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Posts Tagged ‘F1.5’

Cosina announces $825 Voigtlander Classic 50mm F1.5 lens, will be available in September

17 Aug

Cosina has revealed the release date and specifications for its new Voigtlander Heliar Classic 50mm F1.5 lens for its VM mount.

The lens’ optical design consists of six elements in three groups. Cosina says the lens, which has a single coating, has been specifically designed to showcase ‘classical reflections that are not found in modern lenses and dares to express various aberrations.’

It features an aperture range of F1.5 through F16, uses a ten-blade aperture diaphragm and has a minimum focusing distance of 50cm (20″), despite the on-lens focus markings only going down to 70cm (27.6″) for the interlocking system when used with rangefinders. Cosina says the manual focus system uses an all-metal helicons unit that ‘produces moderate torque’ and offers ‘smooth focusing.’

Below is a small gallery of black-and-white sample images, provided by Cosina:

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The lens measures 56.5mm (2.2″) in diameter by 41.9 (1.65″) long and weighs 255g (9oz). Cosina says the Voigtlander Heliar Classic 50mm F1.5 lens will start shipping in September 2021 for ¥90,000 (~$ 825).

Articles: Digital Photography Review (dpreview.com)

 
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Cosina announces new VM-mount Voigtlander Nokton Vintage Line 50mm F1.5 Aspherical II VM lens

05 Oct

Cosina has announced (translated) the release of its new Voigtlander Nokton Vintage Line 50mm F1.5 Aspherical II VM lens, an updated version of its predecessor, which was released back in June 2013.

The second-generation lens features an entirely redesigned optics system and a more compact body to match. It’s constructed of eight elements in seven groups, has an aperture range of F1.5-F16, uses a 12-blade aperture diaphragm and has a minimum focusing distance of 70cm (27.5”). The lens measures in at just 55mm (2.17”) diameter and 37mm (1.5”) in length.

The left and center lenses are the aluminum models; the right lens is the brass version.0

The lens is constructed almost entirely of metal, with knurled rings for manually adjusting both the aperture and focus. Interestingly, Cosina is offering the lens in two different versions: a multi-coating version (MC) and a single-coating version (SC). In its own words, Cosina says the MC version ‘aims to reproduce colors as neutral as possible’ while the single coating ‘reproduces classical colors.’

Below is a sample gallery of images captured with the lens and provided by Cosina:

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Cosina is offering the lens in black and silver versions constructed of aluminum, while a more premium model constructed of nickel-plated and black-painted brass is also available.

All versions of the Voigtlander Nokton Vintage Line 50mm F1.5 Aspherical II VM lens use a bayonet VM mount that can be used with Vessa and M-mount cameras (not including the Bessa L and R). The Japan launch date is October 22 for all models and pricing is listed at ¥100,000 (~$ 950) for the aluminum models and ¥115,000 (~$ 1,100) for the brass model. Currently, no information on availability outside of Japan is mentioned.

Articles: Digital Photography Review (dpreview.com)

 
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Leica launches M10-P ‘Ghost Edition’ and new Summilux-M 90mm F1.5 ASPH lens

13 Dec

Leica has teamed up with New York-based horology company HODINKEE to launch the Leica M10-P ‘Ghost Edition’ camera styled after the vintage timepiece owned by Ben Clymer, founder and CEO of HODINKEE. The ‘Ghost Edition’ version of the M10-P includes a Summilux-M 35mm F1.4 ASPH lens with the same style.

The natural wear and tear on a wristwatch bezel results in a ‘ghosting’ aesthetic that inspired the M10-P ‘Ghost Edition’ design, according to Leica. This special edition camera doesn’t feature the company’s iconic red dot logo; its body and included lens sport a matte gray finish alongside silver and white accents. Gray cowhide leather and white enamel-filled engravings round out the ghosted aesthetic.

The Leica M10-P ‘Ghost Edition’ retains the same specs as the regular model. Leica is limiting this special edition to 250 camera sets globally with availability starting today. Each set features a serial number, a certificate of authenticity and a gray rope strap with black leather accents. The set is priced at $ 14,995 through HODINKEE.

Joining the special edition camera set is Leica’s new Summilux-M 90mm F1.5, an extremely fast telephoto prime lens designed for portrait photography. Leica describes this new lens, which has the longest focal length in the Summilux-M lineup, as offering ‘a breathtakingly shallow depth of field.’

The Summilux-M 90mm F1.5 lens features eight elements in six groups, including two aspherical elements made from specialized glass and a floating lens element. The company says that its lens design nearly eliminates the distortion and vignetting associated with fast lenses and that the lens hood helps cut down on reflections and unwanted light.

Leica customers familiar with the Noctilux-M 50mm F0.95 ASPH lens will find the new offering very similar in terms of design, build and depth of field, according to the company. The Summilux-M 90mm F1.5 ASPH lens is now available from Leica’s stores, boutiques and dealers for $ 12,995. The lens can be used with the Leica SL and SL2 cameras using the M-Adapter L.

Articles: Digital Photography Review (dpreview.com)

 
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TTArtisans releases its 21mm F1.5 prime lens for Leica M-mount camera systems

10 Dec

Third-party Chinese lens manufacturer TTArtisan has released it’s latest lens, a 21mm F1.5 prime for Leica M-mount camera systems.

The fully-manual lens is constructed of 13 elements in 11 groups, has an aperture range of F1.5-F16 and features a 10-blade aperture diaphragm. The lens has minimum focusing distance of 70cm (27.6in) and a clicked aperture ring.

We haven’t tested any of TTArtisan lenses here at DPReview, but Vincent Bihler has a great review of the TTArtisan 35mm F1.4 on 35mmc and if the image (and build) quality of the 35mm lens is anything to go by from his review, the 21mm F1.5 will likely offer plenty of bang for your buck.

The TTArtisan 21mm F1.5 Leica M-mount lens is available on Amazon* for $ 429.


*Full disclosure: DPReview is a wholly-owned subsidiary of Amazon. We maintain full editorial independence from our parent company.

Articles: Digital Photography Review (dpreview.com)

 
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Voigtlander’s 75mm F1.5 Vintage Line Nokton lens is now available for $999

12 Nov

Earlier this year, Voigtlander released details of a 75mm F1.5 Vintage Line Nokton lens for Leica M-mount camera systems. Now, the lens is shipping and effectively replacing the 75mm F1.8 Heliar Classic lens Voigtlander previously offered.

As noted in our initial coverage, the lens comes in black and silver variations. It features an optical design made of seven elements in six groups including three low-dispersion elements and one aspherical element. The lens is manual focus with a minimum focusing distance of 70cm (2.3ft) and features a clicking aperture ring with a range between F1.5 and F16 using a twelve-blade aperture diaphragm.

The 75mm F1.5 Nokton weighs in at 350g (12.35oz) and measures in at 63.8mm x 63.3mm (2.5in x 2.5in). Leica Rumors has posted a gallery of sample images (JPEG, straight out of camera) taken with the lens attached to a Leica M10 in an album on Flickr. Below is a gallery of sample images provided by Leica:

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The lens is available in black and silver models and currently in stock at B&H for $ 999.

Articles: Digital Photography Review (dpreview.com)

 
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Voigtländer shares new information on its 75mm F1.5 Nokton for Leica M

20 Jun

Optics manufacturer Cosina has released more details of its forthcoming 75mm F1.5 Nokton lens in its Voigtländer Vintage Line for rangefinder cameras using the Leica M mount. Cosina’s intension to make the lens was first announced in February, but now the company has revealed more detailed specifications.

The Vintage Line lenses have a classic-style exterior, with an all-metal barrel and a design to suit more traditional cameras. Voigtländer says though that the optical design is thoroughly modern with the aim of excellent image quality in that matches today’s camera standards. The coupled rangefinder system will suit Leica M and Voigtländer’s own Bessa cameras, and allows focusing distances from 0.7m (2.25ft). The lens uses 7 elements in 6 groups, including aspherical correction and the iris features 12 blades.

Measuring 63.3mm (2.5in) long and 62.8mm (2.47in) in diameter, the lens weighs 350g (12.35oz) and will use a 58mm filter. A slit-style lens hood is included, and will match the black or chrome finish of the lens itself. Below is a small sample gallery of images provided by Voigtländer:

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The lens will be available in July and will cost 125,000 (approx. $ 1150). For more information visit Voigtländer’s website.

Articles: Digital Photography Review (dpreview.com)

 
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MS Optics unveils new Vario Prasma 50mm F1.5 and ISM 50mm F1.0 Leica M lenses

13 Jun
MS Optics Vario Prasma 50mm F1.5 lens

MS Optics, the niche lens manufacturer based in Japan, has released two new lenses for Leica M-mount cameras: the Vario Prasma 50mm F1.5 and the ISM 50mm F1.0. The new Vario Prasma lens is described as ‘a modern interpretation’ of the Kino-Plasmat, whereas the ISM 50mm F1.0 is an ultra-fast lens that’s also exceedingly small and light.

The MS Optics Vario Prasma 50mm F1.5 lens is based on the Plasmat lenses designed in 1918 by Paul Rudolph. In what is referred to as a modern interpretation, Miyazaki san’s rendition includes ‘unique improvements,’ including improved focus dampening, separate aperture, and the inclusion of an adjustable spherical aberration ring.

Below are a few sample images captured with the MS Optics Vario Prasma 50mm F1.5 lens:

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The lens features 6 elements in 4 groups, 0.8m to infinity focus, multi-coating on all surfaces, a 52mm focal length, and both Silver Chrome and Black Chrome finishes. According to Japan Camera Hunter, the lenses are currently in production with anticipated shipping in ‘weeks.’ The model can be pre-ordered now for $ 1,200 USD.

MS Optics ISM 50mm F1.0 lens

‘Miyazaki wanted to challenge himself to make an ultra fast lens in the same range as the greats such as the Noct, Xenon and Angenieux,’ Japan Camera Hunter explains. The result is the new ISM 50mm F1.0 lens for Leica M-mount, the creator’s fastest lens to date.

The ISM 50mm F1.0 lens is small and lightweight with a length of 40mm, diameter of 50mm, and a 178g (6.2oz) weight. The lens features 7 elements in 5 groups, 16 rounded aperture blades, 55mm filter size, and a reversible hood with an O-ring for storage.

Below are a few sample images captured with the ISM 50mm F1.0 lens:

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In describing the lens’ performance, JCH explains:

At full aperture there is a drop in contrast due to flare, but resolution is high. At f1.25 flare in the center goes away, and at f1.4 contrast out to midframe increases dramatically. At f2-f2.8 coma flare quickly decreases, and apart from the corners you can expect high imaging performance with sufficient contrast. While spherical aberration of 0.15 is a bit high, the S-M astigmatic planes line up perfectly resulting in very good image quality. From f4 onward both contrast and sharpness need no excuses.

The MS Optics ISM 50mm F1.0 M-mount lens can be ordered in Black Chrome and Silver Chrome for $ 1,700 USD.

Articles: Digital Photography Review (dpreview.com)

 
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MS Optics has developed the Sonnetar 73mm F1.5 FMC, a lightweight lens made for portraits

30 Oct

MS Optics, a niche optics manufacturer that operates in the basement of Miyazaki san’s Chiba, Japan home, has developed yet another custom lens for Leica M-mount cameras, the Sonnetar 73mm F1.5 FMC.

Inspired by his love for Zeiss’ Sonnar lenses, Miyazaki san created this medium telephoto lens with a unique aesthetic and lightweight design that’s perfect for portraiture. It’s handmade with five elements in four groups and features a multi-coating on every surface for a 97.5% transmission rate.

The lens measures in at 50mm/1.97in in diameter and 56.4mm/2.22in in length, and weighs just 197g/6.95oz. It uses an M49 filter and hood thread size and can focus from infinity to 0.8m/31.5in.

Below are a collection of sample shots graciously provided by Bellamy Hunt of Japan Camera Hunter, shot with the Sonnetar 73mm F1.5 FMC on his Leica M6 with Japan Camera Hunter’s own Streetpan film and filmed with a Canoscan 9000F.

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Bellamy Hunt has also shared a few digital images captured with the Sonnetar 73mm F1.5 FMC.

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Japan Camera Hunter says the lens is still in development and will be available “from the end of October.” As with all MS Optics lenses, numbers are very limited and delivery times are long due to the handmade nature of the lenses.

Japan Camera Hunter is currently selling the Sonnetar 73mm F1.5 FMC for ¥140,000/USD$ 1,252 and says “this is [effectively] a pre-order for the lens with expected delivery around the middle of November.”

Articles: Digital Photography Review (dpreview.com)

 
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Oprema Jena seeks to resurrect the legendary Zeiss Biotar 75mm F1.5

16 Aug

The company behind the new Meyer Optik Goerlitz lens manufacturing business has formed a new brand to bring back the Biotar 75mm F1.5 that was made by Carl Zeiss Jena in the 1940s and 50s. Many of the original examples were made in East Germany after WWll and in quite low volumes, so they command high prices for their rarity, but also the extraordinary swirling they create when used at wide apertures.

The new version is being redesigned by the company that owns the Meyer Optik Goerlitz brand, but as it will not be made in Germany this time a new name has been conceived—Oprema Jena, in recognition of the location of the original factory. The attempted lens resurrection launched this morning on Kickstarter:

As the Kickstarter describes, this lens is a rarity:

The Biotar 75/1.5 is probably the most legendary lens ever produced in Jena, Germany.

It is a six lens gauss type optical scheme whose design dates back to the year 1927 when famous lens designer Willi Merté developed his first Biotar which was designed for cinematography.

In the 1930th Merté continued to improve the Biotar lenses among which the 75mm/1.5 reached legendary status. The Biotar 75/1.5 was first introduced in 1938, sales began to pick up with a presentation at the Leipzig Spring Fair in 1940.

But due to second world war and to its high price at the time it remained a very special lens for the selected few. Until today it has become one of the most expensive vintage lenses easily selling for over a thousand dollars – if you get a usable one.

The original Biotar (left) next to the Oprema Jena version (right) currently being funded on Kickstarter.

The lens is being designed by Dr Prenzel who works with Meyer Optik on its reinvented lenses, and by Andre de Winter, a former Leica engineer. All the manufacturing will be done in Japan by Tokina, so that this new line doesn’t interfere with production of the Meyer lenses.

The company’s goal is to “maintain the exact Biotar characteristics while carefully improving the mechanical aspects and making it feasible for modern camera equipment and different mounts.” That means a tack-sharp center with “dramatic but not overly-aggressive” swirly bokeh when shot wide-open.

Thanks to new lens technologies, high-quality glass, advanced coatings and more, Oprema Jena is confident they’ve avoided some of the disadvantages of the classic Biotar without sacrificing any of the lens’ advantages.

Launched on Kickstarter this morning, the lens is already fully-funded and the total funding ($ 107,000 as of this writing) goes up with every page reload. Fortunately, there are still some great deals to be had if you hurry over to the Kickstarter page now.

The ‘Crazy Deal’ earlybird special will snag you a Biotar 75mm F1.5 in any mount for $ 950. Once those are gone, Super Early Bird deals are $ 1,000, Early Bird are $ 1,050, and the regular Kickstarter price is $ 1,100. The lens is available in Canon, Nikon, Sony-E, Leica-M (rangefinder coupling supported), Fuji X, and M42 mounts.

To learn more or put down a pledge and claim your own Biotar, head over to the Kickstarter page.

Articles: Digital Photography Review (dpreview.com)

 
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