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Posts Tagged ‘fullframe’

Leica announces the HG-SCL6 ‘Multi Function Handgrip’ for its SL2 full-frame camera

07 Nov

To coincide with the release of its SL2 camera system, Leica has also released the Multi Function Handgrip HG-SCL6, a longwinded name for the optional SL2 battery grip.

The HG-SCL6 adds a vertical shutter button, dial controls and a second BP-SCL4 battery that should effectively double the battery life of the camera. The grip on the HG-SCL6 matches the profile of the grip onboard the SL2, which should be a dramatic improvement over the grip found on the SL and its battery grip (HG-SCL4).

The grip is currently available to pre-order (Adorama, B&H) for $ 995.

Articles: Digital Photography Review (dpreview.com)

 
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Canon unveils the EOS Ra, a full-frame mirrorless astrophotography camera

06 Nov

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Canon very quietly today released a dedicated astrophotography version of its EOS R camera, the EOS Ra.

Much like the Nikon D810a and Canon’s own 60Da, the EOS Ra has been modified to better capture celestial objects in the night sky, but aside from that remains unchanged from its more conventional counterpart. Specifically, Canon has modified the IR filter in front of the full-frame sensor, to allow the Ra to capture as much as four times the amount of hydrogen alpha rays (656nm wavelength) compared to the standard EOS R camera. This alteration will make it easier to capture the deep red infrared rays given off by objects in space.

The EOS Ra also offers a 30x magnification option in the EVF and in Live View, a dramatic increase from the 10x magnification found in the standard EOS R. This increase should make it easier to focus on celestial bodies to get focus just right.

Aside from those two alterations, the EOS Ra is effectively identical to the EOS R, complete with the 30MP sensor, 3.69M-dot OLED EVF, dot-matrix LED panel and magnesium-alloy body.

The Canon EOS Ra is currently available to pre-order for $ 2,500. No estimated shipping timeframe has been given at this time.

Update: As of 5pm PT, the EOS Ra product page on Adorama.com has been removed. We have asked Canon for clarification and will update this article accordingly.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Cinema5D goes hands-on with Sony’s new full-frame cinema camera, the FX9

16 Sep

Last week, Sony unveiled the FX9. While we were able to get a brief look at the camera in the product shots, our friends over at Cinema5D have gone hands-on with the full-frame E-mount camera.

Throughout the 14-minute video, Nino Leitner of Cinema5D covers nearly every component of the camera. He starts by explaining where exactly the FX9 fits into Sony’s lineup and then dives into all of the new features, including the various sensor modes, the new S-Cinetone Picture Profile, the new dual-base ISO and much more.

Leitner also interviewed Yasuo Ueda-san, head camera designer at Sony, if you want even more insight the FX9 and its development process.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang’s new XEEN CF Cine Prime full-frame lenses detailed ahead of Q3 launch

13 Sep

Samyang has launched its new line of XEEN CF Cine Prime full-frame lenses made from lightweight carbon fiber. The XEEN CF will be offered in 16mm, 24mm, 35mm, 50mm, and 85mm options for Canon EF, Sony E and PL mounts. The model features a T1.5 aperture, 11-blade diaphragm and luminous numbers on the lens rings for making adjustments in dark conditions.

The XEEN CF lenses feature the company’s proprietary X-Coating for minimized reflections paired with controlled ghosting and flares for halation, producing a ‘dramatic effect.’ Users are promised ‘beautiful bokeh’ thanks to the 11-blade diaphragm and excellent low-light performance from the bright aperture.

The lenses are designed for large format and 8K sensors, offering the durability and light weight of carbon fiber at 0.9kg (2lbs) to 1.1kg (2.4lbs), depending on the model. Due to the low weight, the new XEEN CF lenses can be used with gimbals and drones in addition to movie cameras.

The company will initially launch its 24mm, 50mm and 85mm lenses in Q3 2019; the 16mm and 35mm options won’t be released until early next year. Prices are unclear at this time, but ePhotozine claims the lenses will be showcased at the 2019 IBC Exhibition in Amsterdam from September 13 to 17.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon working on 120-300mm F2.8E full-frame tele-zoom lens

04 Sep

Nikon is working on a telephoto zoom lens for its full-frame F-mount DSLRs: the AF-S Nikkor 120-300mm F2.8E FL ED SR VR. From those acronyms we can safely say that it will be stabilized and have ED and fluorite elements, though ‘SR’ is a new one. We think it’s safe to say that this lens will be rugged and sealed against moisture and dust.

From the photo above you can spot the usual set of switches for a pro-level lens: AF/MF, focus distance limiter, VR mode, memory recall/AF-L/AF-On and focus beep.

Nikon promises more information and pricing on this sports-oriented lens later this year.

NIKON IS DEVELOPING THE D6 DIGITAL SLR CAMERA AND THE AF-S NIKKOR 120-300MM F/2.8E FL ED SR VR TELEPHOTO ZOOM LENS

MELVILLE, NY (September 4, 2019 at 12:01 A.M. EDT) – Nikon Inc. is pleased to announce the development of the Nikon D6 professional DSLR camera and the AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR telephoto zoom lens.

Nikon released the D1 digital SLR camera in 1999, making 2019 the 20th anniversary of the single-digit D series. Thanks to the imaging know-how cultivated over Nikon’s long history in camera development, Nikon’s professional DSLR cameras have continued to evolve by introducing some of the industry’s most advanced technologies and responding to the strict demands of professional photographers with the ultimate in performance and reliability, even in the most severe conditions. With the D6, Nikon is currently developing its most advanced DSLR to date.

This year also marks the 60th anniversary of the Nikon F mount. The new AF-S NIKKOR 120-300mm f/2.8E FL ED SR VR F mount lens that Nikon is developing will provide professional photographers in fields such as sports photography with even greater support.

Nikon is striving to expand possibilities for imaging expression and leading the way in imaging culture with both DSLR and mirrorless camera systems, as well as a rich lineup of NIKKOR lenses.

Details including release dates, pricing and specifications for these products will be announced at a later date. For more information on the latest Nikon products, please visit www.nikonusa.com.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang launches AF 18mm F2.8 FE lens for Sony full-frame cameras

30 Aug

Samyang has listed a new AF 18mm F2.8 FE lens as available for pre-order. The model has appeared on the Samyang website and Adorama, offering photographers an ‘ultra-compact’ lens with a 100-degree field of view (FOV) for Sony full-frame cameras. The lens weighs 145g (5.1oz), features 9 elements in 8 groups, 7 diaphragm blades, 58mm filter size, F2.8 to F22 aperture and 0.09x maximum magnification.

The Samyang AF 18mm F2.8 FE lens features a stepless motor and is constructed from a ‘glass-strengthened composite material,’ according to the company, which offers a combination of durability and reduced weight. The lens’ glass is ‘ultra multicoated’ for what Samyang describes as high sharpness, contrast and clarity with minimal distortion.

Below is a sample gallery of images provided by Samyang:

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The lens’ motor can focus to a distance as close as 25cm (9.8in). The company bills the model as suitable for shooting interiors, as well as architecture, landscapes, and other environments in which a lightweight wide-angle lens would be useful. The Samyang AF 18mm F2.8 FE lens is available to pre-order for $ 399 USD; the shipping date is unclear at this time.

Articles: Digital Photography Review (dpreview.com)

 
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Nitecore leaps into the world of optics with 5 new full-frame cinema lenses

26 Aug

Nitecore, a Chinese company known for its rechargeable flashlights and third-party battery equipment, has taken an unexpected leap into to the world of optics with its Superior Prime lineup, a collection line of prime cinema lenses for full-frame camera systems.

The five lens lineup includes a 25mm T2.1, 35mm T2.0, 50mm T2.0, 75mm T2.0 and 100mm T2.0. The exact specifications for each lens are detailed in the below graphic, but across the board, the lenses measure 117mm long (with the PL mount) and 95mm diameter for seamless swapping when using gears and other cinema equipment. Nitecore says the lenses will be available with interchangeable PL, Canon EF and Sony E mounts, but will ship with the PL mount in the original packaging.

The exact details on the coating technology used aren’t specified, but Nitecore says the lenses ‘are designed with a unique optical coating which ideally controls dispersion while retaining plentiful details to create low contrast and a stylized flare.’ The 75mm T2.0, in particular, is also ‘specially optimized on the skin details in a portrait,’ although we’re not exactly sure what they’re referring to with that statement.

There are currently no details on pricing or availability. We have contacted Nitecore in an attempt to get more information and will update this article accordingly if we hear back.

Articles: Digital Photography Review (dpreview.com)

 
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Nitecore announces ‘world’s first’ smart battery for Sony full-frame mirrorless cameras

15 Aug

Nitecore has announced the NFZ100, the world’s first ‘smart battery’ for Sony full-frame mirrorless cameras, including the a7 III, a7R III and a9 systems.

Like most ‘smart’ electronics, the unique feature of the NFZ100 is the ability to manage and monitor the battery with an accompanying smartphone app. Nitecore NNERGY, as it’s called, is available to download for free on both Android and iOS devices.

Once installed and connected to the NFZ100, the NNERGY app will let you monitor the battery health, battery level, battery voltage and other real-time battery information. Nitecore even offers a dedicated ‘Storage Mode’ within the app that will discharge the battery to 70% to help maximize its lifespan if it won’t be in use for some time.

Individual batteries can be labelled with three-digit identifiers to ensure you can tell them apart inside the app. There is even an option to upgrade the firmware of the batteries as Nitecore further develops its technology. Yes, you read that right, you might soon need to update the firmware of your camera batteries, not unlike you do your camera itself.

The NFZ100 batteries feature 2,280 mAh capacity, which Nitecore estimates is good for 500 still photos when shooting with the Sony a9. Voltage is 7.2V, giving it a power rating of 16.4Wh.

Other features include overcharge protection, over-discharge protection, overcurrent protection, over voltage protection and short-circuit protection. The batteries weigh 82.5g (2.91oz) and measure 52 x 38.7 x 22.5mm (2.05 x 1.52 x 0.89in).

The Nitecore NFZ100 doesn’t appear to be available to purchase through any online retailers as of now and no current pricing information is available. DPReview has contacted Nitecore and will update this article with more information if we get a response.

In the meantime, you can find out more information on Nitecore’s website.

Articles: Digital Photography Review (dpreview.com)

 
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Sony Announces Incredible 61-Megapixel Full-Frame Camera: The A7R IV

18 Jul

The post Sony Announces Incredible 61-Megapixel Full-Frame Camera: The A7R IV appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

sony a7r iv

Sony just recently announced its latest mirrorless camera:

The Sony A7R IV, which has already generated a massive amount of anticipation, excitement, and discussion.

Note that the A7R is the latest mirrorless body in Sony’s immensely popular A7 series, which includes the likes of the A7R III (which is no slouch when it comes to professional-quality shooting!). The A7R IV is also going up against several big competitors, including the Nikon Z7 and the Canon EOS R.

So what makes the Sony A7R IV so special?

While the A7R IV is clearly an excellent camera, there’s one thing that immediately captures attention:

The resolution.

The Sony A7R IV features an amazing 61-megapixel sensor, which will be the highest pixel count on a full-frame mirrorless camera that the world has ever seen. Note that this 61-megapixel offering is over a dozen megapixels more than the previous record-holder for full-frame resolution, the Panasonic S1R, at 47.3 MP. Also, this is nearly a 20 MP upgrade over the Sony A7R III.

What does this mean for photographers?

First and foremost, you’re going to capture high amounts of detail, and this leaves an amazing amount of room for work in post-processing, such as cropping.

(Note that the Sony A7R IV has a cropped-sensor mode, which still gives you 26 MP images.)

Now, the huge megapixel count results in huge file sizes, and it should have correspondingly slow frame rates and a very limited buffer. Except that Sony has pulled out all the stops so that the A7R will shoot at 10 frames-per-second for up to 7 seconds.

This means that this professional-level camera may appeal to both landscape and sports photographers, something that happens very rarely on high-end camera markets.

Autofocus is guaranteed to be strong, with 567 phase-detect autofocus points, plus Sony’s built-in eye-tracking.

Other features in the A7R IV include:

  • A 15-stop dynamic range, for photos that span the spectrum of tones
  • 4K movie, though only at 30p
  • 5-axis image stabilization, promising over 5 stops of increased sharpness
  • An improved electronic viewfinder
  • Dual card slots

If this isn’t a beast of a camera, I don’t know what is. It’ll come out in September; as expected, it’ll have a sizable price tag: $ 3500USD.

So, I’d love if you could tell me in the comments:

  • What do you think about the Sony A7R IV? Could you see yourself using it?
  • Would you like a 61 MP camera? Or would you prefer to stick to lower resolutions with smaller file sizes?
  • Is there anything missing from this camera?

Note: There is a poll embedded within this post, please visit the site to participate in this post’s poll.

The post Sony Announces Incredible 61-Megapixel Full-Frame Camera: The A7R IV appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon EOS 6D Mark II Review: Full-Frame King?

02 Jul

Moving from the APS-C to the full-frame world can be a very intimidating thing to do. After all, you’re going to spend a significant amount of money; money you have most likely been saving up for quite some time. There are so many options out there, and we know you want to pick a camera that will give the most Continue Reading

The post Canon EOS 6D Mark II Review: Full-Frame King? appeared first on Photodoto.


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