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Posts Tagged ‘Gimbal’

DPReview TV: Best smartphone gimbal

21 Nov

Smartphones capture amazing video, but to kick production value up a notch consider adding a compact gimbal to your kit. This week, we test three leading smartphone gimbals: The DJI OM 4, the Moza Mini MX and the Zhiyun Smooth XS.

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  • Introduction
  • The competitors
  • Sample footage
  • Size and weight
  • Setup and breakdown
  • Ergonomics
  • Stability
  • Companion smartphone apps
  • Overall recommendations

Articles: Digital Photography Review (dpreview.com)

 
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FeiyuTech releases new AK2000C gimbal with 2.2kg (5lbs) payload, 7-hour battery life

28 Oct

Hot on the heels of DJI releasing its latest gimbals, Chinese gimbal manufacturer FeiyuTech has released the AK2000C, its latest three-axis handheld gimbal for mid-sized camera systems.

The AK2000C is a lightweight handheld gimbal that can hold just shy of 2.2kg (5lbs) worth of camera gear and run for up to seven hours on a single charge. This payload would be enough to hold recent cameras, such as the Canon EOS R/R5/R6, Fujifilm X-T3, Nikon Z6/7 and Sony a7 III with standard primes and zoom lenses attached.

The frame of the gimbal is constructed of an aluminum alloy and, much like DJI’s gimbals, it features quick-release locks on all three axes for keeping everything secure when packed away. The gimbal comes in at just over 1kg (2.5lbs) and folds up to 69mm (2.7”) x 208mm (8.1”) x 348mm (13.6”).

FeiyuTech says the AK2000C is powered by its W7 algorithm, which includes pre-programmed shooting modes, such as timelapse, 360 pans, selfie mode, vertical shooting and more. Both camera and gimbal settings can be controlled right on the gimbal using its new OLED touchscreen (FeiyuTech doesn’t specify what specific cameras work with the gimbal though).

The AK2000C is currently avaialble to purchase through FeiyuTech’s online store, Amazon and authorized FeiyuTech retailers for $ 229.

Articles: Digital Photography Review (dpreview.com)

 
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DJI releases its newest smartphone gimbal, the Osmo Mobile 4

26 Aug

DJI has unveiled its latest smartphone gimbal, the Osmo Mobile 4 (OM4). Like its predecessors, the OM4 is an ultra-compact three-axis gimbal for keeping your smartphone footage as stable as possible, with a few other unique features baked in.

Visually, the OM4 isn’t much different than its predecessor, the Osmo Mobile 3 (OM3). It is a light grey instead of a darker grey, but aside from the joystick, trigger and grip being a bit more rubberized, the body of the gimbal remains largely unchanged.

The only functional difference is a new mounting system that uses magnets to hold the phone in place. Whereas the OM3 had a built-in clamp, the OM4 has a clamp that can be removed and kept on a smartphone, then snapped back into place when the gimbal is needed. There’s even a small sticker-style mounting bracket that can be semi-permanently attached to a smartphone for even faster operation.

The OM4 works alongside the DJI Mimo app to enable multiple shooting modes, including an improved ActiveTrack 3.0, Gesture Control and pre-programmed movements and modes. Three of the new pre-programmed modes include Dynamic Zoom, Spin Mode and a ‘Clone Me’ panorama mode.

Dynamic Zoom is effectively a digital dolly zoom feature, that allows you to move away from the subject while the DJI Mimo app automatically zooms in, or move in as the app zooms out. Spin mode is an Inception-inspired mode that makes it possible to rotate the smartphone for a spinning effect (although it’s not posisble to do a full 360-degree spin). The ‘Clone Me’ panorama feature is another new mode that will wait between shots of a panorama so you can move into place and be ‘cloned’ in the final image.

Even if you don’t want to use the DJI Mimo app, the OM4 can also control basic camera functions with the stock iOS camera app when connected via Bluetooth.

The DJI Osmo Mobile 4 is available to order from the DJI Store and authorized retailers for $ 149. It comes with a wrist strap, grip tripod and storage pouch.

Articles: Digital Photography Review (dpreview.com)

 
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Zhiyun announces Crane 2S gimbal, promising improved speed and precision

22 Aug

Zhiyun has announced a new handheld gimbal, the Crane 2S. While many modern cameras and lenses offer good stabilization performance, amateurs and professionals alike still flock to gimbals for even more stable handheld video. The Crane 2S includes numerous improvements over the Crane 2.

The Zhiyun Crane 2S is stronger than its predecessor and can hold video rigs such as the Black Magic BMPCC 6K, Panasonic S1H, Sony A9, Nikon D850 or Canon EOS 1DX Mark II. You can view a full list of compatible cameras and lenses by clicking here. Further, the latest version of the Crane 2S’s Instune Algorithm has been refined to deliver quick and smooth gimbal performance.

In terms of setup speed, the Crane 2S features a brand new FlexMount System. This system simplifies the setup process while also ensuring that your gear is secure. The system incorporates a double safety mechanism and has a user-adjustable safety lock. If you want to record vertical video, such as for social media needs, the Crane 2S comes with a vertical quick release mount and safety knob.

Additional features of the gimbal’s design include an upgraded axis locking mechanism, dubbed Axis Locking Mechanism 2.0, guaranteeing ‘zero swinging of the gimbal during traveling or storage.’ To keep the Crane 2S light and strong, the handle is constructed of carbon fiber. The Crane 2S uses 3 removable Li-ion batteries, delivering a total run time of 12 hours.

The Crane 2S includes six gimbal modes: Pan Following, Locking, Following, Full-Range POV, Vortex and Go mode. The gimbal also includes special modes for aiding in the creation of panoramas, timelapse, motionlapse and long exposure timelapse.

The Crane 2S supports digital and manual focus control via a built-in focus wheel on the gimbal itself. Zhiyun states that the focus control ability offers improved speed and precision as well, allowing for easier focus pulls when shooting. You can refer to the compatibility sheet linked above to see which cameras and lenses are compatible with the Crane 2S’s focus wheel.

The gimbal includes a new 0.96″ OLED display, allowing easy control of important settings and simple menu navigation. If you’d like to use a bigger display, the Crane 2S includes a dedicated slot for installing an image transmitter and with Zhiyun’s TransMount Image Transmission System, you can attach a monitor for live monitoring. The TransMount system also allows for the use of various accessories, such as quick setup kits, a monopod, servo zoom and focus motors and more.

Zhiyun Crane 2S. Shown with Panasonic S1H. Image credit: Zhiyun

The Zhiyun Crane 2S is available now with the standard package retailing for $ 599 USD. For additional information on the Crane 2S and finding a retailer, click here. Zhiyun streamed a full presentation earlier today for the debut of the Crane 2S. You can view a replay of the stream below.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm adds Raw video output, gimbal support and Film Simulation modes to GFX100

30 Jun

Fujifilm has issued firmware updates to the GFX100 and GFX 50 models, with the 100MP camera gaining the most significant improvements.

The GFX100 will gain the ability to output a Raw video stream that can be encoded in Apple’s ProRes RAW format by an Atomos Ninja V recorder. This provides a much wider degree of processing latitude than the gamma-encoded, compressed files the camera saves internally.

In addition, the firmware expands the camera’s USB control protocol, giving more control over the camera’s settings when shooting tethered, and allowing remote control of various camera features when mounted on a drone or gimbal.

Face and eye detection AF is said to be improved, as is the performance of phase detection AF in low light. New focus bracketing options have also been added.

Finally, the GFX100 gains the Classic Neg and Eterna Bleach Bypass Film Simulations introduced since its launch.

GFX 50S and 50R users also gain Classic Neg, along with the original Eterna Film Simulation mode in an update to their cameras. This update also adds the subtle skin-smoothing feature from the GFX 100.

Articles: Digital Photography Review (dpreview.com)

 
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DJI patents land-based vehicle with built-in camera and new gimbal system

21 Dec

Newly discovered Chinese patents hint at the upcoming launch of two new DJI products, including a gimbal or sorts that looks like a smaller version of the Ronin 2, as well as a motorized vehicle with a built-in camera. The latter product may be a land-based alternative to the company’s expansive drone lineup, giving users a way to surveil an area from the ground and capture new types of action shots.

The camera car, which DroneDJ says is listed with the term ‘vehicle’ in the patents, resembles a mechanical rover with a camera attached to the top. Based on the patent illustration, the vehicle appears to have large rugged wheels, hinting at a design that may accommodate off-road use, as well as a series of shocks and dampeners to reduce vibrations.

According to DroneDJ, the patent reveals that the DJI camera car’s wheels can rotate 360-degrees and that the camera’s height can be adjusted.

Joining the camera car patent is another patent detailing a handheld device that looks like a gimbal similar to the company’s existing Ronin 2 product. The patent refers to this product as a ‘stabilizing device’ that includes a ‘handheld gimbal device.’ The product may feature a removable cage that makes it possible to attach the gimbal to different devices, potentially including the camera car detailed in the other DJI patent.

Based on the patent, this stabilizer features two handles, a removable camera, as well as physical controls that include a focus wheel and buttons.

As with any patent, it is possible that DJI will never actually bring either of these products to the market. However, the existence of both indicates the company is exploring an expansion of its product line that’ll appeal to filmmakers and that it may move beyond aerial vehicles to also offer land-based vehicles capable of transporting camera equipment.

Articles: Digital Photography Review (dpreview.com)

 
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The Zhiyun WEEBILL-S is a compact 3-axis gimbal for mirrorless and DSLR cameras

19 Oct

Zhiyun, a leading gimbal manufacturer, announced the WEEBILL-S 3-axis gimbal earlier this week. Designed for mainstream mirrorless and DSLR cameras plus lens combos, the new gimbal offers ultra-low latency image transmission in 1080p with a brand new TransMount Image Transmission Module while ViaTouch 2.0 allows your smartphone to function as a professional monitor and multi-functional remote controller.

The latest iteration of the WEEBILL-S has a 300% upgraded power torque motor along with a 50% increase in responsiveness. It’s compatible with multiple camera/lens combos, including Sony’s A7 III+FE 24-70mm F2.8 or the Canon 5D Mark IV+EF 24-70mm F2.8. A unique ergonomic sling mode lets operators easily switch between high and low angle shots using the TransMount quick setup kit. The 8th version of the Instune algorithm enables the gimbal to automatically recognize the weight and selects the perfect motor strength for the best shooting accuracy.

The all-new image transmission module enables a maximum of 1080p / 30p streaming, 100-meter image transmission featuring LUT, pseudo coloring, focus peak, and zebra adjustment for professional monitoring and livestream publishing. The TransMount image transmission module allows you to add 3 devices to the stabilizer – a smartphone, tablet, or professional monitor. Interchangeable batteries enable you to run the device for 14 hours straight. You can charge your camera in real-time which comes in handy for day-long shoots. Other features include:

  • ViaTouch 2.0 which creates a seamless connection between smartphone and camera.
  • SmartFollow 2.0. enables you to select a point of interest from the ViaTouch 2.0 interface and the camera will follow its movement with ultra-low latency and a cinematic experience.
  • The all-new motion sensor control system, Sync Motion, gives you the advantage of controlling the stabilizer’s direction with a smartphone and an ultra-high responsive speed gives you an immersive filmmaking experience.
  • WEEBILL-S supports electronic focus and mechanical focus/zoom control with a control wheel on the grip, to realize a fast and accurate focus or zoom when shooting. Using the servo focus/zoom motor, users can control the zoom and focus for a more professional filmmaking experience.

The WEEBILL-S is available to order starting at $ 439. The Zoom/Focus Pro package retails at $ 519 while $ 679 will get you the Image Transmission Pro package.

Articles: Digital Photography Review (dpreview.com)

 
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Review: DJI Osmo Mobile 3 smartphone gimbal

09 Oct

DJI Osmo Mobile 3
$ 119 | dji.com

Over the past few years we’ve seen massive leaps in the quality of video produced by smartphones, allowing content creators to lean more heavily than ever on the devices in their pockets. Whether you’re a vlogger, journalist, budding cinematographer or just a parent who wants to post great videos on Facebook, chances are good that you’re part of this trend.

However, to get the best results, it still helps to use some third party tools. Enter the DJI Osmo Mobile 3, the third generation of DJI’s gimbal stabilization system for smartphones, which can help take your production quality up a level – particularly if you’re the kind of person who shoots while moving around. Let’s take a look at it in more detail.

Key features/specifications

  • Foldable design
  • Hyperlapse and timelapse functions
  • Active tracking
  • Trigger control
  • Bluetooth connection
  • 15-hour battery life

The Osmo Mobile 3 is a drastic overhaul of the company’s predecessor, the Osmo Mobile 2. It joins a lineup of increasingly sophisticated smartphone gimbals from competitors like Freefly, Zhiyun, Gudsen, and others.

Design

The biggest update to the Osmo Mobile 3 is the overall physical layout. Though DJI took most of its design cues from the crowdfunded Snoppa Atom gimbal, the company fundamentally changed two aspects of the look and function of the device.

The first of these is that the Osmo Mobile 3 folds in on itself into a more compact, transportable size. It only uses one joint to achieve this, and all the gimbal’s other axes remain in place. The folded gimbal is slightly larger than an average person’s hand – if detached from the tripod base that DJI ships with the gimbal’s combo package. Once I unfolded the arm and figured out the orientation, I wasn’t bothered by anything related to this design change; it seems a useful update that makes the gimbal more compact.

The foldable design is made possible by the second, and perhaps more notable, change to the design: the sideways orientation of the phone-holding arm. DJI has placed this arm to the right of the device rather than behind it, bucking the typical design shared by most other smartphone gimbals on the market.

The Osmo Mobile 3’s folding design makes it compact for travel (seen here in its included case).

This change will likely require a bit of muscle-memory adjustment for gimbal operators used to the more standard back-arm design. The difference became most apparent for me when I tried to get shots close to the ground. I was used to leaning the gimbal forward and away from my body to achieve this, but that didn’t work with the Osmo Mobile 3, it must be leaned to the side for a similar effect.

A common complaint about the Osmo Mobile 2 was that the arm location blocked access to the phone’s headphone jack and charging port. The sideways arm on the Osmo Mobile 3 fixes those problems, now allowing access to both. A tradeoff, however, is that the phone needs to be balanced each time it’s placed in the gimbal. The Osmo Mobile 2’s use of counterweights meant that once the user balanced their mobile device, they could take it on and off without needing to adjust each time. The Osmo Mobile 3 doesn’t have this option, though balancing the phone along a single axis seemed to be a pretty quick process.

The button layout on the Osmo Mobile 3 is unchanged from its predecessor. The sideways orientation of the gimbal arm is a change from the Osmo Mobile 2.
A new front trigger makes it easy to switch between sport modes and free the gimbal from responsiveness. The gimbal allows for both USB A and C attachments and can charge a mobile device while in use.

DJI also added a trigger to the back of the gimbal handle. This is a welcome addition. It allows access to useful functions in a place that makes ergonomic sense. Depending on whether it’s clicked or held down, the trigger enables ‘sport mode’, a setting that makes the gimbal more responsive to your movements. It can also pause the gimbal’s responsiveness entirely, helpful to maintain framing.

In use

The experience of using the Osmo Mobile 3 cannot be separated from its app, DJI Mimo. This app is also used on other DJI devices and it’s quite intuitive. It connects to the mobile device via Bluetooth, eliminating further cables. The Mimo app introduces manual camera controls to your phone, essential for creating more professional-looking content. It also allows for other creative camera modes.

The Osmo Mobile 3 complete with phone displaying the Mimo App interface.

DJI updated its Active Track software on the Osmo Mobile 3, which keeps the camera trained on a subject selected by the user. I’ve found two ways to effectively use this feature. In the first, the gimbal stays stationary and the camera pans and tilts to keep the subject in frame. This could be a useful feature for vloggers and self-filmers as they move at slow to medium speeds throughout the frame. This tracking does not do as well with fast-moving subjects however.

The second way I’ve found active track useful is by training the camera on a subject and moving the gimbal itself. This eliminates the need to track your subject with hand movements or the joystick and can introduce cinematic camera movement along multiple axes.

DJI’s Active Track feature is effective at automatically tracking and following subjects – as long as they don’t move too quickly. (Captured with an iPhone 8)

The Mimo app also offers panorama photo modes, gesture controls, timelapse modes, and an amazingly impressive hyperlapse feature. The combination of the Mimo app’s software stabilization with the Osmo Mobile 3 gimbal stabilization results in a final video that makes me seriously regret the many hours I’ve spent moving tripod legs inches at a time to create a similar effect.

Despite these cool features, there are a few elements of the Osmo Mobile 3 that have me particularly disgruntled. The first is the rounded base and forward-leaning handle. This makes it impossible to stand the gimbal up on a flat surface without using the tripod included in the more expensive combo package, perhaps an intentional move by DJI. The tripod does hold the gimbal upright, but it also adds significantly to the device’s footprint – one that’s marketed as small and portable.

The Osmo Mobile 3’s hyperlapse feature works effectively. (Captured with an iPhone 8)

Another annoyance I’ve found is that the Osmo Mobile 3 doesn’t allow full 360-degree rotation as the gimbal will reach an end point while spinning. There is also no option to toggle between the phone’s forward and rear-facing cameras while recording in the Mimo app, though this can perhaps be addressed in a future software update.

Is it right for you?

Overall, the Osmo Mobile 3 is a fun new upgrade to the Osmo Mobile line that can be useful for certain applications. To me, one of the most obvious uses would be live-streaming. With the addition of an external microphone, I foresee the Osmo Mobile 3 making waves in live news, conferences, vlogging, and more, where a phone is the easiest way to distribute high-quality, live video. DJI does need to fix some issues here, though, like not being able to switch between rear and forward cameras while recording within the Mimo app.

The gimbal would also be great for those who want to up the quality of their vacation or family home videos without shelling out for a new camera (and possibly new camera gimbal).

For smartphone gimbals like the Osmo Mobile 3 to get more popular with serious filmmakers, however, I think we still need a drastic shrinking of size. The biggest draw of shooting on a phone is that it’s always with you. Once everything is set up the Osmo Mobile 3 with a smartphone is only slightly smaller than its mirrorless equivalent, which generates an exponentially better image.

For the rest of us, however, the Osmo Mobile 3 is a fun device that provides effective stabilization and software tools, and one that doesn’t require you to be an expert filmmaker to use.

What we like:

  • Folding design significantly reduces size
  • Gimbal can charge mobile device
  • Impressive hyperlapse function
  • Active track works well for a product at this price point
  • Arm design allows microphone attachments (unlike Osmo Mobile 2)

What we’d like to see improved:

  • Gimbal needs to be balanced each time phone is attached
  • Base of gimbal doesn’t allow device to be set down without a tripod
  • Sideways gimbal arm orientation takes getting used to

Articles: Digital Photography Review (dpreview.com)

 
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PNY unveils two ultra-compact portable SSDs and MOBEE mobile gimbal

07 Sep

Flash storage and accessories company PNY has introduced the MOBEE gimbal 3-axis stabilizer for smartphones, as well as its new Elite Portable SSD and PRO Elite SSD.

Despite PNY’s claimes, they’re not the fastest portable SSDs on the market, but the new PNY models make up for their slightly slower speeds by offering very compact sizes. The Elite Portable SSD model measures 6 x 3.6 x 0.9cm (2.3 x 1.4 x 0.3in) and the PRO Elite is slightly larger at 13.3 x 10.2 x 5.7cm (5.2 x 4 x 2.2in).

The PNY Elite model is offered in 240GB and 480GB capacities with up to 430MB/s read and 400MB/s write speeds. The PRO Elite model is offered in 250GB, 500GB, and 1TB capacities with up to 890MB/s write and 900MB/s read speeds. The Elite Portable SSD 450GB costs $ 125 USD; the PRO Elite model ranges from $ 70 USD to $ 162 USD.

The new PNY MOBEE gimbal, meanwhile, is compact at 10.8 x 28.9 x 7cm (4.2 x 11.3 x 2.7in) with a weight of 1.4kg (3lbs). The 3-axis stabilizer features a rechargeable Li-ion battery offering up to 12 hours of operation per charge, as well as a USB port for charging a smartphone while shooting.

A companion mobile app offers access to different shooting modes, including object and face tracking, slow motion and time-lapse. The gimbal is only listed on Amazon.uk at this time with a price of £87.13 ($ 107.14 USD).

Articles: Digital Photography Review (dpreview.com)

 
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Gimbal Tips And Advice – Why you Need to Invest in One

03 Sep

A gimbal is a device that enables you to keep your camera stable while shooting video. It can also be useful when it comes to capturing high-quality still images. A combination of three gimbals will enable you to obtain a smooth movement of your handheld camera in three different directions, thanks to the three rotation axes. In this article I Continue Reading

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