it to the back of your photo. It’s a laminated photo sandwich!

STEP 3: Shape up

beforePlace your laminated sheets next to one another to form the large image.

Use your circular object and start tracing circles from the top of the image to the bottom.

Start at the top edge of the large image and make sure the circles line up with one another as you trace circles down the image vertically.

STEP 4: Cut your Circles

beforeCut out the circles you just traced.

Make sure you lie your circles down in the order you cut them, so your image stays in tact on the strands of your curtain.

STEP 5: Measure the Line

before

Measure and cut the fishing line to fit the length of each row of circles.

Add about 4 inches extra at each end of the fishing line.

STEP 6: Fasten Your Circles

beforeFlip your nicely lined up circles over to create the strands of the curtain.

Place a heavy object on the top and bottom 4 inches of the fishing line to keep it in place and run the line down the center of your circles.

Place a couple of dots of hot glue over the fishing line at the center of each circle to adhere the fishing line.

(No hot glue? Tape works too).

STEP 7: Tie ‘em to the Top

beforeTie the top 4 inches of the fishing line to the curtain rod (you can also use a wood dowel, or a cool piece of driftwood, really anything you want).

A couple of knots should do the trick for each strand of the curtain.

Now, hang it up and admire. Nice work!

Taking It Further

  • Print your photos double sided so when the wind catches the curtains you will see images on either side.
  • Cut different shapes out instead of circles. Hearts would be super cute for a wedding.
  • Skip hanging the strands of the curtain on the dowel and string them along a mantel or hang from your ceiling like a garland.
  • Hang the curtain above your bed to create a headboard. Sweet dreams!

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Love Hurts: First Aid Kit to Help Survive a Broken Heart

08 Jul

[ By WebUrbanist in Design & Products & Packaging. ]

breakup survival med kit

Nothing but time can heal broken hearts, but there are some salves that can at least help bridge the gap between a breakup and happier times.

breakup med style kit

That is the idea behind this half-serious (and currently conceptual) relationship survival kit titled Love Hurts by New York graphic, product and packaging designer Melanie Chernock (images by Luke Nilsson).

breakup survival chocolate candy

About its contents: “Love Hurts contains all of the essentials for going through a rough breakup such as dark chocolate, vodka, bubble bath soap, a candle with matches, candy hearts, a mix CD, and if all else fails, tissues. All of the products come neatly packaged in a compact kit.”

breakup emergency supplies contents

Modern minimalist gift box meets traditional metal medical case in the simple red-and-white-themed design. The contents are a combination of cute, cliche and pragmatic  – really, no one should have to go through the end of a long-temr relationship without access to chocolate.

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