South Korean battery charger manufacturer Lycan has launched a Kickstarter campaign to help it introduce a single device that can simultaneously charge and manage up to four different types of camera battery. The idea of the proposed Bronine Volkit is that users will be able to save space, reduce waste and save money by using a single charger and a series of battery holders to deal with multiple batteries from most popular camera brands.
Up to four individual battery holders connect directly to the main charging station and the station’s screen displays information about the amount of charge in the battery, the voltage of the battery and a graphic that shows how much more power is needed. The station is able to determine the voltage required by each battery and is able to tailor its supply between 1 and 20V through each of the four ports. The charger itself can be powered via a QC or PD high-speed USB charging adapter indoors, via the cigar lighter in a car or when outside by a USB power bank.
Along with the charging unit Lycan has introduced what it calls Camera Kits which are holders for specific batteries. The company says it will have holders for Canon, Nikon, Sony, Olympus, Panasonic, Fujifilm and GoPro cameras as well as the ability to charge batteries from DJI drones and the sort of cylindrical lithium-ion batteries used in some gimbals. It is recommended that those thinking of backing the campaign check to ensure batteries from their camera are compatible, as not all models from all manufacturers are covered.
The Bronine Volkit chargers will come in two or four battery capacity options and will cost from $ 69 including two battery holders. The company says it already has working prototypes and it aims to begin shipping in March 2021. For more information see the Bronine Volkit Kickstarter page, or visit the Lycan website.
Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.
From left to right, the MeFoto BackPacker S, Manfrotto BeFree Advanced, Peak Design Travel Tripod and Gitzo Traveler Series 1.
Although image stabilization technology has come along in leaps and bounds over the past few years, there are few things you can do to improve your low-light or telephoto images more than mounting your camera on a tripod. But many tripods are heavy and bulky, making them inconvenient to bring along on longer hikes or when traveling by air. That’s where the humble travel tripod comes to the rescue.
In this review we compare the following travel tripods:
MeFoto BackPacker S – $ 159.95 list / ~$ 120 street
Manfrotto BeFree Advanced – $ 324.99 list / ~$ 280 street
Peak Design Travel Tripod – $ 599.95 list / ~$ 600 street
Gitzo Traveler Series 1 – $ 1014.99 list / ~$ 600 street
Travel tripods are available across a very wide price range, from consumer models that cost not much more than $ 100 to professional-grade ones that can run into the high hundreds of dollars or more. But is it worth spending that extra cash, and can you expect a significantly better experience from a more expensive tripod? To find out, we rounded up a selection of name-brand carbon-fiber travel tripods spanning the pricing gamut for an in-depth, side-by-side comparison.
In many respects, all four tripods have a lot in common. They all come with quick-release plates that you can leave attached to your camera for quicker setup, for example. And they all have reversible center columns which also let you shoot straight downwards, something that can be handy for macro shooting in particular.
They also share locks and/or safety pins to help prevent your camera accidentally being disconnected, and sandbag hooks either at the end of the center column or on the side of the spider, from which you can hang some weight for extra stability. (Just remember to include this weight along with that of your chosen camera and lens when determining your required payload!)
In this review, we’ll focus mostly on how these four tripods differ from each other, and their advantages and disadvantages in real-world shooting. Read on to find out how they performed, and which was our favorite.
MeFoto BackPacker S
Manfrotto BeFree Advanced
Peak Design Travel Tripod
Gitzo Traveler Series 1
MSRP
$ 159.95
$ 324.99
$ 599.95
$ 1014.99
Street price
~$ 120
~$ 280
~$ 600
~$ 600
Length and diameter (folded)*
33.5 x 9.5cm
41.0 x 10.5 cm
39.1 x 7.9 cm
42.5 x 1 cm
Max. height (with center column)*
140.0cm
151.0cm
153.5cm
164.5cm
Max. height (no center column)*
108.0cm
127.0cm
131.0cm
141.0cm
Min. height (standard center column)*
33.5cm
40.5cm
34.5cm
42.5cm
Min. height (short center column)*
N/A
19cm (optional extra)
15.5cm (included)
33.0cm (included)
Weight with accessories*
1017g**
1268g***
1342g****
1489g*****
Load limit
6kg
8kg
9.1kg
10kg
Number of leg angles
3
3
2
2
Converts to monopod?
Yes (143.0cm max.)*
No
No
No
Bubble level?
Yes
No
Yes
Yes
Panorama control?
Yes, with degree scale
Yes, lacks degree scale
No
Yes, with degree scale
Swappable head / feet?
Head only
Head only
Both (with optional head adapter kit)
Both
QR plate type
ARCA
Manfrotto RC2
ARCA
ARCA
Special features
N/A
EasyLink attachment
Smartphone holder
N/A
Warranty (with registration)
5 years
10 years
Lifetime
7 years
* All sizes and weights based on in-house measurements. ** Includes ball head, QR plate with safety pins, center-column hook and hex key *** Includes ball head, QR plate, EasyLink / center-column caps and hex key **** Includes ball head with safety pins, QR plate, full center column with hook and phone holder, hex tool and tool holder ***** Includes ball head with safety pin, QR plate, long and short center columns and three hex/Torx keys
Title fight! In one corner we have the new Olympus E-M1 Mark III. In the other is the Panasonic G9 – two years old, but sporting an impressive mid-life firmware update. Find out who wins the battle for Micro Four Thirds supremacy!
Subscribe to our YouTube channel to get new episodes of DPReview TV every week.
The post Four Essential Beginner Photographer Tips appeared first on Digital Photography School. It was authored by Simon Ringsmuth.
If you are new to photography the possibilities can seem endless and the options almost overwhelming. Buttons, dials, apertures, shutters, flashes…where do you even start? Of course, it’s always good to learn basics like the exposure triangle, but there are some simple beginner photographer tips that will immediately elevate your picture-taking prowess.
Look for the light
The first of the beginner photographer tips is tho look for the light.
Does your camera have a flash? Great!
Does it turn on all the time? Not so great.
This is usually a sign that your camera thinks your picture is too dark, so it tries to add a bit of light to fix things. From that perspective, the flash makes a lot of sense, but often it can end up ruining what might otherwise be a perfectly good photo. Instead of a pleasing, well-lit image, you end up with red eyes, harsh shadows, and bright spots of light reflecting off windows.
Instead of relying on the flash, look for the light that’s already available and reposition yourself accordingly. If you are indoors, put your subject in front of you and put your back to a window. If you are outdoors, look at where the sun is. Move yourself and your subject so that the light is behind you, not behind the person or object you are shooting. Better yet, re-compose your shot so your subject is in the shade and evenly lit.
In the picture above, the light was so bright that my kids were entirely shrouded in shadow, creating a silhouette.
The only way to save the photo was to make it black-and-white in Lightroom! I could have also waited until the light was more overcast to get a more even exposure. Or I could have intentionally used the pop-up flash as a fill flash to add a touch of light to the two shadowy subjects.
This technique works for casual snapshots, formal portraits, or pretty much any style of photography.
To get this group photo of three generations of women in a park, I had to get a little creative with light and positioning. I found a spot that was in the shade of a tree, so all their faces were well lit. You can see a swath of light going across the foreground that would have wreaked havoc on the photo if everyone was two steps forward.
Looking for the light is one of those beginner photography tips that sound constraining, but with practice, it will become second nature. You will automatically find yourself thinking about light and shadow and how to create the best composition without resorting to that pop-up flash. It’s also one of the most impactful things you can do to differentiate your photos and make people think twice when considering you as more than just an amateur.
Use Continuous Autofocus
Modern DSLRs and mirrorless cameras are outstanding when it comes to autofocus – certainly much more than their counterparts from a few years ago.
Modern focusing systems can track people, objects, and animals with ease. The latest mirrorless cameras can even lock focus on a single eye and reacquire in an instant if the person turns their head or another object momentarily blocks your view.
Action shots are almost impossible without rock-solid autofocus. Almost any camera you get is probably going to be up to the task as long as you’ve got the right lens.
There’s one mistake that a lot of beginner photographers make that can really hold back your action shots or even just everyday photos of people or pets. They use single-shot autofocus instead of continuous autofocus.
When you half-press the shutter button you probably here a sound to let you know that your shot is in focus. It might be a quick beep-beep along with a little dot or square lighting up to indicate that your picture will be tack sharp. Continue pressing your finger and you’ll get just what you expect: a crystal clear image in bright, vivid color.
This is all well and good, but what if your subject moves in that brief moment between the time you lock focus and press the shutter button fully? Worse, what if you want to take another picture?
You have to lift your finger off the shutter button, do a half-press to acquire focus, and then push the shutter down all the way to complete the shot. It might not sound like much, but a lot can happen in that short time!
The solution is to enable your camera’s continuous autofocus setting.
Instead of focusing once, continuous autofocus means your camera will keep your subject locked no matter where your subject goes. It will be in focus as long as you never fully lift your finger from the shutter button. This technique is incredibly useful for everyday shots and almost mandatory for fast action, especially when paired with back-button focus.
Every camera does this a little differently and you’ll find it by looking in the menus under the focus settings.
While it’s not always required, especially if you are shooting still objects or doing macro work where manual focus is preferred, I have found that I generally prefer continuous autofocus in most situations. If you are shooting with a prime lens wide open, where depth of field is razor-thin, it can really help you get better photos with minimal effort.
Use Program instead of Auto
The next of the beginner photography tips is to use Program Mode instead of Auto.
Every camera has a few different exposure modes, and if you are new to photography, you might find comfort in using the familiar green Auto setting. And there’s nothing wrong with that! Auto is great for a lot of people, and camera manufacturers have tweaked the auto setting so well that it really does produce good results.
Most of the time.
Even though there’s a lot to be said for learning Aperture or Shutter Priority, or even going all the way with Manual Mode, there’s a good middle ground that a lot of beginners don’t know about. It’s called Program Auto, and if you want a little more control than what Auto has to offer, it might very well be the solution for you.
Program Auto is kind of like regular Auto, but you get a little more control over the exposure. The camera starts by setting a value for lens aperture and shutter speed that it thinks will give you a properly-exposed image. You can see these numbers in the viewfinder or on the rear screen, but if you don’t like what the camera selects all you do is turn a dial.
You’ll see the aperture and shutter change but the exposure will remain constant.
Want a little more depth of field? Rotate the control dial on your camera until the aperture value is larger.
Want a faster shutter speed? Spin the dial until the shutter speed increases. Program usually lets you control the ISO as well. And if you still don’t like your picture, you can use exposure compensation to make it brighter or darker.
While the green Automatic mode on cameras is a great way to get started, Program is a good way for beginners to take a bit more control over their photography without getting too confusing.
Adjust your eye level
This final of the beginner photography tips applies no matter whether you have a fancy expensive DSLR or a basic mobile phone. It’s about getting yourself on the same plane as your subject or shooting your subject from a more interesting angle. It’s particularly useful when taking pictures of children, but applies in almost any photographic situation.
The default position for a lot of beginner photographers is to take a picture from an eye level that works for you. It’s usually standing up, sitting down, or whatever position you happen to be in when a picture opportunity presents itself.
For better photos, it’s important to move around and look for a more interesting, compelling, or exciting vantage point.
This a simple thing to do, but it takes repeated practice until it becomes second nature. If your subject is short, crouch (or lay) down to get a more interesting shot, and if your subject is tall, find a way to elevate yourself.
It might not be easy or even comfortable, but your pictures will be much better because you took the effort to adjust your eye level.
Conclusion
These four beginner photography tips are just the tip of the iceberg. There’s so much more to learn when you start down your exciting journey to learn more about photography.
Everyone has to begin somewhere and if you’re not sure where to start, give these a try. If you have any recommendations from what you have learned over the years, share your thoughts in the comments below!
The post Four Essential Beginner Photographer Tips appeared first on Digital Photography School. It was authored by Simon Ringsmuth.
The post The dPS At-Home 7-Day Photography Challenge – Week Four appeared first on Digital Photography School. It was authored by Caz Nowaczyk.
As many of us around the world are continuing self-isolation, and social distancing (whoever thought that would be a thing?), we thought we’d make it a bit more fun and creative (as well as keeping our photography skills sharp). So, we are giving you (and us) an “At-Home, 7-Day Photography Challenge.”
This is now week four of the challenge (see week one here, week two here, and week three here. You can still do those challenges, as there are no deadlines on any of these).
This week we are going to focus entirely on post-processing your images and fun techniques you can try.
As always, it would be fabulous to see your results, so please share them with us in the comments section. That way, we can connect and share, and keep ourselves occupied with something positive and creative!
At-Home, 7-Day Photography Challenge – Week Four
Day 1
This is a fun challenge. Take a series of photos of anything and turn them into an animated GIF in Photoshop! You can also add text or make it into an animated meme. You can then use them for social media if you like! How to Make an Animated GIF in Photoshop
Day 2
This one shows you have to make a multi-exposure image in photoshop. How to Create a Multiple Exposure Effect in Photoshop
Day 3
Another fun one – create a tiny planet in Photoshop! How to Make a Little Planet Quickly and Easily in Photoshop
Day 4
Split toning can give your image some interesting effects. So, jump into your archives and see what you can do to enhance some of those images with split toning in Photoshop. How to Rescue an Image in Lightroom With Split Toning
Day 5
This one is all about creating reflections in your images. Make it look like a landscape has a water reflection! See what you can come up with. Create Awesome Reflections in Photoshop with Ease (Step-by-Step Guide)
Day 6
This one is for creating photo composites. Take bits and pieces of various images and turn them into a new image! Fake it to Make it – Creating Convincing Photo Composites
Day 7
Create a cool photomontage with this great technique! How to Make a Cool David Hockney-Inspired Photomontage in Photoshop
I’m looking forward to seeing your results. Don’t forget to share them with us in the comments!
The post The dPS At-Home 7-Day Photography Challenge – Week Four appeared first on Digital Photography School. It was authored by Caz Nowaczyk.
Between 1978 and 1985 Pentax sold the Pentax Auto 110 (and later, the Auto 110 Super), a miniature SLR system built around Kodak’s small-format 110 film cartridges. The 110 system is no longer with us, but thanks to an almost identical frame size, its lenses are a perfect match for the Micro Four Thirds system. Join us as we discover the joy of using vintage Pentax 110 lenses on a modern digital camera.
Subscribe to our YouTube channel to get new episodes of DPReview TV every week.
The post Laowa and Yongnuo to Support Micro Four Thirds Standard appeared first on Digital Photography School. It was authored by Jaymes Dempsey.
The Micro Four Thirds standard will see official support from three additional companies.
Last Thursday, Panasonic and Olympus declared that several manufacturers would be joining them in the production of Micro Four Thirds equipment, including Yongnuo and Venus Optics.
You may be familiar with Yongnuo already; in addition to products such as their popular budget flashes (e.g., the YN560 IV) Yongnuo is working on a mirrorless Micro Four Thirds camera, one that sports Android software and features a Canon EF compatible lens mount.
Venus Optics is another company that already produces Micro Four Thirds products, though under the brand name Laowa. You can grab several Laowa MFT lenses, including a budget 17mm f/1.8 prime.
But the announcement from Olympus and Panasonic suggests that we should see a number of additional Micro Four Thirds products coming from both Yongnuo and Venus Optics, potentially bolstering both the MFT lens and camera lineup.
The Micro Four Thirds standard was first unveiled in 2008 when Olympus and Panasonic jointly declared their interest in working “toward commercial production of significantly lighter and more compact interchangeable lens type digital camera systems.”
Since then, we’ve seen the steady production of Micro Four Thirds bodies and lenses from Olympus and Panasonic, including the well-regarded Olympus OM-D series, as well as the Panasonic Lumix DMC-G line. Various other manufacturers have also engaged in MFT production, though in recent years the Micro Four Thirds system has been overshadowed by the rise of ultra-portable smartphone cameras, as well as compact APS-C and full-frame mirrorless bodies.
That said, smartphone manufacturers still have a lot of work to do if they’re ever going to match the quality of an MFT camera. And while mirrorless producers do offer MFT-sized cameras, their lenses struggle to compete with the small sizes and weights of MFT offerings. That’s where the Micro Four Thirds system shines; it includes high-quality camera-lens setups that are more compact than anything offered by the competition.
And given this announcement from Olympus and Panasonic, it’s clear that the Micro Four Thirds standard is alive and well, at least for now.
How do you feel about the expansion of the Micro Four Thirds lineup? Would you consider using a Yongnuo or Laowa camera/lens? Share your thoughts in the comments!
The post Laowa and Yongnuo to Support Micro Four Thirds Standard appeared first on Digital Photography School. It was authored by Jaymes Dempsey.
Olympus and Panasonic have teamed up to announce that three more companies have joined the Micro Four Thirds (MFT) System standard. According to the joint press release, Yongnuo, Mediaedge and Venus Optics have joined the standard to make products for MFT camera systems.
For those not familiar with each of the brands, here’s a quick rundown of each. Yongnuo manufactures and sells various lenses, lighting gear and accessories; Mediaedge creates and promotes various video streaming and display systems; and Venus Optics is the parent company behind the Laowa brand, which makes price-conscious lenses and accessories for digital camera systems.
Both Yongnuo and Venus Optics have developed various MFT products in the past, including lenses and even a dedicated MFT smartphone camera add-on in the case of the Yongnuo YN43, so the two companies aren’t exactly new to the system. That said, this partnership will likely streamline the production of future MTF products now that the pair have the support of Olympus and Panasonic backing them.
Press release:
YONGNUO, MEDIAEDGE, and Venus Optics Join the Micro Four Thirds System Standard Group
Olympus Corporation and Panasonic Corporation jointly announced the Micro Four Thirds System standard in 2008 and have since been working together to promote the standard. We are pleased to announce that three more companies have recently declared their support for the Micro Four Thirds System standard and will be introducing products compliant with the standard.
The following companies are joining the Micro Four Thirds System standard group: YONGNUO which develops, produces and sells digital camera switching lenses, performance lighting, video lighting, etc., MEDIAEDGE Corporation, which has been an advocate of video streaming and display system concepts for over 17 years, aiming to produce products that inspire customers, and Venus Optics, the company behind the development and production of LAOWA brand, which produces incredibly practical, cost-effective, and unique products. The possibilities unique to a joint standard are sure to push the enjoyment of imaging ever further.
As the company responsible for initiating both the Four Thirds System and the Micro Four Thirds System standards, Olympus will continue to develop and enhance the product line-up to meet the diverse needs of our customers.
About YONGNUO
YONGNUO regards “reflecting the beauty of the world and writing into a happy life” as the mission of the company. In the field of image in the information society, YONGNUO is a company that integrates the strength of all employees to develop and produce excellent products and make contributions to the society.
MEDIAEDGE Corporation has been involved in developing imaging systems for over 17 years, with a track record of sales to various industries and business categories, the support of many loyal customers, and a long history in Japan and around the world. With collaborative development of both software and hardware, the company continues to produce imaging systems that customers can feel safe and sound using.
About Anhui ChangGeng Optics Technology Company Limited (Venus Optics)
Anhui ChangGeng Optics Technology Co., Ltd (Venus Optics) was established in 2013. With headquarters in China, we are a leading manufacturer of premium lenses, formed by a group of photography enthusiasts and industry experts. Our mission is to design and create our own portfolio of photographic lenses that are truly unique, practical and affordable.
Venus Optics Website: https://www.venuslens.net/
Micro Four Thirds standard
The outlines of the standard can be found on the following website. http://www.four-thirds.org/en/
Cosina Japan has lifted the veil on its latest lens for Micro Four Thirds camera systems, the Voigtlander Nokton 60mm F0.95.
The manual focus lens, which is set for an April 2020 release in the Japan market for ¥145,000, is constructed of 11 elements in 8 groups, features an aperture range of F.095 through F16 and features a ten-blade aperture diaphragm. The minimum focusing distance is 34cm (13.4in) and it features a 77mm front filter thread.
Below are a few low-res sample images provided by Cosina:
Cosina has also added a new aperture switching mechanism that will de-click the aperture ring for times when you don’t want the tactile and auditory feedback. The lens measures in at 82.5mm (3.25in) diameter and 87.7mm (3.45in) long, and weighs in at 860g (1.9lbs).
No pricing or availability information has been given for regions outside of Japan.
Chinese cinema lens manufacturer Vazen has announced its latest anamorphic lens for Micro Four Thirds (MFT) cameras and teased another one that’s due out ‘in a few months.’
Vazen’s new 28mm T2.2 1.8x anamorphic lens for MFT camera systems is the second lens in its MFT anamorphic lineup, following up on its 40mm T2, an impressive anamorphic lens we had a little fun with on DPRTV. The new 28mm T2.2 features a lightweight design that Vazen claims makes it the ‘World’s Lightest 1.8x Anamorphic Lens for Panasonic GH5, Z-Cam E2 & Blackmagic Pocket 4k.’
It weighs just 720g (1.59lbs) and measures 80mm (3.15in) diameter and 107mm (4.2in) long. Its T-stop range is T2.2 through T16, it features a 72-degree angle of view and it has a minimum focusing distance of 82cm (2.7ft). Below is a sample video of footage captured with the lens on a ZcamE2(Vazen also shared this slightly NSFW music video captured with the lens):
In addition to the new 28mm T2.2 lens, Vazen also confirmed it’s adding a third lens to this lineup, a 65mm anamorphic lens. No details are given on the specs, but Vazen does not the 65mm lens ‘is expected to have the strongest anamorphic “character.”’
The Vazen 28mm T2.2 1.8x anamorphic lens for MFT camera systems is currently available to purchase through Vazen’s website for $ 3,250. If you purchase both the 28mm T2.2 and the 40mm T2 as a kit, Vazen drops the price for the pair by $ 400.
You must be logged in to post a comment.