RSS
 

Posts Tagged ‘Exercises’

5 List-Making Exercises to Improve Creativity in Photography

01 Sep

The post 5 List-Making Exercises to Improve Creativity in Photography appeared first on Digital Photography School. It was authored by Megan Kennedy.

We’ve all made lists before: shopping lists, to-do lists, Christmas lists, and more. List-making can be a valuable asset to photography, too. In this article, we’ll look at the benefits of list-making, how it can improve creativity, and some effective list-making exercises.

improve creativity list making drawing

The benefits of list-making

List-making can improve creativity in a number of ways. For example, many of us tend to remember tasks that need to be done better than we remember the tasks we’ve completed. This can generate a feeling of being overwhelmed, which can lead to something called task paralysis. Making lists provides a visual reminder of our progress over a period of time, inspiring creative momentum and a sense of accomplishment.

In addition, a recent study has shown that the simple act of jotting down a list of to-dos is enough to ease the anxiousness brought on by incomplete tasks. List-making also encourages brainstorming, a pillar of the creative process. By creating an accessible layout of tasks and ideas, lists give goals a certain tangibility, facilitating active steps towards a positive creative outcome.

improve creativity
List-making isn’t restricted to pen and paper. There are plenty of useful apps for making and reviewing lists, too. Android apps pictured: Notepad (left); Habits (right).

List #1: Things I don’t know (and how to learn them)

I’ll admit that a things I don’t know list sounds a little pessimistic at first. But identifying areas you know little about is the best way to target gaps in your own practice.

Take a bit of paper, use a list-making app, open a Word document, or select a page from a notebook (whatever works), and start listing the facets of photography you want/need to know more about. You can list anything, from art theory to photography tricks to post-processing techniques. Next, pair your points with a few words about how you might actively bridge these knowledge gaps.

Here’s an example:

improve creativity

You’ll see that I’ve added timelines to each point on the list, too. Adding a timeline helps bolster your commitment to incorporate the listed tasks into a creative routine.

Naturally, the time you assign to each goal will depend on your daily habits and the goal itself. Just remember that any dedicated length of time invested in your practice is far better than investing no time at all. If you aren’t sure about your timeline, start small and make adjustments incrementally.

Put your list somewhere visible as a reminder of your goals. As you progress, make additions or amendments to your list; your plan should always be open to change. You could even create a checklist to help improve creativity and to map the trajectory of your creative growth.

List #2: Subjects I want to photograph (but haven’t yet)

We all have subjects we would love to photograph, but haven’t yet. Making a list of subjects you aspire to photograph is a productive way to set goals that will broaden and improve creativity.

To start a subjects I want to photograph list, first type/write out some realistic subjects that you would like to photograph in the short and/or long term. Next, add some necessities that will facilitate these goals. Will you need particular equipment? Additional experience in the field? A passport? Savings? Research? List anything that comes to mind. Here’s a quick example:

improve creativity

Note that I have added research to each individual goal. Solid research is fundamental to most photographic undertakings. To tease out what particulars you might need to research, you can use the things I don’t know list!

Once you have your outline, you’re free to break down your list into more detailed segments. For example, you could plan a budget for acquiring suitable equipment. Some goals will be more long-term than others, but having a list will enable you to take decisive steps toward successfully photographing your dream subject.

List #3: Creatives that inspire

There are many artists that inspire my creative practice. So many, in fact, that it can be hard to keep track. That’s where list number number three comes in.

improve creativity
Inspiration drawn from other creatives can reveal new approaches to your own photography. Canon 5D Mark II | Canon EF 50mm f/1.8 II with extension tubes | 1/125s | f/3.5 | ISO 500.

Making a thoughtfully curated list of creatives that inspire and motivate your practice is a great way to maintain momentum and stimulate ideas. From recording your favorite photographers in an alphabetical Excel spreadsheet to noting the names of impactful artists in a visual diary, creating a list of inspirational creatives provides an accessible point-of-reference that can improve creativity in a lull.

List #4: Photography goals

Making a photography goals list is a lot like making a subjects I want to photograph list. The idea is to lay out goals paired with actionable steps to achieve a desired creative outcome. Here is a quick example:

improve creativity

Again, you can break down your actionable steps even further by creating checklists, budgets, or timelines. List-making rewards persistence while focusing and improving creativity; it also emphasizes the value of each step toward an overall creative objective. Keep your list somewhere you’ll see it regularly and use it as a compass and a source of inspiration when goals seem far away.

List #5: Why I love photography

Like most things, photography has its ups and downs. When things go right and inspiration flows, it can be smooth sailing. But when things go wrong, you can start to feel the pressure of creative fatigue. Fortunately, lists are a great way to help ease the burden of a creative dry spell.

improve creativity
Photography will take you to amazing places, and it can all start with a simple list! Canon 5D Mark II | Canon EF 24-105 mm f/4L IS USM | 1/200s | f/6.3 | ISO 100.

The why I love photography list is an opportunity to reflect on what it is that makes you do what you do as a photographer. What made you fall in love with photography in the first place? How does photography inspire you? What do you love about your favorite subject matter? How has photography positively impacted your life? What drives you to make your next shot?

There are so many reasons people fall in love with photographic image-making, and listing them creates something concrete to draw upon when needed, helping you to improve creativity and clear the fog of artistic fatigue.

Conclusion

Lists aren’t just great for remembering things; they’re an opportunity to improve creativity and expand creative practice. Lists give order to chaos, they provide a plan to work through, and they supply proof of what has been achieved.

By making lists, we can reinforce ideas, formulate goals, and track sources of inspiration and success. Happy listing!

The post 5 List-Making Exercises to Improve Creativity in Photography appeared first on Digital Photography School. It was authored by Megan Kennedy.


Digital Photography School

 
Comments Off on 5 List-Making Exercises to Improve Creativity in Photography

Posted in Photography

 

Black and White Photography Exercises to Help You Improve Your Skills

23 May

The post Black and White Photography Exercises to Help You Improve Your Skills appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

dps-black-and-white-photography-exercises

Black and white photography exercises can help you gain an understanding of how it differs from color photography. Concentrating on black and white images helps develop your photography in many ways.

“Color is descriptive. Black and white is interpretive.” ~ Eliott Erwitt

Boy calling in a market.
© Kevin Landwer-Johan. Nikon D700, 120mm, 1/800 sec, f/2.8, ISO 400, Manual Mode, Spot Metering.

Thinking in black and white

Loading a black and white film into your camera forced you to think in black and white. This is different with digital photography because it’s easy to convert a color image to monotones.

There are plenty of tools to help you do this. The Nik Software Silver Effects Pro is a superb Photoshop plug-in for converting color images to black and white.

Purposefully photographing in black and white is different than converting during post production. A photographer must think differently when their intention is to create photos without color. You see in color, so you must learn to disregard the color and think in black and white. Good black and white photography is not about taking the colors out of a photo.

Black and white photography relies on contrast and tone range and how these relate within your compositions. You must learn to look at the tones, not the colors, as you compose your photos.

Light has a huge influence on the tones in a photograph. The camera records reflected light to make photos. The amount and quality of the light used defines how a subject will appear when you take a photo of it. Hard light or soft light will produce very different results. This is the same with color, but it’s more pronounced in black and white photography.

One of the best ways you can learn to do this is by practicing black and white photography exercises.

Portrait of a man in the studio
© Kevin Landwer-Johan. Nikon D800, 35mm f/1.4, 1/100 sec, f/4, ISO 100, Manual Mode, Spot Metering.

Choose one subject for these black and white photography exercises

Find one or two interesting subjects to photograph for these exercises. You may even choose to set up a small still life scene with various objects you have around the house. This will allow you to make comparisons and see differences.

You need to find things you can move around and place in different locations.

Look for things that are not all black or all white. A mixture of tones will produce the most helpful results. If you photograph something(s) with white, black and mid-tones you’re going to be able to see the effects more clearly in your photos.

The main aim of these black and white photography exercises is to help you develop a better understanding of tone. Don’t try to make masterpiece photos that you’ll hang on your living room wall. If you do, that will be a bonus.

black and white photography exercises example one
Soft light, outdoors on a cloudy day using Averaged light metering. Nikon D800, 55mm f/3.5, 1/800 sec, f/8, ISO 400, Manual Mode, Pattern Metering.

Lighting for black and white photography exercises

The reason you need to photograph something you can move is so you can photograph it in different locations and lighting conditions.

The type of light you photograph your subjects in, directly affects how they will look. Using hard light will produce very different-looking black and white photos than when you use soft light.

Strong light creates high contrast, no matter what tone your subject is. Soft light makes an even exposure much easier. Think about the quality of light and how it affects the look and feel of your photographs as you work.

Hard light

Place your subject in a location with hard light. Outside on a sunny day is ideal because you’ll be able to see where the shadows fall.

If you can’t manage that, using an on-camera flash with no diffuser will produce a hard light. You’ll need to take test images and study them to see where the shadows fall.

Take a series of photos from the first angle you think of. Expose some normally. Use averaged metering and set your exposure so the meter reads zero, or let your camera choose the setting if you use an auto mode.

black and white photography exercises example two
Hard light, outdoors on a sunny day using spot metering from the highlight on the steel jug. Nikon D800, 55mm f/3.5, 1/800 sec, f/11, ISO 400, Manual Mode, Spot Metering.

Next, expose for the highlights.

Take a light meter reading from the brightest part of your composition.

To do this, set your camera’s meter to spot and point the spot at the bright area to take your reading. If you use live view, your camera may display the way your photo will look when you use manual mode. This way, you can adjust the exposure for the highlights based on what you see on your monitor. On many mirrorless cameras, the viewfinder will display the exposure the same as this when you are set to manual mode.

After taking a few photos with these settings, use the same technique to set your exposure so the shadow areas will be exposed well. Take another series of photos.

black and white photography exercises example three
Hard light, outdoors on a sunny day using spot metering from the darkest area on the black jug. Nikon D800, 55mm f/3.5, 1/250 sec, f/11, ISO 400, Manual Mode, Spot Metering.

If you’re finding this exercise valuable and you have time, repeat this process.

Move around your subject and make compositions from different angles. Remember, the first angle you think to take a photo from is the most obvious, but not always the most interesting. Look at the way the light is falling on your subject and how the shadows look. Repeat the process and take photos at the three different exposure settings.

Soft light

If you’re photographing outdoors in the sun, move your subject into a shady area. Find somewhere outside where there’s still plenty of daylight.

If you’re inside and have been using your flash, take this next series of photos without using your flash. You may need a tripod if there’s not much light.

black and white photography exercises example four
Soft light, outdoors on a cloudy day using spot metering from the highlight on the steel jug. Nikon D800, 55mm f/3.5, 1/2500 sec, f/8, ISO 400, Manual Mode, Spot Metering.

Repeat the same series of exposures as you did when you were photographing in hard light. Think about the tones in your composition when you are making your exposure readings and looking at the results.

If you’ve been photographing outdoors, move your subject inside and away from any windows or other strong light and repeat the whole process. This lower contrast situation will produce different results again. The variation will be subtle, but it’s interesting to see.

During this process, make notes about what you are doing and your thought process. You don’t need to record your camera settings as these are included in the EXIF data. Instead, write down what you are observing with the tones, light and shadows. Why did you take photos from these angles? How has the light and tone affected the way you’ve chosen to compose your photos?

Black and White Photography Exercises to Help You Improve Your Skills
Soft light, outdoors on a cloudy day using spot metering from the darkest area on the black jug. Nikon D800, 55mm f/3.5, 1/80 sec, f/8, ISO 400, Manual Mode, Spot Metering.

Make the most of shadows

Especially in hard light, shadows have a major impact on black and white photography exercises.

Think about where the light is coming from in relation to where you are with your camera. How does this change the way the composition looks when you move around your subject? How does it change when you move your subject?

This is easier to see when you are working with the sun as your light source. Using flash, you’ll need to refer back to your monitor often to see the variations. Look at the differences in the shadow areas in the different sets of photos. How different do they look when you exposed for the shadows and when you exposed for the highlights?

Woman sewing with an old machine
© Kevin Landwer-Johan. Nikon D800, 35mm f/1.4, 1/200 sec, f/3.2, ISO 160, Manual Mode, Pattern Metering.

Think creatively

Once you’ve uploaded the photos to your computer. Select one image from each setup and each exposure setting. Simply desaturate all of these photos. This is not an ideal means for converting your photos to black and white, but it will suffice for this exercise.

Now look at these and compare them. Think about the way they look and the differences between the exposure settings. Consider how the various light has had an effect on the tone of your subjects.

Under hard light and soft light, you’ll notice the tone of your subjects looks different. Each set of photos taken at the various exposure settings will produce very different results. This is particularly noticeable with those taken under hard light.

Worker at the street market
© Kevin Landwer-Johan. Nikon D800, 50mm f/1.4, 1/400 sec, f/4, ISO 250, Manual Mode, Pattern Metering.

Choose one photo from each set to make some further post-processing adjustments. Work with the sliders for:

  • contrast,
  • shadows,
  • blacks,
  • highlights
  • and whites.

Experiment with these various settings. Play with them. Discover how much impact post-processing has on these black and white photography exercises. What you can do with post-processing monotone images is beyond the scope of this article, so just have some fun with it.

I’d love to see some of your best results and know what you learned by doing this exercise. You can share your photos and thoughts in the comments section below.

The post Black and White Photography Exercises to Help You Improve Your Skills appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


Digital Photography School

 
Comments Off on Black and White Photography Exercises to Help You Improve Your Skills

Posted in Photography

 

Color Photography Exercises to Help You Improve Your Skills

08 May

The post Color Photography Exercises to Help You Improve Your Skills appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

color photography exercises

Learning to use color in your photographs well will help you, in many ways, to take better pictures. Many photographers tend not to practice with the aim of improving their skills. We all like to take good photos. Doing some color photography exercises will help you build awareness. You can learn how to incorporate color into your photographs with more meaning.

“The ability to see the quality of color and it’s different relationships is an art, as well as a skill that must be honed through continual exercise.” ~ Nevada Wier, travel photographer and author.

In this article, I want to encourage you to practice looking a the colors in your compositions. Understanding how colors in a picture interact will help you add more feeling to your photography.

cut papaya
© Kevin Landwer-Johan. Nikon D800, 55mm f/3.5, 4 sec, f/8, ISO 1600, Manual Mode, Pattern Metering.

Mix color theory with practical photography exercises

Understanding of color and how to use it well is a good skill to acquire. Like any skill, it takes study and practice. Getting a little theory in your head is rarely enough – you need to put it into practice to begin to comprehend it in practical ways.

These color photography exercises are designed to help you be more aware and considerate of how you use color in your photographs.

color wheel

The color wheel

The color wheel has been in use by artists and scientists since Sir Isaac Newton first developed the design in 1666. There are now many variations. But the basic color wheel can provide you with enough relevant information. It will help you understand the relationships between different colors. This basic wheel is displays three types of colors:

  • Primary Colors
  • Secondary Colors
  • Tertiary Colors
Primary colors for color photography exercises
Primary Colors

Three primary colors make up the simplest color wheel. Red, yellow and blue are primary colors. These cannot be made by mixing other colors. All other colors are combinations of primary colors.

Secondary colors for color photography exercises
Secondary Colors

Secondary colors are green, orange and purple. They are created by mixing two primary colors together.

tertiary colors for color photography exercises
Tertiary Colors

Tertiary colors are created by mixing a primary and a secondary color. These are:

  • Yellow-orange
  • Red-orange
  • Red-purple
  • Blue-purple
  • Blue-green
  • Yellow-green

Complementary color photography exercises

Complementary colors are opposite each other on the color wheel. Used together they produce high contrast and high impact.

They are:

  • Red-Green
  • Yellow-Purple
  • Blue-Orange

Find or create photos using complementary colors boldly in your compositions. You might find a red flower and frame it so you can only see grass or foliage behind it. You could slice an orange or papaya and photograph it against a blue background.

You could find two objects that have complementary colors. Photograph them against a plain, non-colored background.

Have a look around your home or garden and I am sure you’ll find things of strong primary colors that you can photograph together.

Complimentary colors example for color photography exercises
© Kevin Landwer-Johan. Nikon D800, 500mm f/11, 1/500 sec, f/11, ISO 800, Manual Mode, Pattern Metering.

Analogous color photography exercises

Analogous colors are sets of three colors that lie next to each other on the color wheel.

Using combinations of these colors creates a harmonious feeling in photographs. These colors often occur in nature and are pleasing to the eye. Choosing one color to dominate and the others to support will help you create more relaxing images.

This exercise may be a little more challenging because you need to find things with three colors that are close to each other on the color wheel. Don’t fret if you cannot find colors that match the color wheel perfectly – close enough is good.

You might find something of a primary blue and place it in a composition with a blue-green and green. This will create a photo with a cool, harmonious feeling. Choosing warmer colors, such as orange-red combinations, produce photos with a positive feeling.

Look around. You may find these combinations happening naturally in your garden, or you may have to create some still-life setups.

Analogous color example
© Kevin Landwer-Johan. Nikon D800, 105mm f/2.8, 1/320 sec, f/4.5, ISO 400, Manual Mode, Pattern Metering.

Triadic color photography exercises

A triadic color scheme is a combination of three colors that are evenly spaced around the color wheel. Red, blue, and yellow together are triadic. As are orange, green, and violet and the set of three tertiary colors.

Look to use these sets of colors with one dominant and the others to accent it. You might have a red and a blue pen on a yellow background. Or a green apple and an orange on a violet background.

Try various ways to compose your photo so that one or other of the colors is more dominant in your photos. Look for different angles or, if you can, move your subjects around and arrange them alternatively.

Triadic colors example
© Kevin Landwer-Johan. Nikon D800, 105mm f/2.8, 1/125 sec, f/7.1, ISO 400, Manual Mode, Pattern Metering.

Monochromatic color photography exercises

Shades or tints of a single color used together can produce very interesting color photographs. Shades are colors with varying degrees of black added to the color. Tints are colors where white has been added.

Find items around your home or in your garden that you can create monochromatic compositions with. The color will all be essentially the same. The interest will be determined by the degrees of shade and tint you can include.

Green against green is the most common monochrome we see in nature. Or, depending on where you live and the season, it may be brown on brown.

monocolor for color photography exercises
© Kevin Landwer-Johan. Nikon D800, 105mm f/2.8, 1/320 sec, f/4.5, ISO 400, Manual Mode, Pattern Metering.

Think creatively

Think imaginatively as you look for different things to photograph. Try and create interesting photographs with color use as the main subject. The purpose is to learn and practice how colors relate to each other in a photograph.

When you practice anything enough, it becomes second nature. Doing these exercises may seem a little odd because you may not be taking great photos. Color photography exercises like this help you develop your color awareness more. Once you are well-practiced, you will ‘see’ color and color combinations more naturally.

So, try these color photography exercises and share your results with us in the comments section.

The post Color Photography Exercises to Help You Improve Your Skills appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


Digital Photography School

 
Comments Off on Color Photography Exercises to Help You Improve Your Skills

Posted in Photography

 

Creative Photography Exercises to do at Home (video)

03 May

The post Creative Photography Exercises to do at Home (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

If you are stuck at home and bored, why not try some of these great creative photography exercises to get you upping your photography skills and relieving your boredom at the same time?

You can do so with this great video from our friends over at Cooph, who have gone to the effort of compiling some of their great at-home creative photography exercises into one video.

Some of the techniques include:

  1. Photography with Food and drinks – using things like coffee, avocados and more.
  2. Kitchen Views – inside the fridge, using your sink, dishes and cutlery. Using your cupboards as black boxes. Explore food coloring and dish soap.
  3. Make funky installations – use projections from your computer onto people or objects and photograph them. Use colored gels on your camera or lighting gear.
  4. Office visions – Use a lens ball and text, use office items in an unusual way. Draw your own props to photograph.

So try out some of these exercises and share your results with us in the comments below!

You may also like:

  • 7 Ideas for Creative Lens Ball Photography
  • Stunning Photo Ideas Using Coffee
  • 6 Methods to Create Dynamic in Your Photography
  • Challenge Yourself by Photographing One Object
  • 5 Fun Tips for Photographing Water
  • 10 Photography Projects You Can Work on From Home
  • Stuck at Home? – Ways Still Life Photography Can Keep Your Skills Sharp
  • 10 Things You Can Photograph in Your Home
  • Exploring Your Home with Close-Up Filters
  • The dPS At-Home 7-Day Photography Challenge – Week Four

The post Creative Photography Exercises to do at Home (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


Digital Photography School

 
Comments Off on Creative Photography Exercises to do at Home (video)

Posted in Photography

 

5 Great Yoga Exercises for Photographers (with Illustrations)

13 Mar

The post 5 Great Yoga Exercises for Photographers (with Illustrations) appeared first on Digital Photography School. It was authored by Megan Kennedy.

Great Yoga Exercises for Photographers

Sore back and neck, stiff shoulders, probably sore feet too…Unfortunately, the physical nature of photography means that aches and pains can come with the territory. Even a solid editing session at the computer can take a toll. Luckily, there are ways to help ease these troublesome maladies. In this article, I’ve picked out a few yoga exercises for photographers that I use to help combat the strains we accumulate both in the field and during editing sessions.

yoga exercises for photographers poses

What is Yoga?

Yoga in the West usually describes a modern form of Hatha yoga (yoga as exercise) which consists of set poses called asanas. By performing these poses, yoga practitioners build flexibility and strength and also learn how to focus through breathing and mindfulness.

Basically, yoga is great for the body and the mind.

All you need is a bit of floor space, comfortable clothing, and a yoga mat if you want one.

To start, take a few deep breaths to get in the zone. If you like, sit cross-legged for a little while (Sukhasana), straightening your spine and rolling your head side to side to relax the neck muscles.

Once you are feeling centered, you’re ready to go!

Cat/Cow (Marjaryasana/Bitilasana)

yoga exercises for photographers cat and cow pose

The yoga poses I’ve selected for this article put particular emphasis on common photography sore spots. In terms of yoga exercises for photographers, you can’t go wrong with Cat and Cow Poses.

When performed together, Cat and Cow Poses lengthen the spine, flexing the back and the neck to relieve tension and stress.

  1. Begin on your hands and knees (Table Top Pose or Bharmanasana). Position your wrists directly under your shoulders. Shift your knees so they are aligned with your hip points. Look down towards the floor, relaxing the neck.
  2. Starting with Cow Pose, inhale and slowly drop your belly towards the floor. Lift your chin and chest, looking toward the ceiling. Draw your shoulders away from your ears and hold the position for 5-10 seconds.
  3. Next is Cat Pose. Begin to exhale and draw your belly up to your spine, rounding your back towards the ceiling. Look down towards the floor, relax your neck and hold the position for 5-10 seconds.
  4. Repeat Cat/Cow as many times as you like, breathing in for Cow Pose and out for Cat Pose.

Upward Facing Dog (Urdhva Mukha Svanasana)

yoga exercises for photographers upward facing dog

Upward Facing Dog may look like one of the trickier yoga exercises for photographers, but it’s well worth a go. Stretching the back and neck and opening up the chest and shoulders, Upward Facing Dog is a great way to check-in with your body.

  1. Start by lying face-down on the floor. Rest the tops of your feet on the floor with your legs a few inches apart.
  2. Position your hands on the floor next to your lower ribs. Point your fingers towards your head and pull your elbows in close to your rib cage.
  3. Press your hands into the floor. Straightening your arms, lift your torso and upper thighs off the floor.
  4. Pressing down on the floor with the tops of your feet, tense your leg muscles to keep your upper thighs lifted. Keep your elbows pressed tightly against your body.
  5. Pull your shoulders away from your ears and push your chest up towards the ceiling.
  6. Tilt your head to look at the ceiling and hold the pose for 10-30 seconds. Release gradually.

Ragdoll Pose (Baddha Hasta Uttanasana)

yoga exercises for photographers rag doll pose

Ragdoll Pose, also known as Dangling Pose is a variation on the Standing Forward Fold Pose (Uttanasana). It’s a perfect yoga exercise for photographers, stretching the back and relaxing the shoulders, arms, and neck.

I find it also helps with headaches too.

  1. Start in a standing position, with your feet aligned with your hips and your toes pointed forward.
  2. Fold forward from the hips so that the belly meets with the tops of the thighs. As you fold, bend the knees generously. Keep your navel drawn up to your spine.
  3. Hold your elbows with your hands and let the weight of your arms and head hang down, lengthening the neck and spine.
  4. From here you can rock side to side, rest your hands on the floor or stay as is. Hold the pose for as long as you’d like, focusing on inhaling and exhaling.

Extended Child’s Pose (Utthitta Balasana)

yoga exercises for photographers child's pose

Extended Child’s Pose is calming and restorative – great for the spine, thighs, hips, shoulders, arms, and neck.

  1. To begin Extended Child’s Pose, kneel on the floor. Keep your weight on the heels of your feet.
  2. Touch your big toes together. Separate the knees so that they are a little more than a hip’s width apart.
  3. Reach your arms ahead of you and let the chest sink towards the floor.
  4. Rest your forehead on the floor, drawing the shoulders away from the ears.
  5. Stay in Extended Child’s Pose for as long as you need, focusing on your breath.

Triangle pose (Trikonasana)

yoga exercises for photographers triangle pose

Triangle Pose is a yoga exercise for photographers that opens up the chest and shoulders as well as stretching the groin, hamstrings, and hips. It helps to relieve pain in the lower and upper back and stimulates balance.

  1. Begin in a standing position with your feet together. Step your feet wide and raise your arms parallel to the floor, palms down. Your wrists should be roughly in line with your ankles.
  2. Rotate your palms up to the ceiling and turn your right toes out by 90 degrees. Turn the left foot inward slightly so you are balanced.
  3. Reach the right fingertips forward and bend at the hip crease, sending your buttocks back. Keeping the arms straight, reach your right hand towards the top of your right shin, allowing the left arm to raise toward the ceiling.
  4. Once your right hand is settled on your shin and your left arm is pointed toward the ceiling, rotate the chest out and look towards your left hand.
  5. Hold Triangle Pose for 10-15 seconds and then return to a standing position. Reverse the feet and repeat to the left.

Conclusion

Helping to ease stress as well as aches and pains, yoga exercises for photographers are pretty great. Of course, there are plenty of other yoga asanas out there, but I’ve found these five to be especially effective after long days out in the field.

Do you have a favorite yoga pose that you find beneficial to your photography practice? Let us known in the comments!

Note: Megan is not a qualified Yoga instructor. These exercises are a guide only. As with all exercise, please listen to your body, and only do what feels comfortable for you.

The post 5 Great Yoga Exercises for Photographers (with Illustrations) appeared first on Digital Photography School. It was authored by Megan Kennedy.


Digital Photography School

 
Comments Off on 5 Great Yoga Exercises for Photographers (with Illustrations)

Posted in Photography

 

5 Exercises to Improve Your Street Photography

07 Jan

The post 5 Exercises to Improve Your Street Photography appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

street-photography-exercises

Do you want to capture amazing street photography, but you just feel like you’re not good enough? Don’t worry, because this article is going to give you five fantastic street photography exercises that are guaranteed to improve your street photography. It’ll provide you with the tools you need to take amazing street photos.

Let’s get started.

5 Exercises to Improve Your Street Photography

1. Find a scene and stand in place for an hour

It might not seem like it…

…but a lot of street photography is about being patient.

In fact, plenty of the best street photos were taken after a significant amount of standing in place and waiting.

You see, great street photography often involves a powerful background with a focal point. And that focal point is often a person.

But to get the right person in the right place is one of the toughest parts of this genre of photography.

So this exercise is designed to make sure you recognize the rewards of being patient.

street-photography-exercises

Here’s what you do:

Start by finding a scene that you like. A building, an alley, an interesting background of some sort. Make sure there’s a decent amount of foot traffic.

Then previsualize. Where would you like your main subject to walk into the frame? Imagine the precise place you’d like them to be when you take the photo.

Then wait.

Now, plenty of people will walk through your scene who don’t fit with your previsualized photo. Maybe they don’t stand in the perfect place. Maybe they don’t have the silhouette you’re looking for.

And that’s okay. After all, this is an exercise in patience!

However, I recommend you take photos of these people anyway. You might end up with something unexpectedly powerful.

Even if you do get the shot you like, keep standing in place. Stay there until an hour has passed.

Because it’s important you understand, not just the rewards of patience, but how to be patient. So even once you’ve achieved your goal, stand in place, and keep taking photos. See what you can get.

Make sense?

2. Shoot an entire outing from an unusual angle

When you’re just starting out in street photography, it’s very easy to take every shot at eye-level.

Putting your camera up to your face is natural. And it can sometimes help you get over the stress of taking photos in public; you can feel like you’re hiding.

But shooting at eye-level is a recipe for consistently boring photos.

Instead, you want to take photos from many different angles. Different angles are the key to creating a dynamic, powerful portfolio.

So the street photography exercise is simple:

Go out with your camera. And only take photos from an uncommon angle.

5 Exercises to Improve Your Street Photography

Which angles count as “uncommon”?

The low angle is a great start. The lower you take your photo, the more awe your photos will generate because it’ll feel like the viewer is looking up at the scene. For the photo above, I shot up toward the clock tower in an attempt to make the image more dramatic.

Plus, a low angle can often clear the background, making it less distracting. It causes people in the background to fall away, leaving only buildings and sky behind your main subject.

To shoot at a low angle, you have a few options. You can sit down or crouch low. Or you can hold your camera down at your hip.

Of course, you don’t have to shoot from a low angle! If you like, you can try finding a vantage point (such as a parking garage), and shoot from high above.

The choice is yours. Just make sure you get used to trying new angles.

It’ll seriously improve your street photos!

3. Ask five strangers if you can take their picture

One of the biggest barriers to great street photography is your own nervousness.

After all, it’s hard to capture photos of people from a distance, let alone up close. You probably worry about people getting angry or even threatening you.

First of all, you should know that, in most countries, it’s legal to photograph people in public places. So you’re not breaking laws.

But the anxiety doesn’t always go away once you know your rights.

This is where this street photography exercise comes in handy.

street-photography-exercises

All you have to do is go out shooting. And ask at least five people if you can take their photo.

It’s okay if they refuse. It’s okay if they agree but the picture is bad.

The only thing that matters is that you’re pushing yourself out of your comfort zone. You’re forcing yourself to see that plenty of people don’t mind having their photo taken in public. And when people do mind, it’s not the end of the world.

This is an exercise that I recommend you try once a week (or until you no longer struggle to photograph people in public).

Because even if you prefer to photograph people without approaching them, knowing that everything will turn out okay will significantly improve your levels of comfort (and, consequently, your street photos!).

4. Only photograph strangely-lit people for a day

If you want to capture amazing street photos, you’ve got to start paying attention to the light.

This is easy to forget about because street photography involves so many variables: people moving fast, cars causing distracting backgrounds, etc.

But you can’t fail to consider the light. Otherwise, your photos will be very inconsistent.

Which brings me to the exercise:

Only photograph people who are strangely lit for the day.

5 Exercises to Improve Your Street Photography

By “strangely lit,” I’m referring to non-standard lighting. The people shouldn’t be lit with standard front-lighting, cloudy lighting, or standard overhead lighting.

Instead, there should be strong backlighting, side lighting, or shadows running through the scene.

By forcing yourself to pay attention to this, you’ll get a better eye for lighting. And it’s the first step toward taking more creative, unique street photos.

Personally, I’m a fan of backlit street photography. So I recommend going out when the sun is low in the sky to see if you can find some backlit subjects.

But you can also shoot people who are walking through shadow. This works especially well if the area around the person is bathed in sunlight, in order to create a high-contrast shot.

Just find some unique lighting, and you’ll do just fine.

5. Spend a week only taking photos of small details

Most street photographers only ever take photos of people.

But here’s the thing:

The streets have plenty of compelling details, too. And a street photographer who can find these details is a street photographer worth watching.

Tiny details lend character to your street photos, even if the main subject is a person. And tiny details can be the sole subject of a photo, as well. You just have to know how to capture them.

This is why your final street photography exercise is dedicated to photographing those beautiful small details.

street-photography-exercises

All you have to do is deliberately photograph little details for a week. Forget about photographing people. Forget about photographing architecture.

Instead, focus on capturing the most compelling details possible.

This might involve creating some abstract photos. Photograph contrasting colors up close. Or photograph spray-painted graffiti.

You can also capture some wider photos: the signs of restaurants, or the front door of buildings. All of these are excellent potential subjects.

Just remember: When you photograph small details, don’t just try to faithfully render the details themselves. Instead, create a compelling composition out of the details. Try to include multiple interesting features.

You’ll take a few boring photos, sure. But you’ll develop an appreciation for the smaller aspects of the city.

And you’ll take some stunning photos in the process.

5 exercises to immediately improve your street photography: Conclusion

Capturing beautiful street photos can be difficult. And for beginning photographers, it can seem impossible.

But if you do these street photography exercises, you’ll notice your outlook starting to change. Street photography won’t seem so difficult.

And you’ll start capturing some amazing street photos.

So get out and start practicing these street photography exercises!

street-photography-exercises

Do you have any other street photography exercises you’d like to share? Please do so in the comments!

The post 5 Exercises to Improve Your Street Photography appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


Digital Photography School

 
Comments Off on 5 Exercises to Improve Your Street Photography

Posted in Photography

 

Creative Photography Exercises: Setting Limitations to Achieve Better Photography

19 Nov

The post Creative Photography Exercises: Setting Limitations to Achieve Better Photography appeared first on Digital Photography School. It was authored by Ana Mireles.

creative-photography-exercises

Every photographer can feel stuck at some point. I find this often happens when you have learned all the technical basics, and it’s time for you to start finding your way. Is this you? Here are some creative photography exercises than can help you shake things up. Keep on reading to see how setting limitations can help you to achieve better photography.

Creative photography exercises

Have you ever been to a restaurant that has a huge menu but you can’t decide what to order? The same thing can happen with your photography. Having the ability to photograph anything can seem daunting. That’s why setting limits before you start shooting can help you focus.

Creative photography exercises

You can set a limit regarding the idea or project you want. In this photo, I decided to limit my idea to fruits as a topic. You can also limit the tools and techniques that you can use – for example, using long exposure times. Here are some creative photography exercises to get you started.

Technical Limitations

Use only one focal length

As you probably know, there are zoom lenses and prime lenses. A zoom lens means that you can change your angle of view in seconds, which gives you great versatility. A prime lens has a fixed focal length, and this will force you to move around and re-compose your images.

Creative Photography Exercises: Setting Limitations to Achieve Better Photography

If you don’t have a prime lens, use your zoom but choose a focal length and stick with it for the entire exercise. Here I used an 18-55mm and put some tape as a reference on 40mm. This doesn’t mean that you can’t use both lenses, it’s just a way for you to practice without buying new gear.

Think in terms of film photography

Pretend you’re using a film camera and set yourself a limit of 12, 24 or 36 images that you can use. I suggest these numbers because film rolls were sold like that, but feel free to set a different limit without overdoing it. This will push you to put more thought into the final image before you press the shutter button.

Creative Photography Exercises: Setting Limitations to Achieve Better Photography

If you want to make it more challenging, try only using the viewfinder and not reviewing your images after shooting. Not having the chance to delete images in order to stay within the maximum amount gives you that extra push.

Project Limitations

Ride the bus

This is a fun project because you can approach it in many different ways. For example, you can choose to photograph the street while riding the bus or the metro. This takes away much of your control over the scene in front of you. You also have to deal with motion and reflections. And most of all, you have to react quick before you’re gone.

Creative photography exercises

You can also choose to photograph the inside of the vehicle. This is very close quarters so it will help you to overcome shyness. It is also challenging to compose and focus on short distances. So you may want to explore a wide-angle lens if you want to capture the full scene. The light probably won’t be very bright so you may need to bump up your ISO. Combined with the fact that you’re moving, you may find it challenging, but give it a try!

Always shoot at the same time

Program an alarm on your phone to remind you to take a picture exactly at the same time every day. If you have a routinary life, it will challenge you to shoot the same thing or place differently. If you have a flexible schedule, and the time, you will find yourself in different places, where you’ll have to deal with a variety of challenges each time.

Creative photography exercises

Either way, it will kick start your creativity. This image, for example, is only the heater from my studio. Try looking for different angles, play with lighting, etc.

Conclusion

These are just some ideas for creative photography exercises. Feel free to create your own according to your interest, gear and even the place you live. You just need to follow the same rule of establishing some guidelines as limitations to strengthen your abilities and creativity. I’ll leave you here some other articles that can give you more ideas:

  • Expand Your Creativity by Taking Self-Portraits.
  • An Apple a Day Keeps Creativity Awake.
  • How to Boost Your Creativity by Including Props in Your Photography.
  • How to Reboot Your Creativity with 15-Minute Exercises.

Feel free to share any other creative photography exercises in the comments. And, as always, we love to see your images, so try some of these techniques, and share your images below.

The post Creative Photography Exercises: Setting Limitations to Achieve Better Photography appeared first on Digital Photography School. It was authored by Ana Mireles.


Digital Photography School

 
Comments Off on Creative Photography Exercises: Setting Limitations to Achieve Better Photography

Posted in Photography

 

10 Photographic Exercises to Kickstart your Creativity

24 Sep

The post 10 Photographic Exercises to Kickstart your Creativity appeared first on Digital Photography School. It was authored by Charlie Moss.

We’ve all had those days, weeks, or months where we’ve felt photographically stuck in a rut. There could be many reasons for feeling like you just can’t shoot anything worthwhile and it often looks like there’s no way out. But simple creative photographic exercises might just be the thing that gets you back out shooting.

With that in mind, here are some of my favorite creative photographic exercises for those moments when I’m just not feeling good about my photography work. They’re adaptable for most subjects too, so shoot what suits you!

Of course, if you wanted to challenge yourself with a new kind of photography or different subjects, they might come in handy for that too.

Set your camera to black and white

10 Photographic Exercises to Kickstart your Creativity

Most digital cameras will have the option to shoot in black and white. Shooting black and white, and viewing your shots that way on the back of the camera, will force you to see images in a different way.

When you shoot in black and white you see everything without the distractions of color. That means you can focus on composition, areas of light and dark, and the contrasts between different areas.

It’s a whole new way of seeing the world around you!

Shoot with a single focal length

I’ve always been a huge advocate for photographers using prime lenses wherever possible. Not only are they generally better quality than a similarly priced zoom lens, but they often have a faster aperture too! Having a couple of primes can really round out your photographic toolbox.

photographic-exercises-to-kickstart-your-creativity

Shooting with a single focal length means that you have to work a little bit harder to find a great composition. That, in turn, will make you see things a bit differently. And if you need to zoom, then you’ll have to use your feet – no shortcuts here I’m afraid!

If you don’t have a prime lens, then pick a focal length on your zoom and stick to it. Check it after every few shots to make sure it hasn’t moved.

And now do the same, but with aperture

Picking an aperture, and experimenting with the kind of images it will produce, can be a good way to start thinking about more advanced composition. Using depth of field as a compositional tool can be a powerful way of taking your photos to the next level.

If you pick a very wide aperture to work with, you’ll want to think about how you can make the best use of features like negative space in your images. You’ll want to look for interesting subjects that look good isolated away from their background.

However, if you choose a very narrow aperture, you won’t be able to isolate a subject as easily. You’ll be looking for whole compositions that work from edge to edge without anything being blurred out. You’ll need to look for scenes that don’t have distractions in the background – such as bright blobs of color or unsightly objects.

And shutter speed!

Limiting your shutter speed can be a good way of experimenting with different kinds of movement-related effects. Long or short, both offer different challenges.

If you pick a short shutter speed, try to find movement that you can capture. A skateboarder in mid-air perhaps, or a dog leaping to catch a ball. Freezing motion is tricky and requires practice. It also needs some planning; you may have to pre-focus and predict your subject’s movement.

photographic-exercises-to-kickstart-your-creativity

On the other hand, a long shutter speed can lead to experiments that show movement. You could practice panning, light trail photography, or intentional camera movement.

Limit the number of shots you take

Think back to the days of film (or imagine it if you’re not old enough to remember). Film was costly, and so was developing! If you were shooting medium format, you had just twelve images per roll of film, and one of them really had to be a keeper.

I’m not saying you have to limit yourself to just twelve photos, but try a few hours of shooting where you really think about each shot you’re taking. Ask yourself why you’re taking it and make sure it’s the best it can be.

Before you press the shutter button, check all the edges of the frame, be sure of your composition, and make sure it’s the right moment to make your subject look their best. You might be surprised at how much your photography improves when you take this much care over every shot!

Now shoot a thousand images in a day

Sometimes you just need to recognize that practice makes perfect. And for some subjects, that means shooting hundreds or even thousands of images.

Take a day out to practice your technical skills, and make sure you take enough images that the technique becomes second nature. The better you know your way around your camera, the easier it will be to nail the shot next time inspiration does strike.

Shoot from the hip

Street photography is usually about being unseen and blending into the background. If your subject has noticed you taking pictures, it’s often too late to get the shot you initially saw.

Many street photographers like to ‘shoot from the hip’ to remain unnoticed. You’ll want to use a narrow aperture to get a large depth of field and prefocus your camera to where you think your subjects will be.

10 Photographic Exercises to Kickstart your Creativity

Then…go for it! Carry your camera in your hand (don’t forget a wrist strap), and whenever you see anything you like the look of, just point and shoot. You’re going to have a pretty low success rate, at least at first, but over time you’ll learn to use your camera to capture what your eyes see without looking through the viewfinder.

Limit yourself to available light

No flashes, no studio lights, no reflectors, no bounce cards. Just get out there and watch how the natural light falls on your subject. Move yourself or your subject around to find the most pleasing light and then capture that.

For an additional exercise, try to capture several different moods simply by moving your subject into different kinds of light. You should start to discover that our brain interprets different kinds of light in different ways. You can use this knowledge to start conveying more feelings and emotion in the future, which will improve your storytelling ability.

Shoot ten photos without moving your feet

Finding a great shot is often harder than actually taking it! To challenge yourself to see shots that you’d otherwise miss, plant your feet in one place and hunt out ten shots without moving.

photographic-exercises-to-kickstart-your-creativity

Make it easier for yourself by using a zoom lens. But if you want to make it even more of a challenge, start limiting your focal length, aperture, or shutter speed. The more rules you give yourself the harder you’ll have to work creatively.

You’ll soon start to consider subjects and compositions that you’ve never thought of before as you try hard to find shots number nine and ten!

Reprocess your old images

If all that fails and you can’t face going out and about with your camera then take a look back through your archives. You’ve almost certainly improved in skill since you processed your old shots, and you may have changed your taste too.

Revising your old work and reprocessing it gives you a chance to practice your post-processing skills. Pick something you want to learn and read some articles or watch a video on it. Then practice what you just learned on images from your archive.

You might end up discovering some old images that you missed at the time. Whenever I dive back into my archive, I usually end up finding something new for my portfolio!

10 Photographic Exercises to Kickstart your Creativity

Hopefully, these creative photographic exercises will give you a starting point when you’re not sure what to shoot. Just remember, creative ruts aren’t forever! You have to come out the other side sometime!

Do you have any other photographic exercises you’d like to share? Please do so in the comments!

 

photographic-exercises-to-kickstart-your-creativity

The post 10 Photographic Exercises to Kickstart your Creativity appeared first on Digital Photography School. It was authored by Charlie Moss.


Digital Photography School

 
Comments Off on 10 Photographic Exercises to Kickstart your Creativity

Posted in Photography

 

7 Photography Exercises to Take Your Nature Photos to the Next Level

26 May

The post 7 Photography Exercises to Take Your Nature Photos to the Next Level appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Do you want to improve your nature photography skills? Do you want to take stunning nature photos, consistently?

Don’t worry.

In this article, you’ll discover 7 photography exercises all designed to get you capturing unbelievable nature images.

(Plus, the exercises are a lot of fun!)

So, if you want to improve your nature photography…

…keep reading.

1. Shoot a single nature subject from 9 different angles

Here’s your first nature photography exercise (and my favorite):

Choose just one nature photography subject.

And shoot it from at least nine different angles.

This will force you to stretch the boundaries of your creativity. It will force you to start looking at your subjects in many different ways.

The first five angles might be easy enough. But the last four will be a struggle – as it should be!

A few excellent angles to try:

  • Shoot on a level with your subject
  • Shoot from directly above your subject (if you can)
  • Get below your subject and shoot upward

Then, once you’ve finished the exercise, pull up the photos on your computer. Take note of the different angles and how they gave your subject slightly different looks.

And next time you’re doing photography, use those angles!

2. Shoot a subject you normally avoid

This exercise is all about getting you out of your comfort zone.

Because if you don’t get out of your comfort zone, you’ll never grow as a photographer.

So here’s what you do:

Think about the subjects that you normally shoot.

And then…

Pick a subject that’s radically different. And shoot that subject, instead.

If you normally photograph birds, shoot flowers for a day.

If you normally photograph landscapes, shoot wildlife.

Just pick something that you don’t normally like shooting.

If you want to make this exercise extra useful, then don’t just shoot another subject for a single outing. Instead, do it for a week (or even a month).

You’d be amazed by the tricks you pick up from learning another area of photography.

3. Bring just one lens into the field

Here’s the thing:

When photographers go out for a photoshoot…

…they tend to take multiple lenses (and even multiple cameras).

And while this will give you a lot of flexibility, it won’t force you to think outside the box.

But I want you to think outside the box. I want you to think in new ways.

So the next time you go out to shoot, leave all your normal lenses behind.

Instead, bring just one lens.

And (if you’re feeling adventurous) make sure it’s a lens that you don’t use very often.

This will force you to take nature photos that you would’ve never even considered.

4. Shoot a Scene With Four Types of Light

Nature photography is all about the light.

Which means that, as a nature photographer, you must learn to master the light.

This exercise is designed to help you do that.

You start by picking a scene.

Then you photograph that scene with four types of light:

  • Cloudy light
  • Midday light
  • Sunrise/Sunset light
  • Shade

This will undoubtedly involve coming back several days in a row.

But it’s worth it.

Because once you’re done, you should look at all the photos you took.

And note how the different types of light gives you different types of nature photos!

5. Take both still shots and action shots of your subject

Oftentimes, we get in the habit of shooting the same type of subject, over and over again.

I’ve already given you one way of avoiding this problem.

But another way…

…is to keep shooting that same subject. But shoot it in a different way.

Specifically, try to take a combination of shots:

Still shots.

And action shots.

For those of you who shoot birds or wildlife, this shouldn’t be too difficult.

But for flower and landscape photographers?

This will be tough.

If you generally photograph still subjects, you may have to get creative. Try to take some intentional camera movement photos. Or see if you can get some sort of action to happen in the frame (e.g., flowers blowing in the wind, waves crashing on the beach).

And that’s it! This will force you out of your comfort zone. And get you taking some fresh photos!

6. Edit your favorite nature photo in 5 different ways

One thing that you need to know:

Post-processing is a significant part of capturing stunning nature photos.

Even small adjustments go a long way.

So for this exercise, you should start thinking about different post-processing options. And edit your favorite nature photo in five distinct ways.

You should experiment with edits in Lightroom, Photoshop, or another high-quality editing program. See what happens when you increase the saturation. See what happens when you drop the contrast.

And try to do some new edits. Things that you haven’t done before.

For instance, try some yellow/blue split toning. And try playing with the HSL options.

You’ll be amazed by what you can do!

7. Take a nature photo every single day for a month

This last exercise is a classic – but that doesn’t mean it’s any less useful!

One of the absolute best ways of improving your nature photography…

…is to photograph constantly.

Because practice really does make perfect.

And if you take a nature photo every day, you’ll find that your mind starts to open up. You’ll start to see photography opportunities that you didn’t even know were there.

Your skills will increase rapidly.

And you’ll start to take stunning nature photos, consistently.

Nature photography exercises: next steps

Now you know 7 great exercises – all designed to improve your photography skills, fast.

You don’t have to do them all at once. But try them out whenever you can.

That way, you’ll become better, faster.

You’ll soon be taking nature photos like a pro!

Feel free to share some of the photos you take with the dPS community in the comments below.

 

The post 7 Photography Exercises to Take Your Nature Photos to the Next Level appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


Digital Photography School

 
Comments Off on 7 Photography Exercises to Take Your Nature Photos to the Next Level

Posted in Photography

 

Writing Exercises to Improve Your Photography

25 Jan

The post Writing Exercises to Improve Your Photography appeared first on Digital Photography School. It was authored by Ana Mireles.

You might think that an image is worth a thousand words. Perhaps you may consider yourself more visual than eloquent? Moreover, you may merely think that writing and photography have nothing to do with each other? However, they are more related than you think. Whether it is to unblock your creativity or to propel your career, writing exercises can improve your photography.

Some writing exercises that can help improve your photography

1. Unblock your creativity

Are you feeling out of ideas for your photographic projects or stuck on the same photo-cliches? This is very common amongst photographers both amateur and professional. Often everyday life clutters our brain, leaving little room for creative thoughts.

Something you can do to open the way to more productive and original thinking is to write first thing in the morning. Write as much as you can without thinking about it. I don’t want to set a limit because we all have different needs, problems and time constraints. What I do advise is that you start writing whatever comes into your head. Don’t filter it. Keep going until it feels difficult because that’s when the clutter ends and the creativity begins.

2. Define your style

Let’s face it, being a photographer is appealing and so people want to know more. Often when you introduce yourself as a photographer, you get asked what type of photography do you do. The question I ask you is: do you know how to reply? Any great photographer has a clear trajectory and a recognizable style. Therefore you need to define yours to become ‘great.’

Defining your style is easier to do it if you have been doing photography for a while. However, you can also do it as an aspirational exercise. Go through your images and find the best ones. Also, find the ones that you enjoyed making the most and see what connects them.

Now try writing an Artist Statement. Even if you don’t do art photography write a piece of text that explains who you are. Put your vision and what separates you from any other photographer into words. This text can be a concept, your approach to a particular topic or an aesthetic style. Having it written down in a concise paragraph helps you understand who you are and you build up from there.

3. When, where and why

If you’ve been in the photography business for a while, you might have noticed that the traditional CV is challenging to apply to your trajectory. This doesn’t mean that you can’t or don’t need to put your work experience down in writing. One way of doing this is to write a biographic text that both helps you find jobs within your field, and understand your strengths.

You can try starting with a regular CV, which will most likely be kilometers long! As photographers, we have many different clients. Sometimes you do different types of photography according to the jobs you can get rather than your specialty. You may have dipped into survival jobs that are only vaguely related to photography but write them all down. Now start putting them into groups. For example, if you were hired to do your cousin’s wedding and the birthday party of your neighbor’s kid put them under Event Photography. If you photograph events of the bar next door for their Facebook page, put them under Social Networks Content, and so on.

From bullet points, turn this into a more in-depth text. Once you have that, it gets easier to tell a story – your story. Like any narrative, it has to be coherent, so make sure everything you put in there has a reason to be there. Leave out any day jobs you did to pay the bills that don’t fit into this career path. Finally, try to show evolution. How you’ve grown professionally and what you’ve learned from it.

Last thoughts

I hope you find these exercises as useful as I have. It’s not easy to evaluate yourself, and your work. Feel free to ask for someone else’s opinion regarding what you think is your style, as they might have seen something in your work that you missed. On the other hand, I recommend you don’t show the morning writings to anybody. If you know people will see them, you will start to curate and maybe even censor them. So, for that one just let go and enjoy!

The post Writing Exercises to Improve Your Photography appeared first on Digital Photography School. It was authored by Ana Mireles.


Digital Photography School

 
Comments Off on Writing Exercises to Improve Your Photography

Posted in Photography