What’s the best entry-level full frame mirrorless camera? We compare the Nikon Z5 to the Canon EOS RP to find out.
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Articles: Digital Photography Review (dpreview.com)
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It’s famously such a fine line between stupid and clever. And, for that matter, between a brilliant piece of product planning and a complete head-scratcher. History and sales figures may well prove me wrong, but I personally think that the Nikon Z5 makes perfect sense in a way the Z50 didn’t. And that might make it the most interesting entry-level full frame camera.
I criticized Nikon when it launched the Z50, because I didn’t recognize the Instagram-friendly camera the company claimed to have made. Instead I found a rather good enthusiast-friendly camera in a system with few obvious lens options. The Z5 looks a lot like a full-frame Z50, but the different audience that its higher price implies and the shift in sensor size makes all the difference.
Visually the Z5 looks like a Z6/Z50 hybrid, with the conventional mode dial from the Z50 grafted on in place of the Z6’s top-panel LCD. You could describe it as a full-frame Z50 or a slightly simplified Z6 and you’d still be right.
It uses an older, front-side illuminated CMOS sensor, which is likely to mean it doesn’t quite match its big brother in terms of image quality but the differences are likely to be small, except in very low light.
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| With its collapsible zoom and mode dial, the Z5 feels like a hybrid of the Z50 and Z6. |
The Z5’s viewfinder is the same resolution as the Z6’s and its control layout is essentially the same. Its back panel is reinforced plastic, rather than magnesium alloy, but Nikon says the weather sealing is just as extensive and both the dimensions and weight are all-but identical.
Whereas an APS-C sensor leaves Z50 owners with the choice of a couple of variable aperture zooms (and the promise of an 18-140mm in the works), the move to full frame and slightly more lofty ambitions of the Z5 are much better fit for the Z-mount lenses currently available.
To make a broad generalization, I suspect the kinds of photographers (and, according to Nikon, non-photographers) willing to spend $ 1400 on a Z5 will be more likely to want and buy the well-priced, though still pricey, F1.8 primes the company has introduced. And, by dint of being full-frame, the focal lengths of those primes are more likely to be useful on this camera than the Z50.
Even with its more modest video spec the Z5 isn’t out-gunned by its entry-level peers. But you don’t need to look through its higher-res viewfinder for the Z5 to look like the most interesting entry-level full-frame mirrorless camera. You get a similar perspective if you look at the other cameras’ backstories.
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| The Sony a7 II was designed as a mid-range camera, but an aging mid-range camera isn’t necessarily better than a modern entry-level one. The distinction is even more dramatic if you compare the higher-end a7R II (which has dropped to the Z5’s launch price) the a7R II has a very good sensor but a very different shooting experience. |
Sony has very much done its product development in the public realm: each model in the a7 series has been significantly better than its predecessor (first by adding stabilization, then by offering a larger battery, better AF and revised ergonomics). This leaves the now six-year-old a7 Mark II looking awkward: it’s a very difficult camera to use as soon as you’ve seen or experienced the improvements introduced with the Mark III, no matter how keenly-priced it is.
So it’s not the automatic bargain that getting a formerly $ 1700 for $ 1000 might appear to be. The areas in which it once excelled are at least matched by its entry-level peers and it hasn’t gained any of the ergonomic or interface improvements that have subsequently been developed. So it’s the only camera here without a touchscreen and it hasn’t got the usability improvements of the Mark III. By contrast, the Z5 includes all the AF improvements that the Z6 has gained in firmware over the past two years.
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| The Canon EOS RP is a really likable camera and the least-expensive full-frame digital camera yet launched, but Nikon has provided a lot of camera for a launch price just $ 100 higher. |
Canon approached things from the other direction with the EOS RP: building what software developers might describe as a minimum viable product: the bare basic specs to deliver a credible camera. The result is actually rather likable: it’s not very fast at shooting, the video’s not great and it uses a sensor that’s never been considered particularly good, but the dials are in the right place, it’s easy to use and it produces attractive images. Only the battery life really detracts from the day-to-day experience.
With the Z5 Nikon has clearly started with the Z6 (originally a $ 2000 camera) and found a way to to offer it with a launch price 1/3rd lower. You even get the twin card slots that internet commenters suddenly decided were essential when Canon and Nikon didn’t include them on their mid-priced models (an argument that feels more convincing when it comes to the higher-end Z7).
So it’s not the full-frame Digital Rebel that Canon made, nor is it the tired-looking ex-middleweight champ that Sony offers. It’s not even comparable to the Z50, with its odd mixture of enthusiast-friendly experience and mass-market zooms. Instead the Z5 is a more affordable way to get most of a Z6, and it includes a great many of the improvements that Nikon has made on its Z-mount journey so far.
Now I just really hope it tests and shoots as well as it handles.
Articles: Digital Photography Review (dpreview.com)
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Nikon has announced the Z5, an entry-level full-frame camera that uses the Z-mount. The Z5 has much in common with the Z6 (priced $ 600 higher), including its in-body image stabilizer, autofocus system, and a lot of design aspects.
The Z5 has a 24MP FX-format CMOS sensor – not the BSI variant used in the Z6 – but features the same Expeed 6 processor. The Z5 has in-body image stabilization that can reduce shake by up to five stops (per CIPA).
While the Z6 features an all magnesium-alloy chassis, the Z5 employs polycarbonate for its rear and base plates, but remains sealed against dust and moisture, to the same level as the higher-end models. The top plate has been simplified, with a traditional mode dial in place of the Z6/7’s status screen. The Z5 is the same size and exact weight as the Z6, at 675 grams (1.5 pounds).
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The Z5 features a large OLED viewfinder with 3.69 million dots as well as a tilting 3.2″ touchscreen. Unlike the Z6/7 it offers dual SD card slots that support UHS-II speeds. It uses a new EN-EL15C battery, which offers 470 shots per charge using the LCD and 390 shots with the viewfinder. The camera is backward compatible with other EN-EL15 batteries: just expect fewer shots per charge. The Z5 can use the same MB-N10 battery grip as the Z6 and Z7. The camera supports USB Power Delivery for charging and powering the camera during operation.
Video is less of a focus on the Z5. It can capture 4K/30p video, though there’s a 1.7x crop to contend with. Video recorded at 1080 uses the full width of the sensor. Nikon did not include any high speed video modes on the Z5. The camera has both headphone and mic sockets.
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The Nikon Z5 will be available in three kits: body only for $ 1399, with the new 24-50mm F4-6.3 lens for $ 1699, and with the versatile 24-200 F4-6.3 VR for $ 2199.
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Press release
Nikon Expands the NIKKOR Z Lens Lineup with the Addition of the Extremely Compact and Versatile NIKKOR Z 24-50mm f/4-6.3 as well as the new Z TELECONVERTER TC-2.0X and TC-1.4X; Nikon Also Announces Free Webcam Utility
MELVILLE, NY (July 21, 2020) – Today, Nikon Inc. announced the Z 5, the new full-frame (FX-format) entry-point into its award-winning lineup of Z series mirrorless cameras. The Nikon Z 5 combines sophisticated features inherited from the Z 7 and Z 6 with the benefits of Nikon’s next generation Z mount at an unprecedented value. For those new to mirrorless or creators looking to push the limits of their craft with the power of full-frame, the compact Z 5 will exceed expectations. With an incredibly robust feature set, including in-camera vibration reduction (VR) image stabilization (IBIS) and the perfect balance of seamless automation and full manual control, creators can effortlessly share their artistic passions, travel adventures and so much more.
Nikon also unveiled the new NIKKOR Z 24-50mm f/4-6.3, the shortest, lightest and most affordable full-frame zoom lens in the NIKKOR Z lineup. Designed for on-the-go creators, the 24-50mm lens is the ideal companion for Z series users who want to capture it all – from vast landscapes and cityscapes, to street photography and striking portraits.
“The Nikon Z 5 offers the next generation of creators a gateway into the full-frame Z series lineup, opening the door to the limitless possibilities of mirrorless photo and video capture, while providing the means to share their creativity with others,” said Jay Vannatter, Executive Vice President, Nikon Inc. “With the addition of the NIKKOR Z 24-50mm f/4-6.3, Nikon is introducing the smallest full-frame NIKKOR Z lens to date, providing an extremely lightweight, versatile option to help users pursue all creative endeavors, regardless of which Z series camera they use.”
Nikon Z 5: The Full-Frame Journey Starts Here
As the new entry point to Nikon’s full-frame mirrorless lineup, the Nikon Z 5 offers a lot of power and capabilities at an attractive price, empowering the next generation to begin their journey with the confidence to learn and grow as creators.
Simple Yet Sophisticated for Expanding Creativity
A great option for emerging creators getting started, the Nikon Z 5 is packed with powerful tools and user-friendly controls to help users explore and capture their artistry with ease.
Rugged Reliability and Engineered for Versatility
In addition to providing high-quality imaging capabilities, the Nikon Z 5 is compact and comfortable in-hand while promising the rugged reliability as well as innovative features and controls that Nikon is known for.
NIKKOR Z 24-50mm f/4-6.3: Portable, Yet Powerful
The NIKKOR Z 24-50mm f/4-6.3 is the latest addition to the rapidly expanding lineup of NIKKOR Z lenses and is the smallest FX-format NIKKOR Z lens yet. Optically designed to take advantage of the advancements of the wide Z mount, this lens delivers sharpness across the entire frame and a versatile zoom range for everyday use. The 24-50mm is less than three inches long when retracted, making it the perfect lens for shooters seeking a versatile yet compact option for lightweight travel and street photography. When used together, the Z 5 and 24-50mm lens are the ideal discrete travel kit that can easily be packed and carried for all-day adventures. This compact NIKKOR Z lens is also an enticing option for Z 6 and Z 7 users who want a small all-around lens for portraits, landscapes, and street photography.
New Z Teleconverters Take NIKKOR Z Lenses to New Lengths
Designed for photographers and videographers who need more telephoto reach in their kit, the new Z TELECONVERTER TC-1.4X and Z TELECONVERTER TC-2.0X bring added versatility with 1.4x and 2.0x magnification to select NIKKOR Z lenses. These lightweight teleconverters are great tools for those photographing sports, wildlife and aviation, reducing the need to crop images and allowing for tighter compositions with maximum resolution.
The new TC-1.4X and TC-2.0X teleconverters maintain superior rendering performance and minimize various lens aberrations, while retaining focusing speed, VR functionality and minimum focusing distance. As an added benefit, the new teleconverters allow Nikon Z series cameras to retain functionality on all focus points up to f/11, making it easy to focus on and track subjects throughout the entire frame. Featuring the same robust construction as NIKKOR Z lenses, the teleconverters are designed with a fluorine coating on the front and rear elements to resist dirt and smudges, and offer a durable, weather-sealed body to protect against the elements.
When the teleconverters are used with the NIKKOR Z 70-200mm f/2.8 VR S (availability scheduled for late August), the focal length on the telephoto end is extended to 280mm (1.4x) or 400mm (2.0x) producing a significant expansion of this telephoto lens’ shooting range. These new teleconverters will also be compatible with applicable interchangeable lenses for Nikon Z mount mirrorless cameras that Nikon will release in the future.
New Webcam Utility Software for Nikon Cameras
In August, Nikon will release a beta version of the Webcam Utility software for many Nikon DSLR and Z series mirrorless cameras, including the new Z 5. Initially available for Windows 10, the free software will allow compatible Nikon cameras to be used as webcams. When connected via USB, this free software will provide users with incredible sharpness, clarity and flattering depth of field for all of their livestreaming needs including teleconferencing and gaming.
For more information on how to use your Nikon camera as a webcam, please visit https://www.nikonusa.com/en/learn-and-explore/live-streaming-with-nikon-cameras.page
Pricing and Availability
The Nikon Z 5 will be available in August in several configurations, including body-only for a suggested retail price (SRP) of $ 1,399.95*, a one-lens kit with the new NIKKOR Z 24-50mm f/4-6.3 for an SRP of $ 1,699.95* and a one-lens kit with the NIKKOR Z 24-200mm f/4-6.3 VR lens for an SRP of $ 2,199.95* for those seeking extra reach when photographing wildlife or travel adventures. Also available in August, the NIKKOR Z 24-50mm f/4-6.3 lens can be purchased separately for an SRP of $ 399.95*. The new Z TELECONVERTER TC-1.4X and TC-2.0X will have an SRP of $ 549.95 and $ 599.95 respectively and will be available in late August.
For more information on the latest Nikon products, including the new Z 5 and NIKKOR Z 24-50mm f/4-6.3 lens, as well as the full Nikon Z mount system, please visit?www.nikonusa.com.
Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
1. With recording of still images using the FX-format image area and single-point AF. 231 focus points with movie recording.
2. When using this mode, the frame is cropped approx. ×1.7.
3. Using the SnapBridge App System Requirements:
a. Android 5.0 or later or 6.0.1 or later
b. A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
c. The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.
4. This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
5. The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.
6. Anker PowerCore+ 26800 PD 45W is the recommended portable charger. Use a USB cable with two Type-C connectors supplied with the portable charger. For more information about the portable charger, please visit the manufacturer’s website: Anker.com/support
| Price | |
|---|---|
| MSRP | $ 1399 (body only), $ 1699 (w/24-50mm lens), $ 2199 (w/24-200mm lens) |
| Body type | |
| Body type | SLR-style mirrorless |
| Body material | Magnesium alloy, composite |
| Sensor | |
| Max resolution | 6016 x 4016 |
| Image ratio w:h | 1:1, 3:2, 16:9 |
| Effective pixels | 24 megapixels |
| Sensor photo detectors | 25 megapixels |
| Sensor size | Full frame (35.9 x 23.9 mm) |
| Sensor type | CMOS |
| Processor | Expeed 6 |
| Color space | sRGB, Adobe RGB |
| Color filter array | Primary color filter |
| Image | |
| ISO | Auto, 100-51200 (expands to 50-102400) |
| Boosted ISO (minimum) | 50 |
| Boosted ISO (maximum) | 102400 |
| White balance presets | 12 |
| Custom white balance | Yes (6 slots) |
| Image stabilization | Sensor-shift |
| Image stabilization notes | 5-axis |
| CIPA image stabilization rating | 5 stop(s) |
| Uncompressed format | RAW |
| JPEG quality levels | Fine, normal, basic |
| File format |
|
| Optics & Focus | |
| Autofocus |
|
| Autofocus assist lamp | Yes |
| Manual focus | Yes |
| Number of focus points | 273 |
| Focal length multiplier | 1× |
| Screen / viewfinder | |
| Articulated LCD | Tilting |
| Screen size | 3.2″ |
| Screen dots | 1,040,000 |
| Touch screen | Yes |
| Screen type | TFT LCD |
| Live view | Yes |
| Viewfinder type | Electronic |
| Viewfinder coverage | 200% |
| Viewfinder magnification | 0.8× |
| Viewfinder resolution | 2,369,000 |
| Photography features | |
| Minimum shutter speed | 30 sec |
| Maximum shutter speed | 1/8000 sec |
| Exposure modes |
|
| Built-in flash | No |
| External flash | Yes (via hot shoe) |
| Flash modes | Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off |
| Flash X sync speed | 1/200 sec |
| Continuous drive | 4.5 fps |
| Self-timer | Yes (2, 5, 10 or 20 secs) |
| Metering modes |
|
| Exposure compensation | ±5 (at 1/3 EV, 1/2 EV steps) |
| WB Bracketing | Yes |
| Videography features | |
| Format | MPEG-4, H.264 |
| Modes |
|
| Microphone | Stereo |
| Speaker | Mono |
| Storage | |
| Storage types | Dual SD/SDHC/SDXC slots (UHS-II compatible) |
| Connectivity | |
| USB | USB 3.2 Gen 1 (5 GBit/sec) |
| USB charging | Yes |
| HDMI | Yes (micro HDMI) |
| Microphone port | Yes |
| Headphone port | Yes |
| Wireless | Built-In |
| Wireless notes | 802.11ac (dual band) + Bluetooth |
| Remote control | Yes (via smartphone) |
| Physical | |
| Environmentally sealed | Yes |
| Battery | Battery Pack |
| Battery description | EN-EL15c lithium-ion battery & charger |
| Battery Life (CIPA) | 470 |
| Weight (inc. batteries) | 675 g (1.49 lb / 23.81 oz) |
| Dimensions | 134 x 101 x 70 mm (5.28 x 3.98 x 2.76″) |
| Other features | |
| Orientation sensor | Yes |
| Timelapse recording | Yes |
| GPS | None |
Articles: Digital Photography Review (dpreview.com)
A lot has changed since we last compared entry-level APS-C mirrorless cameras. In this 2020 update, Chris and Jordan compare the Fujifilm X-T200, Sony a6100 and Canon EOS M50. Which one is right for you?
For more information watch our videos about the Fujifilm X-T200, Sony a6100 and Canon EOS M50.
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Watch our Fujifilm X-T200 video review
Watch our Sony a6100 video review
Watch our Canon EOS M50 first look
Articles: Digital Photography Review (dpreview.com)
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Canon has introduced the EOS M200, an entry-level mirrorless camera. It’s a fairly modest upgrade to one of our favorite cameras, the EOS M100. Its new Digic 8 processor allows for Dual Pixel AF with eye detection, heavily cropped 4K/24p video and improved battery life.
Everything else is the same as before: the M200 has a 24MP APS-C sensor, compact body with a selfie-friendly touchscreen and an easy-to-use interface.
The EOS M200 will be available in October, bundled with the collapsable 15-45mm F3.5-6.3 IS STM lens for $ 549/£499/€569.
Go hands-on with the EOS M200
Press release
MELVILLE, N.Y., September 25, 2019 – Whether you’re planning a weekend getaway or revel in documenting everyday moments, memories should be captured and easily shared. Offering social media enthusiast high image quality, Canon U.S.A., Inc., a leader in digital imaging solutions, introduces the EOS M200 camera. Great for those with wanderlust in their hearts, this camera ushers in a variety of new features, such as vertical video1, for those looking to step up from smartphone photography and enter the realm of interchangeable-lens cameras.
“Ease of use, convenience and shareability are imperatives for consumers today, especially when introducing new imaging products into an ever-changing market place,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “The new EOS M200 camera is a mix of tried and true Canon features as well as new ones, and combined they create a non-intimidating mirrorless camera for the experienced photographer – yet it is approachable for someone beginning their visual storytelling journey.”
Designed to capture life’s special moments in vibrant color and clarity, the EOS M200 camera is built with quality and connectivity at its core. Key components include:
Thanks to an impressive 24.1 Megapixel CMOS (APS-C) sensor, the EOS M200 camera is capable of rendering detailed images of your travel escapades or your family milestones. The tilting LCD with touch screen allows for artistic expression when shooting subjects from a variety of angles, including selfies. Understanding the importance of sharing photos and videos, this camera is capable of transferring files directly to compatible smart devices using the Canon Camera Connect app. Images can then be seamlessly shared on social media platforms and web services or printed directly to compatible wireless Canon printers.
The EOS M200 camera has an estimated retail price of $ 599.99*, and is currently expected to be available in October 2019. For more information and the full list of product specifications, visit http://shop.usa.canon.com/
| Price | |
|---|---|
| MSRP | $ 599 (w/15-45mm lens) |
| Body type | |
| Body type | Rangefinder-style mirrorless |
| Body material | Composite |
| Sensor | |
| Max resolution | 6000 x 4000 |
| Image ratio w:h | 1:1, 4:3, 3:2, 16:9 |
| Effective pixels | 24 megapixels |
| Sensor photo detectors | 26 megapixels |
| Sensor size | APS-C (22.3 x 14.9 mm) |
| Sensor type | CMOS |
| Processor | DIGIC 8 |
| Color space | sRGB |
| Color filter array | Primary color filter |
| Image | |
| ISO | Auto, 100-25600 |
| White balance presets | 6 |
| Custom white balance | Yes |
| Image stabilization | No |
| Uncompressed format | RAW |
| JPEG quality levels | Fine, normal |
| File format |
|
| Optics & Focus | |
| Autofocus |
|
| Autofocus assist lamp | Yes |
| Manual focus | Yes |
| Number of focus points | 143 |
| Lens mount | Canon EF-M |
| Focal length multiplier | 1.6× |
| Screen / viewfinder | |
| Articulated LCD | Tilting |
| Screen size | 3″ |
| Screen dots | 1,040,000 |
| Touch screen | Yes |
| Screen type | TFT LCD |
| Live view | Yes |
| Viewfinder type | None |
| Photography features | |
| Minimum shutter speed | 30 sec |
| Maximum shutter speed | 1/4000 sec |
| Exposure modes |
|
| Built-in flash | Yes |
| Flash range | 5.00 m (at ISO 100) |
| External flash | No |
| Flash X sync speed | 1/200 sec |
| Drive modes |
|
| Continuous drive | 6.1 fps |
| Self-timer | Yes (2 or 10 secs, custom) |
| Metering modes |
|
| Exposure compensation | ±3 (at 1/3 EV steps) |
| Videography features | |
| Format | MPEG-4, H.264 |
| Modes |
|
| Microphone | Stereo |
| Speaker | Mono |
| Storage | |
| Storage types | SD/SDHC/SDXC card (UHS-I compatible) |
| Connectivity | |
| USB | USB 2.0 (480 Mbit/sec) |
| USB charging | Yes |
| HDMI | Yes (micro HDMI) |
| Microphone port | No |
| Headphone port | No |
| Wireless | Built-In |
| Wireless notes | 802.11b/g/n + Bluetooth 4.2 |
| Remote control | Yes (via smartphone) |
| Physical | |
| Environmentally sealed | No |
| Battery | Battery Pack |
| Battery description | LP-E12 lithium-ion battery & charger |
| Battery Life (CIPA) | 315 |
| Weight (inc. batteries) | 299 g (0.66 lb / 10.55 oz) |
| Dimensions | 108 x 67 x 35 mm (4.25 x 2.64 x 1.38″) |
| Other features | |
| Orientation sensor | Yes |
| GPS | None |
Articles: Digital Photography Review (dpreview.com)
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Back when Fujifilm announced the X-A5 in early 2018, it sounded like a really appealing entry-level ILC; in terms of spec, at least. It had an time-tested 24MP APS-C sensor, on-sensor PDAF, a flip-up touchscreen display, 4K video capture, a mic socket and great battery life.
Unfortunately, aside from image quality, the X-A5 turned out to be a pretty lousy camera. It was very sluggish and the autofocus system was unreliable. While it could indeed capture 4K video, it was at 15 frames per second, which is essentially an 8MP burst mode (or silent-era movie simulator). Everyone knows that Fujifilm is capable of making excellent cameras (like the X-T3), which made the X-A5 that much more disappointing.
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The new X-A7 gives me hope. It’s way faster, has a more robust AF system, a fully articulating touchscreen, AF joystick, a USB-C port and oversampled 4K capture, all for under $ 700 with a lens. And it comes in mint green!
Aside from the color of the camera Fujifilm sent us, what grabbed my attention first was that 3.5″, 2.76 million-dot display, which is the best I’ve seen on a low-priced camera – by a large margin. The screen has a 16:9 aspect ratio, which means that you’ll get black margins when shooting stills. But if you’re into vlogging, that aspect ratio, paired with the built-in 2.5mm mic socket (a 3.5mm adapter is included) and oversampled, uncropped 4K/30p make the X-A7 an appealing option, unless its 15 minute recording limit is an issue.
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In order to incorporate the large LCD, Fujifilm has had to redesign the back of the camera. The four-way controller has been replaced by an 8-way joystick which, while on the small side, works well.
Since the four-way controller is gone, getting at some settings is a bit harder. Accessing the touch-enabled Q.Menu requires two taps on the display, while the self-timer needs to be assigned to a custom button (Strangely, there’s no way to assign the Q.Menu to a custom button – at least, not yet.)
The rear dial moved to a more traditional position on the top plate, as opposed to the one that was upward-facing dial on the back of earlier models. The power switch has been transformed from a switch to a button that sits in-between all of the dials. As someone who was constantly turning the X-A5 (and X-T100) on and off accidentally due to the switch’s placement, I appreciate this change.
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| The X-A7 has a refined, touch-enabled menu system |
While I was drooling over the display, my colleague Carey was scrolling through the menus, noting how much more responsive they were than on the X-A5 and X-T100. While we can’t put a number to it, it’s clear that the X-A7 got a processor bump of some sort. I wondered if that translated to faster burst shooting or a larger buffer, but it did not: it’s still 6 fps, for up to 4-5 shots.
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| Pressing the menu button brings up this new on-screen UI |
After stealing the camera back from Carey, I toyed with the new touchscreen interface, which has simple on-screen buttons for adjusting focus mode, brightness, skin softening and a few other things, depending on the shooting mode. A button for accessing the touch-enabled Q.Menu is also here.
One very cool thing that Fujifilm snuck in appears when you change the Film Simulation mode: a side-by-side view showing comparing your current mode versus the other options. You can even move a slider (shown in the video above) back and forth. This isn’t a feature I’ve been dreaming about, but now that I’ve seen it, I’m hoping that it appears on more cameras.
It’s nice to see that Fujifilm has released a camera that actually surpasses our expectations for an entry-level product
Seeing how I’ve only used the camera for a day, it’s too early to make any judgments about image quality or autofocus performance. Fujifilm says that the 24MP sensor is newly developed, with copper wiring and fast readout speeds (something it also said back when the X-T2 was introduced). The autofocus system has phase-detect points across the whole frame and offers both face and eye detection. Fujifilm has hinted that new AF algorithms will allow the X-A7 to perform as well or better than the X-T30/X-T3. We’ll see how it does when we put it in front of a weaving bicycle when a production model appears.
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After putting out a bunch of really disappointing X-A series cameras, it’s nice to see that Fujifilm has listened to their customers (and perhaps some camera review websites) and released a camera that actually surpasses our expectations for an entry-level product, assuming that the autofocus really is better than the X-A5. How it holds up against competitive products from Canon, Olympus, Panasonic and Sony remains to be seen, but based on my initial tinkering with the camera, I’m definitely impressed.
Articles: Digital Photography Review (dpreview.com)
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Let’s face it: Entry-level DSLRs aren’t the most exciting cameras out there. That said, Nikon’s D3000-series have traditionally been very easy to use, very affordable and offered excellent image quality. Despite not having the latest and greatest technology, cameras like Nikon’s newest model, the D3500, serve a variety of purposes quite well.
Before we get into what’s new, here’s what’s not. The D3500 uses the same 24MP DX-format (APS-C) CMOS sensor as the previous-generation D3400 (and several other Nikon models) which has excellent resolution and Raw dynamic range. Its Expeed 4 processor allows for a top ISO of 25,600 and 5 fps burst shooting. The 11-point autofocus system is pretty dated, though it does offer Nikon’s 3D Tracking system. Just don’t expect D500-style performance.
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The D3400 was already a small DSLR and the D3500 is even more compact. That’s because it uses almost the same body shell as the D5600, which is 6mm (0.24″) thinner than the D3400. We like the D5600’s design because it doesn’t sacrifice a decent hand grip as a trade-off for being small, which is the case with some of its peers. With the bundled AF-P 18-55mm F3.5-5.6 kit lens, the D3500 is almost as portable as the smallest Micro Four Thirds cameras.
While we’re looking at this view of the camera, it’s worth mentioning that the D3500 no longer supports the ML-L3 wireless remote, since there’s no infrared receiver. You can, however, use your smartphone for the same purpose.
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One area in which the D3500’s design differs from that of the D5600 is the LCD. Where the D5600 has a larger, fully articulating touchscreen, the D3500 uses the same fixed 921k-dot non-touch display as the D3400.
The D3400 had five buttons that sat to the left of its display (playback, menu, zoom in, zoom out, i), and those have all been relocated to the opposite side. The D3500’s rear control layout is a little cluttered as a result, but everything you need is close at hand. Being an entry-level camera, it shouldn’t come as a huge surprise that there’s only one control dial.
The optical viewfinder on the D3500 is unchanged. It still offer 95% coverage and a magnification of 0.57x equiv., which is actually a bit larger than the D5600’s OVF.
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Despite using the same sensor, processor and display as its predecessor, the D3500’s battery life has increased by 30% (CIPA) compared to the model that it replaces. With a CIPA rating of a whopping 1550 shots, you should be able to go for days without replacing the battery. Nikon includes an external charger for keeping a spare topped up. The camera doesn’t support USB charging, unfortunately.
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The D3500 continues to offer a Bluetooth-only version of Nikon’s SnapBridge wireless system. With it, the camera can automatically transfer 2 Megapixel versions of photos to your smartphone as they are taken (since there’s no Wi-Fi there is no option for transmitting full resolution images.)
New to the D3500 is the ability to use the SnapBridge app as a remote shutter release.
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Something that makes the D3500 one of the easiest-to-use cameras on the market is its Guide Mode, which is accessed via the mode dial. Guide Mode gives you basic options – essentially scene modes – and ‘advanced operations,’ where you can adjust shutter speed, aperture, white balance and exposure compensation without having to know what any of those are.
In ‘easy operation’ mode, you can select something like ‘moving subjects’ and the camera will do the rest. In ‘advanced operation’ mode you can, for example, choose from freeze motion (people), freeze motion (vehicles) and show water flowing. Once you’ve picked one, the camera will let you adjust the shutter speed, but with a detailed explanation of what the effects are. Once you’re happy just choose from shooting through the viewfinder or live view and off you go.
Truly advanced settings (by D3500 standards,) such as ISO sensitivity and Picture Controls are still available in Guide Mode, should you wish to access them.
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The Nikon D3400 was our favorite entry-level DSLR and the D3500 looks like it might supplant the older model in our affections. Unlike some of its competitors, it’s small, light, and very easy to use, without sacrificing ergonomics or image quality. The D3500’s 24MP sensor isn’t new, but it’s still one of the best APS-C sensors around.
The D3500 is a camera that beginners who pick it up from a big box store can take home and use immediately, simply by turning on Guide Mode and choosing something like ‘Moving Subjects’. When they want to dip their toes into manual controls they can use the ‘Advanced Operation’ half of the Guide Mode, which allows them to adjust the shutter speed with a helping hand. And, when these users are ready to take full control over the camera, the D3500 has everything the casual shooter needs.
The D3500’s 24MP sensor isn’t new, but it’s still one of the best APS-C sensors around
Nikon will be selling the D3500 in two kits: one with the collapsable AF-P 18-55mm F3.5-5.6 VR lens ($ 499) and another with that lens plus the un-stabilized AF-P 70-300 F4.5-6.3 tele-zoom ($ 849, though current street prices are below $ 600). As mentioned about, the D3500 is almost certain to appear in places like Costco during the holiday season, usually with a bag, extra battery and memory card thrown in.
Articles: Digital Photography Review (dpreview.com)
In this week’s episode of DPReview TV we take a look at three entry-level APS-C mirrorless models: the Canon EOS M50, Sony a6000 and Fujifilm X-T100. Which one rises to the top of the class? Chris and Jordan walk us through each camera’s strengths and weaknesses in terms of key factors like autofocus, usability and JPEG image quality.
Be sure to subscribe to our YouTube channel to get new episodes of DPReview TV every week.
Read our Fujifilm X-T100 Review
Read our Sony a6000 Review
Read our Canon EOS M50 Review
Articles: Digital Photography Review (dpreview.com)
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| Photo: GoPro |
It seems the rumors and leaks from earlier this week were spot on, and right on schedule (a day early, actually) GoPro has revealed its new, entry-level action camera: the $ 200 GoPro HERO.
The HERO is the cheapest action camera GoPro has ever announced, coming in at the same price tag as the HERO5 Session while boasting several features that are reserved for the company’s regular line (read: not the Session lineup) of action cams. If you’re keeping track, the HERO lineup of action cams now goes: GoPro HERO ($ 200), GoPro HERO5 ($ 300), and GoPro HERO6 ($ 400).
As GoPro SVP of Product, Meghan Laffey, explains, GoPro is hoping that the lower price-of-admission into the GoPro action cam family will entice first-time users who would otherwise pick up a third-party option or just keep using their phone. “HERO is a great first GoPro for people looking to share experiences beyond what a phone can capture,” says Laffey. “HERO makes it easy to share ‘wow’ moments at a price that’s perfect for first-time users.”
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| Photo: GoPro |
There’s not much to say about the GoPro HERO that wasn’t already revealed in Monday’s leak, but here goes. The main features are exactly what we expected.
The camera captures 1440/60p and 1080/60p video and 10MP stills, features a 2-inch display, voice control, electronic video stabilization, waterproof to 10M (30-feet) out of the box, and compatibility with all of the current GoPro HERO mounting accessories on the market (30+ from GoPro itself).
Finally, the camera also features compatibility with the GoPro and Quik Stories mobile apps, the latter of which can automatically edit your captured footage into ready-to-share highlight videos.
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| Photo: GoPro |
The entry-level GoPro HERO action camera is available starting now from the GoPro store and online retailers alike for $ 200. To learn more about the GoPro HERO or pick one up for yourself, click here.
Press Release
$ 199 HERO Joins $ 299 HERO5 and $ 399 HERO6, Making GoPro Accessible to All
GoPro, Inc. has added a new HERO camera to the family. On sale now, HERO is a $ 199, go-anywhere, capture-anything camera that makes it easy to share experiences that would be difficult to capture with a phone.
HERO features a 2-inch touch display, is waterproof to 30 feet and is extremely durable, making it the perfect GoPro for kids, adventurous social sharers and travelers.
“HERO is a great first GoPro for people looking to share experiences beyond what a phone can capture,” says Meghan Laffey, GoPro’s SVP of Product. “HERO makes it easy to share ‘wow’ moments at a price that’s perfect for first-time users.”
Sharing cool experiences with HERO is simple. It offloads your photos and videos to the GoPro app which creates fun, shareable videos for you, automatically. No more fumbling with your SD card or plugging your camera into a computer. HERO makes it simple.
Those looking for the ultimate GoPro-experience can subscribe to GoPro’s PLUS subscription service. Cloud backup, damaged camera replacement, 20-percent off accessory discounts and more are included with a PLUS subscription for just $ 4.99 a month, cancellable anytime.
HERO is available today at retailers around the world and on GoPro.com. Key features include:
Articles: Digital Photography Review (dpreview.com)
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During its event on March 27, Apple introduced its new sixth-generation iPad, a 9.7″ model with a starting price of $ 329. The new iPad is the first non-Pro model to support Apple Pencil, the maker’s own stylus. Despite its low price, the new iPad features a Retina display A10 Fusion chip, and support for augmented reality experiences.
This is the first entry-level iPad to support the $ 99 Apple Pencil, a stylus that makes it possible to write, draw and edit images. Key to its high usability is palm rejection technology, which prevents the iPad from registering touches from the user’s hand while they’re using Pencil. The stylus offers low latency with both pressure and tilt support.
Pencil aside, the 6th-gen iPad 9.7 is powered by an A10 Fusion chip with desktop-class 64-bit architecture, offering 50% faster graphics and 40% fast CPU performance over the previous model. Apple explains that the new hardware is capable of handling “graphics-intensive apps,” including photo editors.
The iPad runs iOS 11, the latest version of iOS that brings major updates to Apple’s mobile operating system. As with the iPad Pro devices, the new iPad features iOS 11’s Dock, which is similar to the dock found on macOS. Other 6th-gen iPad 9.7 features include an aluminum unibody construction, support for Apple SIM, advanced sensors array for motion tracking and AR apps and both front- and rear-facing cameras.
Apple is offering its new iPad in Silver, Space Grey and Gold color options with 32GB (starting at $ 329) and 128GB (starting at $ 429) of storage. Apple Pencil is sold separately. Apple provides a comparison chart helping potential buyers contrast the new iPad’s features with existing iPad models.
Articles: Digital Photography Review (dpreview.com)