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Posts Tagged ‘Lmount’

Sigma Releases 24mm f/2 and 90mm f/2.8 Lenses for E-Mount and L-Mount Cameras

11 Sep

The post Sigma Releases 24mm f/2 and 90mm f/2.8 Lenses for E-Mount and L-Mount Cameras appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Sigma releases 24mm and 90mm lenses

Sigma has unveiled two powerful lenses for Sony E-mount and L-mount cameras: the 24mm f/2 DG DN Contemporary and the 90mm f/2.8 DG DN Contemporary.

The lenses slot into Sigma’s “I” lineup, a series of glass featuring top-notch build quality, portable bodies (Sigma claims the I series is perfect for “everyday use”), and high-resolution imaging on par with even the most demanding mirrorless cameras. 

And the Sigma 24mm f/2 continues this I series tradition, offering outstanding build quality in a portable package. The lens is entirely metal, from the barrel and mount to the focus and aperture rings (and yes, the 24mm f/2 does sport a manual aperture ring, for photographers who prefer a more tactile, analogue method of shooting). 

Sigma 24mm f/2 lens

Sigma notes that the 24mm f/2 works well for “night sky photography, events, and interiors,” as well as “day-to-day use.” It certainly should perform well in low-light situations like indoor events (e.g., weddings) thanks to the wide f/2 maximum aperture, though Sigma might be selling the lens short; in addition to the aforementioned uses, I’d also peg the 24mm f/2 as an excellent street photography lens – it’s compact, fast, and sharp, even if its 24mm focal length is wider than the 35mm/50mm street photography standards – a capable landscape lens, especially for photographers looking to lighten their load, and an ideal travel lens.

The 24mm f/2 aims for optical perfection. Sigma explains that “lens resolution is extremely high and is uniform from the center to the periphery of the image,” while the lens features “the highest level of optical performance even at its maximum aperture of f/2.”

And the price is a quite reasonable $ 639 USD, ideal for budget-conscious photographers in need of a second or third lens.

The 90mm f/2.8 features a similar design – all metal, to match existing I-series lenses, plus a manual aperture ring, a compact build, and a “sleek, stylish finish.” At 90mm, I hadn’t expected the lens to be quite as travel-ready as its 24mm counterpart, yet the 2.4 inch (59.7 millimeter) barrel is ultra-slim and even pocketable.

Sigma 90mm f/2.8 lens

Who should buy the 90mm f/2.8? Sigma advertises the lens as ideal “for portraits, close-ups, weddings, and events,” and I’d probably add product and still life photography to that list, thanks to the short telephoto focal length, not to mention the “exceptional resolving power that can keep up with the latest ultra-high-resolution cameras.” Plus, the lens offers a 1:5 magnification ratio; it’s no true macro lens, but can certainly get you a close perspective for detail shots.

Like the 24mm f/2, the 90mm f/2.8 sells for a very reasonable $ 639 USD. And both lenses should begin shipping at the end of September, so if you’re a Sony or L-mount shooter looking for a well-built, compact prime, I highly recommend you take a look.

Now over to you:

What do you think of these new lenses from Sigma? Do either of them appeal to you? Share your thoughts in the comments below!

The post Sigma Releases 24mm f/2 and 90mm f/2.8 Lenses for E-Mount and L-Mount Cameras appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Sigma Announces the “Reborn” 35mm f/1.4 Art for E-Mount and L-Mount

30 Apr

The post Sigma Announces the “Reborn” 35mm f/1.4 Art for E-Mount and L-Mount appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Sigma announces the "reborn" 35mm f/1.4 for E-mount and L-mount

Earlier this week, Sigma announced its latest lens, the 35mm f/1.4 DG DN Art for L-mount and Sony E-mount cameras. 

It’s a redesign of Sigma’s popular 35mm f/1.4 DG HSM Art lens, but “reborn for mirrorless and empowered through Sigma’s [latest] technology.” Specifically, you can expect superior optical performance compared to the original 35mm f/1.4, especially in terms of bokeh quality and aberration reduction; Sigma also promises “fast and quiet AF,” plus “a professional feature-set” packed into “a compact body.”

I’m a fan of the Sigma Art line, but I’ve been frequently frustrated by the size and heft of the lenses. Fortunately, the 35mm f/1.4 addresses these problems. Sigma rates it as “significantly smaller and lighter than the existing 35mm f/1.4,” and while I wouldn’t go that far (it’s about 0.6 in/15 mm shorter and 0.7 oz/20 g lighter), the lens should balance better on Sony mirrorless cameras – especially Sony APS-C models – than its predecessor. 

Above, I mentioned the improved optical performance on the new 35mm f/1.4. Sigma’s anti-flare and anti-ghosting technology, as well as low dispersion elements designed to combat aberrations, guarantees superb clarity even in tricky shooting conditions. And you can expect improvement to the (already impressive) bokeh, thanks to the 11 aperture blades, compared to 9 on the previous version.

Sigma 35mm f/1.4 lens announcement

Interestingly, Sigma has added an aperture ring to the redesigned 35mm. You have the option to adjust the aperture via the camera dials, but for those who prefer a more tactile shooting experience, manual aperture selection is always an option. The lens is also dustproof and splashproof, so the 35mm f/1.4 can be used successfully for outdoor event photography, street photography, and even landscape work. And while I haven’t had the opportunity to hold the 35mm f/1.4 in my hands, I’m confident that it, like all of Sigma’s Art lenses, can take a significant beating.

The Sigma 35mm f/1.4 DG DN Art should appeal to plenty of photographers, especially portrait shooters in need of stunning background bokeh in a portable (and inexpensive) package, street photographers after a wider focal length, and event photographers looking for stunning optics and a fast maximum aperture. But I can also see the 35mm f/1.4 working as a travel lens, an architectural lens, and even a landscape lens.

The brand-new Sigma 35mm f/1.4 DG DN Art is currently available for preorder, and you can grab it for just $ 899 USD. Expect the lens to start shipping in May.

Now over to you:

Are you impressed by the Sigma 35mm f/1.4? What do you think of it? Have you used the older version, and how do you think the new version will measure up? Share your thoughts in the comments below!

The post Sigma Announces the “Reborn” 35mm f/1.4 Art for E-Mount and L-Mount appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Leica introduces APO-Summicron-SL 28mm F2 L-mount lens

18 Feb

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Leica has introduced the APO-Summicron-SL 28mm F2 ASPH lens for full-frame L-mount bodies. It features 13 elements, 6 of which are aspherical; several of the elements are of the anomalous partial dispersion type to reduce chromatic aberration.

The lens can focus as close as 24cm (9.5″) and the maximum magnification is 0.2X. The focus group is driven by a stepping motor that Leica calls ‘Dual Syncro Drive’. The 28mm F2 has a newly designed manual focus ring that uses magnetic fields to improve responsiveness and precision.

The 28mm F2 is weather-sealed and weighs in at 700g (1.5lbs) without its hood. It accepts 67mm filters.

The APO-Summicron-SL 28mm F2 ASPH is now available for $ 5195.

Press release:

Leica Launches the APO-Summicron-SL 28 f/2 ASPH.:

Exemplifying A Commitment to Developing High-Performing Innovative Technologies in the World of Camera Optics

February 18, 2021. With the APO-Summicron-SL 28 f/2 ASPH., Leica Camera presents yet another high-performance wide-angle lens for the Leica SL-System. The APO-Summicron-SL 28 f/2 ASPH. is the latest addition to the ever-expanding APO-Summicron-SL series that includes a lens range renowned for its top-level optical performance and extremely fast and reliable autofocus.

Following the existing focal lengths of 35, 50, 75 and 90 mm, the APO-Summicron-SL 28 f/2 ASPH. is the first true wide-angle prime lens in this series, making the APO-Summicron-SL 28 f/2 ASPH. especially suitable for reportage, interior and architectural photography. Its maximum aperture can be used without any loss of image quality and offers additional creative possibilities through the exquisite balance of sharp subjects and lovely soft background blur. Thanks to the L-Mount standard, the APO-Summicron-SL 28 f/2 ASPH. is equally compatible with cameras made by other partners of the L-Mount Alliance that have been equipped with the Leica-developed lens mount.

As is universally appreciated with all Leica lenses, the fastest aperture delivers maximum performance. As a result, reducing the aperture is only necessary for compositional and creative purposes. Leica lenses always deliver an exceptional quality of natural skin tones, soft transitions into creamy bokeh, contrast-rich details and edge-to-edge sharpness across a distortion-free image. Yet the APO-Summicron-SL 28 f/2 ASPH. is further distinguished by its apochromatic correction, which is a notable feature in a lens of this focal length, and its six aspherical lens surfaces. To ensure the optimal correction of chromatic aberrations, the majority of the grouped lens elements feature anomalous partial dispersion and are made of high-quality specialized glass. The end result is a wide-angle lens that delivers impeccable images complete with the “Leica Look” to help realize a creative vision in any avenue of photography.

The autofocus drive of all APO-Summicron-SL lenses utilizes extremely robust and high-performance stepping motors with DSD® (Dual Syncro Drive™). This enables the AF to travel the entire focusing range in around 250 milliseconds. Leica Camera also takes an innovative approach to manual focusing technology, including an entirely new manual focus ring construction in the form of an embedded ring magnet with alternating north-south polarization. When the ring is turned, the magnetic field changes its polarity. A sensor monitors the status of the magnetic field and sends the data to the main processor. The drive then shifts the lens to the corresponding focusing position based on the angle of rotation and the rotational speed, delivering even faster and more precise manual focusing to match the lens’s quick and accurate autofocus.

Both the construction and design of the cutting-edge APO-Summicron-SL series represent the next step forward in the development of lenses for the Leica SL-System. New, extremely precise manufacturing methods and measuring technologies have been developed specifically for the production of these lenses, resulting in more compact dimensions as well as truly outstanding imaging performance. In the construction of the APO-Summicron-SL lenses, particular attention has been paid to the prevention of stray light and reflections by applying a high-quality coating to the lens surfaces. Thanks to their effective sealing against dust, moisture, and water spray, as well as the Aquadura coating of the exposed lens surfaces, these extremely durable lenses can be used in nearly any weather condition without any cause for concern. The ever-expanding portfolio of Leica SL lenses are built to withstand the elements and the test of time, matching its futureproof counterparts in the SL2 and SL2-S with their rugged construction and continuing firmware development ensuring a long service life.

The APO-Summicron-SL 28 f/2 ASPH. is available now at Leica Stores, Boutiques and Dealers for $ 5,195.00.

About Leica Camera

Leica represents a union of craftsmanship, design and experience. It is a beautiful collision of art and engineering, and the future of form and functionality. Leica Camera, headquartered in Wetzlar, Germany, is an internationally operating, premium-segment manufacturer of cameras and sport optics products. The legendary status of the Leica brand is founded on a long tradition of excellence in the supreme quality and performance of cameras and lenses, and the iconic images that artists and photojournalists everywhere captured with them. For more information about Leica visit www.leicacamerausa.com, or follow the brand on Facebook, Instagram and Twitter.

Leica APO-Summicron-SL 28mm F2 ASPH specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 28 mm
Image stabilization No
Lens mount L-Mount
Aperture
Maximum aperture F2
Minimum aperture F22
Aperture ring No
Optics
Elements 13
Groups 10
Special elements / coatings 6 aspherical elements
Focus
Minimum focus 0.24 m (9.45)
Maximum magnification 0.2×
Autofocus Yes
Motor type Stepper motor
Full time manual No
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter No
Physical
Weight 700 g (1.54 lb)
Diameter 73 mm (2.87)
Length 102 mm (4.02)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 67 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic announces compact Lumix S 85mm F1.8 prime for L-mount

04 Nov

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Panasonic has announced the Lumix S 85mm F1.8 for L-mount. This compact lens has nine elements, two of which are ED glass that help control chromatic aberration, along with a nine-blade aperture for circular out-of-focus highlights. It has a minimum focus distance of 0.8m (2.6ft) and a maximum magnification of 0.13x.

The 85mm F1.8 is just 82mm (3.2″) long and weighs in at 355g (12.5oz). The lens is dust and moisture-resistant and Panasonic claims that it can function down to -10°C/+14°F. It’s designed to have the same size and control placement as Panasonic’s other upcoming L-mount primes (24/35/50mm), for easier use with things like gimbals.

The Lumix S 85mm F1.8 will be available in January for $ 599.

Press release:

A New F1.8 Large-Aperture Fixed Focal Length Lens for the LUMIX S Series

Compact, Lightweight Medium-Telephoto LUMIX S 85mm F1.8 (S-S85)

Newark, NJ (November 4, 2020) – Panasonic is pleased to introduce a new large-aperture medium-telephoto fixed focal length lens, the LUMIX S 85mm F1.8 (S-S85) that enhances portrait photography with its beautiful bokeh effect. Based on the L-Mount system for the LUMIX S Series full-frame mirrorless camera, Panasonic is going to release four F1.8 large-aperture lenses as previously announced, and this 85mm F1.8 is the first one. These four F1.8 lenses feature common size and position of control parts to provide practical advantage in use, for example, when the camera is on a gimbal, it is easy to exchange lenses quickly with minimum adjustment of connected gears. Filters can also be used in common thanks to the same diameter. Boasting high mobility realized by its compact size and light weight, the LUMIX S 85mm F1.8 is also suitable for stills.

Comprising 9 elements in 8 groups, the use of 2 ED (Extra-low Dispersion) lenses effectively suppresses both axial chromatic aberration and chromatic aberration of magnification. Panasonic S series lenses even pursue the beauty of bokeh and the LUMIX S 85mm F1.8 provides smooth defocus gradation from the focus peak to the neighboring area of the image as well as smooth, round bokeh of point light source without vignetting. The LUMIX S 85mm F1.8 also excels in video recording performance with a mechanism that suppresses focus breathing, which was a critical problem of all interchangeable lenses designed for still image photography.

With its compact size and approximately 355g weight, the LUMIX S 85mm F1.8 features stunning mobility. The rugged dust/splash-resistant* design withstands use under harsh conditions even at 10 degrees below zero for high mobility. The filter diameter is 67 mm, with a 9-blade circular aperture diaphragm.

In addition to the four F1.8 large-aperture lenses, A 70-300mm telephoto zoom lens is also under development to further enhance LUMIX S Series lens lineup. Panasonic and L-Mount system alliance are committed to the development of L-Mount lenses for the further expansion of its lineup to fulfill the needs of customers.

* Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.

Panasonic Lumix S 85mm F1.8 specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 85 mm
Image stabilization No
Lens mount L-Mount
Aperture
Maximum aperture F1.8
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 9
Groups 8
Special elements / coatings 2 ED elements
Focus
Minimum focus 0.80 m (31.5)
Maximum magnification 0.13×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 355 g (0.78 lb)
Diameter 74 mm (2.91)
Length 82 mm (3.23)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 67 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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Sigma 105mm F2.8 DG DN Macro for E- and L-mount arrives in October

01 Oct

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Sigma has unveiled an all-new 105mm F2.8 macro lens, which will provide 1:1 reproduction and will be offered for E-mount and L-mount mirrorless cameras. It features a new optical formula comprising 17 elements in 12 groups, including one SLD (Special Low Dispersion) element.

The 105mm F2.8 DG DN Macro features a 14cm (5.5″) working distance, an aperture ring that functions either clicked or de-clicked, and a three-zone focus limiting switch. The lens is dust- and splash-proof, and the L-mount version is compatible with Sigma’s 1.4x and 2x teleconverters.

The Sigma 105mm F2.8 DG DN Macro Art lens will ship in late October for $ 800.

View our sample gallery

Press release

Sigma Announces the 105mm F2.8 DG DN Macro | Art Lens, Redefining Mirrorless Macro Performance

  • Life-sized magnification (1:1) short tele macro for full-frame mirrorless
  • Dust and Splash-proof construction
  • Completely new optical formula for exceptional sharpness and pleasing bokeh
  • Hypersonic Motor optimized for both contrast and phase detection autofocus
  • Clicked and de-clicked aperture ring with Aperture Ring Lock Switch
  • Focus Limiter switch for macro, portrait, or full range autofocus
  • Available in L-Mount and Sony E-Mount
  • MSRP: $ 799
  • Anticipated Shipping Date: Late October 2020

Ronkonkoma, NY – September 30, 2020 – The SIGMA 105mm F2.8 DG DN Macro | Art lens is the first prime macro lens designed by Sigma exclusively for full-frame mirrorless cameras, as the DG DN in the name indicates. Announced today by Sigma Corporation, this lens offers 1:1 magnification (life-sized) at a 5.5-inch working distance with internal focusing, and it is available in Sony E-Mount and L-Mount formats.

Exceptional focal plane sharpness with minimal aberration is achieved through a new optical formula featuring 17 elements in 12 groups with one SLD element. The lens design also features excellent peripheral brightness for pleasing bokeh, complemented by nine rounded aperture blades. The L-Mount version of the 105mm F2.8 DG DN Macro | Art lens is compatible with the SIGMA Teleconverter TC-1411 and TC-2011, increasing the maximum magnification to 1.4:1 and 2:1, respectively.

“In order to capture the minute details of small subjects, macro lenses must meet an extremely high standard of optical precision, and the new SIGMA 105mm F2.8 DG DN Macro | Art lens truly delivers,” says Mark Amir-Hamzeh, President of Sigma Corporation of America. “Whether you are shooting images of flowers, insects or just interesting objects around the house, the sharpness, bokeh quality and practical functionality of this lens will exceed the expectations of professionals and hobbyists alike.”

The Hypersonic Motor delivers smooth, quiet, confident autofocus in both close-up and portrait-distance settings, and the three-zone focus limiter switch allows for even swifter response when focusing exclusively in either the macro or more distant range.

The Sigma Art line has been consistently redefining both imaging excellence and satisfying handfeel, and this new lens continues that journey. The dust and splash-proof design, aluminum and TSC (Thermally Stable Composite) construction, a brass bayonet mount, plus well-damped switches and rings demonstrate the level of build quality that the Art name represents. The Aperture Ring can be clicked or de-clicked by flick of a switch, and the lens also includes an Aperture Ring Lock Switch function. Additional benefits include a programmable AFL button on the lens barrel, and compatibility with face and eye-detection autofocus.

The lens will begin shipping late October 2020. / MSRP: $ 799

Sigma 105mm F2.8 DG DN Macro specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 105 mm
Image stabilization No
Lens mount L-Mount, Sony FE
Aperture
Maximum aperture F2.8
Minimum aperture F22
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 17
Groups 12
Special elements / coatings 1 super-low-dispersion element, Super Multi-layer coating
Focus
Minimum focus 0.30 m (11.81)
Maximum magnification 1×
Autofocus Yes
Motor type Ring-type ultrasonic
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 715 g (1.58 lb)
Diameter 74 mm (2.91)
Length 134 mm (5.28)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 62 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic unveils new 24, 35, 50 and 85mm F1.8 L-mount primes

05 Sep

The S5 is at the center of the Panasonic’s announcements today, but the company has also revealed plans to release a handful of F1.8 prime lenses. Details are thin at the moment, but we know that S-series 24mm, 35mm, 50mm and 85mm F1.8 lenses are on the way, and that the 85mm will be available in November.

Panasonic showed renderings of its forthcoming lenses in a presentation surrounding the S5 launch.

A YouTube presentation by Panasonic shows all four primes as being the same size, each of them smaller (and presumably less expensive) than the existing F1.4 L-mount options at these focal lengths, which will bring some added variety to the growing lens system.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma announces 85mm F1.4 DG DN Art for E-mount and L-mount

08 Aug

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Sigma has launched its 85mm F1.4 DG DN Art, a fast portrait prime for Sony E and Panasonic/Leica/Sigma L-mount. The lens features 15 elements, including one aspherical and five SLD (special low dispersion). It has 11 aperture blades and its focus unit is driven by a high-speed stepping motor. The minimum focus distance of the 85mm F1.4 is 0.85m (34″) and the maximum magnification is 0.12x.

The lens’ aperture ring has a ‘click switch’, allowing users to choose between ‘clicky’ and smooth rotation, as well as a ‘lock switch’ to prevent accidental operation. As one would expect from a modern lens in Sigma’s ‘Art’ collection, it’s very well built and weather-sealed. Despite that, the lens weighs just 630 grams (1.4 pounds).

The 85mm F1.4 DG DN Art will go on sale later this month for $ 1199.

Go hands-on with the Sigma 85mm F1.4

Press release

Sigma Announces the 85mm F1.4 DG DN | Art Lens, the Definitive Portrait Prime for the Mirrorless Age

  • Fast-aperture full-frame prime lens that is surprisingly compact
  • Dust and Splash-proof construction
  • Completely new optical formula with 5 SLD and 1 Aspherical element
  • Stepping motor optimized for contrast and phase detection autofocus
  • Clicked and de-clicked aperture ring with Iris Ring Lock Switch
  • Available in L-Mount and Sony E-Mount
  • MSRP: $ 1199
  • Anticipated Shipping Date: Late August 2020

Ronkonkoma, NY – August 6, 2020 – Redefining the portrait lens category, the Sigma 85mm F1.4 DG DN | Art lens is a completely new design for full-frame mirrorless cameras, as the “DN” designation indicates. Announced today by Sigma Corporation, this is a complete reinvention of the definitive fast-aperture portrait prime that pairs class-leading optical performance with a compact, dust-and splash-proof design. Offered in both L-Mount and Sony E-Mount, this lens features a completely new optical formula that includes five Special Low Dispersion Elements and one aspherical element for exceptional edge-to-edge image sharpness. This new optical formula also thoroughly corrects aberrations, resulting in visually pleasing images with no color bleed, even at maximum aperture. Plus, the 11-blade rounded diaphragm ensures smooth, attractive bokeh. The 85mm F1.4 DG DN | Art lens is handcrafted to the most exacting optical and mechanical tolerances in Sigma’s Aizu, Japan production facility.

“Briefly put, the Sigma 85mm F1.4 DG DN | Art pairs large-aperture, professional-caliber optical performance with a lightweight, sturdy, and compact body, a combination which has long been difficult to achieve,” reports Mark Amir-Hamzeh, President of Sigma Corporation of America. “This vision is finally realized with the new 85mm F1.4 DG DN | Art lens.”

A smaller focusing lens is paired with the stepping motor, which is optimized for both phase detection and contrast detection autofocus, allowing for this lens to be notably smaller than the 85mm F1.4 DG HSM | Art lens — over an inch shorter and more than a pound lighter than the previous version — while achieving a higher degree of edge-to-edge sharpness from F1.4 and through the entire aperture range.

The Sigma Art line has been consistently redefining both imaging excellence and pleasing in-the-hand experience, and this new lens continues that legacy. Dust and splash-proof design, aluminum and TSC (Thermally Stable Composite) construction, a brass bayonet, plus well-damped switches and rings demonstrate the level of build quality that the Art name represents. Additional benefits include an aperture ring that allows for clicked and de-clicked operation, a programmable AFL button on the lens barrel, and a new Iris Ring Lock Switch that prevents unintended movement of the aperture ring during image capture.

This combination of imaging characteristics, build quality, and compact size for its focal length and aperture combine to make this the class-defining portrait lens for full-frame mirrorless camera systems.

The lens will begin shipping late August 2020. / MSRP: $ 1,199.00

View the worldwide product announcement replay here.

SIGMA 85mm F1.4 DG DN

Designed exclusively for full-frame mirrorless cameras

Redefining the Classic

  1. The record-high performance worthy of the name of 85mm F1.4 | Art
  2. Lightweight & compact – A new perception of F1.4
  3. A full range of functionalities and excellent build quality

Mark a new chapter of the Art line F1.4 in the mirrorless age.

Large-diameter, unparalleled optical performance, compact and lightweight, and high-speed AF ? all in your hand.

The 85mm F1.4 DG DN | Art combines a clear and delicate rendering performance, which is requisite for portrait photography, with beautiful, rich bokeh effects only possible with lenses such as a large-diameter F1.4, at a level that will satisfy both professional and advanced amateur photographers. The focal length of 85mm and significant bokeh effect at F1.4 brightness allow the users’ subjects to stand out in a complementary fashion, which is one of the essences of taking portrait photography, so users can enjoy it to the fullest.

In addition to the fast and consistent AF response, the mirrorless-exclusive design of the 85mm F1.4 DG DN | Art has realized a lightweight and compact lens body that defies convention. And its small body is packed with a range of functionalities, including a dust- and splash-proof structure, supported by an excellent build quality.

The 85mm F1.4 DG DN | Art is SIGMA’s new “ultimate portrait lens” for the mirrorless age. And with it, SIGMA proposes a whole new world of possibilities provided by this “85mm F1.4 lens for everyday use,” thanks to the unprecedented level of portability, free from size- or weight-related limitations.

[Key features]

  1. The record-high performance worthy of the name of 85mm F1.4 | Art

85mm F1.4 is a specification almost synonymous with a portrait lens. With the Art line lenses, SIGMA pursues the highest optical performance possible and has devoted the latest optical design technologies, as well as the production technologies of the Aizu factory, SIGMA’s only production site, to the development of these lenses. The result is a detailed image critical for portrait photography that is achieved at a level that will satisfy both professional and advanced amateur photographers.

In addition to five SLD (Special Low Dispersion) elements and one aspherical lens, the 85mm F1.4 DG DN | Art has incorporated the latest high refractive index glass, which works to thoroughly correct aberrations that cannot be handled by the correction functionality on the camera side. With a particular emphasis given to the correction of axial chromatic aberration, users will enjoy sharp images with no color bleeding, all the way up to the maximum aperture of F1.4.

The high resolving power that covers the entire image from the center to the edges ensures sharpness of the area in focus, and coupled with the significant bokeh effect produced by the F-value of 1.4 brings out the users’ subject in an evocative way.

The numerous rounds of ray-trace simulation, as well as repeated real-world testing, have given the 85mm F1.4 DG DN | Art its ability to minimize ghosting, ensuring clear, sharp images even when shooting in backlit conditions.

With the ability to shoot from the maximum aperture of F1.4 without worrying about image quality, users can focus on the camera operations to realize their artistic expressions, such as the adjustment of exposure and depth of field. This new lens indeed delivers a level of optical performance truly worthy of the name of 85mm F1.4 Art.

  1. Lightweight & compact – A new perception of F1.4

The 85mm F1.4 DG DN | Art weighs 630g/ 22.2oz., with a filter size of 77mm and a body length of 94.1mm/ 3.7in.*. Designed exclusively for mirrorless cameras, it has a “large lens diameter and superb optical performance” and “a lightweight and compact body,” a combination which has long been difficult to achieve.

The AF motor system employs a stepping motor which is optimized for both phase detection AF and contrast AF. Not only does this provide a smooth shooting experience only possible with a mirrorless camera, such as face/eye detection AF, but it has also made the lens body itself much smaller, as the focus lens has been made small to better suit a stepping motor. Furthermore, by making the most of the in-camera aberration correction functionalities, SIGMA was able to concentrate on the correction of aberration that could be handled by the optical system alone, which further contributed to making the lens smaller in size.

With such a lightweight and small body, users can now take out a large-diameter 85mm F1.4 lens for an everyday use such as taking snapshots. The 85mm F1.4 DG DN | Art invites users to enjoy photography in an unconventional way.

* For L-mount.

  1. A full range of functionalities and an excellent build quality

This compact lens is packed with a range of functionalities that will satisfy both professional and advanced amateur photographers.

The 85mm F1.4 DG DN | Art has newly introduced an “Iris ring lock switch.” This prevents from unintended movement of the iris ring during shooting, allowing users to devote their attention to the creation of their image. The “Focus Mode Switch” on the lens body and the “AFL button*” that allows various functions to be assigned from a camera body will also assist users’ shooting.

In addition to the dust- and splash-proof structure, the lens uses materials such as aluminum and TSC (Thermally Stable Composite) where they are best suited, achieving a level of build quality that is worthy of the Art line. In addition to the durability of the body, the lens pursues quality in terms of how users “feel” as well, such as the smooth motion in which each ring or switch works, and the precise hand feeling. The 85mm F1.4 DG DN | Art helps ensure users a smooth shooting experience in every condition.

*Limited to compatible cameras. Also, the functions depend on the camera.

[Additional features]

  • Lens construction: 15 elements in 11 groups, with 5 SLDs and 1 aspherical lens
  • Compatible with high-speed autofocus
  • Compatible with lens-based optical correction

*Only on camera models that support this functionality. Scope of correction varies depending on

  • Iris ring
  • Iris ring click switch
  • Iris ring lock switch

*When turned ON at the position A, the iris ring is locked at A. When turned ON at a position other than A, it is locked within the range between the maximum to minimum apertures and will not engage at the position A.

  • AFL button
  • Focus Mode Switch
  • Dust-and splash-proof
  • Hood with lock
  • Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
  • Designed to minimize flare and ghosting
  • Every single lens undergoes SIGMA’s proprietary MTF measuring system “A1”
  • 11-blade rounded diaphragm
  • High-precision, durable brass bayonet mount
  • “Made in Japan” craftsmanship

To learn more about SIGMA’s craftsmanship, please visit SIGMA website at

https://www.sigma-global.com/en/lenses/

Sigma 85mm F1.4 DG DN Art specifications

Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 85 mm
Image stabilization No
Lens mount Leica SL, Sony FE
Aperture
Maximum aperture F1.4
Minimum aperture F16
Aperture ring Yes
Number of diaphragm blades 11
Optics
Elements 11
Groups 15
Special elements / coatings 1 aspherical + 5 SLD elements
Focus
Minimum focus 0.85 m (33.46)
Maximum magnification 0.12×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 630 g (1.39 lb)
Diameter 83 mm (3.27)
Length 94 mm (3.7)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 77 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Venus Optics is now offering six of its most popular Laowa lenses for L-mount cameras

25 Jul

Venus Optics has announced it’s now offering six of its most popular Laowa lenses for L-mount camera systems. The new lenses feature the same optical designs as their respective DSLR and mirrorless equivalents but are designed specifically for use with Leica CL, Leica SL, Panasonic S1 and Sigma fp cameras.

The six ‘new’ L-mount lenses are as follows:

  • Laowa 10-18mm F4.5-5.6
  • Laowa 12mm F2.8 Zero-D
  • Laowa 15mm F2 Zero-D
  • Laowa 15mm F4 Wide Angle Macro
  • Laowa 65mm F2.8 2X Ultra-Macro
  • Laowa 100mm F2.8 2X Ultra Macro APO

Aside from dimensions and weight, which vary only slightly, the specifications for each of the lenses are the same as the other mirrorless-mount versions of each lens. As a refresher though, Venus Optics has provided the following specification overview chart.

As noted in the above chart, each lens retails for the same price as their other mirrorless mount equivalents. You can find out more about each of the lenses by going to Venus Optics’ website.

Press release

Press Release

Venus Optics add L-mount options on 6 of their Laowa Lenses

Anhui China, Jun 24, 2020 – Venus Optics, the manufacturer specialized in making unique photo and cinema lenses, add the L-mount option on six of their existing Laowa wide angle & macro lenses. These L-mount lenses can currently be used on Panasonic S1 series , Sigma FP and Leica SL/CL cameras.

Wide Angle

  • Laowa 10-18mm f/4.5-5.6
  • Laowa 12mm f/2.8 Zero-D
  • Laowa 15mm f/2 Zero-D

Macro

  • Laowa 15mm f/4 Wide Angle Macro
  • Laowa 65mm f/2.8 2X Ultra-Macro
  • Laowa 100mm f/2.8 2X Ultra Macro APO

Laowa 10-18mm f/4.5-5.6

Laowa 10-18mm is currently the widest rectilinear zoom lens available in the market for full frame cameras. With the small form factor, the lens is extremely handy for landscape and travel photographers. A rear filter slot is designed for using ND filters.

Laowa 12mm f/2.8 Zero-D

Laowa 12mm is the flagship model of Venus Optics and is currently the widest rectilinear f/2.8 lens in the market for full frame cameras. The lens features a close- to-zero distortion as well as a ultra-fast aperture. It is extremely popular among astro and landscape photographers.

Laowa 15mm f/2 Zero-D

Laowa 15mm f/2 Zero-D lens is another flagship model of Venus Optics and it features an extremely fast f/2 aperture. Unlike other wide angle lenses with bulgy front element, the 72mm filter thread is an extremely convenient feature for landscape and astro photographers. The lens is good for both photographers and videographers. Similar to the 12mm f/2.8, this 15mm can also cover the full frame sensor as well as having a close-to-zero distortion.

Laowa 15mm f/4 Wide Angle Macro

Laowa 15mm f/4 lens is currently the widest 1:1 macro lens in the market. The combination of deep depth of field and 1:1 magnification enables photographers to take photos like nobody else. Not only can small subjects appear huge in the photos, its background information (e.g. habitat) can also be visible in the photos. This lens can cover full frame sensor and is equipped with a simple +/- 6mm shift mechanism.

Laowa 65mm f/2.8 2X Ultra-Macro

Laowa 65mm f/2.8 2X Ultra-Macro is a 2:1 macro lens that Venus Optics have designed specially for mirrorless APS-C cameras. The extended macro range is extremely welcomed by macro photographers who was having difficulty in shooting small subjects. The compact and lightweight lens body matches balance with the camera really well.

Laowa 100mm f/2.8 2X Ultra-Macro APO

The award winning 100mm macro lens is one of the flagship macro lens offered by Venus Optics. Apart from the 2:1 magnification, the lens also features an extremely good control of chromatic aberrations control. The lens is able to focus from 2:1 magnification till infinity focus and cover full frame sensor.

Pricing & Availability

The new L-mount lenses are currently available to order in Venus Optics official webstore and their authorized resellers. Pricing is the same as the other available mounts and they vary in different countries. Shipping will start from August onwards.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma announces 100-400mm F5-6.3 for E-mount and L-mount, teleconverters and more

19 Jun

Sigma has announced the launch of its first ultra telephoto lens specifically for full-frame mirrorless cameras, as well as a pair of teleconverters, a new USB dock and a new mount options for three of its prime Contemporary lenses.

100–400mm F5–6.3 DG DN OS Contemporary

While this new lens might look similar to its previous 100-400mm lens, the 100-400mm F5-6.3 DG DN OS Contemporary has been designed ‘from the ground up for mirrorless camera systems.’ Specifically, the lens will be available in Sony E-mount and L-mount.

It’s designed to cover fulll-frame image sensors and is constructed of 22 elements in 16 groups including one low dispersion element (FLD) and four special low dispersion (SLD) elements. It uses a stepping motor for autofocus, has a nine-blade aperture diaphragm, a minimum aperture range of F22–29 and a 67mm front filter thread. At 100mm it has a minimum focusing distance of 112cm (44”) and at 400mm it has a minimum focusing distance of 160cm (63”). The lens measures in at 86mm (3.4”) diameter, 197mm (7.8”) long and weighs 1,135g (40oz).

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The Sigma 100-400mm F5-6.3 DG DN OS Contemporary is currently available to pre-order for Sony E-mount (Adorama, B&H) and L-mount (Adorama, B&H) for $ 950. The first units should start shipping on July 10.

Sigma Teleconverter TC-1411 and TC-2011

In addition to its mirrorless ultra-zoom, Sigma has also announced two new L-mount teleconverters: the TC-1411 (1.4x) and the TC-2011 (2x). Sigma says these two teleconverters are ‘Designed to complement Sigma’s renowned optical formulas’ and feature a dust- and splash-proof design ‘comparable to that of the Sigma Sports line lenses.’

The TC-1411 (1.4x) and TC-2011 (2x) are currently available to pre-order for $ 400 (Adorama, B&H) and $ 430 (Adorama, B&H), respectively, and should ship on July 10 alongside the 100-400mm F5-6.3 lens.

Sigma USB Dock UD-11

New lenses and teleconverters also mean new docks for updating firmware and adjusting settings. Sigma’s new USB Dock UD-11 models use a USB Type-C connection and are available for Sigma L-mount and Canon EF-M mount mirrorless lenses. As with Sigma’s other docks, the UD-11 models makes it possible to update firmware and customize settings on Sigma lenses with these mounts.

These EF-M and L-Mount docks are also available to pre-order starting today for $ 59 (Adorama, B&H) with an expected shipping date of July 10.

16mm, 30mm, and 56mm F1.4 DC DN Contemporary lenses

Sigma has also announced it’s made its three F1.4 mirrorless lenses available for L-mount camera systems. The 16mm, 30mm, and 56mm F1.4 DC DN Contemporary lenses are identical to their Sony E-mount, Canon EF-M mount and Micro Four Thirds predecessors, and are currently available to pre-order for $ 450 (Adorama, B&H), $ 340 (Adorama, B&H) and $ 480 (Adorama, B&H), respectively, with a July 10 shipping date.

It’s worth mentioning that the only current APS-C cameras that utilize the L-mount, and therefore would be most appropriate for this trio of lenses include Leica’s TL2 and CL mirrorless cameras released in 2017. But for full-frame L-mount users who primarily shoot video, these lenses do make for compact, affordable Super 35 lens options.

Sigma 100-400mm F5-6.3 DG DN OS specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 100–400 mm
Image stabilization Yes
CIPA Image stabilization rating 4 stop(s)
Lens mount Leica SL, Sony FE
Aperture
Maximum aperture F5–6.3
Minimum aperture F22–29
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 22
Groups 16
Special elements / coatings FLD and SLD elements
Focus
Minimum focus 1.10 m (43.31)
Maximum magnification 0.71×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale Yes
DoF scale No
Focus distance limiter Yes
Physical
Weight 1135 g (2.50 lb)
Diameter 86 mm (3.39)
Length 197 mm (7.76)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock Yes
Filter thread 67 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic announces Lumix S 20-60mm F3.5-5.6 lens for L-mount

27 May

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Panasonic has announced its new Lumix S 20-60mm F3.5-5.6 lens for L-mount bodies. Its 20-60mm focal length is shorter but significantly wider than most variable aperture standard zooms, which are typically around the 28-80mm range.

Of the 11 elements on this unstabilized lens, two are aspherical, three are extra-low dispersion and one is ultra-high refractive index. The lens has a minimum focus distance of 15cm (just under 6″) with a maximum magnification of 0.43x.

Panasonic says the lens has been designed to suppress focus breathing (the change of effective focal length at different focus distances) for video shooters, who are likely to appreciate its wide-angle capabilities.

The lens weighs in at just 350 grams (12 ounces) and is dust and splash resistant, and functional down to –10°C (14°F). A fluorine coating on the front element repels water and oil.

The Lumix S 20-60mm F3.5-5.6mm lens will ship in late July for $ 599.

Press release

Panasonic Launches a New L-Mount Interchangeable Lens for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera

LUMIX S 20-60mm F3.5-5.6 (S-R2060)

Newark, NJ (May 27, 2020) – Panasonic is proud to introduce a new interchangeable standard zoom lens, the LUMIX S 20-60mm F3.5-5.6 (S-R2060) based on the L-Mount system for the LUMIX S Series Full-frame Digital Single Lens Mirrorless Camera. Designed for professional use, the LUMIX S Series pursues uncompromising photographic expression with its high-quality cameras and lenses.

The new LUMIX S 20-60mm F3.5-5.6 is a compact, lightweight standard zoom lens that covers from ultra-wide 20mm to standard 60mm focal length for versatile use including landscape photography. The wide viewing angle makes it easier to shoot indoors where space is limited and stunning close-up capability of 5.9 inches / 0.15m (maximum magnification 0.43x) supports still life photography. The new LUMIX S 20-60mm F3.5-5.6 also ensures smooth, high quality video recording because of a mechanism that suppresses focus breathing, which can an issue in interchangeable lenses designed for still image photography.

With 11 elements in 9 groups, the use of 2 aspherical lenses and 3 ED (Extra-low Dispersion) lenses effectively suppresses both axial chromatic aberration and chromatic aberration of magnification. Astigmatism is also corrected with these aspherical lenses, achieving high resolving performance. Furthermore, a UHR (Ultra-High Refractive Index) lens achieves uniform image quality from the center to edges of the image while contributing to downsizing of the lens unit.

With its compact, approximately 12.3 oz / 350g of light weight, the LUMIX S 20-60mm F3.5-5.6 features stunning mobility. The rugged dust/splash-resistant* design withstands use under harsh conditions even at 14°F / -10°C for high mobility. In addition, a fluorine coating on the front element repels water and oil and prevents them from attaching. The filter diameter is 67 mm, with a 9-blade circular aperture diaphragm.

Panasonic and L-Mount system alliance are committed to the development of L-Mount lenses for the further expansion of its lineup to fulfill the needs of end users .

The LUMIX S 20-60mm lens will be available at the end of July for $ 599.99.

*Dust and Splash Resistant does not guarantee that damage will not occur if this lens is subjected to direct contact with dust and water.
•Design and specifications are subject to change without notice.

Panasonic Lumix S 20-60mm F3.5-5.6 specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 20–60 mm
Image stabilization No
Lens mount Leica SL
Aperture
Maximum aperture F3.5–5.6
Minimum aperture F22
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 11
Groups 9
Special elements / coatings 3 ED + 2 aspherical + 1 UHR element
Focus
Minimum focus 0.15 m (5.91)
Maximum magnification 0.43×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 350 g (0.77 lb)
Diameter 77 mm (3.03)
Length 87 mm (3.43)
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 67 mm
Hood supplied Yes

Articles: Digital Photography Review (dpreview.com)

 
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