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Leaked: GoPro to reveal entry-level ‘HERO’ action cam this week, will cost $200

27 Mar

A major leak earlier today confirmed what rumors have been claiming for over a week: GoPro is preparing to release an entry-level version of its HERO action cam. The new camera—ostensibly just called the GoPro HERO—will feature the same styling as its high-end HERO6 sibling but, thanks to some pared down specs, is allegedly priced between $ 180-$ 200.

According to this leaked PDF courtesy of Nokishita, the GoPro HERO will shoot 1080/60p and 1440/60p video as well as 10MP stills at up to 10fps, can capture timelapse video at 0.5 second intervals, is waterproof to 10m (~33 feet) out of the box, and features a 2-inch touchscreen on the back.

The PDF (which is in French) also specifies that the camera features WiFi and Bluetooth connectivity, voice control, and compatibility with GoPro’s one-touch Quik Stories highlight video creation in the GoPro app.

The leak does not cover price or release date; however, Photo Rumors is reporting that the new HERO camera—also seen in the leaked images above—will cost between $ 180 and $ 200, and Nokishita writes that the HERO will be announced on March 30th. If that turns out to be the case, be sure to check in with DPReview this Friday for the official details.

Articles: Digital Photography Review (dpreview.com)

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Photography Equipment Comparisons – Entry-Level Versus High-End Gear Does it Matter?

16 Feb

Photographers tend to get obsessed with having the latest, greatest toys. But does it matter which camera or bits of equipment you use? If so, how much? Or is it more about how you use it, and the skills you possess?

Let’s take a look at three video comparisons of some of the top level photography equipment available and some entry-level options.

Rich photographer – poor photographer

I like the play on words here, hinting at the concept of the “Rich Dad Poor Dad” series of books by Robert Kiyosaki. In the video, the guys over at f-stoppers do a portrait shoot with two different sets of lighting equipment. One which costs nearly $ 10,000, and the “poor man’s” version which will run you about $ 425.

Can you see a difference in the final portrait results? No, I can’t see much difference either.

$ 1100 versus $ 5499

In this second video, Peter McKinnon looks at the virtues of both the Canon 80D ($ 1099) and the Canon 1Dx Mark II (Note: at the time of writing, this camera is listed at $ 5499). Is the latter worth five times as much? You decide.

If you are a sports shooter, you may need the extra frames per second rate the 1DX offers. But if you’re a wildlife photographer you may prefer the extended reach of the crop sensor in the 80D. Portrait photography can be done with either, but you likely don’t need to spend the extra money on the 1DX if that’s what you shoot.

Note: when the video was made the 1DX was likely priced higher, so please note the difference in prices in the video to current pricing.

Camera shootout – it’s not about the gear

In this last video let’s see what happens if two professional photographers each pick up an entry-level Canon Rebel T3i and hand their Canon 5D Mark IV to an amateur. They do a little shootout with the same model, in the same lighting conditions and studio. Let’s see who comes out on top.

The Canon T3i is discontinued, the price for the current model, the T6 is $ 449 with the 18-55mm lens. The Canon 5D Mark IV is $ 3299 + $ 1699 for the 35mm f/1.4 lens shown in the video = total $ 4998.

Your thoughts?

So what are your thoughts after watching the videos? Have you made the decision to invest in high-end lenses or a full frame camera body? If so, have you found it to fill your needs better – was it worth it? Let’s discuss in the comments below.

The post Photography Equipment Comparisons – Entry-Level Versus High-End Gear Does it Matter? by Darlene Hildebrandt appeared first on Digital Photography School.

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Have your say: Best entry-level ILC of 2017

16 Dec

The most important camera you’ll ever own is the first one you buy. This year was relatively quiet on the entry-level ILC front, but the quality of the cameras released in this market segment was universally excellent. Vote while you can – polls close Monday!

Articles: Digital Photography Review (dpreview.com)

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Manfrotto unveils Element Carbon entry-level carbon fibre tripod range

09 Oct

Popular tripod and accessory maker Manfrotto has just revealed a new range of entry-level carbon fibre tripods that it hopes will attract photographers looking for good quality gear at a slightly more affordable price. The two new Element Carbon tripods are aimed at travel photographers and come in two sizes with payload recommendations of 4kg/8.82lb and 8kg/17.64lb.

The three-position carbon fibre legs feature twist locks, and the larger of the two has a detachable leg that can be fitted to the centre column to form a full-sized monopod. The ball-and-socket heads that come with the legs are made from aluminum and use an Arca-style quick release plate.

The maximum height of the Manfrotto Element Carbon tripods is 143cm/56.3in for the small version and 164cm/64.57in for the large one, and they weigh 1050g/2.3lb and 1400g/3.08lb, respectively. The new tripods will be priced at £175 and £200—US pricing has yet to be released. For more information, visit the Manfrotto website.

Press Release

INTRODUCING THE NEW MANFROTTO ELEMENT CARBON

Fast Setup. Perfect shot.

Smart traveller tripods for photographers who want to learn, experiment and travel free
Lightweight on your shoulders, stable on the ground.
Essential design ensures instant set up for an enjoyable shooting experience

Manfrotto, world leader in the photography, imaging equipment and accessories industry, presents Manfrotto Element Carbon. The Manfrotto Element Carbon tripods are the perfect fit for travel photographers who are just starting out and enthusiasts.

The two new Element Carbon traveller tripods are reliable, lightweight and easy to carry. Both feature a compact and sturdy carbon fibre construction that makes them strong but still very portable. The three leg-angle positions mean they are highly versatile so they are perfect for experimenting with all kinds of creative shots. The twist lock mechanism enables photographers to get into the right position fast, in a few, easy moves, while the aluminum ball head is designed to deliver the fast movement when framing and a firm lock for setting equipment up exactly as you need it. The ball head mounts an Arca-type quick release plate with a 1/4″-20 camera screw on top that ensures equipment is balanced even when using zoom lenses.

In addition, the Element Traveller Carbon Big Tripod features a detachable leg that, when removed and attached to the centre column, becomes a full size lightweight monopod.

The Element Carbon Tripods have a payload of 4kg on the small tripod, and 8kg on the big tripod and feature a branded Manfrotto bag, an additional set of spike feet (big tripod only) and an Allen key to fix and tighten your gear.

The Element Carbon Tripods are available from £174.95.

For more information, please visit www.manfrotto.co.uk

Articles: Digital Photography Review (dpreview.com)

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Smartphones killed the compact and now they’re coming for entry-level ILCs

14 Aug

When friends ask me to recommend a camera, more often than not they say they’re looking to take better pictures than what they get from their phone. But what does “better than my phone” actually mean?

One of those key differentiating factors has been the “pretty blurry background” effect that an interchangeable lens camera is capable of producing. Whether you know the word ‘bokeh’ or not, you know what a nice portrait looks like: sharp focus on the subject, a soft blurry background. And you know that your phone can’t do it (until now – more on that in a second). In my experience, that’s often part of what people mean when they say “better than my phone.” But those days are quickly coming to an end, and it’s the iPhone 7 Plus leading the way.

It’s not even a question of if the $ 500 ILC becomes obsolete, it’s a matter of when

The iPhone 7 Plus offers Portrait Mode, which uses depth information from the device’s two rear-facing cameras to mimic shallow depth of field. Apple sure didn’t invent it, and it’s far from perfect, but that doesn’t matter: they’ve made the effect very convincing and put it in the hands of millions of users.

The entry-level ILC is dead, long live the entry-level ILC

It’s not even a question of if the $ 500 ILC becomes obsolete, it’s a matter of when. And when may actually be right now. Ex-Google SVP Vic Gundotra spelled it out in a recent Facebook post.

He pretty much hits the nail on the head right there. As it functions now the effect isn’t perfect, but it’s likely already good enough for most people, and it’s only going to keep getting better. And that phrase, “good enough for most people” is exactly how we talked about smartphone cameras just as the compact camera was dealt its final blow.

Computational photography killed the $ 500 DSLR

I know what you’re thinking. “But zoom! Pixel-level resolution! Low light image quality!” I’m here to tell you that smartphones are already well on their way to solving those problems, if they haven’t already. And here’s the key: they don’t have to get it perfect, it just has to be convincing enough to most people. Also, there are approximately zero people outside of the photography community who care how their photos look at 100% magnification.

Smartphone cameras can’t get any bigger than they already are, but they can get smarter. With more cameras, sophisticated algorithms and computational techniques, that’s exactly what they’re doing. It won’t be long before your smartphone camera’s auto mode will be able to retouch images in real-time. Or change apparent focal length after-the-fact.

Lots of people who do want the image quality benefits traditionally associated with a DSLR actually want nothing to do with a DSLR

Autofocus may be the piece of the puzzle that’s hardest to solve. Smartphones are slow to focus in low light, but $ 500 ILCs don’t do a whole lot better. And neither smartphone nor entry-level DSLR is particularly good at tracking a moving toddler, for example. It’s always been necessary to go farther up the product chain to get appreciably better autofocus.

Then there’s just plain old inertia: lots of people who do want the image quality benefits traditionally associated with a DSLR actually want nothing to do with a DSLR. They’re big, confusing and come with a significant learning curve. Camera manufacturers have been able to sell cameras to somewhat unwilling customers because they alone held the keys to better images. So once the device that’s already in your pocket does just about everything a Canon T6 does, why on earth would you be bothered to buy a Rebel?

More than just image capture

Also consider that phones aren’t just capture devices – they’re an interface for your image storage and management. Sure, most entry-level ILCs will connect to your phone via Wi-Fi, but even when it works well, it’s never as easy as just capturing the images on your smartphone in the first place.

Once smartphones can do a reasonably good imitation of things like bokeh and optical zoom, those who never wanted to pick up a dedicated camera won’t have to

There are many ‘set it and forget it’ image management services that will automatically back up your photos, and they don’t stop there – they’ll automatically identify subjects, allow you to search by keyword and date, and organize them into a reasonably-priced photo book for you. Sure beats the pants off spending hours importing and cataloging photos on your hard drive.

There will always be lower-cost, accessible ILCs for people who want to venture outside of ‘green square mode.’ But once smartphones can do a reasonably good imitation of things like bokeh and optical zoom, those who never wanted to pick up a dedicated camera won’t have to.

You’re reading an article on a photography website, so I feel safe saying that you and I care about photography. We want to make pictures, and we take joy in the process. But many people don’t, and they are happy to turn the job over to their smartphone. The day when that segment of the photo-taking population can do that and see results that are good enough in their eyes is right around the corner – if it isn’t already here.

Articles: Digital Photography Review (dpreview.com)

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DJI launches Phantom 3 SE entry-level camera drone

11 Aug

DJI has added a new drone model to its portfolio. The DJI Phantom 3 SE is targeted at beginner pilots and offers a flight time of 25 minutes. A key differences to the standard Phantom 3, is that the SE features a vision positioning system that lets the drone hover and fly in a stable manner indoors or in areas without connection to GPS satellites.

The SE model also offers a video transmission range of up to 2.5 miles versus only 0.5 miles on the Phantom 3, and records video in 4K resolution at 30 frames per second compared to the standard version’s 2.7K footage.

In still image mode the camera can capture 12MP images, with the lens offering a 94-degree field of view. Other key features include flight speeds of up to 35mph and the capability to return automatically to a recorded home point when the battery levels of the drone or the remote controller get too low.

The DJI Phantom 3 SE is available now for $ 600. More information and detailed specifications are available on the DJI website.

Press Release

DJI Phantom 3 SE Now Available in Select Markets Worldwide

DJI has announced the availability of its final model in the iconic Phantom 3 product line with the Phantom 3 SE camera drone.

The Phantom 3 SE features several improvements over its predecessor, the Phantom 3 Standard, including the ability to record 4K ultra high-definition video, and a Vision Positioning System for precise navigation and flight stability. It also has an improved dual-band Wi-Fi remote control with a transmission range of up to 2.5 miles delivering over four times the range of the Phantom 3 Standard.

The Phantom 3 SE is available in select markets worldwide on store.dji.com and through DJI Authorized Dealers including Europe, Korea, Latin America, New Zealand, North America, and Taiwan. The U.S. retail price is $ 599 USD.

For more info and local pricing, please visit store.dji.com.

Articles: Digital Photography Review (dpreview.com)

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Entry-level DSLRs compared: Canon EOS Rebel SL2 vs. Nikon D3400

07 Aug

Entry-level DSLRs compared: Canon EOS Rebel SL2 vs. Nikon D3400

The entry-level DSLR segment is traditionally highly competitive, and dominated by two big names: Canon and Nikon. With Canon’s new Rebel EOS SL2 just hitting dealers’ shelves, we’ve compared it against one of its main competitors – the Nikon D3400.

Keep an eye out for our full review of the Canon EOS Rebel SL2 coming soon, and read our previously-published review of the Nikon D3400 here.

Sensor

Twenty four megapixels is becoming a pretty standard resolution for entry-level and midrange DSLRs, but despite the identical pixel count, the sensors in the Nikon D3400 and Canon EOS Rebel SL2 are quite different. Most significantly, the Canon’s sensor is slightly smaller. This means that it introduces a slightly more aggressive crop factor of 1.6X, compared to 1.5X from the D3400.

Crop Factor

Should you care about this? That depends. We expect image quality from both cameras to be broadly similar for most shooting, but the increased crop factor may be relevant to you, especially if you enjoy shooting with long lenses.

You should be aware that (for example) the new Tamron 18-400mm will offer slightly greater telephoto reach on the SL2 (29-640mm equiv.) than it will on the D3400 (where it will cover an equivalent zoom range of 18-600mm). Likewise, a typical 50-200mm telezoom will reach slightly further on an EOS Rebel SL2 (~320mm) than it will on the D3400 (where it caps out at an equivalent focal length of 300mm). Honestly though, the difference between a 1.5X crop and a 1.6X crop is so minimal at normal focal lengths that shouldn’t be a reason to choose one system over another.

Autofocus (viewfinder)

Entry-level DSLRs are not typically characterized by advanced autofocus systems, and the Nikon D3400 and Canon EOS Rebel SL2 are pretty typical of cameras in this class. Remarkable, the D3400’s 11-point AF system has been around for more than ten years, and the SL2’s 9-point AF system (illustrated above) isn’t much newer. Neither AF system is particularly remarkable, but both are perfectly reliable in normal everyday use.

Where the Nikon scores over the Canon is in AF-C mode, with 3D AF Tracking turned on. Although nowhere near as versatile as the 153-point system in Nikon’s high-end D5 and D500, 3D AF Tracking does work in the D3400, and offers a good solution for casual sports and wildlife photography.

Autofocus (live view / video)

In live view and movie mode, the AF tables are turned. Here, the Canon EOS Rebel SL2 offers a far superior autofocus system, thanks to Canon’s unique Dual Pixel AF, which provides on-sensor phase-detection, covering 80% of the image area (indicated above). As such, the SL2 actually boasts better AF performance in live view mode than it does when used as a conventional DSLR.

General performance

The Nikon D3400 and Canon EOS Rebel SL2 give similar performance overall, when measured by standard features like maximum continuous shooting rate (which is the same, at 5fps for both cameras) and ISO sensitivity span (again, the same, at ISO 100-25,600). Both are capable of capturing great-looking images in most shooting situations, and doing so quickly and without fuss. Both cameras offer an option for quiet/silent shooting, too – which is nice.

The Nikon D3400 does have a couple of tricks up its sleeve though – for one thing, it offers a more generous Raw buffer in continuous shooting, and is capable of capturing 10 Raw files at 5 fps as opposed to 6, from the Canon SL2, before slowing to allow the buffer to clear. The D3400’s 11-point AF system is superior to the 9-point system in the SL2 too, especially when it comes to tracking moving subjects.

Rear screen

The Canon Rebel EOS SL2 has a far better rear screen than the Nikon D3400, in multiple respects. For one thing it’s articulated, rather than being fixed. This is especially helpful for movie shooting and live view work. It’s higher resolution than the D3400’s LCD too, offering 1.04 million-dots compared to 920k.

Touch-sensitivity

The difference between 920,000 and 1.04 million dots is modest, but more significant is the addition of touch-sensitivity in the Canon SL2, which can be extremely useful when it comes to setting AF point position in live view and movie modes. And thanks to Canon’s Dual Pixel autofocus system, when you set AF by touch on the SL2, you can expect fast, accurate and smooth focus.

Movie mode

As far as video is concerned, these cameras offer a near-identical specification, but very different user experiences. Both the D3400 and Rebel SL2 feature a now-standard (for entry-level DSLRs at any rate) 1080/60p maximum resolution setting, and both can shoot perfectly good looking video. At this level we wouldn’t expect any video-centric extras like zebra highlight warnings or focus peaking, but it’s nice to see that Canon provides a mic socket on the SL2 (pictured above) for users that want to upgrade from the camera’s built-in microphone.

The big differences between the D3400 and SL2’s video modes become obvious when you start shooting. The D3400’s fixed, non touch-sensitive rear LCD and contrast-detection autofocus system provide a pretty clunky experience. You can shoot video on the D3400, and footage looks fine, but it’s not much fun.

The SL2 on the other hand offers a fully articulating, touch-sensitive rear display and Canon’s excellent Dual Pixel autofocus system. This is a no-brainer: if you’re interested in shooting video as well as stills, get the SL2.

Connectivity

Both of these cameras offer built-in connectivity options, but they work in very different ways. Nikon has tried to make things easy with its low-energy Bluetooth ‘Snapbridge’ connectivity suite (see screen-grabs above) but in practice, we have had issues getting it to work reliably, especially when paired with iOS smart devices. And even when it does work, sending files to a smartphone over Bluetooth is a very slow, frustrating experience. If you want Wi-Fi, you’ll have to upgrade to a model higher up in Nikon’s DSLR lineup.

The Canon EOS Rebel SL2, on the other hand, includes built-in WiFi with NFC, plus Bluetooth, and the option to add a GPS receiver. The overall implementation of these features is much more sensible and versatile. It’s also pretty hassle-free.

User interface / handling

As entry-level DSLRs, the D3400 and Rebel SL2 are designed to be as small and light as possible, while remaining easy to use for beginner photographers. Both Canon and Nikon have long experience of designing cameras for this audience, and it shows. The D3400 and SL2 are mature, well-designed products that serve their intended buyers well, offering a range of fully automatic shooting modes, along with manual exposure control for more advanced or aspiring photographers.

In addition, both cameras offer a simplified, more illustrative UI compared to their higher-end stablemates, including the option of a specifically beginner-focused interface, geared towards educating novice DSLR photographers about the best choice of settings for certain subjects, and the effects of different exposure parameters on the final image.

For our money, the D3400’s ‘GUIDE’ mode, which takes the form of a simplified on-screen tutorial, makes it a better DSLR for the absolute beginner.

User interface / handling

Both cameras are very small and light, but impressively, the SL2 offers a fully-articulating, touch-sensitive LCD screen while still feeling very slim. The D3400 is a few grams lighter, but not enough that you’d notice when the two cameras are held side by side.

Battery life

The D3400 offers substantially greater battery life than the Canon EOS Rebel SL2, at a quoted 1,200 shots compared to 650 under CIPA conditions, which includes 50% flash use. Canon quotes a battery life of ~800 when flash is not used at all. We generally expect CIPA estimates to be on the low side, so the SL2’s battery life will probably be better than these figures might suggest in normal use, but it’s clear that the D3400 offers a lot more endurance on a single charge.

Articles: Digital Photography Review (dpreview.com)

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Meet the EOS 6D Mark II – Canon’s entry-level full-frame DSLR

29 Jun

Hands-on with Canon EOS 6D Mark II

Meet the new 6D – it looks a heck of a lot like the old 6D, but before you jump to the comments to complain about how nothing exciting ever happens in the camera industry anymore, read this article first.

Because appearances are deceptive…

Hands-on with Canon EOS 6D Mark II

One of the most notable upgrades compared to the original 6D is an entirely new 26.2MP full-frame CMOS sensor, with a native ISO sensitivity span of 100-40,000.

We haven’t been able to conduct any lab testing yet, but from our initial shooting it appears (unsurprisingly) to deliver better image quality than the 20MP sensor inside the 6D. The bump in resolution from 20 to 26 Megapixel won’t make as much difference to maximum print sizes as the bare number might suggest, but as a general rule, more pixels = better image quality.

Hands-on with Canon EOS 6D Mark II

Ergonomically, the 6D Mark II is exactly what you’d expect. Button layout is virtually identical to the original EOS 6D, and anyone with experience of a recent EOS-series DSLR will be able to find their way around without any trouble at all.

Hands-on with Canon EOS 6D Mark II

It’s the same story on the back of the Mark II, with one very obvious difference. The LCD is now touch-sensitive, and fully articulating.

Hands-on with Canon EOS 6D Mark II

Like so. Operationally, this makes the 6D Mark II behave very much like the APS-C format EOS 80D. It even shares the same 45-point phase detection autofocus system, with the same Dual Pixel AF implementation in live view and movie modes too, covering 80% of the frame both vertically and horizontally.

Speaking of movie mode, the EOS 6D Mark II offers a fairly standard (ahem – standard for Canon) video feature, with a maximum resolution of 1080/60p. If you want 4K, you’ll have to save up for an EOS 5D Mark IV, I’m afraid.

Hands-on with Canon EOS 6D Mark II

Spot the difference – externally, the 6D Mark II (on the left) is extremely similar to its predecessor. It’s basically the same weight, too – 685g (1.5 lb) compared to 680g.

Hands-on with Canon EOS 6D Mark II

And aside from the redesigned screen, it’s pretty much identical from the back, too. Which is fine – the 6D was a pleasant, intuitive camera, and aside from some very minor styling differences (the card access lamp is now above the memory card door, not below – tell all your friends!) the Mark II barely alters the basic recipe.

While the simultaneously announced EOS Rebel SL2 features a dedicated Wi-Fi button, setting up the 6D’s wireless system is all done through the camera’s menu system. The 6D II supports NFC for easy pairing with Android devices as well as Bluetooth for maintaining a constant connection with your mobile device. Like its predecessor, the EOS 6D Mark II also offers a built-in GPS for image geotagging.

Hands-on with Canon EOS 6D Mark II

Note the raised collar around the hotshoe. This forms a weatherproof seal when the 6D Mark II is used with one of Canon’s high-end flashguns.

As usual, Canon is coy when it comes to the extent of the EOS 6D Mark II’s weather-sealing, but I am in the unusual position of having been able to test a pre-production unit in moderately heavy rain. You’ll be reassured to know that while I got quite soggy, the camera didn’t stop working, explode or fall apart in my hands.

Hands-on with Canon EOS 6D Mark II

For almost 30 years, non-pro Canon SLRs have sported the same distinctive exposure mode dial. This is where you’ll find the standard PASM shooting modes, as well as auto exposure modes, including full-auto, custom shooting settings and scene modes (‘SCN’). The 6D Mark II’s main power switch is just below.

Hands-on with Canon EOS 6D Mark II

Some readers might be disappointed with the 6D Mark II’s single SD card slot (and lack of UHS-II support,) but a lot of enthusiasts and advanced amateurs probably won’t care. With card capacities of 64GB+ and built-in Wi-Fi, some 6D II users might find themselves swapping cards very rarely.

That said, with a maximum shooting rate of 6.5 fps, the 6D Mark II will rip through card space quicker than its predecessor (which maxed-out at 4.5 fps) especially in Raw mode.

Hands-on with Canon EOS 6D Mark II

The LP-E6N battery is compatible with most high-end Canon DSLRs, which is great news for anyone considering a 6D Mark II as a second camera alongside an original 6D or recent 5D-series body. Battery life is quoted as 1200 shots in viewfinder shooting mode, dropping to ~400 in live view.

Hands-on with Canon EOS 6D Mark II

Like the 5D and 1D-series bodies, the 6D Mark II is compatible with Canon’s Remote Switch RS-80N3, and the programmable TC-80N3. The remote switch socket is positioned at the front of the camera, safely out of the way of the handgrip.

Hands-on with Canon EOS 6D Mark II

Standard HDMI and USB I/O ports can be found on the side of the 6D Mark II, alongside a mic socket. We’re pleased to see that the mic socket is offset, which means that it shouldn’t snag the articulating screen during movie shooting.

You can read more about using the EOS 6D Mark II in my shooting experience.

What do you make of the EOS 6D Mark II? Let us know in the comments below.

Articles: Digital Photography Review (dpreview.com)

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Canon EOS Rebel T7i / 800D bring Dual Pixel AF to entry-level series

15 Feb

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Canon is taking the wraps off its latest entry-level DSLR, the EOS Rebel T7i (known as the EOS 800D in most regions and the Kiss X9i in Japan). It’s the highest specified of the beginner-friendly line and maintains the same 24.4MP resolution CMOS sensor as its T6i predecessor. What is new is a 45-point all cross-type autofocus system used for viewfinder shooting, and Dual Pixel AF in live view, a pretty serious upgrade over the T6i’s 19-point system.

The T7i is the first Rebel to use Canon’s Digic 7 image processor, and provides a slightly faster 6 fps burst rate. Wi-Fi and NFC are now complemented by Bluetooth, making it compatible with Canon’s first-ever Bluetooth wireless remote as well as smartphones. A 3″ 1.04 million-dot touchscreen is offered, as is a new interface designed to guide beginning photographers and help them get the shots they want.

The Canon EOS Rebel T7i will go on sale in April for $ 750 body-only, $ 900 with the new EF-S 18-55mm F4-5.6 IS STM and $ 1300 with EF-S 18-135mm F3.5-5.6 IS STM.

NEW CANON EOS REBEL T7i AND EOS 77D CAMERAS POSSESS STUNNING AUTOFOCUS CAPABILITIES

New DSLR Additions are Joined by New Compact EF-S Lens and Canon’s First-Ever Remote Utilizing Bluetooth® Technology³

MELVILLE, N.Y., February 14, 2017 – Developed and designed to meet the varying needs of entry-level and advanced amateur photographers, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced two new additions to the celebrated EOS system – the EOS Rebel T7i DSLR camera, which adds to the popular Rebel series of entry-level DSLR cameras, and the EOS 77D DLSR camera, which represents a new category of cameras for advanced amateur photographers. Canon also introduced today the new EF-S 18-55mm f/4-5.6 IS STM lens and Wireless Remote Control BR-E1, as well as added functionality for the Canon Connect Station CS100. “In what marks the 30th year since the introduction of the Canon EOS System, the announcement today of these two new DSLR cameras exhibits Canon’s commitment to providing our customers with the tools they need to grow their passion for capturing the best possible pictures of the moments in time that mean the most to them, or inspire them to one day shoot professionally,” said Yuichi Ishizuka, president and COO, Canon U.S.A.

Focused on Innovation

The EOS Rebel T7i and EOS 77D both feature an optical viewfinder with a 45-point All Cross-type AF system^* to help enable more precise focusing. In live view mode, both cameras utilize Canon’s Dual Pixel CMOS AF to deliver the world’s fastest AF focusing speed of 0.03 seconds.¹ This technical achievement allows users to find their subject, focus accurately, and capture the shot more quickly than ever before. Both models also have built-in Wi-Fi®², NFC³ and Bluetooth®⁴ technology for easy transfer of images.

In addition to the focusing enhancements, common features of the EOS Rebel T7i and EOS 77D cameras include:

Optical Viewfinder with a 45-point All Cross-type AF System*
Fast and accurate Dual Pixel CMOS AF with Phase-detection
24.2 Megapixel CMOS (APS-C) Sensor
DIGIC 7 Image Processor, ISO 100–25600
Built-in Wi-Fi®², NFC³ and Bluetooth®⁴ technology
Vari-angle Touch Screen, 3.0-inch LCD
Movie Electronic IS
HDR Movie & Time-Lapse Movie
High-speed Continuous Shooting at up to 6.0 frames per second (fps)

Canon EOS Rebel T7i Camera

The EOS Rebel T7i is the first camera in the EOS Rebel series with a 45-point, all cross-type AF system* within the Optical Viewfinder. It is also the first in the series with Dual Pixel CMOS AF with Phase-detection and the first with a DIGIC 7 Image Processor. Creative filters for both still images and video will allow users to customize the look and feel of their content in new and imaginative ways.

When designing the new EOS Rebel T7i, Canon took into consideration feedback from entry-level photographers who expressed interest in learning to go beyond the program mode of a DSLR camera. Users will now be able to see on-screen how switching modes on the mode dial or tweaking settings can alter the image they are about to capture, guiding photographers on their way to capturing more compelling images, such as ones with a shallower depth-of-field or being able to give moving-subjects a frozen or flowing look.

The Canon EOS Rebel T7i is scheduled to be available in April 2017 for an estimated retail price $ 749.99** for the body only, $ 899.99** with the new EF-S 18-55mm f/4-5.6 IS STM lens and $ 1,299.00** with the EF-S 18-135mm f/3.5-5.6 IS STM lens respectively. For more information please visit, usa.canon.com/eosrebelt7i.

Canon EOS 77D Camera

For advanced amateur photographers looking to expand their knowledge and experience with DSLR cameras, Canon’s new EOS 77D is the ideal next step camera for them. The EOS 77D represents a new category of advanced amateur EOS cameras, a step above the Rebel series. Users of the EOS 77D DSLR camera will benefit from features like the 7650-pixel RBG+IR Metering Sensor, similar to the one found in the EOS 80D camera and Anti-Flicker shooting mode to help combat the on-and-off repetitive flickering from artificial lights found in high-school gyms or auditoriums. The EOS 77D also features a top LCD panel and quick control dial for photographers who desire quicker and easier access to changing and controlling settings on the camera.

The Canon EOS 77D is scheduled to be available in April 2017 for an estimated retail price $ 899.99** for the body only, $ 1,049.00** with the new EF-S 18-55mm f/4-5.6 IS STM lens and $ 1,499.00** with the EF-S 18-135mm f/3.5-5.6 IS USM lens respectively. For more information please visit, usa.canon.com/eos77d.

EF-S Lens and Remote Accessory Utilizing Bluetooth® Technology

The new Canon EF-S 18-55mm f/4-5.6 IS STM lens is nearly 20 percent smaller than the EF-S 18-55mm f/3.5-5.6 IS STM lens, without sacrificing image quality. Features of the lens include:

Compact-size, Standard Zoom Lens with High Image Quality
Lead Screw-type STM
Image Stabilization at up to 4⁵ Stops of Shake Correction
Stylish Design

The Canon EF-S 18-55mm f/4-5.6 IS STM lens is scheduled to be available in early April 2017 for an estimated retail price of $ 249.99**. For more information please visit, usa.canon.com/efs1855stm.

In addition, Canon is introducing it’s first-ever remote utilizing Bluetooth® technology3, the Wireless Remote Control BR-E1. This new remote allows photographers to capture images from within a 16-foot radius of the camera. This camera accessory is useful for photographers who are looking to capture images remotely in situations where there could be issues with signal reception or line-of-sight to the camera. The Canon Wireless Remote Control BR-E1 will be compatible with both the EOS Rebel T7i and EOS 77D cameras. The Canon BR-E1 is schedule to be available in April 2017 for an estimated retail price of $ 50.00**.

CS100 Firmware Update
Both the EOS Rebel T7i and EOS 77D cameras are compatible with the Canon Connect Station CS100 device, a go-to-photo and video hub that allows family and friends a way to quickly and easily store, manage view and share unforgettable memorable moment’s wirelessly⁶. Canon is also announcing today a firmware update to the Canon Connect Station CS100 device and mobile application. The firmware update includes the following improvements:

Compatibility for select Canon and non-Canon cameras, with a wider range of supported file formats⁷
Support for video playback of computer-edited movies⁸
Improved smartphone connectivity and compatibility

For more information about the Canon Connect Station firmware update, please visit usa.canon.com/cs100mobile.

* The number of AF points, cross-type AF points and Dual cross-type AF points vary depending on the lens used

** Availability, prices and specifications subject to change without notice. Actual prices are set be individual dealers and may vary.

1 Among all the interchangeable lens digital cameras incorporating the APS-C size image sensors with phase-difference detection AF on the image plane As of February 14th, 2017 (Researched by Canon). Calculated based on the resulting AF speed measured according to the CIPA guidelines. (Varies depending on the shooting conditions and the lenses used.) Internal measurement method. [Measurement conditions] Focusing brightness: EV 12 (room temperature, ISO 100) Shooting mode: M Lens used: EF-S18-55mm f/4-5.6 IS STM (at focal length of 55mm) Live View shooting AF method: Live 1-point AF (with Center AF point) AF operation: One-Shot AF

2 Compatible with iOS® versions 8.0/8.1/8.2/8.3/8.4/9.0/9.1/9.2/9.3/10.0, Android™ smartphone and tablet versions 4.1/4.2/4.3/4.4/5.0/5.1/6.0/7.0. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

3 Compatible with Android™ smartphone and tablet versions 4.0/4.1/4.2/4.3/4.4/5.0/5.1/6.0/7.0. 4Compatible with select smartphone and tablet devices (AndroidTM version 5.0 or later and the following iOS® devices: iPhone 4s or later, iPad 3rd gen. or later, iPod Touch 5th gen. or later) equipped with Bluetooth® version 4.0 or later and the Camera Connect App Ver. 1.3.20 or above. This application is not guaranteed to operate on all listed devices, even if minimum requirements are met.

5 Based on CIPA (Camera & Imaging Products Association) standards. Testing performed using the EOS 7D Mark II digital SLR camera at a focal length of 55mm, 35mm-equivalent 88mm. The number of stops may vary based on the camera model used.

6 Compatible with iOS® versions 8.4x/9.2.x, Android™ Smartphone and tablet versions 4.4.x, 5.0.x/5.1.x, 6.0.x. Data charges may apply with the download of the free Canon Connect Station app. The application is available in the apple app store or google play store.

7 Support for playback of all images on this device cannot be guaranteed.

8 JPEG and RAW (CR2) still images, and MOV/MP4 and AVCHD movies are supported.

Canon EOS Rebel T7i / 800D / Kiss X9i specifications

Price
MSRP	$ 749 (body only), $ 899 (w/18-55 F4-5.6 IS STM lens), $ 1299 (w/18-135mm F3.5-5.6 IS STM lens)
Body type
Body type	Mid-size SLR
Body material	Composite
Sensor
Max resolution	6000 x 4000
Image ratio w:h	1:1, 4:3, 3:2, 16:9
Effective pixels	24 megapixels
Sensor photo detectors	26 megapixels
Sensor size	APS-C (22.3 x 14.9 mm)
Sensor type	CMOS
Processor	DIGIC 7
Color space	sRGB, Adobe RGB
Color filter array	Primary color filter
Image
ISO	Auto, 100-25600 (expands to 51200)
Boosted ISO (maximum)	51200
White balance presets	6
Custom white balance	Yes
Image stabilization	No
Uncompressed format	RAW
JPEG quality levels	Fine, normal
File format	JPEG (Exif v2.3) Raw (14-bit Canon CR2)
Optics & Focus
Autofocus	Contrast Detect (sensor) Phase Detect Multi-area Center Selective single-point Tracking Single Continuous Touch Face Detection Live View
Autofocus assist lamp	Yes (flash)
Digital zoom	No
Manual focus	Yes
Number of focus points	45
Lens mount	Canon EF/EF-S
Focal length multiplier	1.6×
Screen / viewfinder
Articulated LCD	Fully articulated
Screen size	3″
Screen dots	1,040,000
Touch screen	Yes
Screen type	TFT LCD
Live view	Yes
Viewfinder type	Optical (pentamirror)
Viewfinder coverage	95%
Viewfinder magnification	0.82×
Photography features
Minimum shutter speed	30 sec
Maximum shutter speed	1/4000 sec
Exposure modes	Program Shutter priority Aperture priority Manual
Scene modes	Group Photo Kids Food Candlelight Night Portrait Handheld Night Scene HDR Backlight Control Portrait Landscape Close-up Sports
Built-in flash	Yes
External flash	Yes (via hot shoe)
Flash X sync speed	1/200 sec
Drive modes	Single High-speed continuous Low-speed continuous Self-timer Self-timer + continuous
Continuous drive	6.0 fps
Self-timer	Yes (2 or 10 sec)
Metering modes	Multi Average Spot Partial
Exposure compensation	±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing	±3 (3 frames at 1/3 EV, 1/2 EV steps)
Videography features
Format	MPEG-4, H.264
Modes	1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 30p / 12 Mbps, MOV, H.264, Linear PCM 1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM 1280 x 720 @ 60p / 26 Mbps, MOV, H.264, Linear PCM 1280 x 720 @ 30p / 4 Mbps, MOV, H.264, Linear PCM
Microphone	Stereo
Speaker	Mono
Storage
Storage types	SD/SDHC/SDXC (UHS-I compatible)
Connectivity
USB	USB 2.0 (480 Mbit/sec)
HDMI	Yes
Microphone port	Yes
Headphone port	No
Wireless	Built-In
Wireless notes	Includes Bluetooth LE and NFC
Remote control	Yes (via smartphone or Bluetooth remote)
Physical
Environmentally sealed	No
Battery	Battery Pack
Battery description	LP-E17 lithium-ion battery & charger
Battery Life (CIPA)	600
Weight (inc. batteries)	532 g (1.17 lb / 18.77 oz)
Dimensions	131 x 100 x 76 mm (5.16 x 3.94 x 2.99″)
Other features
Orientation sensor	Yes
Timelapse recording	Yes
GPS	Optional

Articles: Digital Photography Review (dpreview.com)

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Fujifilm launches X-A10 as entry-level X-series model

02 Dec

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Fujifilm has added a new entry-level model to its X-series of mirrorless interchangeable lens compact system cameras in the shape of the X-A10. The camera will use a 16 Megapixel APS-C sensor (with a Bayer color filter, rather than X-Trans) and will come equipped with a flip-over rear screen designed to make taking selfies easier.

The company says that it has designed the grip so that it will be comfortable to hold with the camera facing towards as well as away from the photographer’s face, and that when shooting self-portraits the rear command dial can be used to focus and trigger the shutter. Flipping the rear screen to the 180° position also activates eye-detection AF so that the camera will prioritise focusing for faces. It has six film simulation modes are on offer along with a collection of filters and effects, including Portrait Enhancer for better skin reproduction.

The X-A10 is claimed to deliver 410 shots per charge due to ‘energy efficient design,’ can shoot Full HD video at 30p, 25p or 24p for up to 17 minutes. The camera’s top shutter speed in electronic shutter mode is 1/32000 sec.

The X-A10 will come bundled with a XC16-50mm f/3.5-5.6 OIS II lens, and will cost $ 499/£499 when it goes on sale in January 2017.

For more information see the Fujifilm website.

UK Press Release:

Introducing the FUJIFILM X-A10 – the compact, lightweight and stylish mirrorless digital camera.

The X-A10 delivers the X Series’ premium image quality in any shooting conditions with ease, making it the ideal choice for a first interchangeable lens camera.

FUJIFILM Corporation (President: Kenji Sukeno) has announced that it will launch the mirrorless digital camera, the FUJIFILM X-A10; a new addition to the X Series range of cameras that deliver outstanding picture quality.

Despite its compact and lightweight design, the X-A10 combines a 16.3 megapixel sensor with the company’s colour-reproduction technology, refined over more than 80 years, to deliver the premium image quality synonymous to the X Series with ease. This makes the X-A10 an ideal first interchangeable lens camera.

Combining a 16.3 megapixel sensor and Fujifilm’s colour-reproduction technology, refined over more than 80 years, to deliver premium picture quality

The X-A10 combines a 16.3 megapixel APS-C sensor with the image processing engine that achieves Fujifilm’s excellent photo quality. Sharp FUJINON lenses that boast ultimate image resolution, and the proprietary colour-reproduction technology, refined over more than 80 years, allows users to capture premium quality images in any shooting conditions. Fujifilm is particularly renowned for accurately reproducing skin tones, and the X-A10 is built with this advanced skin tone reproduction capability, allowing you to produce high-quality portraiture.

180-degree slide-and-tilt LCD with 100% visibility for facilitating “self-portraits”

The rear LCD employs the slide-and-tilt mechanism so that even when it is tilted by 180 degrees, the LCD is not blocked by the camera, allowing for 100% visibility. The grip is shaped to accommodate both normal shooting and self-portraits. When taking a self-portrait, you can focus and release the shutter by pressing the vertical command dial found directly below your index finger to minimise camera shake. Rotating the tilting LCD upward by 180 degrees activates the Eye Detection AF to automatically adjust the focus on the subject’s eyes. The X-A10 also features the Portrait Enhancer mode for natural and beautiful skin-tone reproduction.

Compact and lightweight camera body with retro design and intuitive operability

The compact and lightweight X-A10 sports a retro design. The use of two Command Dials means you only need a thumb to quickly adjust aperture, shutter speed and exposure settings. Frequently used functions such as white balance, continuous shooting and the self-timer can be assigned to standalone function buttons, eliminating the need to go through the Menu screens to change settings.

Inheriting FUJIFILM X-A2’s popular performance features

Its energy-efficient design means the X-A10 is capable of shooting approx. 410 frames on a single battery charge. When fitted with the standard zoom kit lens “XC16-50mmF3.5-5.6 OIS II,” the camera offers the class-leading minimum working distance of approx. 7cm from the front edge of the lens, allowing close-up macro photography.

Product features

Outstanding image quality, made possible by the newly-developed 16.3 megapixel image sensor
Fujifilm’s colour reproduction technology, nurtured through the development of photographic film, captures accurate, warm skin tones, clear blue skies and lush green foliage in tones exactly as you remember them.
The APS-C sensor delivers beautifully smooth bokeh effects for portraiture and macro shots when using a shallow depth of field.
The X-A10 offers a total of six Film Simulation modes, namely the true-to-life colours of PROVIA (standard), the vibrant tones and saturated colours of Velvia (vivid), the soft tones of ASTIA (soft), the documentary-style deep colours and soft shades of CLASSIC CHROME, as well as Monochrome and Sepia.
The normal sensitivity range covers ISO200 to ISO6400, while extended sensitivity settings of ISO12800 and even ISO25600 can be selected when you want to minimise camera shake. The X-A10 produces clear images with astonishingly low noise, even on low-light nightscapes and indoor shots where high ISOs are essential.
Advanced Filters help you easily produce creative effects. A total of ten Advanced Filters are available, including the new “Fisheye” and “Cross Screen” as well as Toy Camera, Miniature, Dynamic Tone, Pop Colour, Soft Focus, High Key, Low Key and Partial Colour.

Designed for perfect self-portraits

Perfect composition
The screen has a slide-and-tilt mechanism so when it is tilted 180 degrees into “selfie-mode”, it can slide out further to ensure the camera body doesn’t block the view.

Ergonomic Grip
The grip is shaped to accommodate both normal shooting and self-portraits alike. The final shape, based on ergonomic design, was decided through prototype testing involving hundreds of photographers

Automatic shooting modes
When taking a self-portrait, you can take photos by pressing the vertical command dial found directly below your index finger to minimise camera shake. The Self Timer function offers Smile Detection, that take photos automatically when the subject smiles, Buddy Timer which shoots when two people come close together, and Group Timer mode that automatically shoots when a specified number of people come into the frame.

Intelligent focusing
Rotating the tilting LCD upward by 180 degrees activates the Eye Detection AF to automatically adjust the focus on the subject’s eyes.

Beautiful skin
The X-A10 features a Portrait Enhancer mode, which makes the human skin look smoother and brighter. Enjoy the beautiful skin tonality that only the X Series offers also when shooting selfies.

Extended battery life of approx. 410 frames per charge
The energy-efficient design has extended the battery life to a class-leading level, allowing you to concentrate on shooting pictures without having to worry about remaining battery power.

The camera also supports charging via USB for maximum convenience, especially while travelling.

Class-leading minimum working distance
When fitted with the standard lens “XC16-50mmF3.5-5.6 OIS II,” the X-A10 can focus on subjects as close as approximately 7cm from the front of the lens allowing you to explore the fantastic world of close-up macro photography.

Super Intelligent Flash
The built-in pop-up flash supports the Super Intelligent Flash system that accurately controls light output according to individual scenes. When shooting indoor portraits in low-light, small items or food, the flash system reduces highlight clipping to produce images exactly as your eyes see them. Natural colours and brightness are also achieved when shooting backlit scenes or photographing a person under intense sunlight that casts strong shadows on the face.

Full HD video recording
Press the dedicated Video Recording button on the rear to easily start recording full HD (1080/30p, 25p, 24p) video.

The Film Simulation function, popularly used for still images, can also be applied to video recording for a diverse range of creative effects, which can be combined with smooth bokeh, made possible with the APS-C sensor and FUJINON lenses to produce professional-looking, creative movies.

Turning on the electronic image stabilisation function delivers the five-axis image stabilisation that combines optical and electronic stabilisation, significantly reducing a variety of camera shakes that could occur during video recording. This function allows you to record high quality video with reduced camera shake while walking around with the camera in your hand.

Versatile shooting functions including the electronic shutter with the maximum speed of 1/32000 sec

When using the ultra-fast electronic shutter, even under clear skies or other bright conditions, you can use large aperture to achieve a shallow depth of field without over-exposing the image. You can capture a scene exactly as intended without having to use an ND filter.

As a result of answering the requests from many users, the X-A10 now features the Panorama and Time Lapse functions.

Other new functions include the interlocking of Metering and AF areas, support for the Adobe RGB colour space, and choice of different colours in Focus Peaking for assisting MF.

Wireless communication functionality enables remote shooting from smartphones and tablet devices

Install the free FUJIFILM Camera Remote app on your smartphone or tablet and use the Wireless Communication function to transfer photos and videos to your device with a simple one-touch operation. You can view and select photos and videos in your camera or on your smartphone and then easily import them to your device. You can even attach GPS location information, obtained by your smart device, to your images.

The Remote Shoot function lets you adjust exposure and other settings, focus and take photos from your smartphone or tablet device. With Remote Shooting, the app not only offers basic operations such as Touch AF and shutter speed adjustment, but also lets you adjust a variety of shooting settings or initiate video recording. It’s great for group photos, self-portraits and even wildlife photography where you might want to compose your shot from a distance.

Images can also be sent directly from the camera to the Instax SHARE smartphone printer for instant printing.

AVAILABILITY AND PRICING:

FUJIFILM X-A10 with XC16-50mmF3.5-5.6 OIS II kit will be available from January 2017 with a Suggested Retail Price of $ 499/£499.00

Articles: Digital Photography Review (dpreview.com)

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