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Posts Tagged ‘interchangeable’

DJI Phantom 5 leak hints at interchangeable lens camera system

21 Mar

A pair of images show what may be the upcoming DJI Phantom 5 drone featuring an interchangeable lens camera. The drone model hasn’t yet been announced and details about it aren’t yet officially available. However, leaks and rumors surrounding the drone have increased in past weeks, one of the most recent coming from Twitter user OsitaLV.

A drone said to possibly be the DJI Phantom 5 is featured in two tweeted images. The drone itself is mostly blurred, the only exception being a dark armature and what appears to be a silver or grey body. The drone’s camera, however, is featured front and center, appearing to reveal the presence of an interchangeable lens system.

The same user claimed in a later tweet, “DJI said that the leaked photo of the [Phantom 5] is a customized drone for designated users, not for sale.” The user expressed skepticism about that claim, but no official statements have been made. OsitaLV again tweeted a leak later on, that one a sketch featuring a drone said to be the Phantom 5.

An interchangeable lens camera isn’t beyond the realm of possibility. In October, DJI introduced the X7 camera, a Super 35/APS-C system created specifically for aerial use. Rather than build on an existing platform, DJI engineered its own camera, lens mount, and four cinema primes for the system at launch. Though we usually think of DJI as a drone company, it’s now a camera company as well, and it’s reasonable to assume it will leverage that expertise across additional products.

According to the tweet containing the image above, the DJI Phantom 5 drone features an aluminum shell, a plastic GPS antenna cover, and plastic landing gear. The leaker’s credibility as a source isn’t clear, however. It’s expected that DJI will announce the Phantom 5 model later on this year.

Via: PhotoRumors

Articles: Digital Photography Review (dpreview.com)

 
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2017 Roundup: Interchangeable Lens Cameras $900-1200

02 Jun

Last updated: June 2, 2017

These days, many (if not most) consumers are likely to shop based on price and capability, rather than according to whether a certain model contains a mirror, or not. We think this is a good thing; With all the increased competition, cameras are improving more and at a faster rate than ever before. From the gear perspective, it’s certainly an exciting time to be a photographer.

In this category, you’ll find both mirrorless and DSLR cameras that are highly capable under a variety of shooting situations, offer built-in high-spec viewfinders – either optical and electronic – and an extensive array of external controls. The biggest differences in performance tend to come down to autofocus sophistication and video capability, but neither of those is dictated by the presence or lack of mirror.

The contenders are:

  • Canon EOS 77D
  • Canon EOS 80D
  • Canon EOS M5
  • Nikon D7200
  • Olympus OM-D E-M5 II
  • Panasonic Lumix DMC-G85/G80
  • Panasonic Lumix DMC-GX8
  • Pentax K-3 II
  • Pentax KP
  • Sony Alpha a77 II
  • Sony Alpha a6300

Most of the cameras in this roundup are built around either Four Thirds or APS-C sensors. Sensor size plays a large part in determining the image quality a camera is ultimately capable of and, in general, the larger a camera’s sensor, the better the image quality and the more control you have over depth-of-field. APS-C sensors are larger than Four Thirds chips, but the differences are rarely huge.

Of course, the sensor sizes and image quality of these cameras are not the only thing that varies; the feature sets and performance of each camera are also quite different across the board. Within this category you’ll find weather-sealed cameras, cameras that can capture 4K video, cameras that can shoot bursts at incredibly high speeds with autofocus, and cameras that are simply well-balanced all-rounders. Which one should you buy? Read on to find out…

Articles: Digital Photography Review (dpreview.com)

 
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2017 Roundup: Semi-Pro Interchangeable Lens Cameras

20 May

What do we mean by Semi-Pro?

Within this category, you’ll find some of the most capable cameras the industry has to offer. The Semi-Pro name doesn’t indicate that they’re below the consideration of professionals, though. Quite the opposite: it means that their price and performance makes them attractive to a range of enthusiasts, photographers who make some money from their shoots and professionals who earn their livelihood with their camera.

Due to the fuzzy line between semi-pro and pro, we’ve made the decision to not include very high-end full-frame (e.g. Nikon D5, Canon 1D X Mark II, Sony a9) and medium format (e.g. Pentax 645Z and Fujifilm GFX 50S) cameras in this roundup.

All of the cameras in this price range use full-frame sensors. And while most of them are DSLRs, there are also several mirrorless options as well. Simply put, there is something here to satisfy just about everyone who is willing to pony up the requisite funds. Read through to see what makes this segment so cut-throat, and what innovations are driving this tier forwards at a remarkable pace.

The models covered in this roundup are:

    • Canon EOS 5D Mark IV
    • Canon EOS 5DS / 5DS R
    • Leica M10
    • Leica SL
    • Nikon D750
    • Nikon D810
    • Sony Alpha a7R II
    • Sony Alpha a7S II
    • Sony Alpha a99 II

Read on to see which cameras we chose as best-in-class!

Articles: Digital Photography Review (dpreview.com)

 
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2017 Roundup: Interchangeable Lens Cameras around $500

14 May

Entry-level interchangeable lens cameras have never been so affordable or more capable. There are plenty of choices around the $ 500 mark that will take better pictures than most cameras ever made.

They don’t always have the very latest sensors or the premium build quality of their more expensive midrange siblings – and their controls tend to err on the side of simple, rather than extensive – but they tend to be excellent value and comparatively easy to use.

All of these cameras – both mirrored and mirrorless – produce good image quality, offer respectable performance and can record Full HD video. The majority have Wi-Fi to make it easier to share images to a smartphone. Many of them are targeted toward beginners, with ‘help’ systems that point out the best settings to use for various shooting situations.

Those unfamiliar with DSLR and mirrorless cameras may be wondering what advantages and disadvantages each brings to the table. DSLRs are larger cameras, with a more ‘traditional’ shape and control layout, as well as an optical viewfinder. While they’re great for shooting stills, they’re not as well suited to video capture, and focusing using live view tends to be sluggish. Mirrorless cameras are typically smaller and are very capable video shooters, and live view focusing is much faster than most DSLRs. Two negatives about mirrorless cameras are that battery life isn’t nearly as good as a DSLR and – especially true in this class – they often lack a viewfinder.

Let’s take a look at several entry-level ILCs, with US MSRPs in the $ 500 region, kit lens included:

  • Canon EOS M10
  • Canon EOS Rebel T6
  • Fujifilm X-A3
  • Fujifilm X-A10
  • Nikon 1 J5
  • Nikon D3400
  • Olympus PEN E-PL8
  • Sony Alpha a5100
  • YI M1

Articles: Digital Photography Review (dpreview.com)

 
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2017 Roundup: Interchangeable Lens Cameras $500-900

05 May

The $ 500-900 category (based roughly on US MSRP) features quite a few strong offerings, some of which should satisfy first-time camera buyers with easy-to-use interfaces and point-and-shoot style functionality. Others are aimed more at seasoned-enthusiasts, offering direct manual controls and high-end features.

At this price point, all of the cameras use either Four Thirds or larger APS-C-sized sensors and all can shoot Raw. And while a larger sensor can mean the potential for better image quality and more control over depth-of-field, the difference in size between APS-C and Four Thirds is not enormous. As such, small differences notwithstanding, the vast majority of cameras in this roundup have what we would consider to be very good image quality.

All of the cameras in this selection are reasonably small in size (compared to pricier ILCs), but the number and arrangement of control points, grip size, build quality and weight all vary quite a bit. As do the inclusion of features like like 4K video capture and in-body image stabilization.

Let’s take a look at the currently available interchangeable lens cameras that fall into the $ 500-900 price range (give or take).

  • Canon EOS M3
  • Canon EOS M6
  • Canon EOS Rebel T7i (EOS 800D)
  • Fujifilm X-E2S
  • Fujifilm X-T20
  • Nikon D5600
  • Olympus OM-D E-M10 II
  • Panasonic Lumix DMC-GX85
  • Panasonic Lumix DMC-GX850
  • Pentax K-70
  • Sony Alpha a6000

Articles: Digital Photography Review (dpreview.com)

 
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Sony is now #2 in the US full-frame interchangeable lens camera market

15 Apr

Sony has announced that it is now ranked second in the U.S. full-frame interchangeable lens camera market, a position formerly held by Nikon. The data comes from The NPD Group, which shows a 23% increase in Sony’s full-frame interchangeable lens cameras and lenses sales this year. According to Sony, its ‘key models,’ including the a7R II and a7S II, were large factors behind this increase.

As the graph above demonstrates, the full-frame interchangeable lens camera market as a whole benefitted from Sony’s success; without it, the overall market would have experienced a 2% decrease year-on-year. Such data is based on NPD Group’s sales figures for Sony from January and February 2017.

Press release

Sony Overtakes #2 Position in U.S. Full-Frame Interchangeable Lens Camera Market

Record Sales from Sony Driving Growth in Overall Full-Frame Market

SAN DIEGO, April 14, 2017 /PRNewswire/ — Sony Electronics – a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has announced today that their continued growth has vaulted them into the #2 overall position in the U.S. full-frame interchangeable lens camera market. 1

Sony’s interchangeable lens cameras and lenses have seen record sales in 2017, in particular within the U.S. full-frame camera market, where they have experienced double-digit growth (+23%) 2 compared to the same period last year. The popularity of key models including ?7RII and ?7SII has been paramount to this success.

Additionally, Sony’s rapid growth has helped to drive growth of the overall full-frame interchangeable lens camera market compared to the same period last year. Without Sony’s contributions, the full-frame market would be facing a slight decline. 3

“Our commitment to the industry is stronger than ever,” said Neal Manowitz, VP of Digital Imaging at Sony North America. “We are always listening to our customers, combining their feedback with our intense passion for innovation to deliver products, services and support like no other.”

A variety of exclusive stories and exciting content shot Sony ? products can be found at www.alphauniverse.com , Sony’s community site built to educate, inspire and showcase all fans and customers of the Sony ? brand.

1 The NPD Group / Retail Tracking Service, U.S., Detachable Lens Camera, Full Frame, Based on Dollars, Jan- Feb 2017

2 The NPD Group / Retail Tracking Service, U.S., Detachable Lens Camera, Full Frame, Based on Dollars, Jan/Feb 2016- Jan/Feb 2017

3 The NPD Group / Retail Tracking Service, U.S., Detachable Lens Camera, Full Frame, Based on Dollars, Jan/Feb 2016- Jan/Feb 2017

Articles: Digital Photography Review (dpreview.com)

 
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Uno II interchangeable camera backpack has four swappable interior panels

25 Feb

Bag maker NIID has launched a Kickstarter campaign in hopes of funding the Uno II, a backpack geared toward photographers and other creatives. It calls the Uno II the first ever interchangeable backpack, allowing owners to swap the interior bag component with an alternative ‘panel.’ A total of four panels are offered, one designed for a variety of camera gear, one for art supplies, one for work items (the standard panel) and one for sports gear.

Typically, different activities require different types of bags, and that can result in owning a few different backpacks that take up space. Uno II aims to solve that via a two-part design: an exterior zippered component that swaddles the interior panel, and the interior panel which contains pockets and slots for various items. When assembled and zipped, Uno II becomes an ordinary backpack with shoulder straps.

The camera panel can, for example, be used to transport a camera body and a couple lenses, a small tripod, and other smaller items like storage cards or spare batteries. Similarly, the work panel is made for holding items like tablets and laptops, while the sports panel can accommodate workout clothes and more. The art panel differs quite substantially, featuring elastic bands to hold brushes, pencils, paints, and similar things, as well as a mesh pocket for smaller items.

The Uno II is made with linen-textured Eco-polyester with a water-repellant coating, anti-theft zippers, a small hanging clip for attaching things like keys, a Flex Power Dock, and a rain shield for use in heavy rain. This model bag will also be offered, if the campaign is successful, in both a smaller 20L capacity and a larger 30L capacity.

Thus far, the company has exceeded its $ 15,000 goal with nearly $ 53k in funding and 27 days remaining in the campaign. NIID is offering backers a single early bird Uno II backpack with a standard panel in exchange for an $ 89 or greater pledge. Shipping to backers is estimated to start this upcoming June.

Articles: Digital Photography Review (dpreview.com)

 
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Fresh out of the box: getting started with your first interchangeable lens camera

25 Dec

Fresh out of the box: Getting started with your first ILC

For the more established and experienced photographers of the internet, I will borrow the dedication page to Mark Z. Danielewski’s “House of Leaves:”

This is not for you.

This article is for your elderly neighbor, your young nephew or niece, or anyone whose photographic journey up to now begins and ends with a smartphone.

If this describes you, then hello. Welcome. You, budding photographer, have decided to embark on a new hobby, or an extension of something you’ve enjoyed on a mobile device, and this holiday season you have purchased (or been gifted) an interchangeable lens camera of your very own. You may not  know why exactly you wanted or needed one – or even that some cameras come with lenses that detach in the first place.

Let’s unravel the basics here, so you can get from the box-opening to the picture-taking as quickly and as free from headaches as possible.

Opening the box

In most interchangeable lens camera kits, you will have the following:

  • Camera body
  • Lens (or two)
  • Charger
  • Battery
  • Neck strap
  • Software CD (how quaint)
  • User manual
  • Warranty registration card

The first thing to do is to remove the charger and set the battery on to charge. No point in being frustrated at not being able to take photos because of a low battery.

The second task is to remove the camera and lens, remove the body cap from the camera and the back-end cap from the lens (it will be on the end with a metal or plastic mount with electrical contacts – the front of the lens will likely have the brand name and some other writing on it), and attach them.

There will be red or white markings denoting where to line the lens up relative to the camera, and normally, you’ll turn it clockwise to lock it in – with Nikon lenses, however, you rotate the lens counter-clockwise to attach it.

Get Strapped

Now is also a great time to attach the included camera strap, because nothing is quite so effective at ruining complicated electronics and optics as an accidental tumble onto cement (it happens to the best of us). Also, very few cameras actually come with memory cards these days, so you’ll want to go pick one up – no need to go crazy, a decent 16GB memory card will be plenty for casual shooters, and should be affordable.

Lastly, instead of throwing out that warranty card, fill it out. Cameras are complicated, and should you encounter any strange issues of yours that aren’t directly your fault, the warranty will help you out there.

You can also add your camera to your homeowners’ (or renters’) insurance policy, which may cover theft, accidental damage, or more.

Let’s take some pictures

Okay, now that you’ve sat staring at your camera for a while and have killed the time by reading a couple more online reviews on it, let’s put the charged battery in and actually turn the thing on.

You’ll be prompted to go through and set the date and time, which is advisable – when you go to put the photos on your phone, computer or the internet, the ‘date taken’ is a common method of keeping your images organized. If you notice any odd (read: buggy) behavior from the camera, go ahead and check the manufacturers’ website to see if there have been any firmware updates – and they’ll have easy instructions for installing them.

Which mode?

Keep the camera in fully ‘Automatic’ mode, which is usually the only option on the mode dial that’s green (the ‘Mode Dial’ will usually have P, A, S, M options among other icons such as a floating head for the ‘portrait’ preset, some small mountains for ‘landscape,’ and so on). On Olympus cameras, there’s a setting called i.Auto on the mode dial, and on Fujifilm cameras, you’ll want to flip the ‘Auto’ switch, or on the lower-end models, go to ‘SP+’ mode.

The half press

Unlike a smartphone, most interchangeable lens cameras provide you with a two-step process for taking a single picture. You’ll want to press the shutter button (it should be logically placed under your index finger while you hold the camera) very lightly – we call this a ‘half-press.’ What this does is signal to the camera that you’re intending to take a picture, at which time it will focus on whatever is in front of you, and it will pick an exposure (it will decide how bright to make the resulting image). Press the shutter down all the way now, and you’ll be greeted with some sort of shutter noise indicating that a photo has been taken. Yeehaw!

Flash

Many interchangeable lens cameras have flashes that you, the user, must pop up yourself if you wish to use them. General rule of thumb? If your photos are coming out too dark, too blurry or too grainy, pop up the flash. The camera should know to use it when it’s popped up and you’re in an automatic mode.

On some cameras, such as Nikon and Canon models, the camera will choose for you whether to pop the flash up or not. They’re often wrong about this, particularly with subjects that are very far away (the flash isn’t that powerful). However, if you are shooting a photograph of a person on a bright day with the sun overhead, the flash pop will fill in some shadows on your subject’s face – this is called ‘Fill Flash,’ and it’s usually a good thing. The flash can also handy if you’re trying to take family photos indoors and are getting blurry or grainy results.

In any case, those flash-happy Canon and Nikon models have a setting right next to the ‘Auto’ setting on the mode dial, that looks like a crossed-out lightning bolt. That’s the same automatic mode as before, but the camera will refrain from popping up the flash at all.

Easy as that

What’s next? Well, start taking pictures. They can be of anything, don’t worry about it. Take photos of things you find pretty, or funny, or just because you like them. Cats! Always take pictures of cats.

Experiment with putting your subject slightly off-center (look up the Rule of Thirds for more on this – though it’s more of a guideline than an actual rule). It’s a common temptation to zoom in to a subject, instead of using your feet to actually get closer – experiment with both. Think about fun places to go in your own town that you can bring your camera to – a friend’s barbecue, or the zoo, a park, a museum (check photography rules beforehand, though). Be sure and keep the front of your lens clean, preferably with a microfiber cloth – you’ll inevitably get fingerprints and dust on it, which is fine, but they can make everything look a bit hazy.

When you get a little more comfortable, start thinking about using lines to lead a viewer’s eye through the scene. Pay attention to contrast between light and shadow, and look out for interesting textures. There’s tons of free resources on the internet to help you out here.

The most important thing you can do with that spiffy new camera, though? Just use it and have fun

Articles: Digital Photography Review (dpreview.com)

 
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2016 Roundup: Interchangeable Lens Cameras $900-1200

11 Nov

These days, many (if not most) consumers are likely to shop based on price and capability, rather than according to whether a certain model contains a mirror, or not. We think this is a good thing; with all the increased competition, cameras are improving more and at a faster rate than ever before. From the gear perspective, it’s certainly an exciting time to be a photographer.

In this category, you’ll find both mirrorless and DSLR cameras that are highly capable under a variety of shooting situations, offer built-in high-spec viewfinders – either optical and electronic – and an extensive array of external controls. The biggest differences in performance tend to come down to autofocus sophistication and video capability, but neither of those is dictated by the presence or lack of mirror.

The contenders are:

  • Canon EOS 80D
  • Canon EOS M5
  • Canon EOS Rebel T6s
  • Nikon D7200
  • Olympus OM-D E-M5 II
  • Panasonic Lumix DMC-G85
  • Panasonic Lumix DMC-GX8
  • Pentax K-3 II
  • Sony Alpha a77 II
  • Sony Alpha a6300

Most of the cameras in this roundup are built around either Four Thirds or APS-C sensors. Sensor size plays a large part in determining the image quality a camera is ultimately capable of and, in general, the larger a camera’s sensor, the better the image quality and the more control you have over depth-of-field. APS-C sensors are larger than Four Thirds chips, but the differences are rarely huge.

Of course, the sensor sizes and image quality of these cameras are not the only thing that varies; the feature sets and performance of each camera are also quite different across the board. Within this category you’ll find weather-sealed cameras, cameras that can capture 4K video, cameras that can shoot bursts at incredibly high speeds with autofocus, and cameras that are simply well-balanced all-rounders. Which one should you buy? Read on to find out…

Articles: Digital Photography Review (dpreview.com)

 
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2016 Roundup: Interchangeable Lens Cameras $500-900

10 Nov

The $ 500-900 category (based roughly on US MSRP) features quite a few strong offerings, some of which should satisfy first-time camera buyers with easy-to-use interfaces and point-and-shoot style functionality. Others are aimed more at seasoned-enthusiasts, offering direct manual controls and high-end features.

At this price point, all of the cameras use either Four Thirds or larger APS-C-sized sensors and all can shoot Raw. And while a larger sensor can mean the potential for better image quality and more control over depth-of-field, the difference in size between APS-C and Four Thirds is not enormous. As such, small differences notwithstanding, the vast majority of cameras in this roundup have what we would consider to be very good image quality.

All of the cameras in this selection are reasonably small in size (compared to pricier ILCs), but the number and arrangement of control points, grip size, build quality and weight all vary quite a bit. As do the inclusion of features like like 4K video capture and in-body image stabilization.

Let’s take a look at the currently available interchangeable lens cameras that fall into the $ 500-900 price range (give or take).

  • Canon EOS M3
  • Canon EOS Rebel T6i
  • Fujifilm X-E2S
  • Fujifilm X-T10
  • Nikon D5500
  • Olympus OM-D E-M10 II
  • Panasonic Lumix DMC-GX85
  • Pentax K-70
  • Sony Alpha a6000

Articles: Digital Photography Review (dpreview.com)

 
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