RSS
 

Posts Tagged ‘february’

Photos of Tamron 70-210mm F4 lens leaked, announcement February 22nd

20 Feb
Tamron Japan shared this teaser on Instagram, shortly after leaked images of the 70-210mm F4 Di VC USD appeared online.

Tamron is preparing to release a couple of new lenses, teasing one (zoom?) lens last week, and now another, on the Tamron Japan Instagram account. Fortunately, unlike the speculation around last week’s teaser, we pretty much know what Tamron is hinting at in the image above.

That’s because, shortly before this teaser went up, a slew of leaked images of the upcoming Tamron 70-210mm F4 Di VC USD lens popped up online, leaving little doubt that this is the zoom depicted in the contrasty shot above. CanonWatch and Nokishita both got their hands on several leaked shots—CW mostly lifestyle images, Nokishita product shots.

Check them all out in the gallery below:

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_2147664306″,”galleryId”:”2147664306″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

As the teaser confirms, this new lens—very likely the 70-210mm F4 seen in the gallery—will be officially announced in three days time, on February 22nd, 2018. We expect the other Tamron lens teased last week to be announced at the same time.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Photos of Tamron 70-210mm F4 lens leaked, announcement February 22nd

Posted in Uncategorized

 

2017 in review: a look back at February

21 Dec
Nikon announced the demise of its DL compacts on the eve of Valentine’s Day, because love is pain.

We learned a lot of fun facts in February: people don’t really like looking at selfies, it’s possible to make a camera out of drinking straws, and Google’s AI-powered image detail enhancement technology is getting creepy good.

February is also when we tend to see winners revealed from year-end photo competitions. True to form, we were not disappointed by the top images in SkyPixel’s aerial photo competition and the 2017 Underwater Photographer of the year. But one photo will probably be remembered before all others – the photo of a slain Russian ambassador was announced as the winner of the 60th World Press Photo award.

Their impressive spec sheets got our hearts all a-flutter, but thanks to unexpectedly high production costs, they were never to be

In gear news, Nikon fans woke up to the equivalent of a break-up text the day before Valentine’s Day – the company was ditching its previously-announced-but-never-realized DL compact cameras. The DLs were meant to be a series of enticing-looking 1″ sensor compacts. Their impressive spec sheets got our hearts all a-flutter, but thanks to unexpectedly high production costs, they were never to be.

It wasn’t all bad news though – CP+ would cheer us all up later in the month with announcements of lovely new lenses like the Sigma 14mm F1.8 Art. It was also the first opportunity for us to do some shooting with the Fujifilm GFX 50S, which was announced at Photokina in late 2016.

See all February content


2016 Challenge of Challenges winners announced

In February, we announced the winner of our annual Challenge of Challenges competition. DPR member cand1d’s image of a glowing sunset in Bagan, Myanmar took top honors in the 2016 Challenge of Challenges competition. The photo is one of almost 1000 challenge-winning entries from the year, which we whittled down to a more manageable shortlist of 25 before DPReview readers voted on a final winner.

See the 2016 Challenge of Challenges Winners

Sigma 14mm F1.8 DG HSM Art samples

The Sigma 14mm F1.8 DG HSM Art made its debut at CP+, and it got the low light shooters on our staff all excited. We jumped all over the chance to take a pre-production version of the lens out for a spin in Yokohama during the show, and later updated our gallery with many more samples from a production-ready unit.

See our Sigma 14mm F1.8 sample gallery

Things we found at CP+ 2017 which had been cut in half

It’s not a photo tradeshow until you’ve seen a lot of things cut in half, and CP+ 2017 was no exception. Take a look at what’s going on inside of some very nice gear.

See all of the things we found at CP+ which had been cut in half

CP+ 2017: Full show coverage

DPReview was at the CP+ show in February, over in Yokohama Japan. As usual, it was a great show for new gear, weird sights, and plenty of hot vending machine coffee.

Read our full CP+ coverage

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on 2017 in review: a look back at February

Posted in Uncategorized

 

The Voigtländer Nokton classic 35mm F1.4 for E-Mount ships in February, will cost $750

20 Dec
The Voigtlander Nokton Classic 35mm F1.4 FE at CP+ last February. Photo by Barney Britton

Sony shooters will have a new manual-focus lens to play with soon. After announcing the lens as ‘in-development’ way back in February, Cosina Japan has revealed pricing and availability for the E-Mount Voigtlander Nokton classic 35mm F1.4 lens. According to the translated webpage, the lens is scheduled to ship in February of 2018, at a price of ¥ 85,000, or approximately $ 750 USD.

This, just a couple of weeks after announcing pricing and availability for another E-Mount Nokton that was “in-development” in February: the Nokton 40mm F1.2.

The Nokton classic 35mm F1.4 is an E-mount version of the M-mount Nokton that Voigtländer has been selling for many years, and we actually got to see this lens in person at CP+ last February. Unfortunately, the 35mm was the only lens under glass that day, so we couldn’t get a true ‘hands-on,’ but we expect it to be built to the same high standard as the older M-mount version.

Another photo from our through-the-glass ‘hands on’ at CP+. Photo by Barney Britton

To learn more about this lens, head over to the Cosina website, read the translated Cosina Japan page, or check out our ‘hands-on’ impressions from last February.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on The Voigtländer Nokton classic 35mm F1.4 for E-Mount ships in February, will cost $750

Posted in Uncategorized

 

Fujifilm medium-format GFX 50S to ship in late February for $6500

21 Jan

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_9285245724″,”galleryId”:”9285245724″,”isEmbeddedWidget”:true,”standalone”:false,”selectedImageIndex”:0,”startInCommentsView”:false,”isMobile”:false}) });

Back at Photokina in September, Fujifilm took the wraps off of its new mirrorless medium-format camera, the GFX 50S. Today they’re released all of the details, including price and ship date.

The GFX 50S uses a 51.4MP ‘Fujifilm G Format’ medium-format sensor (43.8 x 32.9mm), which is 1.7x the area of a full-frame sensor. The lens mount is known as G-mount and, like all medium-format cameras, it has a ‘reverse’ crop factor of 0.79x, so that new 63mm F2.8 lens is equivalent to 50mm. The camera has a 117-point contrast-detect AF system, and users can set the focus point using the touchscreen or a joystick on the rear plate. Its NP-T125 lithium-ion battery is rated for 400 shots on a single charge (meaning you’ll probably get many more in most real-world usage).

The weather-sealed body is made of a magnesium alloy and weighs just 825g/43oz with battery and memory card installed. It has a 3.2″ dual-tilt touchscreen LCD display and a 2.36M-dot OLED viewfinder, to which you can add a ’tilt adapter’ allowing it to tilt upward by 90° and rotated left or right by 45° (that’s a lot of tilting). On the top plate is a 1.28″ LCD which displays current shooting settings. There are two SD card slots, both of which support high-speed UHS-II media.

The GFX 50S has Fujifilm’s Film Simulation modes, including a new Color Chrome Effect option. It can capture Full HD video at up to 30p, with a bit rate of 36 Mbps. As one would expect from a camera in this class, the GFX 50S supports tethered shooting from a PC. Optional accessories include a battery grip, H-Mount adapter for use with classic Fujinon HC lenses and a ‘View Camera Adapter G’ that lets you use the GFX as a digital back.

Along with the GFX come three new lenses, with three more to follow by the end of the year. The initial trio of lenses including a 110mm F2 (equivalent to 87mm), 23mm F4 (18mm equiv.) and 45mm F2.8 (35mm equiv.).

The GFX 50S will ship in late February at an MSRP of $ 6499/£6199.

GROUNDBREAKING FUJIFILM GFX 50S MEDIUM FORMAT MIRRORLESS CAMERA DELIVERS ULTRA-HIGH IMAGE QUALITY

FUJIFILM GFX 50S combines an extraordinary sensor, processor and design with FUJINON lenses to give users the ultimate photography experience

Valhalla, N.Y., January 19, 2017 – As the leader in innovation for photographers, FUJIFILM North America Corporation today announces the FUJIFILM GFX 50S medium format mirrorless digital camera that will launch late February, 2017 with an initial selection of three FUJINON lenses – the GF63mmF2.8 R WR, the GF32-64mmF4 R LM WR, and the GF120mmF4 R LM OIS WR Macro. These lenses encapsulate the design philosophy of FUJINON lenses that are renowned by photographers around the world.

The innovative GFX system utilizes a Fujifilm exclusive 43.8 x 32.9mm (FUJIFILM G Format) 51.4MP CMOS sensor. The GFX 50S combines the heritage of over 80 years of imaging and the innovative award-winning functional design of our X Series digital camera system in the relentless pursuit of image quality.

The FUJIFILM GFX 50S Revealed

The FUJIFILM GFX 50S mirrorless digital camera uses the new 51.4MP FUJIFILM G Format 43.8 x 32.9mm sensor with approximately 1.7x the area of a 35mm sensor. In addition to the camera are three new FUJINON GF Lenses that will be followed by three additional lenses later in 2017.

The GFX 50S 51.4MP sensor shows its true potential when making large format prints, capturing majestic landscape photos or reproducing historical documents. Compared to a full size sensor with equivalent megapixels, both resolution and sensitivity are dramatically better due to the larger size of each pixel. As a result, the sensor captures great textures and subtlety of tone that is unique to large size sensors. The texture and tone combine to give a unique three-dimensional effect creating extremely high quality photography. Images captured can be reproduced down to the smallest detail, conveying the texture of the subject, a three-dimensional feeling, and the atmosphere of the scene.

For flash photography in the studio or outdoors during the day, the GFX 50S sensor has a native ISO of 100. The sensor can also be adapted to various aspect ratios, including 4:3, 3:2, 16:9, 1:1, 65:24, 5:4, 7:6, all of which are available in large and medium format film cameras.

The FUJIFILM GFX 50S uses the X Processor Pro (also used in the X-Pro2 and X-T2 cameras) and allows photographers to use Fujifilm’s proprietary Film Simulations with a Medium Format sensor. The camera supports Full HD recording at 29.97p/25p/24p/23.98p. Users can enjoy high quality video with no post-processing required by using Film Simulation modes just like they would with a still image. The GFX 50S introduces a new Color Chrome Effect feature that reproduces subtle tones in highly saturated subjects.

Ultimate Performance in a Compact Body

With a compact and lightweight body constructed from magnesium alloy, the FUJIFILM GFX 50S weighs approximately 43 ounces when paired with the FUJINON GF63mmF2.8 R WR, and weighs approximately 60% of a medium format DSLR camera equipped with a sensor of the same size. When compared to a full frame, the weight is almost identical. Overall camera body height and width have also been minimized for maximum flexibility, overturning the common perceptions regarding the mobility of medium format digital cameras.

Bright, Crystal Clear Viewfinder and Large Touchscreen

The FUJIFILM GFX 50S gives users a 3.69M dot organic EL electronic viewfinder and 2.36M dot touchscreen LCD back panel for easy viewing. The EVF is detachable to allow for flexible operation. Users can attach the accessory EVF-TL1 EVF tilt adapter (sold separately) to allow the finder to be tilted to 90° vertically and swung ±45°. A 3.2 inch, 2.36M dot touch panel is used for the rear monitor, with touch operation for the menu, focusing points and image playback. A three-directional tilting LCD screen improves operability and makes viewing images and checking focus even easier.

FUJINON Lenses Guarantee Image Perfection

As part of the GFX system, Fujifilm is launching newly developed, ultra-high resolution FUJINON GF lenses. Taking advantage of the mirrorless system’s structure, the G Mount has a short flange back distance of just 26.7mm that reduces the back focus distance as much as possible. This prevents vignetting and achieves edge-to-edge sharpness. All FUJINON GF Lenses have been designed to support sensors of over 100MP.

GFX lens barrels feature an aperture ring in the same manner as FUJINON XF lenses, for intuitive operation. A new C (Command) Position has been added to the aperture ring, allowing users to change the aperture with the camera’s command dial. The A (Auto) Position and C Position feature a locking button installed on the aperture ring that must be disabled to implement changes.

Built for the Professional, and the Enthusiast

Just as with the flagship X Series models, the FUJIFILM GFX 50S features dedicated dials to independently set aperture, shutter speed, and ISO, the important factors in determining exposure.

Aperture and ISO feature a C (Command) and the shutter speed dial has a T (Time) Position. Setting the dial to this position allows the user to change exposure settings using the command dials on the front and rear of the camera body. The user can choose between these two operation methods according to their preference, ease of use, and the shooting environment.

The GFX 50S is equipped with a 1.28 inch LCD sub monitor on the top of the body. Important exposure data such as aperture and shutter speed is displayed on this screen. This display is extremely useful when shooting on a tripod or tethered to a computer.

A 117-point (9 x 13 / maximum of 425 points when miniaturized) contrast AF system is used on the GFX 50S. High-precision AF on the imaging sensor dramatically improves focusing accuracy with the shallow depth of field produced by medium format lenses. First adopted in the FUJIFILM X-Pro2, focus point selection can be performed by using the Focus Lever, which allows intuitive movement of the focus point. Alternatively, users can select the focus point from the touch panel LCD screen.

Initial Lens Lineup Will Include the Following Three FUJINON Options:

  1. GF63mmF2.8 R WR (equivalent to 50mm in 35mm format)
  2. GF32-64mmF4 R LM WR (equivalent to 25-51mm in 35mm format)
  3. GF120mmF4 Macro R LM OIS WR (equivalent to 95mm in 35mm format)

FUJINON GF63mmF2.8 R WR

The optical system features a construction of 8 groups and 10 elements, including 1 ED lens element. This lens construction is the most suitable for high resolution in compact and stylish design, the external form of this small and lightweight lens has a diameter of just 84.0 x 71.0mm with a weight of only 14.2 ounces \ 405 grams. Using the front group for the focus, aberrations due to focus distance are suppressed, achieving high resolution performance even when wide open from the center to the edges of the lens.

FUJINON GF32-64mmF4 R LM WR

The FUJINON GF32-64mmF4 R LM WR features a construction of 11 groups and 14 elements, 3 aspheric elements, 1 ED lens and 1 super ED lens, allowing this lens to achieve image quality rivalling prime lenses. As a result, the lens demonstrates extremely high performance from the center all the way to the edges. The lens uses internal focusing, reducing the weight of the focus lens and achieving fast and silent AF by driving focus using a linear motor.

FUJINON GF120mmF4 R LM OIS WR Macro

The FUJINON GF120mmF4 R LM OIS WR Macro has a construction of 9 groups and 14 elements, including 3 ED lens elements. By adopting a floating focus method using a linear motor, silent high-speed autofocusing is achieved while aberrations are corrected, dramatically increasing the resolution. Furthermore, by arranging the ED lenses properly, chromatic aberrations are also properly corrected, contributing to high quality images. In designing this lens the quality of the out of focus area both in front and behind the plane of focus were considered, giving this lens beautiful bokeh. This lens is equipped with optical image stabilization (OIS) effective up to 5.0-stops, making this lens perfect for handheld shooting in low-light situations.

Three Additional FUJINON GF Lenses to be Announced Later in 2017:

  1. GF110mmF2 R LM WR (equivalent to 87mm in 35mm format)
  2. GF23mmF4 R LM WR (equivalent to 18mm in 35mm format)
  3. GF45mmF2.8 R WR (equivalent to 35mm in 35mm format)

GFX 50S Accessories (sold separately)

  1. Vertical Battery Grip VG-GFX1 – high-performance battery grip is designed to place the release button, dials, and function buttons in the same positions when shooting vertically. The battery grip can be loaded with one NP-T125 dedicated battery, lowering the frequency that batteries need replacing. Also, by connecting the AC-15V accessory (sold separately), it is possible to charge the battery within the grip in approximately 2 hours.
  1. EVF Tilt Adapter EVF-TL1 – mounting this accessory between the camera body and EVF, the angle of the EVF can be changed to angles from 0°?90° vertically and from -45°?+45° horizontally. Doing this allows the user to shoot at various angles while using the viewfinder, greatly increasing the versatility of the finder for different subjects.
  1. H Mount Adapter G – allows you to use SUPER EBC FUJINON HC interchangeable lenses developed for the FUJIFILM GX645AF medium format film camera (discontinued). By attaching this adapter to the GFX 50S, a total of 9 SUPER EBC FUJINON HC interchangeable lenses and 1 tele-converter developed for the GX645AF can be used. While the focusing method will be limited to manual focusing, the lens aperture can be changed using the command dial on the camera body, and shooting with the leaf shutter built in to the lenses is also possible. Using this lens shutter will allow high speed flash synchronization up to a maximum speed of 1/800 sec.

    Also, the adapter is equipped with electrical contacts that can communicate with the camera body, independently creating, saving, and applying correctional data for each lens. The adapter supports Manual and Aperture Priority AE exposure modes.

*A removable tripod foot is included to mount the camera with a heavy or long focal length lens.

  1. View Camera Adapter G – allows the GFX 50S to be used as a digital back. The view camera adapter allows the GFX 50S to be mounted to the standard universal-type back of a view camera. This allows the use of FUJINON large format camera lenses, such as the CM-W FUJINON lens series. The camera or lens shutter can be triggered, allowing the user to choose the optimum method. The large image circle and the bellows of the view camera can be used with tilt, shift and swing movements, effective for product and architectural photography.
    *There may be instances in which the adapter cannot be mounted depending on the shape of the view camera.
  1. Tethered Shooting Solutions – We have the following tethering solutions for photographers, including: X Acquire to transfer images from the camera to a hot folder on your computer for use with your preferred imaging software, Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom® and HS-V5 for Windows (sold separately).

    By connecting the GFX 50S to a PC via USB cable and using this software, it is possible to transfer photographed images directly to the PC, as well as control the camera from the PC. Also, by using the Control Panel Window newly added to Tether Shooting Plug-in PRO for Adobe® Photoshop® Lightroom®, additional camera functions become available.

  1. RAW FILE CONVERTER EX2.0 – powered by SILKYPIX (free of charge) RAW development software and Adobe® Photoshop® Lightroom® / Adobe® Photoshop® CC (sold separately). RAW development software is used for detailed corrections and advanced image processing that isn’t supported by the in-camera RAW conversion. Both software support Fujifilm’s “Film Simulation” modes, allowing creation of image data that is extremely close to Fujifilm’s advanced color reproduction.

FUJIFILM GFX 50S Key Features:

  • 51.4MP Medium Format 43.8 x 32.9mm sensor for superior sharpness and image quality for all photographers
    • Adaptable to various aspect ratios, including 4:3 (default), 3:2, 16:9, 1:1, 65:24, 5:4, 7:6
  • FUJIFILM G Mount with short flange back distance of just 26.7mm
  • X-Processor Pro imaging processor
  • Detachable electronic viewfinder
  • Weather and dust resistant; operation to as low as 14 degrees Fahrenheit \ -10 degrees Celsius
  • File formats include three different JPEG settings (SUPER FINE, FINE, NORMAL), as well as two different RAW settings (uncompressed, compressed). TIFF output is also possible with in-camera RAW development
  • Full HD for Movie Mode: 1920×1080 29.97p/25p/24p/23.98p 36Mbps, in Film Simulation modes
  • Light body weighs approximately 43oz. \ 825g (including battery and memory card)
  • Uses SD Cards (UHS-II recommended)
    • Equipped with dual slots
    • Supports three different types of recording methods, “Sequential,” in which recording can be continued according to shooting order, “Backup,” which records the same data on two cards simultaneously, and “Sorting,” which records RAW and JPEG data on separate cards
  • Uses newly developed NP-T125 high capacity battery for approximately 400 photos (with Auto Power Save ON)
  • All FUJINON GF Lenses are dust and weather resistant, built to withstand operation at temperatures as low as 14 degrees Fahrenheit \ -10 degrees Celsius allowing photographers to take them outdoors with confidence in challenging weather conditions.
  • The new FUJINON GF Lenses feature an aperture ring, a popular feature in the X Series, and have a new C (Command) Position on the ring to enable aperture adjustments with the Command Dial on the camera body
  • A Fluorine coating applied to the front lens element creates a hydrophobic coating that repels moisture.

The GFX 50S and FUJINON GF lenses culminate to create a new camera system capable of creating the world’s highest level of photographic expressions by combining the thorough incorporation of knowledge regarding camera operation, optical design, image capture, and image processing.

Availability and Pricing

The new FUJIFILM GFX 50S Medium Format Camera Body will be available Late February, 2017 in the U.S. and Canada for USD $ 6,499.95 and CAD $ 8,499.99.

Also available in February, 2017 will be the first three FUJINON GF lenses. GF63mmF2.8 R WR for USD $ 1,499.95 and CAD $ 1,899.99, GF32-64mmF4 R LM WR for USD $ 2,299.95 and CAD $ 2,999.99, and GF120mmF4 R LM OIS WR Macro for USD $ 2,699.95 and CAD $ 3,499.99.

Fujifilm GFX 50S specifications

Price
MSRP $ 6499/£6199
Body type
Body type Mid-size SLR
Body material Magnesium alloy
Sensor
Max resolution 8256 x 6192
Image ratio w:h 1:1, 5:4, 4:3, 3:2
Effective pixels 51 megapixels
Sensor size Medium format (44 x 33 mm)
Sensor type CMOS
Processor X Processor Pro
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-12800 (expands up to 102400)
Boosted ISO (maximum) 102400
White balance presets 7
Custom white balance Yes
Image stabilization No
Uncompressed format RAW + TIFF
JPEG quality levels Super fine, fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit RAF)
  • TIFF (via Raw conversion)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Manual focus Yes
Number of focus points 117
Focal length multiplier 0.79×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 2,360,000
Touch screen Yes
Screen type OLED
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.85×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 360 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/16000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe or flash sync terminal)
Flash modes Auto, standard, slow sync, manual, off
Flash X sync speed 1/125 sec
Drive modes
  • Single
  • Continuous
  • Self-timer
  • Remote
Continuous drive 3.0 fps
Self-timer Yes (2 or 10 sec)
Metering modes
  • Multi
  • Center-weighted
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±5 (2, 3, 5, 7 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 1920 x 1080 @ 30p / Mbps, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 25p / Mbps, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 24p / Mbps, MP4, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p / Mbps, MP4, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (dual slots, UHS-II supported)
Connectivity
USB USB 3.0 (5 GBit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (via cable or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description NP-T125 lithium-ion battery & charger
Battery Life (CIPA) 400
Weight (inc. batteries) 740 g (1.63 lb / 26.10 oz)
Dimensions 148 x 94 x 91 mm (5.83 x 3.7 x 3.58)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Fujifilm medium-format GFX 50S to ship in late February for $6500

Posted in Uncategorized

 

RED Scarlet-W and Scarlet-W Monochrome unveiled: shipping starts in February

12 Dec

RED has introduced its new Scarlet-W and Scarlet-W Monochrome pro-grade cameras. Both models feature RED’s Dragon sensor with recording options that include 5K/60fps, 4K/150fps, and 2K/300fps. Additionally, the Scarlet-W Monochrome makes it possible to capture black and white footage with enhanced resolution and improved light sensitivity. Thanks to a durable and lightweight design, Scarlet-W is suitable for on-the-go projects.

RED says its new offering makes ‘obsolescence obsolete’ by using the DSMC2 accessories line, which is also compatible with RED’s Red Raven and Weapon cameras. The same modular design found on RED’s other cameras comes with Scarlet-W and is joined by an interchangeable lens mount.

Scarlet-W (body-only) is priced at $ 9,950 USD/€10,040 EUR/£7,175 GBP with shipping set for February 2016. Deposits are now being accepted at $ 1,000 USD. Packages are also available starting at $ 14,500 USD.


Press release:

ANNOUNCING THE INDUSTRY-CHANGING SCARLET-W CAMERA

Today RED introduced the newest addition to the RED DRAGON® family, SCARLET-W. Bringing an unparalleled level of accessibility to content creators everywhere, SCARLET-W combines RED’s intuitive camera design—including integrated mounting points, interchangeable lens mounts, simultaneous REDCODE® RAW and Apple ProRes recording formats, intelligent OLPF system, and in-camera 3D LUT outputs—with a RED DRAGON sensor to provide a solution that blends flexibility and accessibility with high-end performance.

Coupling RED’s wide dynamic range and renowned color science with simultaneously recording capabilities in REDCODE RAW and Apple ProRes, SCARLET-W provides shooters with the best image quality possible in any format. Professionals are empowered to capture their vision exactly as they see it with recording frame rates of 5K at 60 frames per second (fps), 4K at 150 fps, or 2K at 300 fps when shooting REDCODE RAW.

SCARLET-W is estimated to begin shipping in February 2016, with deposits now being accepted through the RED website or with a RED Authorized Dealer. Customers have the choice to purchase the camera BRAIN® only—with either a color or black and white monochrome sensor—or the SCARLET-W Base I/O V-Lock Package, which provides the key components necessary to get out and start shooting. Additionally, current SCARLET DRAGON® owners are eligible to receive a $ 2,500 discount on the SCARLET-W Base I/O V-Lock Package price (Only available through RED.COM).

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on RED Scarlet-W and Scarlet-W Monochrome unveiled: shipping starts in February

Posted in Uncategorized

 

9 February, 2015 – Life as a Photographer

09 Feb

 

Mark Schacter ponders the question, "What is life like as a photographer?"

The first thing he ponders  is, “How does life as a photographer differ from life as anything else: a plumber, a bus driver, a nuclear physicist…?”


The Luminous Landscape – What’s New

 
Comments Off on 9 February, 2015 – Life as a Photographer

Posted in News

 

6 February, 2015 – A Spanish Aussie in the USA

06 Feb

Antelope Canyon               


Many of us who live in N.America are familiar with some of the icons of the US West & the US National Parks.
Ignacio Palacios sees them with the fresh eyes of someone from away.
He travels variously to Antelope Canyon, Hawaii, Alaska and Yellowstone with his family and his cameras.
Here he shares some excellent images.


The Luminous Landscape – What’s New

 
Comments Off on 6 February, 2015 – A Spanish Aussie in the USA

Posted in News

 

28 February, 2013 – Antarctica – A Most Amazing Adventure

01 Mar

Just a little over a month ago the Luminous-Landscape team of Michael Reichmann, Chris Sanderson and Kevin Raber along with William Neill lead a group of 61 photographers to an amazing adventure to Antarctica.  This trip was different than previous trips as the group flew over the Drake Passage.  A savings of close to 5 days at sea was saved by a two hour flight.  You had to be there to experience how wonderful this trip was.  The weather was excellent the group was fantastic and we couldn’t have asked for a better expedition team to lead us on this trip.  Enjoy the next best thing to being there and read Kevin’s trip log and photographs Antarctica 2014 – A Most Amazing Trip.  Plus we have embedded a video of the trip in the article.  Maybe, you’ll want to join our 2015 Antarctica Adventure.  Only a few berths are left on the second trip.


You can win an all-expenses paid photographic expedition to Antarctica, along with air fare from anywhere in the world. The value of this prize is $ 15,000.

The Luminous Landscape wants you to try any of our more than 60 training or travel videos and our new free video player. Each purchase is an entry, and an annual subscription that includes all previous as well as new videos counts as six entries. The winner of a free lifetime subscription is also chosen from each month’s entries.

FIND OUT MORE

 


The Luminous Landscape – What’s New

 
Comments Off on 28 February, 2013 – Antarctica – A Most Amazing Adventure

Posted in News

 

25 February, 2013 – Nobody Knows Anything

25 Feb

A common phrase in the motion picture industry is “Nobody knows anything……", meaning that what it takes to produce a hit movie is not always obvious. The same is true in the camera business when it comes to releasing new cameras. A new article by Michael Reichmann explores who does and who doesn’t get it.


You can win an all-expenses paid photographic expedition to Antarctica, along with air fare from anywhere in the world. The value of this prize is $ 15,000.

The Luminous Landscape wants you to try any of our more than 60 training or travel videos and our new free video player. Each purchase is an entry, and an annual subscription that includes all previous as well as new videos counts as six entries. The winner of a free lifetime subscription is also chosen from each month’s entries.

FIND OUT MORE


The Luminous Landscape – What’s New

 
Comments Off on 25 February, 2013 – Nobody Knows Anything

Posted in News

 

22 February, 2014 – Kitchen Stories and Other Realities

23 Feb

Over the years I have had the privilege of working with and shooting with some amazing photographers.  Photography to many of us photographers is like a good game of golf.  We can get out there with our friends shoot images, talk about what a great shot it was and feel bad when we just can’t seem to get the shot.  I find it a lot more staisfying and less frustrating than chasing a ball around and trying to whack it with a stick.  Well, Jackie Ranken takes the game of photography to a new level.  I have had the pleasure of working with Jackie on a number of workshops and discovered as a result a whole new way of seeing.  She is one of the most creative landscape photographers that I have ever met and she has certainly gotten the attention of her fellow Australian and New Zealand photographers when she started entering landscape images into major competitions with flying toasters in them.  

I was shooting with Jackie two years ago and while we were out she found about ten feet of twine.  The rest of the day she took this twine and interjected it into the shots she was making.  She was wrapping bushes with it, dangling it from trees and laying it out on the ground.  I found it totally refreshing to see this.  Later during this trip a number of friends shooting with me stopped at an overlook to shoot a landscape vista and the bottom of the overlook hill was a bunch of old refrigerators, stoves and metal junk. One person in our group couldn’t help themselves and said “I see Jackie was already here”.  

We hope you enjoy Jackie’s article “Kitchen Stories” and Other Realities. Luminous-Landscape will be working with Jackie in New Zealand this December and our Antarctica Workshops in January. If you can join us for these workshops you’ll get a chance to see Jackie in action. 

                                                                                                Kevin Raber, Publisher


 Are you planning on attending this year’s WPPI Trade Show and Convention in Las Vegas March 3-5? If so drop us an email. Kevin and Chris will be there reporting on the show and it would be great to meet some where and say hi.


Don’t forget to check out the Luminous-Landscape "Land Of The Polar Bear" workshops this July


The Luminous Landscape – What’s New

 
Comments Off on 22 February, 2014 – Kitchen Stories and Other Realities

Posted in News