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REVIEW: LaCie DJI Copilot BOSS External Hard Drive

09 Jul

The LaCie DJI CoPilot BOSS is a portable hard drive with an internal battery and added interfaces. The interfaces include an SD card slot, USB-C and USB-A connectors, and a custom cable for connecting the device to a phone or tablet.

There is an app available for both Apple and Android devices which gives you the ability to perform simple procedures on stored photos.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

The device is meant to be simple and easy to use while providing long battery life for extended periods away from a computer or outlet. The idea is to remove the need to take a bulky or brittle laptop into the wilds while shooting. But still, allow for backing up of critical images while on location.

Who is the LaCie DJI Copilot BOSS for?

While the drive is marketed by DJI, a leading drone manufacturer, the drive can be used by any photographer. With its ruggedized covering, it’s meant to travel far and wide. Its interfaces make it device agnostic. If you have an SD card (or micro-SD with the included adapter) or a USB connection, this device will work for you.

It is meant to be easy and straightforward without the extra cost that comes with all kinds of unused bells and whistles.

Some stats

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

What’s in the box of the LaCie DJI Copilot BOSS External Hard Drive. (Photo courtesy of LaCie/DJI)

  • 2 terabyte (TB) capacity
  • 5.3″ x 4.3″ x 1.4″ (136mm x 111mm x 36mm)
  • 1.2lbs / .53kg
  • Compatible with Window 10 or higher and Mac OS X 10.10 or higher via USB-C 3.1, Thunderbolt, 3, USB  2 or 3
  • Mobile phones/tablets running iOS 10.3 or higher or Android 4.4 or higher
  • Connects to mobile devices via included Lightning, micro USB or USB-C
  • Comes with a wall charger with multi-country adapters as well as a micro USB adapter
  • For reference sake, the 2TB drive can download 31 x 64GB cards. That’s about 70,000 20MP images (at roughly 28MB each) and hours of 4K video. Storage capacity varies depending on your camera settings.
  • Suggested retail price is $ 349USD

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

The unit can be charged with the included AC adapter (more on that in a minute) or through the USB-C connection, but only when connected to a computer or power pack, not through a wall charger.

The unit does have the ability to charge via its USB-C connection but only when connected to a laptop/desktop or portable external battery. When I asked, LeCie stated a wall charger would not work with the USB-C connection and it was also slower than the AC adapter (taking 12 hours to charge from 0-100% vs. 3 hours with the AC adapter).

How it works

Operation of the CoPilot is pretty simple. There’s only one button and you press it once to get system status (battery level and storage space remaining) or hold it down for three seconds to turn the unit on.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

The on/off button.

Next, insert a memory card, USB drive, USB connection for a phone or USB connection to your camera or drone. The screen will ask you, “Copy?” (see image below) and indicate one press of the button for yes or hold down the button for no. Pretty easy!

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

The unit will scan the drive and start copying, updating status as it runs. It gives updates with a progress bar and the remaining battery level of the unit.

If you press the button, it will also show the number of files copied alongside the total number of photos to be copied. The next screen shows that previous amount as a percentage complete and then is a screen displaying the rate at which your card is being backed up.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

Some nice features

The unit also has the ability to queue up different backups, such as plugging in both an SD card and a USB drive for total unattended backup of your devices.

When the copy process is complete, the unit will display “Done” and it will remain on that screen until OK is pressed. I love this feature. In the past, I have used units that never gave a copy confirmation and I’m not one to stare at a device for 5-30 minutes depending on how many photos are being backed up. I never knew if a backup failed or completed.

The CoPilot will tell you if the copy competed or if there was an error, before letting you move on to another card. Very handy. Also, there is a ring around the outside of the display showing, as a percentage, how much space has been used on the CoPilot.

Copy procedures can be stopped at any time by simply holding down the button for three seconds and then pressing once more to confirm cancelation.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

The CoPilot App

The CoPilot App runs on Apple or Android devices. I will be sharing screenshots from an Apple iPad in this article. The unit comes with three cords for connection; Apple Lightning, micro-USB, and USB-C. The cord for connection wraps nicely around the unit, a thoughtful touch.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

After the initial setup of the app and device (those instructions are included with the device), it’s pretty easy to browse photos stored on the CoPilot or even on inserted SD cards or connected USB devices. This is helpful as it can turn your phone/tablet into a card reader for other purposes.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

On the left side of the screen are the available devices, with the first item being the CoPilot, followed by the device you are using (my iPad is named Spiff, as in Spaceman Spiff) and then the other ports on the CoPilot.

The main screen shows folders on the CoPilot when it is selected. The Backups folder is where everything resides and tapping it brings up a folder for each backup run.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

The folders are named by date, the time the backup was started and a unique identifier for each card or device. The date is below each folder if that makes reading easier.

Using the app

Tapping a folder will let you drill down through the typical card structure (depending on your camera manufacturer’s specifications) until you arrive at your photos.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

At this point, the image grid can be made fullscreen to cover more real estate if you like.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

The LaCie DJI Copilot BOSS External Hard Drive can handle all the major Raw and JPEG file types as well as PDFs and a few others.

One more tap brings up a single image to fill your screen. It’s a 100% version, so you can zoom in just as you would on your desktop. There is not a zoom indicator anywhere, though.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

There are a few things you can do with the photo at this point. The Move and Copy options are both straightforward. Images can be copied either to another place on the CoPilot or to an attached USB or SD card. Rename might be helpful to some users as well.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

Full EXIF information is also available although DJI/LaCie need to clean up how it is presented.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

Exif information display for this image.

I can see why a programmer made it display this way, but it’s not too user-friendly. An exposure time of 0.00200o seconds?

A little handier is the ability to share out the image with normal platform-specific applications. Here you see the standard Apple lineup and I enjoy that “Save Image” is there, making it easy to drop the file onto my iPad for use in a blog post or the like.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

Share options.

If installed, the image can be handed off to the likes of Adobe Lightroom or Photoshop Express or Dropbox or any of a number of other apps. Note that these are the RAW (.CR2 in the case of Canon) files, not JPEGs if you are shooting RAW.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

The image opened in Photoshop Express.

Previews in the app

One small annoyance with the app is the chronological preview creation. In this case, I had over 800 images in the folder on the CoPilot so it starts at the top creating previews. Before that they all look like this:

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

And if you want to work with an image shot just moments ago, it’s going to be at the bottom of the folder and you have to wait for the preview to resolve. Not a big thing, but something to note if you have thousands of images in one folder.

Otherwise, the app is pretty slim in features. You can rename folders and delete them if you like, which is handy. I wish I could drag images from the main part of the screen to my iPad folder on the left, but that’s not the case. I’d also like the ability to star or pick my photos as I do in Lightroom. That would make the app a lot more useful.

In the real world

At times I thought I should be able to just plug a card in (without powering on the unit) and start copying. Once I got over that mentality and was patient enough to wait for it to power on, I found the CoPilot easy to use.

I really enjoyed that it could back up all my media, including my phone photos (but not a true backup of my phone as I do on my desktop). With a cable, I can also download directly from my drone, but I often found it easier to use the micro-SD card adapter. After all, that’s what I do now when downloading drone footage.

The unit is a little hefty and all the rubberizing makes it a little bulky. It’s certainly not as small as my Western Digital Passports but also not as large as a standard external drive. I do feel pretty confident with that mass of rubber coating all around the shell and the toughness of a non-touchscreen.

REVIEW: LaCie DJI Copilot BOSS External Hard Drive

Minor issues

This will seem like a minor gripe and I guess it is, but not owning a newer Android phone, I also do not own a USB-C to USB-A cable. The unit comes with a USB-C to USB-C cable for connecting to your desktop or laptop for final download and workflow, but not the cable I needed. Not a big deal, but it’s one more cable.

My bigger complaint is with the interface cover. It’s not tethered to the unit and I easily see myself losing it within a month of owning a CoPilot. It’s great that there is a cutout on the inside of the cover allowing you to keep SD cards (or the Micro-SD adapter) inserted with the cover on. But when hooked to USB, that cover can go missing.

For portability, I’m not happy that I can only use the somewhat bulky AC adapter that comes with the unit to charge the hard drive. When I am out of the country for 2-3 weeks leading one of my tours, I can’t trust that I’ll have enough battery power. So yet another power adapter has to be packed and accounted for.

It would be great if I could charge the unit with USB power (and that would take away my complaint above). However, if I was only going to be gone 1-2 weeks and thought I would shoot maybe only 4000-6000 images, I think it would be okay. This aspect needs more real-world battery drain testing.

Backing up your files

Unfortunately, there is no ability to perform incremental backups. The good news is you can use the app from your phone or tablet to simply delete the previous, redundant backup.

Such as, if you shoot 400 photos and back those up, then keep using the card for another 600 images. Your second backup will contain all 1000 images and with the app, you can delete the first backup of 400, if you want. It’s also handy that Lightroom and other desktop apps will recognize the duplicates and only import one copy, so you don’t have to delete the redundant backup copies if you don’t want to.

Backup speeds will depend on the type of card you are using. It is handy that the unit will tell you the exact throughput (in MBs) while it is downloading so you can estimate time remaining. In my experience, 40GB of backup from an SD card to the unit used about 6-8% of battery. I would estimate 12-14 32GB cards could be downloaded with each charge.

Dirt issues

Lastly, this is a minor thing, but the rubberized coating of the CoPilot attracts dirt and lint. I placed the unit in a planter for the introductory photo of this post and it came away with dirt stuck fairly well to the housing. It’s meant to take a beating, but my unit was not sparkling new for long.

See all the dust and stuff stuck to it?

(Photo courtesy of LaCie/DJI)

Downloading from the CoPilot

When matched with the likes of Lightroom and its ability to ignore duplicates, the CoPilot is a breeze when it’s time to download images at home or the office. Plug into the USB-C connector and start your import. No need to browse folder to folder.

Yet, if you only want to download a particular day’s worth of images, the CoPilot’s structure of naming folders first by the date shot is a big help in finding just the right images. The USB-C is fast at a rate of about 5Gbps.

Otherwise, the drive works like any other external hard drive and can be read directly. It can also be used as a card reader while plugged in.

(Photo courtesy of LaCie/DJI)

Is it worth it?

The LaCie 2TB DJI Copilot BOSS External Hard Drive lists for $ 349. That’s a hefty price and not a cheap purchase. If you travel occasionally, this might not be the right device for you, given that price point. But if you find yourself lugging your laptop around only to be used as a conduit for backing up photos, the CoPilot will pay for itself soon enough.

Personally, when I lead photo tours I carry enough gear for the group that I don’t want to bring a laptop. I intend to purchase a CoPilot BOSS before my next trip abroad in order to lighten my load while ensuring I all my precious photos return with me.

The post REVIEW: LaCie DJI Copilot BOSS External Hard Drive appeared first on Digital Photography School.


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OWC launches ThunderBlade external SSD: up to 8TB with 2800MB/s speeds

11 Apr

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Media professionals in need of a fast, reliable, and high-capacity external SSD have a new option in OWC’s ThunderBlade. This external drive, which has started shipping to customers, is offered in 1TB to 8TB capacities with up to 2,800MB/s read speeds and 2,450MB/s write speeds. According to OWC, these transfer speeds make ThunderBlade its fastest external drive yet.

Inside each ThunderBlade you’ll find four M.2 SSDs—up to 2TB per SSD—each of which has its own dedicated piece of the front-facing LED. According to the drive’s user guide, “when one or more of the SSDs are accessed for read/write operations, the corresponding segments will blink blue.” Of course, that doesn’t mean you ‘max out’ at 8TB.

Every drive features two Thunderbolt 3 ports, which allow you to daisy chain up to six ThunderBlades together and configure them in Software RAID 0, 1, 4, 5, and 1+0. And SoftRAID allows a pair of ThunderBlade drives to hit read speeds of up to 3,800MB/s. The ThunderBlade’s read and write speeds enable it to handle uncompressed, high-bandwidth media, making it an ideal choice for photographers, video editors and other professionals dealing with large amounts of data.

In addition to blistering speeds, OWC designed ThunderBlade to be durable and includes a ballistic hard-shell protective case with the drive. ThunderBlade can operate in temperatures ranging from 10°C to 65°C (50°F to 95°F), measures 3cm x 12.3cm x 7.5cm (1.2in x 4.9in x 7.5in), weighs 0.7kg (1.8lbs), and supports both Windows 10 and macOS 10.13 or greater.

The OWC ThunderBlade is available to purchase from several online retailers, at the following prices:

  • 1TB: $ 1,200 USD
  • 2TB: $ 1,800 USD
  • 4TB: $ 2,800 USD
  • 8TB: $ 5,000 USD

And since you can daisy chain up to six devices together, your total storage tops out at 48TB for $ 30,000—a good chunk cheaper than the G-Technology G-DRIVE Pro SSD Western Digital announced yesterday.

To learn more about the drive, head over to the OWC website or dive into the user guide here.

Articles: Digital Photography Review (dpreview.com)

 
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Atomos unveils the Ninja V: A 5.2-inch 4K/60p external monitor and recorder

10 Apr

For filmmakers who want an Atomos external monitor/recorder but feel like the 7-inch Atomos Ninja and Shogun recorders are a bit too big, Atomos has released something just for you. The Atomos Ninja V packs many of the same features into a smaller 5.2-inch form factor that the company says is “perfect for mirrorless cameras, DSLRs and gaming.”

We’re not sure about (and not interested in) the gaming bit, but for video shooters who prefer a DSLR or mirrorless system, a smaller external recorder could be exactly what they’ve been waiting for.

The Ninja V sports a 5.2-inch HDR screen with 1000nits brightness and anti-reflection finish for easy daylight recording, and can record up to 4K/60p 10-bit video over HDMI 2 in either Apple ProRes or Avid DNxHR. And since portability is one of its main features, the whole thing is 1-inch (2.5cm) thick and weighs just 11oz (320g).

Feature-wise, you get most of the things you’ve come to expect from an Atomos recorder: histogram, false color, focus peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, Vector scope, 8 channel audio level meters, and the ability to load creative LUTs, for a start. And the Atom HDR engine promises to show you 10+ stops of dynamic range on the LCD in real time from your camera’s Log/PQ/HLG signals.

Finally, the Atomos Ninja V also features the company’s modular expansion slot, which will allow you to dock “expansion modules” into the battery slot and add advanced features like bi-directional high speed video, audio and continuous power.

The Atomos Ninja V is available now for $ 695. To learn more about the new monitor/recorder, check out the full press release below or head over to the Atomos website.

Press Release

Atomos introduces Ninja V – a stealthy 5.2” 4Kp60 HDR daylight-viewable 1000nit monitor/recorder

Melbourne, Australia – 9 April 2018 – The latest incarnation of the famous Atomos Ninja line is here. Seven years after the world’s most popular portable Apple ProRes recorders burst onto the scene, Atomos is delighted to introduce Ninja V – an all new compact 5.2″ 1000nit high bright HDR monitor/recorder with unrivalled advanced features. It has a sleek modern design and weighs just over 11oz (320g) – perfect for mirrorless cameras, DSLRs and gaming.

The perfect small monitor

The near edge-to-edge high bright 5.2 inch screen has a stunning 1000nits of output coupled with an anti-reflection finish – allowing users to clearly see their images even in daylight. Use the color-accurate display with AtomHDR to see in High Dynamic Range, or load creative LUTs at the touch of a button. Ninja V gives you all the critical monitoring tools you need – histogram, false color, peaking, movable 1-1 and 2-1 pixel magnification, waveform, RGB parade, Vector scope, 8ch audio level meters and more!

Perfect 1″ thin recorder

Record up to 4Kp60 10-bit video over HDMI 2.0 in edit-ready Apple ProRes or Avid DNxHR direct to affordable SSD drives. The Ninja V’s sleek 1″ (2.5cm) deep aluminium body is crafted for maximum portability and durability, stealthily attaching to any camera. A truly beautiful design.

HDR perfection every time

The AtomHDR engine ensures perfect exposures when shooting HDR. It delivers a stunning 10+ stops of dynamic range to the LCD in real time from Log/ PQ/HLG camera signals. Playout Log as PQ or HLG to a larger HDR-compatible screen. The display can be calibrated to maintain perfect color accuracy over time.

Long records on affordable storage

Record direct from your camera’s sensor and bypass the internal compression quality and recording time limits. It runs from a single Sony-type battery for hours. The new compact AtomX Drive SSD offer robust affordable storage. Available from Angelbird, G-Technology and now also Sony Storage Media Solutions, who join as our newest licensed drive partner. Ninja V also works with Master Caddy II.

Designed for your camera!

Atomos HDMI control protocols allow recording to be automatically triggered, timecode matched and HDR metadata set by a wide variety of cameras. Realtime Log-to-HDR profiles allow users to take away the exposure guesswork in HDR production.

Audio inputs

Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket – especially useful for cameras that do not have a mic input.

Endless open expansion!

Enhance the capabilities of the Ninja V through the ingenious modular expansion slot breaking out connectivity for high speed video, audio and power. Expansion modules will dock onto the battery slot of the unit and offer advanced features such as continuous power modules. Atomos and third party accessories will be available in the future.

Atomos CEO Jeromy Young explains: “Ninja V is the result of years of development and expertise. It combines the best of what we do at Atomos and squeezes it into one small box. It sits stealthily on your mirrorless camera, yet it is packed with power. It’s what everyone wants! Small, sleek 5″ and future proofed with AtomOS and the modular expansion slot – at $ 695 it’s a no brainer. Put simply, Ninja V is the most versatile outdoor monitor and portable ProRes recorder ever. We can’t wait to see how it unlocks creativity for our users.”

Come and see Ninja V for yourself at NAB 2018, Atomos booth C9425.

Articles: Digital Photography Review (dpreview.com)

 
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LukiLink turns your smartphone into an external HDMI display for a DSLR

25 Aug

A new device called the LukiLink just popped up on Kickstarter, and it promises to transform your smartphone into an external HDMI displays for your DSLR.

LukiLink is very simple to use: just connect it to a DSLR camera via an HDMI cable on one side, and a smartphone/tablet via a USB cable on the other. Live video from the camera is then output to the smartphone via the LukiLink mobile app (Android and iOS). The system supports a maximum input/output resolution of 1080/60p.

The team behind the LukiLink, which resembles a simple dongle, explains that the system can be used to view live video from the camera with the smartphone serving as an ordinary external monitor. The system can also be used to livestream footage from the camera on platforms like YouTube, and to transform the smartphone (or tablet) into an external recorder.

LukiLink promises support for NTSC, PAL, and PAL-60 video format inputs, bitrates ranging from 3Mbps to “about 18Mbps,” as well as a maximum recording resolution of 1080/30p. Latency, meanwhile, is said to “usually” fall between 200ms and 300ms, though the exact rate will depend on the smartphone used.

The team behind the product is currently seeking funding on Kickstarter, where they have raised a little over $ 40k of their approximate $ 106k goal. Interested buyers can claim a unit by pledging at least €90 (~$ 105 USD), which is a €40 discount over the anticipated retail price. Assuming the LukiLink is funded, global shipments are scheduled to begin this upcoming October.

Articles: Digital Photography Review (dpreview.com)

 
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Why would I want an external recorder/monitor?

12 Jun

Not everyone wants to shoot video, so it may seem unthinkable to spend around $ 1000 on an external video monitor/recorder. However, others find it opens up creative challenges every bit as satisfying as stills photography.

The more you shoot video, the more you’re likely to encounter (and find yourself needing) tools that are rarely provided on stills/video cameras. We’ll be shooting with a couple of the more common models over the coming weeks to see how they compare, but first we wanted to give an overview of why you’d even consider using one.

Why would I want an external monitor/recorder?

As the two-part descriptor suggests, there are two main benefits to using an external recorder: to get a bigger, more informative preview as you shoot and to capture better quality footage.

Recording

In terms of recording, the benefits come from a number of factors.

Understandably, most stills/video cameras have processors designed primarily for stills, and they also have to make significant compromises in the name of battery life and thermal management, since video isn’t their primary role. Also, for the most part, they’re designed to produce amounts of data that are manageable by consumers, and at bit rates compatible with (relatively) slow memory cards. This typically means heavily compressed video, usually using what’s known as a GOP (group of pictures) video codec, which only records a full image at select key frames while interpolating the in-between images based on changes between frames. H.264 is a common example of a GOP codec.

“As the two-part descriptor suggests, there are two main benefits to using an external recorder: to get a bigger, more informative preview as you shoot and to capture better quality footage.”

External recorders, by contrast, are dedicated video capture devices built by companies that specialize in video capture. So, while they can’t improve the level of detail that your camera initially captures, they leverage the fact that your camera often captures more detail than can be recorded using the internal codec. As a result, you can capture video with fewer compression artifacts, and usually in formats that work smoothly with major editing software, such as Apple’s ProRes and Avid’s DNxHD and HR.

For example, most cameras output a more detailed 4:2:2 stream over HDMI, rather than the simpler 4:2:0 footage they can themselves capture and compress. Meanwhile the Fujifilm X-T2 will only output Log footage over its HDMI socket. Other cameras, notably Panasonic’s GH4 and 5, will output 10-bit footage and can’t capture their very highest quality footage internally.

External recorders also often support SDI connectors, a more robust type of connection typically used on pro video cameras. The latest recorders support Raw footage over SDI which means the recorder can continue to serve you if you move beyond your current camera.

Camera Frame Rate Codec Bit depth / sub-sampling Bitrate
Panasonic GH5 UHD/24p h.264 10-bit, 4:2:2 400 Mbps
Sony a7S II UHD/24p h.264 8-bit 4:2:0 100 Mbps
Olympus E-M1 Mark II DCI/24p h.264 8-bit 4:2:0 237 Mbps
UHD/24p ProRes 422 10-bit 4:2:2 471 Mbps
UHD/24p ProRes 422 HQ 10-bit 4:2:2 707 Mbps

Similarly, external recorders often have better audio capture capabilities than those baked into the mass-market capture formats used in many cameras. As with the video footage, this is primarily a case of having more space dedicated on the screen, lower levels of compression and a wider range of settings and connectors.

Monitoring

The monitor side of things, there are a lot more benefits than just having a bigger screen to see things with, though this in itself is valuable. The ability to see your scene on a larger screen makes it easier to spot small, distracting objects and check precisely where your focus is set. It can also help you better visualize the way your final footage will look, helping you make creative decisions such as choosing how much depth-of-field you want.

It’s also common for monitors to offer overlays and composition aids. For example, framing guides that show crops for different aspect ratios can be helpful if you intend to publish your work in something other than the camera’s native aspect ratio.

Also, freed from having to share battery power with so many other functions, external monitors can often be run brighter than the rear screen on your camera, making it easier to shoot outdoors.

Boxes full of tools

But just as significantly, external devices often include useful monitoring tools that go beyond those offered in most cameras, both in terms of the range of tools available, and the precision with which they can be configured.

It’s becoming increasingly common for cameras to offer focus peaking, to check where the point of perfect focus is, but zebras, which highlights an area of a certain brightness, are still not universal. External recorders offer these features, often with greater control over their settings. The ability to choose to highlight a typical skintone brightness or everything exposed over 90 or 95% brightness, makes achieving consistent exposure much easier.

Focus peaking is becoming increasingly common on cameras, but external monitors can offer more subtle control over color and threshold, to make it easier to fine-focus.

The other feature common on external recorders that we’ve only seen on a couple of cameras is the ability to apply color and gamma curve correcting look up tables (LUTs) to Log video in real time. This means that you can shoot gradable, but washed-out-looking, Log footage but with a preview that approximates the finished result, so you end up looking at something much more visually meaningful.

‘Scopes

There are a series of exposure and color analysis tools widely used in video production, collectively known as ‘scopes.’ These are very rare on contemporary stills/video cameras, but are hugely useful for assessing your setup.

A waveform display is a tool to help visualize luminance/exposure. It’s common on pro video equipment as well as in video editing software. Rather than a histogram, which just tells you how many pixels hold each brightness value, a waveform tell you where those pixels occur in the image. The waveform diagram shows the brightness values for every column of pixels in the image: dark at the bottom, bright at the top.

Videographers like to use waveforms because it’s easy to visualize both exposure and contrast across the frame. This is particularly helpful for judging exposure at a particular location, such as a subject’s face. It’s also pretty common to have a choice of Luminance or separate R,G,B waveforms (known as an ‘RGB Parade’), for judging color balance and per-channel exposure.

The luma waveforms shown here are representing the ColorChecker on our test scene. There’s a thin, bright peak on the far left, representing the sliver of white that just crept into shot, then there are six columns representing the six columns of color patches on the ColorChecker.
Look closely and you’ll see that the pattern of the left-hand three columns getting progressively shorter continues into the right-hand columns: these are the progressively darker greyscale patches along the bottom of the ColorChecker.

The other common video tool is the Vectorscope, which can be used to evaluate color information in the image, such as hue and saturation. Getting accurate color straight out of camera (as well as matching it between shots) is particularly important when shooting video since Raw video capture hasn’t yet arrived in hybrid cameras. It’s a bit like shooting JPEGs – you only have so much latitude to adjust things in post.

False Color paints regions of the image to reflect their brightness. There’s a fairly standard scale, red for clipped whites, purple for crushed blacks, green for middle grey and pink for skintones.

Finally, one feature we’ve not seen on any camera yet is False Color, which is a little bit like having multiple zebras active at the same time. Most brands use a similar scheme in which tones around middle grey are painted green, one stop above this (the approximate brightness of Caucasian skin tones) is painted pink, near clipping is yellow, clipped is red, near black is blue and crushed black is purple. The result is a riot of color but with a bit of experience, it gives you a very easy way to interpret your exposure.

Workflow benefits

The net effect of these features quickly add up to provide benefits throughout the video workflow. If you can capture footage using a codec favored by your choice of editing software, you can usually speed up the process of importing by avoiding the need to transcode.

Similarly, the use of the fastest memory cards or still-faster SSDs maximizes transfer rates when it comes to transferring large video files to your editing computer. Again, with a project that takes more than a handful of clips, this is a huge time-saver.

Some external devices let you review and tag your clips before you get back to your computer, again speeding up the initial step of organizing your footage.

It’s not all good

As you’d expect, there are disadvantages to using external recorders, too.

Although each of the tools offered make it easier to set your shot up perfectly, this more precise way of working can also risk slowing you down. Also, the added weight and bulk of carrying a second device around with you makes it much harder to run-and-gun with an external monitor.

On top of this, it’s much less likely that you’ll go unnoticed. Even a relatively small monitor/recorder makes your setup look more professional and consequently more obtrusive. This is not the look for Guerrilla film making.

One downside of off-camera recorders is that it’s a bit harder to blend into the scenery and remain unnoticed.

Also, although external devices don’t need to share their battery power with so many other functions, it still takes a lot of power to run a screen and capture and compress video. Even the models with fans tend to run hot and hit their batteries hard, meaning you’ve got more recharging to plan and worry about.

But, given the amount of planning that goes into anything beyond the simple grabbing of clips, this additional consideration isn’t that onerous. For a bit more planning and setup time, an external recorder can help you get the very best out of your camera.

$ 1000 isn’t a trivial amount of money but, for a great many photographers, it’s an amount they’d justify spending on a lens. Just like a lens, an external recorder can help expand the range of things you can do with your current camera. It’s also brand agnostic, so unlike a lens, it’s very likely to work regardless of what camera you buy next, and will help boost the quality of everything you shoot, not just the things you can use a new lens for. And that’s got to be worth it, hasn’t it?

Articles: Digital Photography Review (dpreview.com)

 
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Seagate and DJI launch Fly Drive, a 2TB external HDD with a built-in microSD card slot

25 Apr

Seagate and DJI have jointly announced the Seagate DJI Fly Drive, an external storage drive with up to a 2TB capacity, as well as a built-in microSD card slot. The new drive is targeted at camera drone operators specifically, enabling them to rapidly transfer content from the drone camera’s microSD card onto the Seagate DJI Fly Drive. At 2TB, the Fly Drive is able to hold more than 60 hours of video recorded at 4K/30fps.

According to the two companies, Fly Drive features a built-in UHS-II-rated hub for rapid transfers of high-resolution content. The case itself features a USB-C cable that is ‘tucked inside of the [shock-resistant] bumper’ when not in use, eliminating the need to carry a separate data transfer cable. The drive supports both Thunderbolt 3 and USB 3.1, and it comes with two months of free access to Adobe Premiere Pro CC.

The Seagate DJI Fly Drive will hit shelves some time this summer for $ 120.

Via: Seagate

Articles: Digital Photography Review (dpreview.com)

 
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Udee universal backpack includes camera compartment, external USB charging and more

17 Jan

A versatile photography backpack called Udee is seeking funding on Kickstarter, offering a design that’s meant to cover many different circumstances and needs. The backpack boasts 19 features, including a dedicated ‘photography bag,’ an external USB charging port, an integrated LED safety light, integrated earphone port, and more. With 39 days to go, the campaign is looking to hit a $ 20,000 funding goal to bring the backpack to production.

Udee is designed for everything from travel to regular daily use, covering most of the bases anyone could need via a combination of security, convenience and comfort features. As far as comfort is concerned, Udee has a weight reduction design that includes an X-shaped back support element combined with an S-shaped belt, memory sponge material and air permeability.

This is complemented by an anti-theft security feature in the form of a coded lock which, when used with a steel cable, can lock the bag in place and keep thieves out. Convenience is also given a strong focus, and includes quick- access zones, a 3M reflective strip, an earphone port for listening to music through headphones connected to an item inside the bag, and an external USB port for charging a phone using a battery stored within the bag.

Udee’s design allows specific categories of items to be stored separately from others. A photography bag section has cushioned spaces for a camera and lenses, for example, while there’s also a pocket for a laptop, sleeves for notebooks or similar items, small pockets, a glass chamber for breakable items, and even a compartment that can be used as a portable cooler. Overall, the bag has a 25 liter capacity.

Meltpartners, the entity behind Udee, is seeking funding for the bag on Kickstarter, where there’s a stated $ 20,000 funding goal. Backers are offered an early bird Udee basic backpack in exchange for a minimum $ 99 pledge, though other more substantial pledge rewards are also listed.

Via: Kickstarter

Articles: Digital Photography Review (dpreview.com)

 
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AfterShot Pro 2.3 offers missing link for Photoshop CS6 users with External Editor function option

05 Nov

The latest version of Corel’s AfterShot image editing and Raw conversion application introduces a ‘Send To External Editor’ button that allows Raw files to be opened and worked on in AfterShot, then exported directly to Photoshop. This creates another way for PhotoShop CS6 customers to continue to add Raw support for new cameras to their workflow, in addition to Adobe’s DNG converter application.  Read more

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh releases inexpensive all-weather AF201FG external flash

12 Feb

Ricoh has announced the AF201FG external flash for Pentax interchangeable lens cameras. The AF201FG is weather-resistant, can tilt down ten degrees and up ninety, and has a  guide number of 20 meters at ISO 100. It also weighs just 141g (5oz). The AF201FG will be available in March for $ 149/£129. Read more 

Articles: Digital Photography Review (dpreview.com)

 
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Lume Cube is a high-power external lightsource for your smartphone or GoPro

20 Nov

Just announced by a company of the same name, the Lume Cube is an off-camera lighting option that can be used with a smartphone or GoPro Hero action camera. Thanks to its silicone shell it is water resistant and a 1/4-inch thread makes it mountable on a tripod or other camera support. Additionally, it can be attached to most surfaces magnetically or using a suction-cup. Lume Cube is controlled via an Android or iOS smartphone app. Read more

Articles: Digital Photography Review (dpreview.com)

 
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