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Posts Tagged ‘Good’

Is Being Shy a Good Reason to Only Take Candid Photos?

16 Mar

The post Is Being Shy a Good Reason to Only Take Candid Photos? appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

Standing back with a long lens on your camera and snapping candid photos is an easy option for many people. The alternative is to use a shorter lens and get in close and connect with your subjects. This is challenging for most photographers.

Flaming Wallet illustration Is Being Shy a Good Reason to Take Candid Photos
© Kevin Landwer-Johan Nikon D700, lens 20mm, f/4, 1/125, ISO400

A candid photo is one where your presence and your camera are not affecting the outcome of the photos you take. There is no pose. There is no distraction from you or your camera at all.

When you are shy, using a long lens for candid pictures might be less taxing on your emotions. But it does not often result in the most engaging photographs. If you are capturing candid photos only because you are shy, this is a cop-out. Only using this technique will limit your potential as a photographer.

French Horn - Is Being Shy a Good Reason to Take Candid Photos
© Kevin Landwer-Johan Nikon D800, Lens 35mm, f/1.4, 1/5000, ISO 400

When a candid approach to photography is better

At times, a candid approach to photography will result in more interesting photos.

You will not always be in a position to engage with your subject. Sometimes doing so will disrupt a natural flow of events.

Finding yourself in situations where you think you or your camera will alter the scene, it’s good to remain candid.

If your subject sees your camera, it may distract them. Sometimes when people are aware there’s a photographer present, they will alter their behavior.

This will not always be to your benefit.

Fruit vendor at a market in Chiang Mai, Thailand
© Kevin Landwer-Johan Nikon D800, Lens 35mm, f/4.5, 1/250, ISO 400

Other times, you might be wanting to photograph a whole group of people. There’s no way you’ll be capable of approaching them all for even a short conversation.

Alms Giving in Chiang Mai - Is Being Shy a Good Reason to Take Candid Photos
© Kevin Landwer-Johan Nikon D700, Lens 180mm, f4, 1/200, ISO 400

Is your subject highly focused on what they’re doing?

If your subject is absorbed in what they’re doing, you might not want to interrupt them. They might be:

  • Having an animated conversation
  • Playing sport
  • Creating art
  • Working
  • Or even sleeping

These are all times when asking permission or otherwise engaging a person will break their concentration (or slumber). This will affect the potential photo opportunity.

In ideal situations, you’ll be able to catch a person’s eye. They will see your camera and might give you an approving nod without breaking the flow of what they are doing. Then you can take photos in a relaxed manner because you know your subject is comfortable with you doing so.

Street Drummer - Is Being Shy a Good Reason to Take Candid Photos
© Kevin Landwer-Johan Nikon D800, Lens 105mm, f/2.8, 1/1000, ISO 400

You can’t always engage with your subject

Many times it’s not practical to engage with your subject. Candid photos are the only practical option when you are photographing:

  • Crowds
  • Street scenes
  • Where your subject is inaccessible

At times like this the only other option to taking candid photos is to not take photos.

When you can’t engage, it pays to be patient and observant. Wait for the decisive moment when the action is at its peak. When as many of the elements of a good photograph align, this is when you can capture the best candid photographs.

Poi Sang Long Festival - Is Being Shy a Good Reason to Take Candid Photos
© Kevin Landwer-Johan Nikon D800, Lens 35mm, f/5, 1/20, ISO 100

You don’t need to be an extrovert to photograph people

Being shy is a strength. Shy photographers can make the best portraits. This is because they show empathy toward the people they photograph. Learn to overcome the fear of imposing and you will take portraits with more depth.

To simply take candid photos because you are shy is not a good reason. Yes, as I have pointed out, candid photography is valid at times. But to avoid connecting with people because you don’t want to impose will often not result in the best photos.

When you want to photograph someone you see at the market, or a friend or your barista, talk to them first. Engage with them and build a rapport.

If you’re photographing a wedding or portrait, work on building a comfortable relationship with them. In many circumstances, the degree with which you connect with your subject will directly influence how good your photos are.

Portrait of a couple
© Kevin Landwer-Johan Nikon D800

Approach with care, not fear

Don’t worry. If you are fearful of someone’s response, this will show. They will know and respond accordingly. Approaching someone with confidence, you are more likely to receive a positive response.

You don’t need to get in their face with a false boldness, just be yourself. Know what you want and communicate this to your subject. Take your time as it will pay off with better photos.

Spending time with anyone you want to photograph will usually result in a more interesting portrait. Learn to connect, even if you don’t have much time.

If you’re in a street market or a coffee shop, take a few moments to show people why you are interested in taking their photo.

With a friend, share with them what’s on your mind. Talk with them about why you want to take their picture.

When you’re photographing a model, compliment them.

There are many ways to communicate positively that will enhance your photographic opportunities. Staying quiet will often inhibit your creative potential.

Portrait of a Kayaw woman
© Kevin Landwer-Johan Nikon D800, Lens 85mm, f/1.4, 1/400, ISO 1250

Overcome your shyness

As a young man, I was painfully shy. I loved photography, but could not bring myself to photograph people. Now, the main subjects in my photographs are people. I learned to use my camera as a bridge to connect with the people I want to photograph.

In my book, Photographing People – A Guide For Shy Photographers, I share my experience and teach you how to overcome your shyness.

My journey to becoming a people photographer has been challenging. Camera skills are only a part of what you need to create great portraits, no matter what gear you use.

Learn when it’s best to connect. Learn how to connect. You will create more interesting, more engaging photos of people when you do.

Please Click Here to purchase my book on Amazon.

The post Is Being Shy a Good Reason to Only Take Candid Photos? appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Why Using Smart Previews in Lightroom CC is a Good Idea (and How to Set Them Up)

25 Nov

The post Why Using Smart Previews in Lightroom CC is a Good Idea (and How to Set Them Up) appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

smart-previews-in-lightroom-cc

Smart Previews in Lightroom CC will help enhance your workflow. They are a smaller file you can work with rather than working on full-sized RAW files.

One of the biggest advantages of using Smart Previews in Lightroom CC is when you work remotely. You can store your RAW files on your main hard drive and keep the smart previews on your portable drive. So if you have your RAW files imported to your main computer hard disk, you can make smart previews for your laptop or external drive. You can even store them on a flash memory device like a thumb drive, SD card, or the cloud.

Smart Previews Lightroom CC

How to use Smart Previews in Lightroom CC

Creating Smart Previews in Lightroom CC is easy and can be done when you import your files or at a later time. Lightroom makes a smaller DNG file (an Adobe Digital Negative RAW image file.) These are compressed and take up a fraction of the space RAW files do. The DNG files are located in a separate folder than the RAW files of the same images.

To configure Lightroom CC to create Smart Previews when you import photos, go to the File Handling panel. This is on the right of your screen after you have clicked on the Import button. Make sure that the Build Smart Previews box is checked.

Smart Previews Lightroom CC

You can create Smart Previews in Lightroom CC when you’ve already imported your photos.

Select the files you want to make Smart Previews of in the Grid mode. Go to Library in the top menu and choose Previews->Build Smart Previews. When an image has a Smart Preview, there is an icon indicating this in the Histogram window.

Why Using Smart Previews in Lightroom CC is a Good Idea (and How to Set Them Up)

Working on a smart preview in the Lightroom Develop Module, you will be working on the compressed DNG file. This means your computer will run faster. To ensure you have this enabled, go to Edit->Preferences. Check the box ‘Use Smart Previews instead of Originals for image editing.’

Why Using Smart Previews in Lightroom CC is a Good Idea (and How to Set Them Up)

What are the main advantages of Smart Previews

The three main advantages of using Smart Previews in Lightroom CC are:

  1. Speed up your workflow
  2. Save hard drive space
  3. Easier remote editing

Once you have created the Smart Previews, your computer manages the image files using fewer hardware resources. The file sizes are smaller, so they draw less of the computer’s CPU, GPU and RAM.

Working with Lightroom CC on a laptop or with an external drive is better with Smart Previews. You do not need to have all your RAW files on a remote hard drive to be able to keep editing. Your edits will be auto-synced (keep reading to learn how to do this).

Remote editing from a laptop or classroom computer is much easier. This is because catalogs with smart previews are so much smaller. By only exporting the DNG files with your catalogs, you are saving a huge amount of space.

Smart Previews Lightroom CC

How to export and re-sync using Smart Previews in Lightroom CC

Once you have imported your photos and created Smart Previews in a Lightroom CC catalog, you can export the catalog or part of it. Simply go to File->Export as catalog and make sure to check these boxes:

  • Export selected photos only
  • Build/Include Smart Previews
  • Include Available Previews

You don’t have to check the ‘Include Available Previews’. But if you have already made adjustments to some images, it’s a good idea to.

Uncheck the ‘Export Negative Files’ box.

NOTE: If you leave this one checked, you’ll be including all the RAW files. This is what you are wanting to avoid.

Why Using Smart Previews in Lightroom CC is a Good Idea (and How to Set Them Up)

Save the file where you can locate it again easily. Now you can copy it to another storage device or the cloud.

When opening Lightroom on your laptop or another computer, select the catalog from your storage device. You can work from your device or copy the catalog to the drive of the computer you are working on.

If you open the catalog from where it’s stored, all the changes you make in Lightroom will be saved there. Copying the catalog file to the hard drive of the computer you are now working on requires you to export it again when you’re finished.

To bring the files you have worked on back to your main computer, simply connect the portable storage. Copy the Lightroom catalog with the images you’ve been working on back onto your main computer’s hard drive.

To do this, go to File->Import from Another Catalog. Now locate the catalog from your portable storage. From the drop-down box, select ‘Replace: metadata and develop settings only.’ Click OK. Your Smart Previews will appear in your catalog, including the changes you made.

Smart Previews Lightroom CC

Conclusion

Using Smart Previews in Lightroom CC is a game-changer if you often work on your photos from more than one computer. Being able to make use of your laptop because the file sizes are smaller and more portable is a great advantage. It may seem like a little more work to set up to use Smart Previews, but once you have done it a few times, it will seamlessly become part of your post-processing workflow.

Do you use Smart Previews? What are your thoughts? Share with us in the comments.

 

The post Why Using Smart Previews in Lightroom CC is a Good Idea (and How to Set Them Up) appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Lens Rentals celebrated Halloween by testing its rental gear for ghosts and good vibes

02 Nov

In the spirit of Halloween, the team over at Lens Rentals decided to do a little experiment to see if any of their gear was haunted. However just one item in, the plan took a very Roger-esque turn, pivoting from a ghost-hunting endeavor to tearing down the very pieces of gear he was originally using to look for paranormal activity.

After someone had remark that some of its photography gear was used to record various paranormal shows and another individual showed concern of whether or not any of Lens Rental’s gear was haunted, Cicala and his trusty sidekick Aaron decided to put their gear to the test unlike they’ve ever done before.

The array of paranormal-detecting devices Roger and Aaron purchased.

After hunting down an array of various paranormal-detecting devices (and purchasing a dozen 9-volt batteries), Roger and Aaron got to work setting up their testing area. At the suggestion of those more familiar with the paranormal, the duo set up what was supposed to be a pentagram (looks more like a random geometric shape in our book) with multiple ‘Ghost Detector’ modules around the perimeter and burned a candle in the middle to get the paranormal juju flowing.

Clearly someone used that mic pack under sketchy circumstances.

After letting the candle work its magic, the pair put a Sennheiser microphone in the center and used both the ‘Ghost Detectors’ and the EMF detectors to see which how it reacted. Sure enough, the wireless mic pack was haunted (according to the two detectors, at least). The pair also tested their microwave (definitely haunted), as well as their coffee maker (which was thankfully spared by the spirits). It was even discovered that Aaron was haunted too. As a result, it turned out their previous testings couldn’t hold up, as there’s the chance Aaron himself was causing the bad vibes.

So, Roger and Aaron decided to instead direct the various paranormal-detecting devices they purchased to test out the Lens Rentals gear. We’ll let you see the full teardown of the gadgets over on Lens Rentals’ blog post, but suffice to say the Ghost Detector Array, EMF Meter and Ghost Magnet were all relatively cheap pieces of tech that mostly consisted of random PCBs and (in the case of the Ghost Magnet) motors.

The inside of one of the EMF detectors Roger and Aaron purchased.

Considering all of the paranormal devices are now torn down, it’s safe to say Lens Rentals will no longer be offering a spirit-cleansing add-on for future rentals. So you might want to be careful and bring a Shaman along with you on your next photo shoot just in case.

Articles: Digital Photography Review (dpreview.com)

 
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Are Photography Competitions Good for Your Soul?

01 Nov

The post Are Photography Competitions Good for Your Soul? appeared first on Digital Photography School. It was authored by Charlie Moss.

are-photography-competitions-good-for-your-soul

Are photography competitions good for your soul? The idea of diving headfirst into the promising ocean of photographic competitions is one that can be appealing. Imagine yourself surrounded by admirers – fame, and accolades aplenty for your work. The thought is pretty appealing, isn’t it?

Are-Photography-Competitions-Good-for-your-soul

But for most of us, that cool blue water of success turns out to be little more than a dream. Most competitions for most photographers and artists end with little more than a rejection letter, or a place on the shortlist if you’re very lucky.

What is there to gain?

Well, to be quite frank, there’s an awful lot to gain from entering your photography work into competitions. And pretty much all competitions will help you grow and improve as a photographer if you put some thought into the images you’re selecting.

Image: Internet competitions can be a good way of working out which are your better images.

Internet competitions can be a good way of working out which are your better images.

You can use competitions for different purposes. For instance, local club competitions or some of the online competition sites can be good for working out which variations of images appeal to people more. If you’re a little stuck with an image, then entering a local club competition might help you see some of the flaws in your shot.

Prizes, notoriety, or self-improvement?

At the top of the scale, there are huge cash awards and even residencies to win through photographic competitions. Of course, you can’t just make a living by winning competitions with your photos, but the kind of cash prizes that some competitions award will certainly pay a good chunk of your living expenses for a while!

Are-Photography-Competitions-Good-for-your-soul

But for most of us, what we gain is a wider audience and a better sense of our work. And these things are both important to photographers in their own way.

Having an audience isn’t just important for pros, it can open all kinds of doors for amateurs too. Plus, as much as we sometimes loathe to admit it – nice comments and ‘likes’ can go a long way to making us feel good about our work.

The process of selecting images to enter into a competition can be extremely powerful for your work. Trying to narrow all the photos you’ve taken into just a small handful that fit a brief is a difficult process. But this process should tell you something about yourself and your work, and perhaps even push your future work in a particular direction.

Entering competitions can be a great learning experience.

Protecting your mental health

We don’t always win competitions. Of course, it would be impossible for everyone to win every competition that they entered. Not placing in shortlists time and time again can be tough on our mental health.

Are Photography Competitions Good for Your Soul?

You must make sure you’re entering competitions for good reasons, and not those that end up lowering your mood when you face rejection. Finding these reasons can be difficult even for seasoned photographers.

So how can you change bad reasons to good?

Think about why you’re entering competitions

Every now and then I like to reassess where I am with my competition goals to make sure I’m on track, and I invite you to do the same right now. Take a notepad and a pen and spend no more than five minutes jotting down the reasons that you might want to enter competitions.

Once you’ve taken some time to make that list, grab a coffee and review it. Take particular note of reasons that relate to your self-esteem. They could be reasons such as “I want to win competitions to prove I’m not a bad photographer,” or “I want to win competitions to show that time spent on my hobby is worthwhile.”

By framing your ambitions in this way, you’re dangerously close to resting your photographing (and personal) self-esteem on the result of the competition. Screw up the competition, and your photographic self-esteem drops. Photography should be pleasurable and fun to participate in, and competitions should support that.

Setting better goals

Instead, try to focus on goals that aren’t tied to your self-esteem. Hone in on more positive reasons to enter competitions such as “I want to enter competitions to help me develop my photographic voice” or “I want to enter competitions to encourage me to shoot a wider variety of subjects.”

Are-Photography-Competitions-Good-for-your-soul

These goals are not only much more achievable, but we don’t face the same kind of mood drop if we end up not winning. We have met our goal because our goal was simply to refine our work or shoot more variety. Anything additional, like placing on a shortlist, is a bonus.

Don’t forget to be kind to yourself

It’s important when entering competitions to be kind to yourself. Winning a competition can be a glorious feeling, but allow yourself to fail too. Failing is a very human trait, and it’s not something you will be able to escape.

Have compassion for yourself when the lows happen. Treat yourself to something you enjoy photographically and then go back out and get those goals on track.

Ultimately, you mustn’t allow competitions to have power over you. If the results of competitions become tied to the worth of your photography, then you’re on a rocky path that could end up with you falling out of love with photography. And you wouldn’t be here on this site if you didn’t love taking pictures.

Finding competitions to enter

If you start building your network of photographers who also enter competitions, you’ll start hearing about opportunities via word of mouth. But that’s not the only way to find new places to enter your photographs.

Are Photography Competitions Good for Your Soul?

I use a service by Google called Alerts to keep up to date with what competitions are opening for entries. All you need is a Google account, and you can set the service up to send you regular alerts every time it picks up new content using the keywords you define.

These alerts have led me to hear about some interesting photography competitions that I wouldn’t have otherwise found.

So are photography competitions good for your soul?

In my opinion, they certainly can be. I feel that they help me develop my practice as a photographer, allow me to experiment freely, and allow me to be judged amongst my peers. Those three things are very important to me.

Competitions can also be a great chance to meet new photographers and discover new work. Going to your local camera club, or even the exhibition from a larger competition can be both productive and exciting!

But you must take steps to understand why you want to enter competitions with your photography and if you’re entering for good reasons. When stepping into the competitive photography arena, you first of all need to take steps to protect your mental health and ensure you’re not putting yourself at risk.

Do you think photography competitions good for your soul? Share your thoughts with us in the comments!

The post Are Photography Competitions Good for Your Soul? appeared first on Digital Photography School. It was authored by Charlie Moss.


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Opinion: The Nikon Z50 is a good camera, but that may not be enough

10 Oct
The Z50 is a lot like a mirrorless D5600. Which is no bad thing but probably won’t attract a new audience.

To a great extent, the Nikon Z50 looks like a very good camera. The very good camera in question being the D5600. The mirror has gone, but not a lot else seems to have been changed: most of the specifications and much of the experience has been ported over directly from what is a very capable mid-market camera.

Every aspect of the Z50 has been borrowed from somewhere else: the sensor (now with PDAF toppings) from the D7500, the lens mount and AF system from the Z6 and the concept and price from the D5600. The ingredients seem well blended together but end up tasting familiar, rather than enticing.

There’s little evidence of the Z50 being made any more appealing or accessible than the D5600

Nikon is pretty clear about who it’s targeting with this camera: people who love to share attractive moments from their lives on sites like Instagram, but who don’t necessarily think of themselves as photographers. People who are hitting the limits of what their phone can do, or who want to feel more involved in the photographic process.

That’s solid enough in theory, and the Z50 will undoubtedly take great Instagram-style photos. But it doesn’t feel like Nikon has done much to make this camera any more attractive to them. The retractable kit zoom helps to deliver a reasonably-sized package (despite the camera being built around a lens mount that’s oversized for the full-frame format), but is it really just size that was stopping these people buying D5600s? After all, Nikon had already done a pretty good job of paring down the size of its mass-market models.

Instagramer-friendly? I’m skeptical. Or possibly just squinting into the sun.
Photo: Carey Rose

Beyond size, there’s little evidence of the Z50 being made any more appealing or accessible than its DSLR twin. It gains a second command dial, and that’s definitely something: Nikon has a history of building cameras with well-shaped hand grips and well-positioned dials and the Z50 continues this tradition. But it’s hard to see that bringing non-camera-buyers flooding back to Nikon.

The user interface hasn’t been amended or simplified to be more familiar to an audience whose primary photography experience has been their phone’s camera app

It’s a similar story in terms of operating the camera: Nikon has added its pretty capable Eye-AF system from its big Z cameras, but it’s done nothing to make focus tracking any quicker or easier to operate. The icon-abundant user interface hasn’t been amended or simplified to be more familiar to an audience whose primary photography experience has been their phone’s camera app, rather than a compact camera’s interface.

The Z50’s ‘Creative Picture Control’ options let you shoot (or re-process) images with heavy filters applied.

Perhaps the thing that surprised me most about the Z50 was that it doesn’t let you use the rear screen as a touchpad, when you’ve got the camera to your eye. It’s a feature that’s present in almost every mirrorless camera with a viewfinder and, more significantly, in Nikon’s own D5500 and 5600 models. And yet it’s gone missing from here: leaving you to learn button presses and repeatedly stab at the four-way controller, in much the same way as you had to on the D50, over a decade ago.

For the more experienced user who already knows their way around the interface, the Z50 might be more interesting. Or could be, were there any lenses for it. But a F3.5-6.3 maximum aperture collapsible kit zoom isn’t likely to set enthusiast hearts racing. As always, sharing a mount across sensor format promises cross-compatibility, but it’s hard to look at the current range of full-frame Z-mount lenses or Nikon’s published roadmap and see many with size, price or focal length that make them great pairings on this body.

Nikon doesn’t have a great history of supplying anything other than zooms for its DX DSLRs. This is the sole fast aperture prime introduced in 17 years.

That roadmap only includes a single additional DX lens: an 18-140mm travel zoom that fits with stated ambitions, but is unlikely to enthuse many enthusiasts. Which is a shame, because in many respects the Z50 a rather usable and competitively priced rival to Sony’s a6400 or Canon’s EOS M6 II (only without support from Sigma).

Nikon may think it’s making a camera for people who don’t see themselves as photographers, but seems to have made another solid photographers’ camera by mistake

To an extent, the comparison with the Canon is telling. The Z50 is not conceptually dissimilar to the M6 II: metal bodies, twin dials and so forth. The difference is that Canon isn’t aiming the M6 II at Instagram users; it’s got the M200 for that. Which just adds further weight to the impression that Nikon may think it’s making a camera for people who don’t see themselves as photographers, but seems to have made another solid photographers’ camera by mistake.

As things stand, it’s not clear what the Z50 does to attract a new audience. And a: ‘build it and they will come,’ approach seems optimistic, to say the least.

Articles: Digital Photography Review (dpreview.com)

 
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The X-A7 is Fujifilm’s first good entry-level mirrorless ILC

13 Sep

Back when Fujifilm announced the X-A5 in early 2018, it sounded like a really appealing entry-level ILC; in terms of spec, at least. It had an time-tested 24MP APS-C sensor, on-sensor PDAF, a flip-up touchscreen display, 4K video capture, a mic socket and great battery life.

Unfortunately, aside from image quality, the X-A5 turned out to be a pretty lousy camera. It was very sluggish and the autofocus system was unreliable. While it could indeed capture 4K video, it was at 15 frames per second, which is essentially an 8MP burst mode (or silent-era movie simulator). Everyone knows that Fujifilm is capable of making excellent cameras (like the X-T3), which made the X-A5 that much more disappointing.

The new X-A7 gives me hope. It’s way faster, has a more robust AF system, a fully articulating touchscreen, AF joystick, a USB-C port and oversampled 4K capture, all for under $ 700 with a lens. And it comes in mint green!

Aside from the color of the camera Fujifilm sent us, what grabbed my attention first was that 3.5″, 2.76 million-dot display, which is the best I’ve seen on a low-priced camera – by a large margin. The screen has a 16:9 aspect ratio, which means that you’ll get black margins when shooting stills. But if you’re into vlogging, that aspect ratio, paired with the built-in 2.5mm mic socket (a 3.5mm adapter is included) and oversampled, uncropped 4K/30p make the X-A7 an appealing option, unless its 15 minute recording limit is an issue.

In order to incorporate the large LCD, Fujifilm has had to redesign the back of the camera. The four-way controller has been replaced by an 8-way joystick which, while on the small side, works well.

Since the four-way controller is gone, getting at some settings is a bit harder. Accessing the touch-enabled Q.Menu requires two taps on the display, while the self-timer needs to be assigned to a custom button (Strangely, there’s no way to assign the Q.Menu to a custom button – at least, not yet.)

The rear dial moved to a more traditional position on the top plate, as opposed to the one that was upward-facing dial on the back of earlier models. The power switch has been transformed from a switch to a button that sits in-between all of the dials. As someone who was constantly turning the X-A5 (and X-T100) on and off accidentally due to the switch’s placement, I appreciate this change.

The X-A7 has a refined, touch-enabled menu system

While I was drooling over the display, my colleague Carey was scrolling through the menus, noting how much more responsive they were than on the X-A5 and X-T100. While we can’t put a number to it, it’s clear that the X-A7 got a processor bump of some sort. I wondered if that translated to faster burst shooting or a larger buffer, but it did not: it’s still 6 fps, for up to 4-5 shots.

Pressing the menu button brings up this new on-screen UI

After stealing the camera back from Carey, I toyed with the new touchscreen interface, which has simple on-screen buttons for adjusting focus mode, brightness, skin softening and a few other things, depending on the shooting mode. A button for accessing the touch-enabled Q.Menu is also here.

One very cool thing that Fujifilm snuck in appears when you change the Film Simulation mode: a side-by-side view showing comparing your current mode versus the other options. You can even move a slider (shown in the video above) back and forth. This isn’t a feature I’ve been dreaming about, but now that I’ve seen it, I’m hoping that it appears on more cameras.

It’s nice to see that Fujifilm has released a camera that actually surpasses our expectations for an entry-level product

Seeing how I’ve only used the camera for a day, it’s too early to make any judgments about image quality or autofocus performance. Fujifilm says that the 24MP sensor is newly developed, with copper wiring and fast readout speeds (something it also said back when the X-T2 was introduced). The autofocus system has phase-detect points across the whole frame and offers both face and eye detection. Fujifilm has hinted that new AF algorithms will allow the X-A7 to perform as well or better than the X-T30/X-T3. We’ll see how it does when we put it in front of a weaving bicycle when a production model appears.

After putting out a bunch of really disappointing X-A series cameras, it’s nice to see that Fujifilm has listened to their customers (and perhaps some camera review websites) and released a camera that actually surpasses our expectations for an entry-level product, assuming that the autofocus really is better than the X-A5. How it holds up against competitive products from Canon, Olympus, Panasonic and Sony remains to be seen, but based on my initial tinkering with the camera, I’m definitely impressed.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Is the Fujifilm GFX 100 good for video?

06 Aug

Would you use a medium format camera for video? In this week’s episode Jordan does, and he explains why he’s pleasantly surprised – even impressed – with the video capabilities of Fujifilm’s 100MP medium format camera.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

  • Introduction
  • Image stabilization and autofocus
  • Color profiles
  • Sensor
  • Rolling shutter
  • Low light and dynamic range
  • Wrap-up

Articles: Digital Photography Review (dpreview.com)

 
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Roger Cicala tests new Sony FE 135mm F1.8 GM, confirms ‘insanely good’ MTF results

12 Mar

Roger Cicala is a hard man to impress. His team tests a lot of lenses, but the new Sony FE 135mm F1.8 GM is a cut above the rest. Literally, all the rest. Roger’s verdict? ‘This is the sharpest lens we’ve tested. Period’.

We already knew that the FE 135mm F1.8 GM was good, but the MTF results are quite spectacular. In Roger’s words, ‘curves higher than anything I’d ever seen in a normal-range lens’. Compare the Sony’s performance at F1.8 to the Zeiss Batis 135mm F2.8, below. Even if you’re not familiar with MTF curves (in brief – the center of this graph shows resolution at the center of an image, the extreme right and extreme left represent corner sharpness, and higher lines are better), it’s clear that the Sony outperforms the Zeiss in the center and compares well towards the edges, even wide open.

And this isn’t just a standout outlier sample hand-picked by Sony to give the best results – these graphs are created from data averaged from ten copies of the lens.

The 135mm F1.8 was so sharp, in fact, that just for fun Roger ran tests at 100 lp/mm as well as the usual 50 lp/mm, which – again – showed that Sony’s latest lens should perform brilliantly for several generations of even higher-resolution full-frame cameras to come.

Read Roger’s full article on the Lensrentals blog

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What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great

17 Jun

Have you ever heard the phrase “light is everything” or perhaps “composition is everything”? I know I have many times. But they can’t both be everything, that’s not possible. So what is really going on? Obviously, there is at least a grain of truth to both expressions. But are there other factors that make great photos?

tunnel with art work - What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great

As it turns out, there are and things are not quite as simple.

A photo with very poor composition will fall apart and it will never be a great photo. But a decent composition capturing the most fantastic light can be a good photo, if not a great one. On the other hand, a great composition in poor light can make a dull photo.

Creating a photo almost always includes some sort of compromise. Either the light is not great, the timing is not perfect, or it is not possible to get to the ideal location, because you can’t walk in thin air or on water. Or maybe the prime elements in the scene are not arranged perfectly.

There are so many factors that have to come together at the exact same time, that it seems impossible to make a perfect photo. And that is part of your life, as a photographer, but knowing what counts, can make your success rate of making great photos higher.

canals in Venice at night - What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great

What makes great photos?

It is a number of things that make a great photo and composition and light are obviously on that list, but what is the rest?

I find that there a five important factors that combine to make great photos. If you can maximize all five you will have a perfect photo. However, creating such a photo is really rare even for the very best photographers.

Let us have a look at them and then discuss in more detail.

5 factors that help make great photos

What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great

 

You don’t have to maximize all five to make a great photo. A decent composition with fantastic light and timing, with fantastic post-processing, can make a great photo. The same goes for an outstanding composition. You will be able to make up for the lack of light to some extent. So you just have to balance the five factors without dropping any completely.

If one of the factors is somewhat lower, it can be compensated by one or more of the others if they score high. You could see it as the sum of the five pillars, that gives an indication of how great a photo is, as long as you don’t have any hitting the bottom.

What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great

They all work together

A completely failed composition, bad light, completely missed timing, non-existent story and poor image processing will tear a photo into pieces.

The factors are very often interconnected. For instance, the composition is often connected to the timing of capturing a moving object. And the light is connected to the timing, in the case of the natural light. The composition can also be connected to the light, a shadow or some light beam or another light source.

They are all dependent on each other, which increases the complexity. No wonder it is hard to create great photos! And no wonder some types of photographers, like those who do commercial studio and model photography, try to control some of the factors – namely the light – to be able to get a larger success rate on their photos.

Factor #1 – Composition

The composition is something that comes naturally to some people while others have to learn it. It is a fundamental skill to master as a photographer. If it doesn’t come naturally to you, try to copy other compositions you like, in your own way at different locations. That will quickly improve your skills.

What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great - a city shot at night

Factor #2 – Light

The light can be many different things. There’s hard light, soft light, defused light, warm light, cold light, studio flash, the natural light just to mention some of the most commonly known types. Light is a big topic and it requires some research to get the full understanding. But that is not required to create great photos.

If you are into landscape photography, you will increase the quality of your photos by avoiding a blue sky in the middle of the day. Instead, go for sunrise and sunset times. The time after sunrise and before sunset is called the Golden Hour. Blue Hour also provides excellent light for landscape photography.

What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great - sunset photo of fog over a mountain pond

If you are into flash photography you would do well by experimenting with an off-camera flash, rather than on-camera. As well try high-speed sync flash which opens doors for creative flash photography.

My advice is to learn about the type of light that is relevant to the kind of photography you enjoy doing.

What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great - canals in Amsterdam

Factor #3 – Timing

The timing, depending on the type of photography you do, can be a matter of capturing that instant of a second that makes a difference. You have to capture a moment – the magic moment.

The moment of a fleeting kiss, the instant a football player kicks the ball, the moment the wave crash onto a rocky shore with a huge splash. Or as in this case, the instant four people put the same foot on the ground while walking at the same distance.

b/w photo of 4 people walking in a city - What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great

Other moments are more slow, like a sunrise. Nevertheless, it is still about timing.

You have to get up early, very early sometimes, to get to the location. That is timing. Or as in this case, getting a photo without any people, at the central station at blue hour is about timing too.

What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great - train station Copenhagen

Empty Central Station in Copenhagen.

Factor #4 – The Story

The story of a photo can be anything ranging from “what delicious crumbles sitting on top of that cupcake”, to “what a fantastic round boulder on that beach” to a “touching relation between people”. A story can be somewhat abstract, yet there has to be a purpose of why you choose to include what you do in the photo.

Sometimes a story is complex and deep, while at other times it is simple “that is a nice boulder sitting in a beautiful landscape“.

You may not be equally good at telling all kind of stories, through your photos. This is perfectly alright and it is fine to stick to what you do best.

I find that story and timing can be very tightly connected as in this case of the image below. Capturing a gondola on a super busy Canal Grande in Venice, and making it seem like a peaceful romantic moment is not as easy as it may sound.

What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great - canal in Venice with one gondola

If you can get a spot, you can literally stand on the Rialto bridge for hours, while you enjoy the view. The view is full of activity and happy people.

Factor #5 – Image Processing

The last and fifth factor could raise some discussion. One that I do not want to get into here. And if you are a strong believer in Straight Out Of Camera (SOOC) photos, this point will not be relevant to you.

If you believe in photo editing, you may also know that it is often the thing that transforms a photo from flat to an image that pops. In some cases, that is what makes or breaks a photo.

Image editing or post-processing is by no means easy and there are a lot of opinions out there. But even simple things like, adjusting white balance, exposure and contrast can be the difference that makes a photo pop.

If you are into documentary photography, there are certain things you are not allowed to do. You do not meddle with reality. But if you don’t do that kind of photography, it is in the post-processing phase that you can make your artistic interpretation.

What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great - before and after editing

Before and After. A creative interpretation.

What to look out for

Image editing is a race car without a seatbelt. There are a number of things that can totally ruin your image and if you are not careful. Some of the classic problems from over-processing include halos, too contrasty and over-saturation, but there are many others.

What Makes Great Photos? 5 Factors That Can Take Your Images From Good to Great - example of image processing for creativity

This wedding photo of Alexander and Mia was shot in the worst possible light of midday with a blue sky. In post-processing, I have created a softer and warmer feeling to compensate.

A reason to build up your skills in image processing is that you can compensate to some degree for the other factors. You can enhance the good bits, and hide the less desired parts. Remove unwanted objects to present your photo is the best possible way, from what you captured in your camera.

A great side effect of upping your editing skills and paying some real attention to your photos is that you will get a better understanding of what make great photos. You will find things that degrade your photo (why did I include that dustbin?) and learn to avoid them next time you are on location shooting.

You learn by making mistakes and trying to fix them. The more times you fail, the better photographer you will end up being.

make great photos - Paris at night

Final remarks

In photography, there are no absolutes. Not two people have the same opinion. We do not all like the same, things so what some people would deem a perfect photo, others may not deem perfect. Yet, there are some tendencies and you could do worse, than paying attention to what people like and don’t like if you want to create successful photos.

Any critique is an opportunity to learn something new.

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How To Take Good Photos If You Wear Glasses

25 May

Taking beautiful photos should not be a problem for those who wear eyeglasses. When you take pictures, it’s obvious that the photographer gets as close as possible to the viewfinder to get the best view as possible. However, people with eyeglasses have a problem in doing so. If you are using eyeglasses,  this problem can be solved if you follow Continue Reading

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