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Posts Tagged ‘Event’

Fujifilm teases new Instax camera with LCD screen ahead of June 12 launch event

29 May

Fujifilm has announced the upcoming launch of a new Instax camera model. Full details about the new instant camera won’t be released until June 12, but the company did tease one key feature in the below tweet on May 27: the inclusion of a small LCD. The new Instax model will be ‘perfect for the new age,’ Fujifilm’s tweet states.

The ‘new era’ of Instax cameras will include multiple ‘very special features,’ Fujifilm teased in its tweet, one of which is the LCD. The new model will include the same instant color printing capability found on other Instax models, but it’s unclear what new features Fujifilm plans to include.

The current Instax product line features more than a dozen models, including the relatively new Square SQ20 instant ‘hybrid’ digital camera, which features an LCD for previewing images before printing.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon US’s ‘Capture the Savings’ event offers instant savings on cameras, kits and lenses

28 Apr

Nikon US has announced its seasonal ‘Capture the Savings’ sales event and with it comes a number of impressive instant savings across its mirrorless, DSLR and Coolpix cameras, as well as Nikkor lenses.

The event, which starts Sunday, April 28, is limited to products sold in the United States by Nikon Authorized Dealers, including but not limited to Adorama and B&H. If multiple products are required for the instant savings, Nikon notes that the items must be bought at the same time and appear on the same receipt for the savings to apply.

The full list of deals can be found on Nikon USA’s website, but we’ve rounded up a few of our favorites below, with the links to the products on Adorama and B&H:

Coolpix

Coolpix P900 Camera (Adorama, B&H) — $ 100 Instant Savings (April 28, 2019 through June 1st, 2019)

Coolpix W300 Camera (Adorama, B&H) — $ 90 Instant Savings (May 12, 2019 through May 18, 2019)

DSLRs

Nikon D850 Body Only (Adorama, B&H) — $ 300 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D750 Body Only (Adorama, B&H) — $ 400 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D750 24-120 VR Kit (Adorama, B&H) — $ 1,000 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D7500 Body Only (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon D7500 16-80 VR Kit (Adorama, B&H) — $ 670 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z-series

Nikon Z6 Body Only (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z6 24-70 Kit (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z6 Filmmaker’s Kit (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z7 Body Only (Adorama, B&H) — $ 600 Instant Savings (April 28, 2019 through June 1, 2019)

Nikon Z7 24-70 Kit (Adorama, B&H) — $ 600 Instant Savings (April 28, 2019 through June 1, 2019)

Nikkor Lenses

24-70mm f/2.8E ED VR (Adorama, B&H) — $ 500 Instant Savings (April 28, 2019 through June 1, 2019)

70-200mm f/2.8E FL ED VR (Adorama, B&H) — $ 650 Instant Savings (April 28, 2019 through June 1, 2019)

105mm f/1.4E ED (Adorama, B&H) — $ 300 Instant Savings (April 28, 2019 through June 1, 2019)

85mm f/1.4G (Adorama, B&H) — $ 150 Instant Savings (April 28, 2019 through June 1, 2019)

58mm f/1.4G (Adorama, B&H) — $ 150 Instant Savings (April 28, 2019 through June 1, 2019)

35mm f/1.4G (Adorama, B&H) — $ 150 Instant Savings (April 28, 2019 through June 1, 2019)

28mm f/1.4E ED (Adorama, B&H) — $ 200 Instant Savings (April 28, 2019 through June 1, 2019)

The various prices are determined by the Authorized Nikon Dealers at the time of sale. Nikon also notes that all prices and specifications of these deals are subject to change without notice, and Nikon is not responsible for printing or typographical errors with pricing information.

Articles: Digital Photography Review (dpreview.com)

 
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DJI confirms its drones are prepared for the GPS 2019 week rollover event

22 Mar

DJI has confirmed its drones are prepared for the GPS 2019 week rollover scheduled to take place on April 6. The event may disrupt some GPS receivers, but most manufacturers have confirmed that their systems have been tested ahead of time and are prepared for the rollover.

The GPS 2019 week rollover is an event that will take place due to how the Global Positioning System (GPS) works. Receivers are provided with time information from the GPS system, which uses a 10-bit week counter to count weeks from 0 to 1023. Upon reaching the end of that range, the system reverts back to 0 and starts over.

GPS receivers that aren’t prepared for the rollover may incorrectly report a date of 19.6 years in the past (1024 weeks), resulting in some GPS devices displaying a date of August 22, 1999, starting after the April 6 rollover. The first GPS rollover took place on August 21, 1999.

To avoid this complication, manufacturers must push out software updates to prepare their devices for the change. In a brief statement published on March 20, DJI said that all of its ‘platforms have been thoroughly tested’ and will not be impacted by the GPS rollover. DJI drone owners can continue to use the devices as normal.

Articles: Digital Photography Review (dpreview.com)

 
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LIVE from Sony launch event in San Diego

16 Jan

We’re live at Sony’s launch event in San Diego, CA, bringing you news as it happens. Reload this page frequently to see the latest updates from our team at the event.

All times are Pacific.


10:37AM: And they’re done. Stay tuned for more details.

10:35AM: New ‘Transfer and Tagging’ app for a9 via voice. Another app transfers images automatically in the background.

10:35AM: Ships next month for $ 900 body-only or $ 1000 with the 16-50mm Power Zoom lens in the US.

10:33AM: 24MP sensor with ISO range of 100-3200. 180° flip-up touchscreen screen for vlogging. Interval recording!

10:32AM: a6400 has the a9’s Bionz X processor and has all of the real-time AF tracking that the a9 will receive in its firmware upgrade. The top burst rate with continuous AF is 11 fps.

10:32AM: Sony has frequently mentioned Speed x AI.

10:30AM: Back to full-frame. Sony now has 31% of the total full-frame market and grows 97% year-over-year. 54% of cameras sold are now mirrorless. Sony is the #1 camera brand in the US for full-frame.

10:26AM: The rumored a6400 is here.

10:24AM: a7 III and a7R III will get Eye AF for animals and interval mode in April.

10:22AM: Works in video, too. Eye AF always on. You can select left/right or automatic Eye AF.

10:20AM: Improvements in image quality and usability. Releases in March and summer of 2019.

10:19AM: Real-time tracking for fast-moving subjects. Uses pattern and face/eye detection to maintain focus. Sony says it’s the world’s fastest AF.

10:18AM: New real-time Eye AF for animals.

10:17AM: Sony is announcing an a9 firmware upgrade (v5.0) in the Spring.

Sony was #1 in sales for full-frame mirrorless cameras in 2018

10:15AM: Kenji Tanaka, VP Sony Corp. has taken the stage.

10:12AM: There will be three announcements at the event.

Articles: Digital Photography Review (dpreview.com)

 
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Photokina 2019 gets postponed, will become an annual event starting May 2020

04 Dec

In 2017, Photokina’s organizers announced the world’s largest trade fair would ‘reposition’ itself an annual event starting in 2018 and subsequently announced that after this year’s Photokina, which took place in September, the event would be moved to the month of May going forward.

Naturally, it was expected the next Photokina event would take place in May 2019, but plans have changed. According to the German Photo Industry Association (PIV), conceptual sponsor of the trade fair, and Koelnmesse, the event’s organizer, the 2019 Photokina event has been postponed a year, meaning the next Photokina event will take place from Wednesday May 27th, 2020 through May 30th, 2020.

‘The decision to postpone the start of the announced annual cycle by one year is intended to give all participants the opportunity to further develop the new concept for Photokina and to tap into new target groups among exhibitors and visitors in order to heighten the status of the trade fair as a global platform for the photography and imaging industry,’ reads the announcement press release.

From left to right: Gerald Böse, President and Chief Executive Officer Koelnmesse GmbH, Rainer Führes, CEO of Canon Deutschland GmbH and Chairman of the Photoindustrie-Verband – The Imaging Association, Jürgen Roters, Mayor of Cologne

PIV CEO Rainer Führes is quoted in the press release saying Photokina 2018 ‘clearly exceeded our already optimistic expectations with groundbreaking innovations and 180,000 visitors from 127 countries.’ He goes on to say that Photokina 2018 ‘set the bar very high for the next event.’

“It is therefore unlikely that, in May 2019 after just over seven months, we will once again be able to create the same enthusiastic atmosphere that characterized Photokina 2018 […] This is why we have decided to start the planned annual cycle in 2020.’

Considering the quick turn-around time from the last Photokina — not to mention its proximity to CP+ in March and NAB in April — it was a big ask of Photokina and its organizers to expect exhibitors, media, and attendees to bounce back with enough updates, products, and cash to fill the floors.

Articles: Digital Photography Review (dpreview.com)

 
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DJI teases August 23 launch event, new drone in new video

18 Aug

DJI has published a video on its YouTube channel teasing a new product due out August 23, 2018. No specific details are shared, but at the very beginning of the video, we catch a glimpse of what appears to be an on/off button of a drone.

After the short clip of what looks like the body of a drone, the narrator of the video says:

For more than a decade we’ve taken the dimension of space to give you the freedom of flight. But did you think we’d stop there? Let us take you beyond the horizon where something incredible awaits. It’s about time.

The video wraps up with a clip that overlays the words ‘see the bigger picture.’

DroneDJ says the on-off button we see at the beginning of the video is likely that of the yet-to-be-announced Mavic 2 Drone. Considering the similarities between the device in the teaser clip and the Mavic Pro, it’s not much of a stretch to draw that conclusion.

Back in June, DJI sent out an invitation to press outlets teasing an event set for July 18. Three weeks after sending out the invitation, DJI delayed the event, citing issues regarding user experience and customer expectations. We’ll have to wait and see if the August event stays on-track or is pushed back once again.

Articles: Digital Photography Review (dpreview.com)

 
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Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don’ts

06 May

Maybe you’re already a seasoned event photographer interested in improving your business, or perhaps you’re reading this because you’re about to photograph your first event and want some pointers. As a photographer, you want to be keenly aware of your image as well as behavior when working on-site with clients. A superior professional image shows the world that you’re both competent and worth the cost of your services for event photography.

This article provides my recommendations on how to appropriately conduct yourself before and during an event photography shoot. Positioning yourself to land assignments and inspire confidence in your clients starts with your demeanor and presence.

1. DO Wear Appropriate Clothing

Your apparel says a lot about you. On one event photoshoot, I was approached by a guest who appeared interested in hiring me for a freelance job. But he hesitated, saying “Honestly, you look expensive. I’m not sure I can afford you.” While that assumption may have been right, his reaction was far better than “You look cheap, maybe I can lowball you.”

man in tuxedo toasting - Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don'ts

Always ask your client about the dress code ahead of the event. Did you forget to ask? Play it safe and dress your best. It’s better to be the sharpest dressed person in the crowd than the jeans-and-t-shirt person in a sea of tuxedos.

group in tuxedos -Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don'ts

2. DO Respect Privacy

As a photographer, you’re probably familiar with the fact that not everyone likes being photographed, much less by a stranger. In order to make guests feel at ease, introduce yourself, “Hi, my name is John/Jane Doe and I’m here Photographing for XYZ Media.”

Guests might ask for further info, such as where the photos will be displayed. It’s wise to gather this info with your client ahead of time. Sometimes an introduction isn’t necessary. Once guests see you making the rounds with your camera, they might just grab you for a quick shot, no questions asked.

beef sliders - Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don'ts

To avoid liability/privacy concerns, you can specify in your contract that it’s the client’s duty to inform guests of a photographer’s presence for the event. In my experience, clients have no issue with this.

3. DO Show up Early

Most of my event clients want to know that I’m willing and able to arrive early, which I do as a courtesy at no extra charge.

menu on a plate - Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don'ts

Showing up early not only allows you to familiarize yourself with the venue and points of contact, but also shows your professionalism. Take precautions: Leave extra time in case of traffic, car troubles, or those dreaded wardrobe or equipment malfunctions. Plus, when you arrive early you can grab some preliminary test images of the venue/rooms as well as important detail shots.

4. DO Learn People’s Names

If you sometimes have trouble remembering names, as most of us do, take care to write down all client names (especially new clients) in BIG letters on your notes sheet for the event.

Everyone likes hearing their name, and a prospective client will subconsciously be more impressed if you can end the conversation with a friendly, “Well Kathy, I’m glad we talked and I’m looking forward to working with you.” Re-read that sentence in your head but without the name this time. It sounds a bit cold and dry, right?

5. DO Interrupt as Politely as Possible

As you make your rounds during a networking or cocktail hour, many people will be engaged in conversation. When it’s unavoidable interrupting a conversation, I recommend approaching while making eye contact.

Mexico Consulate Award - Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don'ts

Typically someone in the group will notice you and your camera and know what you want. If nobody notices you, don’t be too shy or just stand there awkwardly. A gentle tap on the shoulder might be in order. Of the hundreds of times I’ve approached people for photos, I seldom get a “no”. People understand that photography is my job, and most are happy to pose for a photo.

6. DON’T Photograph People Eating

For most events over two hours in length, there will be a portion where guests are treated to a meal or hors-d’oeuvres. Photos of people eating should be avoided, so this is your chance for a work break.

Pay attention, however, because you can get some great candid photos of tables at the tail end of a meal when the satisfied diners are typically in a good mood. I’ve captured many great photos of guests post-meal laughing and chatting this way. I recommend standing back and using your zoom lens to capture these images.

people talking - Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don'ts

7. DON’T Be Pushy With Public Figures or Celebrities

You might be excited to learn that someone notable, a political figure or even your favorite musician will be attending an event. Thanks to the bad behavior of so many paparazzi over the years, many public figures dislike or distrust photographers. Can you blame them?

Radio Show awards photo - Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don'ts

Keep this in mind as well: most celebrities dislike being told what to do. If you’re photographing a meet-and-greet situation and it’s not an intimate portrait session, be careful about asking a celebrity to strike a pose or shift position, regardless of whether or not it would help the photo. Try to gauge the individual’s temperament and mood. If he or she ignores your question or reacts badly, don’t persist! Shooting around such non-cooperation will be necessary.

8. DON’T Show Alcohol or People Drinking

Not everyone cares if they’re photographed holding a beverage; in fact, some people like that image. Regardless, as a courtesy to guests, it’s best not to show them drinking alcohol. When photographing a group of guests standing around a table, it’s a good precaution to ask whether any of them would prefer to set their drinks down first.

Wiley Awards Ceremony lady with wine - Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don'ts

Wiley Awards Ceremony image cropped - Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don'ts

Cropped to remove the drink.

9. DON’T Drink Alcohol While Working

Quite often you’ll find alcohol flowing freely at events and parties, including even the high-level corporate get-togethers. You may be tempted to join in on the fun. If you are, I recommend waiting until your job is done and your camera gear is safely stashed away before indulging.

You wouldn’t want your client to give you the okay, only to have the CEO of the company or the bride’s father spotting you with a tall glass of whiskey in one hand and a camera in the other. You’re a professional, and that’s not a good look for you.

Editor’s note: I personally would recommend NEVER drinking at an event you are hired to attend, even if you are done shooting for the night. Other people can’t know that you’re off the clock. They just know that you’re the official photographer and that they saw you drinking. So use your own judgment.

wine bottles - Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don'ts

10. DON’T Make Sales Pitches to Attendees

I recall reading a one-star review of a wedding photographer who acted completely inappropriately on a job and it stuck with me. Not only did that photographer allegedly flirt with the bridesmaids but he tried handing a business card to the groom during the cake-cutting ceremony instead of photographing his client’s special moment.

Take note: Bad timing and poor social awareness could land you poor reviews and do harm to your business and reputation.

That’s not to say that your conversations with attendees couldn’t turn out to be productive, just remember that your paid job at the event is to photograph. Assuming that you’re maxing out your assignment, it’s fine to chat with guests here and there. But let the subject of your services arise from their questions, not from your self-promotion.

Summary

In summary, there are many precautions to consider in order to come off as a professional at an event. Whether it’s a wedding, party or corporate engagement, self-awareness is key, and a little preparation can go a long way in demonstrating your competency and professionalism.

If you follow these tips and do your best work, your clients will undoubtedly be impressed and more importantly – happy.

The post Event Photography Etiquette: Avoid Embarrassment With These 10 Dos and Don’ts appeared first on Digital Photography School.


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Yosemite’s Horsetail Fall ‘firefall’ event will require a vehicle permit this year

06 Feb
Photo by Ambitious Wench (CC-BY-SA-2.0)

For two weeks every February, Yosemite’s Horsetail Fall appears to be composed of flowing lava rather than water when illuminated by the setting sun. This beautiful illusion is referred to as a “firefall,” and it draws a large number of visitors who want to witness it in person. Due to the expanding size of these crowds, officials have announced that visitors (including photographers) will need to get a vehicle permit.

The permit requirement is an effort to deal with traffic issues and visitor safety, according to ABC7, which reports that officials are working with Yosemite Hospitality, Yosemite Conservancy, and the Ansel Adams Gallery on the matter. Details for the upcoming event are available on Event Brite where free reservations can be made.

According to the event page, Yosemite visitors planning to arrive via vehicle will need a permit to access Northside Drive between Yosemite Valley Lodge and El Capitan Crossover. Northside Drive will be closed to those without a permit from February 12th to February 26th.

A total of 250 parking permits are being offered for reservation on the Event Brite site.

The reservation requires visitors to provide vehicular information, including license plate, car make and model, and car color. Those who successfully reserve a spot will then need to pick up their permit from The Ansel Adams Gallery on the day of the reservation. Additionally, 50 or more first-come, first-serve permits will be offered at the gallery until 3PM each day.

According to the event page, in addition to getting a vehicle permit for the designation part of Northside Drive, visitors who want to see the firefall can either take a Yosemite Hospitality guided tour or hike to the viewpoints.

Articles: Digital Photography Review (dpreview.com)

 
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12 Tips for Better Nighttime Event Photography

25 Oct

There’s no way around it: doing nighttime event photography is tricky. Festivals, ceremonies, parties, and parades involve fast action, difficult lighting conditions, and hectic environments. It’s no wonder that first attempts at nighttime event photography often result in blurry and unusable images. Fear not – this article will help you get up to speed.

12 Tips for Better Nighttime Event Photography

1.  Know the pros and cons of different lens types

Instead of telling you, “use a fixed focal length lens with a wide aperture,” I want you to maintain an open mind to zoom lenses. Prime lenses are my first choice for shooting nighttime events where I’m free to move and get close to my subjects. However, for events where I’m confined to the audience or press section, I need the ability to zoom, frame, and isolate subjects without moving all that much.

In this article, the example images are a 50/50 mix of fixed focal length and zoom lenses. Through this, you’ll see what is possible with each type. Although zoom lenses with wide apertures (i.e., a Nikon 24-70mm f/2.8) are often said to be ideal for nighttime events, they are extremely expensive pieces of equipment.

12 Tips for Better Nighttime Event Photography

A scene from the Keelung Ghost Festival parade on September 4th, 2017 – Taiwan. This is a solid example of a nighttime event for which I chose a zoom lens over a prime. I was shooting from the press sectionthe edge of a wide boulevard on the action side of the crowd barrierand I could only move from side to side, not towards the action. Therefore, the ability to frame shots using a zoom lens was crucial to me.

2. Focus on the interplay of shutter speed, aperture, and ISO

Because creating a correct exposure is a balancing act between various settings, the next step is to focus on the interplay between shutter speed, aperture, and ISO. Generally, you want your nighttime event images to be sharp; therefore, make a fast shutter speed your priority.

With a prime lens, select a wide aperture (try f/2.8) and increase the ISO until your test shots register a shutter speed of 1/125th or preferably higher. Shooting wide open (i.e., f/1.4 or f/1.8) will result in slow autofocusing and you missing your shot. Go higher to avoid these problems.

With a zoom lens, select the widest available aperture available (i.e., f/4.0) and crank the ISO up high. I usually select ISO 3200 and fire off some test shots of a moving subject. Using these settings in aperture priority mode, I was able to achieve a shutter speed of 1/640th for the image below.

12 Tips for Better Nighttime Event Photography

A costumed performer dressed as a Chinese god runs straight towards me – Keelung, Taiwan. 1/640th | f/4.0 | ISO 3200 | Canon 24-105mm f/4 L.

3. Utilize available light

For my style of travel photography, I rarely use a flash; I prefer the results from utilizing available light. It takes a great deal of skill to use a flash in a way that compliments your images rather than detracts from them. Therefore, I recommend saving it for a later, more advanced stage of your photography journey.

12 Tips for Better Nighttime Event Photography

Pirouetting gypsy-style dancers amaze the crowd – Keelung, Taiwan. 1/250th | f/4.0 | ISO 3200 | Canon 24-105mm f/4 L. I waited until these dancers were beneath a spotlight to utilize this light source and achieve a faster shutter speed.

4. Get close to the action

Get as close as possible without disturbing the event’s participants. For the image below, I was in Manipur, a remote Indian state on the border with Myanmar. I sat cross-legged just as the boys opposite me were doing, which was fine until the real fighting began. This martial arts demonstration took place after dark in a poorly lit pagoda. It was hard enough to focus my eyes, let alone my camera. I had to push my ISO to the limits, even though I was using a prime lens.

The ancient Manipuri martial art of Thang Ta. This was the most challenging lighting condition I have ever shot in.  1/80th | f/1.4 | ISO 25,600 | Sigma 35mm 1.4 Art. You read that right – ISO 25,600! Note the noise.

5. Ask your subjects to move

At nighttime events, I am always on the lookout for well-lit spots. I want a place with bright artificial light that I can utilize to increase my shutter speed. Once I’ve found both the spot and my willing portrait subject, I ask them if they would be kind enough to step into the light. This is the best method for capturing beautiful portraits at nighttime events without a flash.

12 Tips for Better Nighttime Event Photography

Girl of the Meitei ethnic group at the Lai Haraoba festival – Manipur. The temple where the festival was taking place was dimly lit; however, one corner had the light I was looking for. She agreed to move, which allowed me to achieve a shutter speed of 1/200th.

6. Use continuous shooting mode

Once you have nailed your settings in combination with the available light, I recommend that you set your camera to continuous shooting mode. Take a look at the image below. I took five similar shots within fractions of a second of each other, and could then select the image with the best composition, facial expressions, and lighting when I was back at home.

Children’s rollerblade display team at the Ghost Festival parade – Keelung, Taiwan. 1/250th | f/4.0 | ISO 3200 | Canon 24-105mm f/4 L

7. Observe, anticipate, and shoot

Another technique is to spend time observing the event. Look for patterns in movement and people that would make the best subjects. Try to compose the shot you want to take in your head. Next, get into position and select your settings. Anticipate what is likely to happen and be ready when it does. Finally, shoot away.

12 Tips for Better Nighttime Event Photography

Ladies performing a dance for the Lai Haraoba festival – Manipur, India. The dance involved moving slowly in a circle for one hour or longer. I was able to observe full rotations, anticipate exactly where to stand for the best view and light, and then shoot when the ladies came back around.

8. Frame using the environment and set the scene with the background

This is a valuable technique for increasing the visual interest and storytelling elements in your nighttime event shots. Be on the lookout for environmental features, which could also take the form of other people, to frame your shots. Take a look at the example below.

The younger Manipuri ladies watched their elders’ intricate hand movements to check if their own were correct. To communicate this detail, I framed the shot from behind the two oldest women and used their heads to frame the younger ladies looking back at them.

9. Move and use your feet

Your legs are your zoom when you’re using a fixed focal length lens. Throw yourself into the action. Crouch, climb and run your way to finding interesting angles and available light. In the image below, I left my seated position among the crowd, stood below the stage looking up at the priest, and composed the shot.

12 Tips for Better Nighttime Event Photography

Hindu priest performing the Ganga Aarti ceremony – Varanasi, India. 1/125th | f/1.4 | ISO 1250 | Sigma 35mm 1.4 Art

10. Interact with your subjects

Get the attention of your subjects and make eye contact before raising your camera. I remember waving, smiling, and shouting “Ni hao!” to the performer in the image below, which led to a series of interactions and photo opportunities.

12 Tips for Better Nighttime Event Photography

A performer at the September 4th Ghost Festival parade in Keelung, Taiwan interacted with me directly after I initiated contact. 1/125th | f/4.0 | ISO 3200 | Canon 24-105mm f/4 L

11. People expect to be photographed. Don’t hold back.

This isn’t street photography. The protagonists and guests at your event, particularly festivals and parades, probably expect to be photographed. An exception to this would be religious ceremonies, which require extra sensitivity on your part. Ask permission from someone in charge, and if someone asks you not to photograph them you should absolutely respect their wishes.

12 Tips for Better Nighttime Event Photography

Taiwanese lady marching with members of her organization in the Keelung parade. 1/400th | f/4.0 | ISO 3200 | Canon 24-105mm f/4 L

12. Research your location ahead of time

Finally, pick an event ahead of time and research it. Consider attending on two different nights with two different sets of objectives. This is what I did when I attended the Ganga Aarti ceremony in Varanasi, India. The first night, I used a 35mm prime lens and focused on close-up action shots and portraits. The second night, I shot the ceremony from a boat on the Ganges using a 24-105mm zoom lens.

12 Tips for Better Nighttime Event Photography

Walking across tightly-packed boats on the Ganges, this boy used his thumb to brush colored powder onto the forehead of anyone with 10 rupees to offer – Varanasi, India. 1/50th | f/4.0 | ISO 3200 | Canon 24-105mm f/4 L. Note the lower shutter speed, which ended up not really mattering. Through spot metering off the flames and utilizing available light, I was able to come away with not only a usable image but also one of my favorite shots from two months in India.

Conclusion

Put these 12 tips for better nighttime event photography into practice soon. Why not look in your local newspaper and check for events that you could attend this week? Don’t forget to share your comments and images below.

The post 12 Tips for Better Nighttime Event Photography by Ben McKechnie appeared first on Digital Photography School.


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Watch Sony’s a7R III livestream event on DPReview

25 Oct

Sony dropped a bombshell at 2am Eastern time last night, announcing the 42.4MP mirrorless full-frame Sony a7R III to the world. And this morning, at a special event in New York City, they’ll officially ‘unveil’ this camera (and more) with all of the Apple-esque showmanship we’ve come to expect from Sony camera launches.

The ‘special livestream event’ starts in just a few minutes. Click play up top and open up the DPReview Twitter account in another page for live commentary from our lovable nerds at the event.

Articles: Digital Photography Review (dpreview.com)

 
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