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Posts Tagged ‘Introducing’

Create Dramatic Lighting in your Photography by Introducing Darkness

22 Jul

Every professional photographer that you’ll ever talk to, will tell you that light is the most important part of photography. These people, myself included, are absolutely right, it is! Without it our photographs would be dull sheets of empty paper! Using dramatic lighting to a photographer’s advantage is the universal lesson preached to every photography student on the planet! But Continue Reading

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Introducing Snapsation: Connecting Photographers And Clients

07 Jun

Every once and a while a site comes along that makes the rest of us think, “Well duh, why didn’t I think of that!?” Snapsation is the brain child of Chris Chabot, one of the founding members of the Google+ team, a developer for Google before that and a lead engineer for OpenSocial before that. It’s safe to say that Chris is an internet bad-a and that’s apparent when you look at this new website.

Screen Shot 2013-06-05 at 9.28.03 AM

 

Snapsation is pretty simple and straight forward. It exists to be a place for clients to find photographers for what they need. Simply do a search for your area (example: Fort Worth, TX) and you’ll find all the photographers in that area and their available offers. If the potential client sees an offer they’re looking for, they can click the offer to get more information about what’s included, ask the photographer a question and/or place an order. From the looks of it, no money will be collected up front until the work is done. I’m not sure how that works yet but I’m assuming once the images are ready from an event, the client will make a payment to Snapsation and then the images will be delivered.

How Do Photographers Make Money?

As far as money goes, photographers can link their checking/savings or PayPal account to Snapsation for direct payment. Whatever you charge for your services, Snapsation will add an additional 10% to the price for their cut. Seems plenty fair to me. If you charge $ 100 for a headshot, Snapsation will make the price $ 110. You decide how much YOU want to make, and Snapsation takes care of the rest.

Screen Shot 2013-06-05 at 10.27.06 AM

Changes I’d Like To See

I really don’t have any complaints right now, it’s too early to tell! The one thing I wonder about is if the website starts getting big, and tons of photographers from my area start using it, what’s going to happen to my offers? Will the eventually get lost in a sea of other offers? So far I don’t see any rhyme or reason to the ordering of the offers in a specific area. It doesn’t look alphabetical, it doesn’t seem to be sorted by price or person and it doesn’t even seem to give preference to photographers with good reviews. The site just launched and I’m sure things like this will get addressed eventually as more and more people start using it. I’d like to eventually be able to sort offers by things like price and average rating by customers.

Another update I’d like to see is the ability to update the number of items a client wants to purchase. That way photographers could offer things at an hourly rate or something like that. Not a big deal but it would be nice to have.

Finally, I’d really like the ability to tag my offers with keywords. I have two offers that revolve around teaching: A private workshop and a portfolio critique. Neither of which show up when I do a Fort Worth, TX search for the word “Lessons” or “Teaching.”

Conclusion

Snapsation is of course a brand new website. It was in BETA for a short time and officially launched on Wednesday, June 5th. The success of this website depends largely on the photographers using it, by telling others about it and helping to drive traffic to it. I didn’t receive anything for doing this review, I heard about it and set up a profile and liked what I saw. I think this could be a great resource for booking clients and am excited to see where it goes.

What are your thoughts? Have you set up a profile yet? If so, be sure to add me to your ‘Favorite People’ list by clicking the little heart icon on my profile and I’ll see you there!

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Introducing Snapsation: Connecting Photographers And Clients


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Introducing… What The Duck on dpreview.com

18 May

wtdlogo_big.jpg

We’ve been fans of Aaron Johnson’s comic strip ‘What the Duck’ for years. ‘WTD’ is one of the best satirical comic strips in the world, and we’re pleased to announce that we’ll be publishing it on dpreview.com, starting today. Click through for the first in what we hope will be a long series!

News: Digital Photography Review (dpreview.com)

 
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Getty Is An Insult To Photographers. Introducing Stocksy [OPINION]

27 Mar
BadwaterDV-L

Not Represented By Getty

I’ve never liked Getty. I’ve gotten through about 80% of the submission process on multiple occasions but could never convince myself to pull the trigger. Sure there are a select and very elite few that make their livings to this day on stock photography. But those photographers have been at this stock game a LOT longer than most of us. Every time I started to submit my work to Getty, I always stopped just short of hitting send. I couldn’t get past the thought of the 20% commission that I would receive for my work. This goes right along with the frustration of getting emails from companies, magazines and the like wanting to use my images for free in exchange for “credit and a link to my website.” But that’s a whole other article…

We as photographers spend an ungodly amount of money and time on our craft. We spend thousands upon thousands of dollars on camera bodies, lenses, CF cards, SD cards, camera backpacks, camera shoulder bags, straps, extra batteries, laptops, desktops, software, websites, hosting, training, workshops….the list goes on and on and on. We put in all this time and effort and then a company like Getty wants to pay us some slave labor wage of 20%. It’s nothing short of ridiculous. It’s insulting to photographers.

Thomas Hawk is a very well known photographer in the photo community. He’s one of the most followed photographers on Flickr, Google+ and Facebook. He’s also a very established stock photographer and has had his images licensed/represented by Getty for years now. Well, on Monday Thomas announced (very publicly) that he is quitting Getty and moving to Stocksy. You can read Thomas’ post at his website or over at PitaPixel.

In his article, Thomas goes over in detail much of what I talked about above. About how absurd it is that Getty is undercutting photographers so drastically. He then goes on to describe the culture behind Getty; how they excommunicate photographers who speak up and express their distaste for what it has become. One photographer who made much of his entire living from Getty recently got ‘fired’ and banned for voicing his opinion. Thomas points out that “At Stocksy; editors and management do Google+ hangouts with photographers. While at Getty all they seem to do is fight.”

So What Is Stocksy Already!?

Screen Shot 2013-03-25 at 4.20.47 PMStocksy could very well be the future of stock photography. Instead of a lousy and insulting 20% for all the hard work that goes in to making stock photographs, Stocksy is going to pay 50%. Right down the middle. You provide the work, they put it in front of buyers. This is fair. Would I like more than 50%? Um, yes. Who wouldn’t? But would I be happy with 50%? Yes.

Stocksy is also different in the way it’s run. The founder is none other than Bruce Livingstone, the founder of iStockPhoto who sold the company to Getty for $ 50 million (you can read more about that from this article on CNET). According to that article, Stocksy won’t be selling out to large companies like Getty. It doesn’t have a master plan of growing and selling. Livingstone says that Stocksy will be “more like a nonprofit. At the end of the year, we take all the profits and distribute them. We’re not lining our pockets with cash.” It will essentially be a stock agency run by photographers, for photographers.

Quality Control

Another way that Stocksy is different is the quality control aspect of it. Let’s face it, Getty pretty much opened the flood gates on Flickr and just about anyone with a camera and some decent images could begin touting that they’re “Represented By Getty.” Stocksy is, at least for now, taking a much different approach. Only letting in very high quality portfolios that meet the level of excellence that Stocksy wants to be known for. I think that’s awesome.

Conclusion

Like I said, Stocksy could very well be the future of stock photography. But it’s up to us, the photographers, to make sure that happens. Tell your friends, tell your parents, tell your web designer, your graphic designer, write a blog post, tell everyone. And for the record, I am not part of Stocksy. I submitted my portfolio to them yesterday and am crossing my fingers to make it through. I just think this is a great idea and would love nothing more than to see quality photographers flock from Getty and start getting what they deserve. I think this has been a long time coming.

Let me know what you think in the comments below or on Twitter. Follow me @jamesdbrandon.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Getty Is An Insult To Photographers. Introducing Stocksy [OPINION]


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Introducing The Polarizing Clip On Filter

18 Feb

Extra photos for bloggers: 1, 2, 3

Give your camera-phone super powers!

Your phonecam can now see through windows that were once obscured by glare, place clouds into a once washed out sky, climb the highest mountain with the greatest of ease!

How, you ask? It’s as simple as using a Polaizing Clip On Filter. The same filter used by pros on their dSLRs to reduce glare and make colors pop is now available for your camera phone.

(Oh, and for that last part, you’re going to have to get good at hiking, and remember to put your phone in your pocket while you do it).

Check out the Polarizing Clip On Filter
$ 20 at the Photojojo Store

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Posted in Equipment

 

Introducing Cactus Wireless Transceiver V5

16 Feb

An introduction video to the Cactus Wireless Transceiver V5, a groundbreaking wireless flash trigger from Cactus Image. Available on Gadget Infinity in January 2011. For more details, explanations and pictures: www.gadgetinfinity.com When Light Dances, Dance with us for updates: www.facebook.com Like & share: www.facebook.com

With the new Canon EOS 60D 4460B004 Digital SLR Camera and 18-135mm Lens , Canon gives the photo enthusiast a powerful tool fostering creativity, with better image quality, more advanced features and automatic and in-camera technologies for ease-of-use. It features an improved APS-C sized 18.0 Megapixel CMOS sensor for tremendous images, a new DIGIC 4 Image Processor for finer detail and excellent color reproduction, and improved ISO capabilities from 100 – 6400 (expandable to 12800) for uncompromised shooting even in the dimmest situations. The new Multi-control Dial enables users to conveniently operate menus and enter settings with a simple touch. The EOS 60D also features an EOS first: A Vari-angle 3.0-inch Clear View LCD (1040000 dots) monitor for easy low- or high-angle viewing. An improved viewfinder, a number of new in-camera creative options and filters, plus HDMI output for viewing images on an HDTV all make the EOS 60D invaluable for the evolving photographer. With continuously curved surfaces, user-friendliness and exuding solidity and refinement, the EOS 60D is true digital inspiration! Order the Canon EOS 60D 4460B004 Digital SLR Camera and 18-135mm Lens today!
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Introducing the Creative Triangle

05 Feb

This is the first in a series of articles by Andrew S Gibson, the author of Understanding EOS: A Beginner’s Guide to Canon EOS cameras.

Creative triangle 01

The ‘creative triangle’ is my term for the idea that great photos are made from a combination of good composition, an understanding of beautiful lighting and the technical ability to control your camera.

You could even think of this as another version of the rule-of-thirds. A good photo is comprised of one-third the composition, one-third the lighting and one-third the technical ability of the photographer.

Creative triangle 02

It’s not enough to learn what the various buttons, modes and functions on your camera do, important though that is. You also need to cultivate your eye for a good photo and an appreciation of the beauty of great lighting.

How can you do this? One way is to look at the work of your favourite photographers with a critical eye. It’s not enough just to say that you like particular photo. Go deeper. Why do you like it? What are the elements of composition and light that help make the photo? Why has the photographer chosen to use the camera settings that he has? What lens did he use? How can you apply these ideas to your own photos?

To help you out I’m going to take a deeper look at three of my own images:

Creative triangle 03

Image #1: New Plymouth Sunset

Camera: EOS 5D Mark II
Lens: Canon EF 85mm f1.8
Exposure: 219 seconds @ f11, ISO 200

Focal length. I was drawn to this scene by the silhouettes of the rock stacks and the chimney. I needed to use an 85mm lens to ensure that they were large enough to have impact. A wider focal length would have made the rocks and chimney too small.

Shutter speed. I used a shutter speed of 219 seconds. Mainly due to necessity – it was taken some time after sunset so light levels were low. I stopped down to f11 to ensure good depth-of-field and used a relatively low ISO for good image quality. The sea has recorded as a misty blur. This adds mood.

Light. I took the photo after the sun had set. If you try to take the photo with the sun above the horizon, the contrast is too high. It’s much easier to take photos after the sun has disappeared. The colours are often better and as the sky gets darker you may see some stars.

Colour contrast. The light from the sunset has split the image into three bands of colour. Blue and orange are contrasting colours and they give the photo impact. Colour temperature comes into play here. Blue light is cool, orange light is warm and the contrast between the two creates atmosphere.

Creative triangle 04

Image #2: Evening Portrait

Camera: EOS 5D Mark II
Lens: Canon EF 40mm f2.8
Exposure: 1/180 second @ f2.8, ISO 800

Focal length. I took this photo with my 40mm pancake lens. This lens is a moderate wide-angle on a full-frame camera. I like to use it for portraits, as the perspective is wide enough to include the background without too much distortion.

Aperture. I set the aperture to f2.8 (the widest on this lens) to throw the background out of focus. This helps concentrate attention on the model. A sharp background competes with the model, which may be useful if you are trying to tell a story in the way that photojournalists do, but can be a distraction with photos like this.

Light. This photo was taken late in the evening. The shoot was delayed so were were out later than I had intended, but I was rewarded with beautiful light. The sun had disappeared beneath the horizon, but the light still had a red glow and a beautiful, soft quality ideal for portraits.

Creative triangle 05

Image #3: Fire Spinning

Camera: EOS 5D Mark II
Lens: Canon EF 17-40mm f4L lens @ 17mm
Exposure: 6 seconds @ f5.6, ISO 400

Focal length. This photo is different from the other two because it is taken with an ultra wide-angle focal length of 17mm (equivalent to around 11mm on an APS-C camera). There is a real sense of distance between the metal bars set into the concrete in the foreground and the performers standing on the wall.

Unusual subject: The two women in the photo are fire performers. They are spinning kevlar whips dipped in flammable fuel and set alight.

By the way, don’t try this at home. These women are trained fire performers and know how to handle these whips safely. If you want to try something similar, find someone who knows what they are doing to spin the whips.

Shutter speed: I used a slow shutter speed of six seconds so that the spinning whips created circles of fire.

Composition: I opted for a symmetrical composition. I like the way there are two circles of fire, one on either side of the frame. I could have moved closer to take the photo, but I preferred to stay back and include more of the setting.

Light. I shot this photo at dusk. Partly from necessity – it’s easier to see the flames when it’s dark. I also wanted some colour in the sky. I didn’t want it to be completely black.

Colour contrast. The cool colour of the blue sky contrasts with the orange flames and the red glow in the foreground. This is colour temperature in action again. The sky is lit by the fading daylight, which has a deep blue colour. The light from the flames is orange, like the light from a tungsten bulb.

Conclusion

When it comes to evaluating photos, camera settings (aperture, shutter speed, Picture Style, white balance etc) are only part of the story. A camera is just a lightproof box that records light. It has no heart or soul. That comes from the photographer and their understanding of light and composition. Hopefully the way that I’ve analysed my own images in this article will help you understand how deconstructing photos taken by other photographers can help you take better photos.

This article is the first in a series. The next one will take a close-up look at your camera’s Mode Dial. Why are there so many exposure modes and do we need them all? I don’t think so – and I’ll tell you why.

Creative triangle 06

Understanding EOS

Andrew S Gibson is the author of Understanding EOS: A Beginner’s Guide to Canon EOS cameras. The creative triangle is one of many concepts discussed in the ebook.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

Introducing the Creative Triangle


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Introducing Hadley

21 Sep

The more people I meet the more I’m convinced that wisdom sometimes hides behind a pretty young face.

Model is Hadley Payan

 


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Introducing Corel Digital Studio 2010

25 Aug

Watch the Corel Digital Studio 2010 Product Tour (Video: Business Wire)

If you’ve ever wondered what all those strange modes on your camera do, this may answer your questions

 
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Introducing Photoshop: Liquify

14 Jul

Happy with our training? Donate! tinyurl.com Visit www.PhotoshopTalent.com for more tutorials, contests and more! Music Kevin MacLeod
Video Rating: 4 / 5