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Last Dance: A Dozen Hustled & Bustled Abandoned Discos

13 Feb

[ By Steve in Abandoned Places & Architecture. ]

abandoned-disco-1a

Disco ducks and dancing queens can no longer shake their booties since these dozen decrepit abandoned discotheques took down their mirror balls.

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The 1970s haven’t aged well and the various labels applied to the much-maligned decade haven’t helped its rep: The Me Decade, the Malaise Era and the Age of Disco don’t evoke a wealth of fond memories. Even worse, Disco music and discotheques somehow managed to outlast their best-before-date in many places, notably Europe.

abandoned-disco-1b

Take the Discoteca Excalibur, an Italian disco housed in a fake medieval castle. The dance hall was only open for a few years in the early 1990s, and again in 2004-05. Boogie knights!

Don’t Leave Me This Way

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abandoned-disco-2c

A disco by any other name, still sucks it would seem. Take the Good Omen Garden, a once-thriving dining & dancing emporium near Osaka, Japan. Building it out in the boondocks was neither a good omen nor a wise business decision.

abandoned-disco-2a

abandoned-disco-2d

Like many Japanese urban and rural abandonments, the Good Omen Garden displays a creepy “frozen in time” look with tons of fixtures and decor pieces left in situ, if not totally unmolested. Urbex explorer Florian from Abandoned Kansai ventured inside back in November of 2012 and lived to show & tell the tale.

I Will (Not) Survive

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When Club Zillion in Antwerp, Belgium opened in October of 1997, it did so with a bang courtesy of an indoor fireworks show, smoke blowers, confetti cannons, and programmed industrial robots. The place’s main claim to fame was a hydraulic dance floor that not only rotated, it rose and dipped in tune with the music.

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abandoned-disco-4g

Club Zillion closed with a whimper in 2001: its owner was convicted of human trafficking and did time while city authorities plotted the demise and demolition of the so-called “blue cancer”. Thanks to YouTubers Bros of Decay, you can take a twelve-minute video tour filmed in November of 2016, mere weeks before Club Zillion was razed. Images above courtesy of Flickr user Roger Price (antwerpenR) and Urban Treasure.

Lipps Unincorporated

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abandoned-disco-3d

The abandoned Dolphinarium discotheque in Tel Aviv, Israel looked kinda cool and funky from the get-go thanks to its distinctive curved facade. Long abandoned by 2015, the former nightclub proved to be an irresistible template for Israeli street artist Dede, who re-imagined the building as a gargantuan set of wind-up chattering teeth – key included.

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“Without any doubt this is the biggest art challenge I have ever had,” explained Dede. “I’ve had this vision for almost a year now.” With visions like this, who needs hallucinogens?

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Last Dance A Dozen Hustled Bustled Abandoned Discos

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[ By Steve in Abandoned Places & Architecture. ]

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Holiday Gift Guide 2016: Last Chance Gifts for Photo Snappers

15 Dec

It’s our LAST Gift Guide ever … of 2016.

Our shipping deadlines are getting uncomfortably close.

So, take a look at our very best gift ideas, including a couple of new goodies, and place those orders, quick.

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7 Last Minute Father’s Day Gifts for Photographers

29 Jun

Father’s Day is just round the corner. If these words made your heart leap in panic, no worries. We have 7 surefire gift ideas for a photography-addicted Dad in your life. Whether it’s a pro photographer or a budding enthusiast you need to greet, there’s a great gift for every kind of photo buff on this list. And the best Continue Reading

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7 Last Minute Father’s Day Gifts for Photographers

16 Jun

Father’s Day is just round the corner. If these words made your heart leap in panic, no worries. We have 7 surefire gift ideas for a photography-addicted Dad in your life. Whether it’s a pro photographer or a budding enthusiast you need to greet, there’s a great gift for every kind of photo buff on this list. And the best Continue Reading

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Here at last: Ricoh unveils the Pentax K-1 full-frame DSLR with 36MP sensor for $1800

20 Feb

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After years of development, not to mention months of teasers, Ricoh has made its Pentax K-1 full-frame DSLR a reality. The first 35mm format Pentax-branded DSLR (the first to make it to market, anyway), the K-1 offers a 36.4MP CMOS sensor, 5-axis sensor-shift image stabilization, a ‘nearly 100%’ optical viewfinder and 33-point AF system with 25 cross-type points. The 3.2″ 1.04M-dot LCD uses a new flexible tilting design which allows for horizontal, vertical and diagonal movement while keeping the screen in alignment with the lens axis.

The Pentax K-1 doesn’t have a conventional anti-aliasing filter, instead, like the K-3 II, offering a simulated AA filter by way of minute sensor vibrations. The K-1’s sensor is capable of moving in all directions, supporting Ricoh’s Pixel Shift Resolution system. This does not increase linear resolution, but as in the K-3 II, it shifts the sensor slightly to record full color information at each pixel, utilizing a motion correction function in an effort to neutralize the effect of moving subjects in the frame.

The K-1 provides a dustproof and weather-resistant construction along with built-in Wi-Fi, 1080/30p video, 14-bit Raw capture, 4.4 fps burst shooting for up to 23 images in Raw or 70 in JPEG.

The long-awaited Pentax K-1 will cost $ 1799 body-only when it ships it in April.

Press release:

Ricoh defines full-frame benchmark with new PENTAX full-frame DSLR offering

PENTAX K-1 camera offers innovations not available in any other DSLR

DENVER, Colo. February 17, 2016 – Ricoh Imaging Americas Corporation today announced the PENTAX K-1 full-frame digital single-lens reflex (DSLR) camera. The K-1 combines the performance of a full-frame sensor with unique, user-friendly PENTAX technology and convenience features loved by professional and serious amateur photographers the world over.  

The foundation of the PENTAX K-1 is its large, full-frame image sensor. This AA-filterless CMOS sensor with 36.4 effective megapixels sets the stage for ultimate creativity, facilitating super-high-resolution images rich in gradation and superb in high-sensitivity rendition. 

Built around the full-frame sensor is a compact, high-performance weather-sealed and dustproof body with features only found in PENTAX cameras. “The K-1 is a blend of advanced, full-frame performance with the kind of features and advancements that PENTAX users have come to know and love,” said Jim Malcolm, president, Ricoh Imaging Americas Corporation. “As a result, the K-1 creates a solution for full-frame shooters that is unique in the industry.”

Within its compact body, the PENTAX K-1 features several advanced technologies that help the photographer to produce top results in a wide variety of challenging conditions. SR II Shake Reduction is a newly refined and highly sensitive five-axis shake-reduction system that is capable of reducing camera shake with a compensation range of up to five exposure steps, allowing photographers to freely move and compose – and to focus on their subjects, not the gear. SR II also facilitates other advanced PENTAX-unique features such as AA Filter Simulator, which effectively eliminates moiré effect without the need for an anti-aliasing filter, while increasing sharpness and overall image quality. Key to great autofocus performance on the K-1 is the new SAFOX 12 autofocus mechanism with 33 autofocus points, assuring fast and accurate autofocusing, even in the most demanding shooting situations.  A newly-designed optical viewfinder equipped with the famous PENTAX Pentaprism boasts a bright, nearly 100-percent field of view.

In addition to a long list of technological advancements, the PENTAX K-1 also features a number of convenience features, making camera operation fast and easy. Designed to move in ways never before imagined is the new Flexible-tilt LCD monitor—a first for any DSLR camera. This rugged yet highly adjustable display can be positioned to the desired angle horizontally and vertically, making it easy to shoot at challenging angles. Other significant firsts include the K-1’s Operation Assist Lights – small, white LEDs that facilitate camera operation in low-light environments, making it easy to change lenses, swap memory cards and adjust back-of-camera controls, and a Smart Function dial that allows photographers to easy select frequently-used functions without going into the LCD menu. 

Current PENTAX lens owners will appreciate that they can incorporate their APS-C lens collection into their new PENTAX K-1 full-frame camera kit by utilizing the K-1’s Crop Mode, which offers settings in-camera for either APS-C or Full-Frame sized shooting, regardless of the attached lens. There is also an “auto” mode that detects the lens type and sets the camera accordingly. 

Upon launch, PENTAX is offering 12 full-frame compatible lenses, including two new models being announced concurrent with the K-1 camera: the HD PENTAX-D FA 15-30mm f.2.8 ultra-wide angle zoom lens and the HD PENTAX-D FA 28-105mm f/3.5-5.6 compact, lightweight zoom lens. (Note: separate news releases have been issued today to provide details on each lens).

| Pricing and Availability | 

The PENTAX K-1 camera will be available April 2016 at www.ricohimaging.com and retail outlets nationwide for a manufacturer’s suggested retail price of $ 1,799.95.

For further information, please visit www.ricohimaging.com/pentaxff


Main Features

1.  High-resolution, fine-gradation images supported by approximately 36.4 effective megapixels 

The K-1 features an AA (anti-aliasing) filterless design that prioritizes image resolution, as well as the new PRIME IV imaging engine, which is capable of 14-bit RAW-format image recording. The    K-1’s unique full frame sensor and imaging engine design also allows for super-high-sensitivity shooting up to ISO 204800, producing beautiful, high-resolution images.

2. New-generation SR II five-axis system

  • In-body SR II mechanism assures optimal shake reduction performance
    The SR II (Shake Reduction II) five-axis mechanism enables accurate control of the large full-frame image sensor with all compatible PENTAX interchangeable lenses.* In addition to camera shake caused by pitch and yaw, it effectively compensates for camera shake caused by horizontal and vertical shift, as well as camera shake caused by roll, which is difficult to deal with by lens-installed shake reduction mechanisms. Even when taking a panning shot, this system automatically detects the direction of the camera’s movement, and efficiently controls the SR II unit to always produce the best image possible.
  • Pixel Shift Resolution System with a new motion correction function
    This system uses the latest super-resolution technology, which captures four images of the same scene by shifting the image sensor by a single pixel for each image, then synthesizes them into a single composite image. Compared to the conventional Bayer system, in which each pixel has only a single color data unit, this innovative system obtains all color data within each pixel. It incorporates a new motion correction function, which automatically detects a moving object during continuous shooting.
  • Innovative AA filter simulator to minimize moiré
    By applying microscopic vibrations to the image sensor, the K-1’s AA (anti-aliasing) filter simulator provides the same level of moiré reduction as an optical AA filter.
  • Supportive shooting functions
    Since the K-1’s SR II unit has a flexible design that tilts the image sensor unit in all directions, it provides a host of handy shooting functions, including auto level compensation, image-composition fine-adjustment, and AstroTracer, which simplifies advanced astronomical photography using a built-in GPS module.

3. Flexible tilt-type LCD monitor to accommodate various shooting angles

The K-1 features a newly designed, Flexible-tilt LCD monitor, which tilts horizontally, vertically or diagonally with a single action, without deviating from the lens’s optical axis. 35 degrees of horizontal and 44 degrees of vertical adjustment can be achieved; the LCD panel can even be laid flat up or down. The 3.2-inch LCD monitor features a tempered-glass front panel for added durability, a unique air-gapless construction effectively reduces reflection, and a new Outdoor View Setting mode allows the user to instantly choose the desired monitor brightness level.

4. Newly developed SAFOX 12 with 33 sensor points and full-frame-proportioned AF frame

The SAFOX 12 AF sensor module features 33 AF sensors (25 cross-type sensors positioned in the middle). The center sensor and the two sensors located just above and below it are designed to detect the light flux of an F2.8 lens, making it easy to obtain pinpoint focus on a subject when using a large-aperture lens. 

5. Upgraded PENTAX Real-Time Scene Analysis System, with application of artificial  intelligence technology 

The K-1’s advanced PENTAX Real-Time Scene Analysis System performs near-instant analysis of exposure, color, movement and other factors. Combined with a breakthrough artificial intelligence technology called deep learning, the K-1 instantly optimizes settings for even the most difficult shooting situations.

6. Easy-to-focus optical viewfinder with nearly 100-percent field of view

Newly developed for its 35mm full-frame design, the K-1’s optical viewfinder provides a nearly 100-percent field of view and an approximately 0.7-times magnification. A Natural Bright Matt III focusing screen allows ease of focusing and a true-to-life rendition of defocused areas in the viewfinder image.

7. High-speed continuous shooting with a top speed of approximately 4.4 images per second

The K-1 has a larger shutter unit that easily accommodates the camera’s full-frame image sensor and provides high-speed, high-accuracy control of the mirror unit. A high-speed data transmission system incorporated in the PRIME IV imaging engine allows the user to continuously record as many as 17 images in the RAW format (or a maximum of 70 images in the JPEG Best format) in a single sequence, at a top speed of approximately 4.4 images per second. 

8. Supportive shooting functions to improve picture-taking efficiency and operational comfort

  • Operation assist light function, which provides LED lights above the lens mount, behind the LCD monitor, at the memory car slot, and at the cable switch terminal to facilitate fast and easy operation in poorly lit settings.
  • Key lock function, which prevents erroneous operation of the four-way controller and other exposure-related control buttons.
  • Smart function, which allows the user to swiftly choose and set desired functions using just the function dial and the set dial on the camera’s upper panel, without referring to the menu screen on the LCD monitor.
  • Control panel customize function allows the user to change aspects of the on-screen menu.

9. Compact, solid body with dustproof, weather-resistant construction

Constructed of sturdy yet lightweight magnesium alloy with the inclusion of 87 sealing parts in the body, the K-1 also boasts a dustproof, weather-resistant and cold-resistant construction.

Other Features 

  • Wi-Fi operation allowing camera control and image transfer to tablet or smartphone via the free ImageSync app
  • Full HD movie recording at 1920 x 1080 pixels in the H.264 recording format
  • Built-in GPS module and electronic compass
  • High-grade DR II (Dust Removal II) mechanism for effective elimination of dust on the image sensor using ultrasonic vibration
  • Crop mode with a choice of image area from AUTO, FF (Full Frame) and APS-C, to accommodate different types of lenses
  • Clarity control and Skin Tone correction functions, a pair of the latest image processing technologies developed by RICOH Central Laboratory
  • HDR (High Dynamic Range) shooting mode with RAW-format data filing, usable in handheld shooting
  • The PENTAX-invented hyper operating system for quick, accurate response to the photographer’s creative intentions
  • Dual SD card slots for memory card flexibility (compatible with SDXC UHS-1 speed class in SDR104 buss speed mode)
  • Compensation of various parameters: lens distortion, lateral chromatic aberration, diffraction, and brightness level at image-field edges. Fringe effect compensation is also available in RAW-format processing.
  • Compatibility with PENTAX Image Transmitter 2 tethering software (Software update required from RICOH IMAGING official website) 
  • Digital Camera Utility 5 software (latest version) included

Optional Accessory

  • D-BG6 Battery Grip
    This battery grip is designed to facilitate vertical-position shooting with the PENTAX K-1 camera body. It provides a shutter release button, a set of control buttons (AE lock, AF, ISO, exposure compensation, green), a preview lever, and dual electronic dials — just like those provided on the camera body. It also features the dustproof, weather-resistant construction identical to the PENTAX K-1 camera body. In addition to the dedicated lithium-ion rechargeable batteries, it also accepts six AA-size batteries.

Ricoh Pentax K-1 Specifications

Price
MSRP $ 1799/£1599 (body only)
Body type
Body type Mid-size SLR
Body material Magnesium alloy
Sensor
Max resolution 7360 x 4912
Image ratio w:h 3:2
Effective pixels 36 megapixels
Sensor photo detectors 37 megapixels
Sensor size Full frame (35.9 x 24 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-204800
White balance presets 8
Custom white balance Yes (3 slots)
Image stabilization Sensor-shift
Uncompressed format RAW
JPEG quality levels Best, better, good
File format
  • JPEG (Exif v2.3)
  • Raw (PEF/DNG)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 33
Lens mount Pentax KAF2
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 1,037,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 0.7×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Aperture and shutter priority
  • Sensitivity priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync
Flash X sync speed 1/200 sec
Drive modes
  • Single Frame, Continuous, Self-timer, Remote Control, Bracketing, Mirror- up, Multi-Exposure, Interval Shooting, Interval Composite, Interval Movie Record, Star Stream
Continuous drive 4.4 fps
Self-timer Yes (2 or 12 sec, custom)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (2, 3, 5 frames at 1/3 EV, 1/2 EV steps)
Videography features
Resolutions 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p)
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types Dual SD/SDHC/SDXC (UHS-I)
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (wired, wireless, or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description D-LI90 lithium-ion battery & charger
Battery Life (CIPA) 760
Weight (inc. batteries) 1010 g (2.23 lb / 35.63 oz)
Dimensions 137 x 110 x 86 mm (5.39 x 4.33 x 3.39)
Other features
Orientation sensor Yes
Timelapse recording Yes (Still or video)
GPS BuiltIn

Articles: Digital Photography Review (dpreview.com)

 
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Last Stop: Japan Keeps Old Train Station Open for Lone Passenger

27 Jan

[ By WebUrbanist in Culture & History & Travel. ]

japan railways deserted abandoned

In a remote area of Hokkaido, the northernmost island of Japan, a train stops just twice a day, as it has for years: once to pick up a girl on her way to school, and once to drop her back off afterward.

rural station interior

The otherwise-abandoned Kyu-Shirataki station remains open, thanks to Japan Railways, which honored the request of two parents to continue transporting their daughter back and forth until she graduates.

rural station last stop

The physical space is remarkably well-kept despite its relative disuse, still containing route maps and schedules as any other station would, despite serving as essentially a single-person shelter for the place’s only daily passenger.

rural station in japan

As the country’s population continues to shrink as well as urbanize, rural routes like this one have been forced to close – only high-speed railway lines remain on the rise. Fans of Japan Railways’ actions in this case see it as a victory for common courtesy as well as education. The line will ultimately close completely after the girl graduates and moves on (via CityLab).

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[ By WebUrbanist in Culture & History & Travel. ]

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Here at last: Nikon announces D500

06 Jan

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Nikon has announced the much-anticipated followup to its D300S, the 20.9MP D500 which the company calls its ‘best enthusiast DX offering.’ It features the same 153-point AF system and EXPEED 5 processor as the D5. It can shoot continuously at 10 fps with a 200 shot buffer for Raw images. It can also capture 4K/UHD video and also features ‘SnapBridge’, a constant connection to a smartphone using Bluetooth, similar to what Samsung did with its NX1. The D500 will be available from March at an MSRP of $ 1999.95 body only, or $ 3069.95 with the 16-80mm F2.8-4E ED VR lens.

The camera has a 100% coverage viewfinder offering 1.0x magnification. It also makes use of the XQD high speed memory format first used in the D4. It also has a flip up/down 3.2″ touchscreen LCD with 2.4 million dots.

The camera’s relationship to the D5 matches that shared between the D3 and original D300, with the APS-C format camera offering the same AF system and similar feature set with only a slight drop in continuous shooting speed and a much smaller body. And, as a first for one of Nikon’s APS-C DSLRs, the D500 also gets the illuminated buttons offered on the D5 for low-light working.

An AF module developed for full-frame means unprecedented frame coverage on the APS-C D500, in this case with cross-type sensors available out to the literal edges of the frame. Furthermore, Nikon is introducing Auto AF Fine-Tune, which appears to use Live View (focus at the image plane) to automatically calibrate (at least the center point of) the Phase Detect AF module for any given lens ‘with a few button operations’. This should help address arguably one of the biggest shortcomings of DSLRs relative to mirrorless cameras: the fact that the AF module is only a proxy for focus and, therefore, prone to inaccuracy. 

We were pretty impressed with the similar low power Bluetooth option on the NX1 as way of keeping a constant line of communication open between the camera and a smart device, meaning that images can quickly be pushed or pulled across from device to device. This continuous connectedness should make Wi-Fi much easier to use and consequently more appealing.

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  • Specifications

Press release:

PRO PEDIGREE, DX AGILITY: THE NEW NIKON D500 ESTABLISHES A NEW ERA OF DX-FORMAT PERFORMANCE 

The Highly Anticipated Resurrection of the DX-Format Flagship Gives Photographers the Best Combination of Speed, Reach and Connectivity 

LAS VEGAS, NV (January 5, 2016) – Today, Nikon Inc. announced the D500, a DX-format DSLR with pro-level features that gives photographers nimble handling, speed and extreme processing power in a compact and lightweight body. With amazing imaging capability, robust build quality and lightning fast performance, the D500 is sure to satisfy as the highly sought-after successor to the venerable D300S. Like its sibling the D5, the D500 benefits from Nikon’s latest technological innovations such as the totally new, blazing-fast Multi-CAM 20K 153-point AF system and 4K UHD video capture, yet adds a fun new way to share photos with Nikon SnapBridge built-in.

“Nikon has answered the call from photographers to once again re-invent this camera category and offer an unmatched combination of performance and value that is hard for any photographer to resist,” said Masahiro Horie, Director of Marketing and Planning, Nikon Inc. “When paired with the amazing imaging capabilities of legendary NIKKOR optics, photographers can capture intimate portraits, mind-blowing macros or action from extreme distances– the possibilities are endless.”

Pro-Level Image Quality, DX-Format Versatility

The D500 imagines the best of both worlds, offering advanced enthusiasts and pro photographers all the benefits of DX-format, such as smaller form-factor and lens crop, combined with many of the same advanced pro features found in the new Nikon D5. The new Nikon D500 features an all-new 20.9-megapixel DX-format CMOS sensor that renders images with outstanding colors and gorgeous tonality. This new sensor is coupled with Nikon’s new EXPEED 5 image processing engine, affording low noise and maximum processing power with a surprisingly small footprint and superbly balanced body.

The benefits of the DX-format are evident for long-distance applications like wildlife and sports photography, where telephoto ability is at a premium and weight reduction is welcome. With Nikon’s legendary FX or smaller-sized DX-format NIKKOR lenses, the sleek D500 is the ideal companion for wanderlust. When mated with the new AF-S NIKKOR 200-500mm f/5.6E ED VR lens, the D500 offers a remarkable 350-750mm equivalent focal range for a lightweight, yet super-telephoto duo. 

Because amazing images can happen even when the sun goes down, the D500 is capable of excellent low-light performance, with an ISO range of 100-51,200, expandable to 50-1,640,000 equivalent. From low-light cityscapes to action sports under the lights, the D500 is ready to tackle any imaging challenge.

Performance Meets Portability

Within the streamlined body of the D500 is a formidable processing powerhouse. Whether photographing sideline sports for the home team or animals in exotic destinations, a super-fast 10 frames-per-second (fps) burst speed with full AF and AE will help nail nearly any shot. This extreme speed lets users capture every fleeting moment in exceptional clarity, while a generous buffer allows for up to 79 shots (14-bit, uncompressed RAW/NEF) to be captured, so the moment won’t be missed.

To keep pace with the action, the D500 is fitted with the same AF system as the Nikon D5, the Multi-CAM 20K AF sensor module, with a separate dedicated processor for AF function. On the D500’s DX format sensor, the 153-point AF array fills the frame from side to side, letting users flawlessly track and lock-onto subjects from the edges of the viewfinder. Like the D5, the D500 utilizes the new 180K RGB Metering system and Advanced Scene Recognition System to help ensure balanced exposures and fantastic color rendition in nearly any shooting situation.

Controls and Rugged Construction Worthy of a Flagship

The D500 features an enhanced level of robust build quality, offering the same amount of rugged weather sealing as the Nikon D810. The durable body is a monocoque structure composed of magnesium alloy for the top and rear, while the front is reinforced with lightweight carbon fiber. The shutter mechanism has been tested for 200K actuations, helping to ensure maximum endurance. For further durability, the D500 excludes a pop-up flash, yet is compatible with Nikon’s newest radio frequency capable flash, the SB-5000 Speedlight (with optional WR-R10 & WR-A10)1.

It’s easy to compose and view images on the D500’s bright 3.2-inch, high resolution (2359K-dot) touchscreen LCD, which lets users interact with photos in playback, control the camera and operate menus. When mounted on a tripod or shooting from creative angles, landscape and event shooters will appreciate the reinforced tilting LCD screen, similar to that of the Nikon D750. Additionally, images are rapidly written to either a fast XQD card slot or to the additional SD card slot for maximum workflow efficiency.

Constant Connectivity with the New Nikon SnapBridge

The D500 marshals in a new way to share photos wirelessly with the new Nikon SnapBridge, making the camera’s built-in connectivity easier to use than ever before. SnapBridge allows for Bluetooth2 supported connection between your camera and compatible smart device, thus making automatic upload of your images possible. Once enabled, the camera stays connected to the smart device and transfers photos, eliminating the need to re-connect devices. Those looking to share images from their travels or from the field can also tag images for transfer in camera and can password protect their connection for added security. As an added benefit, the D500’s built-in Near Field Communication (NFC)3 capability easily connects the camera to a compatible smart device with just a tap, while built-in Wi-Fi3 capability allows for faster wireless image transfer.

For those looking for an even faster transfer solution, the D500 is also compatible with the new optional WT-7A Wireless Transmitter, enabling wired or wireless transmission of files to an FTP server or computer at faster speeds.

Advanced Video Features

Just like the D5, the D500 has the ability to capture striking 4K UHD video at up to 30p (3840×2160), as well as Full HD (1080p) video at a variety of frame rates. Ready for any production, the camera sports a host of pro video features derived from the D810, including uncompressed HDMI output and Picture Controls, but adds even more great features. These pro-level creative video features include the ability to create 4K time-lapse movies in-camera, Auto ISO smoothing to provide fluid transitions in exposure during recording, and the capability to record 4K UHD video to the card and output to HDMI simultaneously. When capturing 1080p Full HD content, the camera also has a new 3-axis electronic VR feature that can be activated regardless of the lens being used.  Challenging video exposures are no problem for the D500, as it also adds in Active D-Lighting to Full HD video to balance exposure values within a scene to help prevent blown-out highlights

Price and Availability

The new Nikon D500 DSLR will be available in March 2016 for a suggested retail price (SRP) of $ 1,999.95* for the body-only configuration. A kit will also be available, bundled with the versatile AF-S DX NIKKOR 16-80mm f/2.8-4E ED VR lens, for the SRP of $ 3,069.95*. The MB-D17-battery pack will also be available in March 2016 for the SRP of $ 449.95* and will add extended battery life and facilitate vertical shooting. The WT-7A Wireless Transmitter will be available in March 2016, for the SRP of $ 934.95*. For more information on these new Nikon products, please visit www.nikonusa.com.

1. Wireless Remote Controller WR-R10 and WR Adapter WR-A10 (both available separately) required. WR-R10 firmware must be updated to enable support for radio-controlled Advanced Wireless Lighting (see Nikon’s website).
2 The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Nikon Corporation is under license.
3 Wi-Fi and the Wi-Fi logo are trademarks or registered trademarks of the Wi-Fi Alliance. N-Mark is a trademark or registered trademark of NFC Forum, Inc., in the United States and/or other countries.
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

Nikon D500 specifications

Price
MSRP $ 2000 (body only), $ 3069 (w/16-80mm lens)
Body type
Body type Mid-size SLR
Sensor
Max resolution 5568 x 3712
Other resolutions 4176 x 2784, 2784 x 1856
Image ratio w:h 3:2
Effective pixels 21 megapixels
Sensor photo detectors 22 megapixels
Sensor size APS-C (23.5 x 15.7 mm)
Sensor type CMOS
Processor Expeed 5
Image
ISO ISO 100 – 51200 (expandable to 50 – 1640000)
White balance presets 12
Custom white balance Yes (5)
Image stabilization No
Uncompressed format RAW + TIFF
JPEG quality levels Fine, Normal, Basic
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp No
Digital zoom No
Manual focus Yes
Number of focus points 153
Lens mount Nikon F
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 2,359,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Optical (pentaprism)
Viewfinder coverage 100%
Viewfinder magnification 1×
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Built-in flash No
External flash Yes (Hot-shoe, Wireless plus sync connector)
Flash modes Auto, On, Off, Red-eye, Slow sync, Rear curtain
Flash X sync speed 1/250 sec
Continuous drive 10.0 fps
Self-timer Yes (2, 5, 10 or 20 sec)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV steps)
WB Bracketing Yes (2 or 9 frames in steps of 1, 2 or 3 mired)
Videography features
Resolutions 4K (UHD) 30p/25p/24p, 1080/60p/50p/30p/25p/24p, 720/60p/50p
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (UHS-II compliant) + XQD
Storage included None
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (mini-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes Wi-Fi with low energy Bluetooth
Remote control Yes (Optional, wired or wireless )
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description Lithium-Ion EN-EL15 rechargeable battery & charger
Battery Life (CIPA) 1240
Weight (inc. batteries) 860 g (1.90 lb / 30.34 oz)
Dimensions 147 x 115 x 81 mm (5.79 x 4.53 x 3.19)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS Optional
GPS notes GP-1

Articles: Digital Photography Review (dpreview.com)

 
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Your Last Holiday Guide and Special FREE Gift From Us!

14 Dec
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It’s our *sniff* last gift guide of the season and we’ve saved the very best for last. A game-changing camera for your phone, our incredible Iris lens set and all the best selling gifts of the year. We’re also throwing a sweet enamel pin into every cart today only! So if you’ve waited until now to get all your shopping done, you clearly made the right choice.

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Last Stop: 2,800 Drowned NYC Subway Cars Turned Marine Habitats

04 Dec

[ By WebUrbanist in Destinations & Sights & Travel. ]

dropping reef closeup

Since the early 2000s, decommissioned New York City subway cars have been seeded into the waters around New Jersey, Delaware, Virginia and other eastern states, creating infrastructure for fish habitats along the coastal shelf running from New York to North Carolina. Artificial reefs like these can increase sea life concentrations dramatically in otherwise-flat subsurface regions, boasting up to hundreds of times as much biomass per area of seafloor.

dumping subway cars

dropping reef filling

In late 2000, the Metro Transit Authority began dumping 1200 old cars into the water; in 2007, another 1600 were added to the list. These frameworks of these sunken cars serve as replacement rock outcrops on which corals and plants grow, leading to oysters, mussels and further sea life. Photographer Stephen Mallon has spent years capturing this deliberate subway-dumping activity in action on the surface.

dropping reef then

Meanwhile, sequential underwater images show the subsurface results over time. The progress photos above and below were shot after 5 years and 10 years, respectively, demonstrating just how rapidly and effectively these places can become populated, first sparsely and then densely.

dropping reef now

The critical amount of biomass that develops makes these cars hotspots for diverse populations of underwater creatures all along the food chain, together forming self-sustaining regional ecosystems.

dropping car crane water

In turn, these locations can attract fishermen and divers as well, keen both to see the thriving populations of aquatic life but also to explore the underwater ruins of modern machines. Far as they may be from their original subterranean homes, these train cars still manage to serve citizens of cities along the Atlantic coast in their own unusual ways.

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Mustard’s Last Stand: 10 Abandoned Hot Dog Kiosks

27 Jul

[ By Steve in Abandoned Places & Architecture. ]

Carneys-Corny-Dogs-1
Easy come and easy go (just like their product), hot dog stands like these abandoned frankfurter kiosks are the fly-by-night black sheep of the fast food trade.

Carneys-Corny-Dogs-1c

Now gone but not forgotten thanks to the wonders of photography and the internet, the abandoned Carney’s Corny Dogs stand (images c/o Noel Kerns above and Steve Snodgrass below) stood unloved and unappreciated long after the last piping-hot, mustard-swathed frank was served.

Carneys-Corny-Dogs-1a

Carneys-Corny-Dogs-1b

For better or worse, images of the decrepit kiosk were for a time the most popular photos taken in southwest Shreveport, Louisiana.

It’s Crunch Time

Munkfors-abandoned-Hot-Dogs

Standing alone and neglected with its skewed striped awning flapping in the breeze, this squarish hot dog stand in Munkfors, western Sweden appears to be closed for the season… wait a minute, it’s mid-July of 2008 according to Flickr user Rolfen – that IS the season! Perhaps the unfortunate closeness of “hamburgare” and “glass” on the sign tended to put off potential customers.

Friendly Ghost Town

abandoned-Kaspers-hot-dog-stand-3a

abandoned-Kaspers-hot-dog-stand-3

Established in 1929, Kasper’s Hot Dogs in Oakland’s historic Temescal neighborhood was closed to perform temporary maintenance… in 2004!

abandoned-Kaspers-hot-dog-stand-3b

abandoned-Kaspers-hot-dog-stand-3c

Hopefully city authorities will find some way to preserve the unique flatiron-style structure from the wrecking ball. Kudos to Flickr users Ian Ransley and japanesejack for the above images taken in 2014 and 2010, respectively.

Next Page – Click Below to Read More:
Mustards Last Stand 10 Abandoned Hot Dog Kiosks

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