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Posts Tagged ‘High’

WTF Is Street Art? Poster Boy Hacks NYC Sign by High Line

22 Jul

[ By WebUrbanist in Drawing & Digital. ]

wtf is street art

If you have spent any time along the High Line Park in Chelsea, you will recognize this extremely prominent billboard that one artist had the audacity to climb and hack.

wtf street art dynamic

The original message (WTF is alternate side of the street parking anyway?) was selectively deleted to make way for a replacement question.

wtf street art gif

Working at night, Poster Boy risked discovery by people parking and picking up their cars in the directly adjacent lot, not to mention being highly visible from the street.

high line amphitheater view

During the day, visitors sitting in the over-street theater seats within the elevated park have a direct view of this huge black-on-yellow poster. It is doubtful the change will survive long, so check it out while it lasts!

halloween pumpkin carved cone

wolverine movie subway ad

movie poster ad hack

Known for his creative edits of local signage and hacked infrastructure, Poster Boy has a huge collection of photos you can browse of his work, ranging from small stickers added in unusual contexts to whole-billboard transformations.

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High ISO Compared: Sony A7S vs. A7R vs. Canon EOS 5D III

30 Jun

The A7S is Sony’s newest entry in its full-frame mirrorless lineup. But where the ‘R’ in A7R stood for resolution, the ‘S’ in the 12MP A7S stands for sensitivity. We’ve recently received a Sony A7S and wasted no time putting it up against the A7R and Canon EOS 5D Mark III to see how it compares.
related news: Digital Photography Review (dpreview.com)

 
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High ISO Compared: Sony A7S v. A7R v. Canon EOS 5D III

30 Jun

The A7S is Sony’s newest entry in its full-frame mirrorless lineup. But where the ‘R’ in A7R stood for resolution, the ‘S’ in the 12MP A7S stands for sensitivity, topping out at an impressive maximum ISO sensitivity setting equivalent to ISO 409,600. We’ve had an A7S for a couple of days – just long enough to create a real-world comparison of high ISO stills from the camera against the 36MP A7R and Canon’s EOS 5D Mark III. Click through to see the results.

related news: Digital Photography Review (dpreview.com)

 
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Three Uses for High ISO you Might Not Know

25 Jun

You may already know that the ISO setting is used to control your camera’s sensitivity to light. When you use a high ISO setting essentially you are telling your camera to become more receptive to the available light. This is most often used when you are photographing in low light situations in order to maintain a proper exposure. However, there are at least three other reasons you might consider using a high ISO setting when you’re either in a good light situation or on a tripod.

Freezing fast motion

when to us high ISO

Use a high ISO setting to freeze fast motion – 1/8000th ISO 1,000

The only way to freeze fast motion, like the wings of a hummingbird moth, is to shoot with an extremely fast shutter speed. The above photograph was shot with a shutter speed of 1/8000th of a second in order to freeze the insect’s wings. However, even in the bright mid-afternoon sun, a shutter speed that fast required bumping the ISO setting on the camera to 1,000 to maintain an even exposure.

Below, is an example of why shooting at 1/8000th of a second was necessary. Even at 1/800th of a second the insect’s wings were barely visible. In order to ensure that the motion was frozen it meant that more light was needed in a shorter amount of time and the only way to get this (without a faster lens) is to bump up the ISO on the camera.

when to us high ISO-4

ISO 500 1/800th – even at that speed the wings are blurry.

Night sky photography

when to use high ISO 4

Use high ISO to capture the stars

Many different techniques come into play when you want to photographing the stars, but one of the more important things to remember is to increase that ISO setting. The reason you want to photograph the stars with a higher ISO, even though you’re using a tripod, is that as the earth rotates, the stars move across the sky and you don’t want to capture that movement in your photograph (unless you are doing star trails)

By using an ISO in the 800 to 1,000 rang,e with a fast wide-angle lens, you will be able to capture enough stars to fill the sky.  For more on photographing the stars check out: How to Photograph the Stars.

Hand-holding a long lens

when to us high ISO-3

Use high ISO when shooting handheld with a long lens

If you’re shooting handheld with a long lens, you have to remember the shutter speed rule: 1/focal length (35mm equivalent).  This rule basically means that if you’re using a 300mm lens on a 1.5x crop factor DSLR then the minimum or slowest shutter speed that you can use is 1/450 (1/300 on full frame).

The bald eagle above was shot at a 450mm equivalent focal length using a shutter speed of 1/500th of second and an ISO of 1,000. Any slower on the shutter speed and you begin to run the risk of introducing camera shake.

What other uses can you think of for high ISO?

Do you ever shoot with an ISO of 800 or higher? What’s the highest you’ve ever shot? Share with us some examples and of course, if you have any other uses for high ISO that you think I’ve forgotten please share those below as well!

The post Three Uses for High ISO you Might Not Know by John Davenport appeared first on Digital Photography School.


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High ISO Compared: Sony A7S v. A7R v. Canon EOS 5D III

22 Jun

A7S_seattle.jpg

The A7S is Sony’s newest entry in its full-frame mirrorless lineup. But where the ‘R’ in A7R stood for resolution, the ‘S’ in the 12MP A7S stands for sensitivity, topping out at an impressive maximum ISO sensitivity setting equivalent to ISO 409,600. We’ve had an A7S for a couple of days – just long enough to create a real-world comparison of high ISO stills from the camera against the 36MP A7R and Canon’s EOS 5D Mark III. Click through to see the results.

News: Digital Photography Review (dpreview.com)

 
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High Line West: Chicago & LA on Track for Elevated Greenways

27 May

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

high line park picture

Following in the footsteps of the United States’ largest urban center, 2nd and 3rd most populous cities in the country are each (respectively) developing and building extensive elevated parks, inspired in part by the success of The High Line in NYC.

The Los Angeles River Greenway Project

la greenway three dimensions

la greenway section raised

On the West Coast, Los Angeles has a plan to connect and create 50 miles of continuous bike and walking paths through the city. Over half of these segments are completed but the whole is not yet contiguous, forcing cyclists and pedestrians through dangerous crossings and other workarounds.

la city greenway path

la greenway public space

la greenway realistic rendering

Ramping up support for the last few years, the LA River Greenway 2020 project includes provisions for public space as well as private enterprise, with everything from gathering and performance areas to dining venues, yoga classes and bike-in movie theaters in mind.

The Chicago 606 & Bloomingdale Trail Project

bloomingdale trail elevated walkway

bloomingdale bridge juncture rendering

 

bloomingdale trail axon cut

bloomingdale aerial park view

Meanwhile, in the Midwest, Chicago’s Bloomingdale Trail is the centerpiece of a larger plan dubbed The 606. Already midway through construction, much of the multiple-mile trail follows existing east-and-west-running railroad tracks set a story above street level.

Next Page – Click Below to Read More:
High Line West Chicago La On Track For Elevated Greenways

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Get up high: Orion DVC210 DLSR crane review

28 Mar

DVC210-1.jpg

As more and more video production companies and independent videographers rely on DSLRs to shoot a majority of their work, finding more compact equipment is becoming easier. A decent fully-loaded DSLR jib setup can cost anywhere between $ 500 and $ 3,000, and the ProAm Orion DVC210 resides at the lower end of the spectrum. Can the Orion DVC210 take your DSLR video to the next level? Find out in our review

News: Digital Photography Review (dpreview.com)

 
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Some Reasons Why to Shoot High ISO

08 Jan
1/125th at F2, ISO 6400 (Fuji X100s)

Fuji X100s: 1/125th at F2, ISO 6400.

The most common photographic fear that I come across these days is when people are afraid to raise the ISO setting on their cameras.

Just a handful of years ago, these fears were justified.  Raising your ISO to 1600 or 3200 was a no-go for a majority of cameras.

But no longer. Things are changing.

Some Reasons Why to Shoot High ISO  

The improvements in camera technology have been such that you can now photograph at ISO 1600, 3200, and even 6400 with many of the newer SLRs, micro four-thirds, and mirrorless cameras.

Before you move on, if you are unclear about what ISO is, read more on the subject here:

  • Introduction to ISO
  • Photography 101.7 – ISO
  • Moving Toward Manual Settings: Understanding ISO (a beginner’s guide)

But doesn’t a lower ISO mean better image quality?

Canon 5D Mark II: 1/320th at F6.3, ISO 1600 (135mm). The high ISO allowed for a 1/320th shutter speed to account for both the motion in the scene and for the long focal length used.

Canon 5D Mark II: 1/320th at F6.3, ISO 1600 (135mm). The high ISO allowed for a 1/320th shutter speed to account for both the motion in the scene and for the long focal length used.

Well yes – and no.

Yes, if you are setting up a studio shot and controlling the lighting.  Yes, if you are using a tripod, if you are a landscape photographer, or if there is very strong natural light.  Yes, if you don’t have to compromise your shutter or aperture settings to expose the shot correctly.  ISO 200 will always create a significantly sharper and cleaner image than a shot at ISO 1600 when the aperture and shutter settings are the same.

In every other case the answer is no.

Raising your ISO will give you the ability to capture a higher quality photograph in many situations because it gives you the ability to use a faster shutter speed and smaller aperture (a larger aperture number) to get a sharper scene.  Getting the aperture and shutter settings correct are much more important than using a low ISO in creating a technically great photograph.

If you want to know how great event photographers consistently create such bright and beautiful images, it’s not only because they use fast lenses and flashes.  It’s because they are not afraid to raise the ISO to very high levels to capture the natural light in a scene.

In addition, the look of grain at high ISOs in digital cameras has become more pleasing.  The newer camera models have not only reduced the strength of grain (noise) at high ISOs, but they have given that grain a more pleasing look.

ISO has now become a luxury instead of an obstacle.  We can photograph in dark areas while handholding the camera when we need to.

Detail Shot of the 5D Mark II at ISO 1600. Minimal, pleasing grain.

Detail Shot of the 5D Mark II (released in 2008) at ISO 1600. Minimal, pleasing grain.

When shooting at a high ISO, get the exposure right

The major problem with photographing at a high ISO is that raising the exposure in post production significantly will ruin the look of the grain.  Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in the camera.

Pay attention to colour noise versus black and white noise

You also want to pay attention to how your camera handles the look of noise in your colour images.  The Fuji X100S, for instance, handles colour noise exceptionally well, where as other cameras do not do so well with colour noise at very high ISO levels.  However, in many cases, the problem can often be solved by simply turning the photo into black and white.

Fuji X100S, tiny detail at 6400.  Excellent color noise.

Fuji X100S, detail shot at ISO 6400. Very significant grain but excellent colour noise.

Take a look at the image detail above.  This was taken with a compact mirrorless camera at the very extreme end of its ISO range, 6400.  Yes, there is a lot of grain but it still looks good.   I prefer not to go over 3200 with this camera when I can avoid it, but without using ISO 6400 here I probably would not have been able to capture this image.

How do I test my camera’s ISO?

I wish I could talk about specific cameras here, but the list is too long.  I use the Canon 5D Mark II (released in 2008) and Fuji X100S and regularly shoot at ISO 1600, 3200, and even 6400 when capturing the city streets at night.  The Canon 5D Mark III does an even better job with noise at high ISO.

Each camera has different noise (grain) levels, so the first step is to research reviews on the noise levels of your camera or potential purchase.

If you own the camera already, the next step is to test it out yourself.  Make sure you are using a fast shutter speed and an aperture of somewhere between F8 and F16, so that each image you take is guaranteed to be sharp.  Then take the same shot at ISO 200 all the way through 6400.  Look at the images zoomed in to 100% (1:1 in Lightroom) on your monitor in both black and white and colour.

If you have a photo printer, I highly suggest printing out those images to see how the grain looks in real life and to see the differences between each image.

It is also important to remember, if you are regularly printing at smaller sizes, such as 5×7 or 8×10, then you will likely not notice a significant difference between ISO 200 and 1600.  If you prefer to print at larger sizes, such as 13×19 or 20×30, then there will be a noticeable difference.  So test it out.

Canon 5D Mark II: 1/500th at F9, ISO 800 (28mm).

Canon 5D Mark II: 1/500th at F9, ISO 800 (28mm).

Zoomed in - insignificant grain at ISO 800.

Zoomed in – insignificant grain at ISO 800

Fuji X100S: 1/250th at F9, ISO 1600.

Fuji X100S: 1/250th at F9, ISO 1600.

Insignificant and pleasing grain.

Zoomed in – insignificant and pleasing grain

Grain is beautiful!

Do you remember the last old, grainy photograph that you saw in person?  It was gorgeous, right?  Digital technology is getting there.  Now is the time to get over your fear and try out shooting at higher ISO!

The post Some Reasons Why to Shoot High ISO by James Maher appeared first on Digital Photography School.


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High Security: 150 Creepy Cameras Installed on 1 Blank Wall

03 Jan

[ By WebUrbanist in Art & Installation & Sound. ]

wall camera full picture

If you ever get that feeling you are being watched, well, for once it really is just your imagination – this fleet of surveillance cams is inactive but still startling to anyone caught by surprise. All they are missing is some George Orwell birthday party hats.

wall camera big picture

wall camera relentless focus

wall camera 2d illusion

Street artist SpY, known for large and thought-provoking interventions, really lives up to his nom de plume in this installation set alongside a side street in Madrid, Spain.

wall camera artist shadow

wall camera close up

wall camera art array

Catching passers by off their guard, the neatly-arranged series features one hundred and fifty security cameras all pointed in roughly the same direction, all causing a cumulative sense of distinct unease that is only slightly irrational upon reflection.

wall camera one direction

wall art camera installation

wall camera full view

While the prop cams are both inactive in practice and redundant in theory (since they all appear to be looking at the same spot), the effect of feeling watched by many eyes is still disproportionately unsettling.

wall camera alley view

wall camera crane veritcal

The construction process was painstaking, involving a crane and the manual attachment and alignment of each camera along a carefully-planned grid.

wall camera installation process

wall security cams art

Aside from their uniform focus, the consistent color and style of each unit adds another level of discomfort to the mix, like a marching army of emotionless robotic agents in some dystopian science fiction film.

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4 Tips for a Perfect White Background in High Key Photography

03 Dec

A guest article by Tony Northrup, author of Stunning Digital Photography, on sale 20% off – now at SnapnDeals.

A bright, white background creates a high energy, happy, and distraction free scene, perfect for pictures of your friends and family. Known as high key photography, this technique instantly cures problems with ugly backgrounds and focuses the viewer’s attention on your subject.

Besides being a popular for portrait photographers, it’s a more modern choice, rather than traditional (ie., painted muslin). Here are my favourite tips for creating high key photos.

4 tips for perfect white backgrounds in high key photography

Tip #1 – Use a Solid White Background to Eliminate Distractions

I used a big, white piece of paper as the background for this portrait of my twin nieces because anything natural for a background would have clashed with their colourful outfits. The brightness also perfectly matches their expressions.

high-key-white-background-portraits-01b

High-key backgrounds focus your attention on the subject

High key photography was the perfect choice for this picture of my daughter eating a strawberry because there’s nothing to distract the viewer from her eyes and the strawberry. You don’t need to use an expensive camera or lens for this type of picture, because you can use any camera for high key photography.

High key white background portraits 02

The solid white background eliminates all distractions

Tip #2 – use sunlight as your background

A white background isn’t everything you need to create a perfect high key photograph, however. You need one additional ingredient – light. A white background without light doesn’t appear white in the photo, it appears grey. My flash failed to fire for this next photo, causing an ugly, grey background.

If you don’t light your background, it will be grey

If you don’t light your background, it will be grey

To create a solid white background, you need to completely overexpose your background without overexposing your subject. That means you’ll need much more light on your background than on your foreground subject; about 16 times more light (or four stops of light).

Fortunately, we all share a very powerful and free light source: the sun. For this photo of a radio talk show host and his dog, I had him kneel in my kitchen at midday when the sun was streaming through the glass doors behind him. I added three stops of exposure compensation to properly expose their faces. Because the sunlit background was much brighter than the shade in my kitchen, the camera captured it as solid white.

High key white background portraits 04

You can use the sun to create a bright background

Tip #3 – use a flash on the background

Another easy way to create a bright background is to light it with an off camera flash. Simply move your model four to six feet away from your background and hide a flash behind your model, pointing it at the background. When you take your photo, the flash will light the background to overexpose it and make it appear completely white.

An off camera flash doesn’t have to be expensive. Any manual flash with an optical slave will work, including the $ 60 (US) YongNuo YN-560 that I often use. Simply turn on both the flash’s optical slave and your built-in flash. When you take a picture, your flash will trigger the off camera flash to light the background.

High key white background portraits 05

Place a flash behind your subject to light the background

For more information about using flash both on-camera and off-camera, refer to Chapters 3 and 6 of Stunning Digital Photography.

Tip #4 – don’t over, overexpose the background

You can overexpose a high key background too much. If you bounce too much light off your background, the backlighting will overtake your model and wash out your picture. For example, the picture on the left had too much light on the background, while the picture on the right had just the right amount.

If you have too much light on your background, it’ll wash out your subject

If you have too much light on your background, it’ll wash out your subject

To get a perfectly white background without washing out your picture, start your background light at its lowest power and increase it one stop at a time until the background is barely overexposed. In this video, my wife Chelsea and I show you exactly how to find the perfect flash output. Our book, Stunning Digital Photography, includes more than six hour of video integrated into the lessons, because photography is a visual art, and often it’s easier to learn by watching than reading.

Summary

High key photography is challenging because it requires you to create an intentionally overexposed background while still properly exposing your subject. Once you learn how to use exposure compensation and light your background, you’ll be able to create perfect white backgrounds in just a few minutes.


Award-winning author and photographer Tony Northrup has published more than 30 how-to books and sold more than a million copies around the world. His photography book, Stunning Digital Photography, is the best-selling photography book in the world and the top-rated instructional book of all time. His photos have been featured on magazine covers, book covers, CD covers, TV shows, calendars, and much more. He runs a stock and portrait photography business with his family, Chelsea and Madelyn, out of his home studio in Waterford, CT. He shoots travel and nature photography everywhere he goes.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

4 Tips for a Perfect White Background in High Key Photography

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