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Posts Tagged ‘Editing’

How to Jump from Lightroom to Photoshop and Back Again When Editing Photos (video)

01 Feb

The post How to Jump from Lightroom to Photoshop and Back Again When Editing Photos (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In this video from Phil Steele of SteeleTraining, you’ll learn how you can jump from Lightroom to Photoshop and back again when editing your photos.

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In this tutorial you will learn:

  • How to make the jump from within Lightroom to Photoshop so you can do more detailed editing using layers, and then bring the photo back to Lightroom.
  • About making multiple jumps or nested jumps.
  • How this function works with RAW files versus JPG files.
  • What the different options mean in the “Edit in Photoshop” dialogue box when editing JPGs.
  • A workaround to open your original, unedited RAW file in Photoshop.
  • How to add text to your photo in Photoshop.
  • How to Save the file and how to change the default settings of the file saving format.
  • Why you should use only “Save” and not “Save As” when in Photoshop.
  • The process that Lightroom uses to save and retrieve your image.

Multiple jumps (or roundtrips)

You’ll learn:

  • What happens when you make multiple round trips (jumps to and from Lightroom to Photoshop and back) with the same file.
  • The best format to choose after you have closed Photoshop and decide you want to keep editing your edited photo.
  • What setting to choose so that you don’t loose further adjustments made in Lightroom when jumping back to Photoshop.
  • The trade-off of jumping back to Photoshop for a second time after making further edits in Lightroom but with a sneaky work-around.
  • How to make “virtual copies” of your image in Lightroom.
  • How you synchronize settings from one image to another in Lightroom.

Nested Jumps (or roundtrips)

You’ll learn:

  • How to jump from Lightroom to Photoshop and then from Photoshop to third-party software such as Luminar.
  • How to merge multiple Layers into a single Smart Layer so you can open in a third party program/plugin.

You may also like:

  • How to Use Camera Calibration Tool in Lightroom (video)
  • RAW Photo Editing in Lightroom: How to Make Your Photos Look Real to Life
  • How to Make Your Photos Pop in Lightroom (With Just 4 Quick Edits!)
  • How to Make Your Photos Awesome in Lightroom or Photoshop Camera RAW
  • Texture and Clarity Sliders in Lightroom Classic CC: What’s the difference?
  • How to Develop Better Black and White Photos in Lightroom

The post How to Jump from Lightroom to Photoshop and Back Again When Editing Photos (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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BTS: A look at the incredible planning, camera work and editing that went into the WWI film ‘1917’

22 Jan

Movies Insider has released a ten-minute behind-the-scenes look at the Golden Globe-winning film ‘1917,’ showing the incredible amount of thought, planning, camera work and editing that went into the World War I film that’s made to look as though it was captured in one, continuous shot.

The behind-the-scenes video shows how meticulously Cinematographer Roger Deakins (The Shawshank Redemption, Fargo, A Beautiful Mind, Skyfall and Sicario) and director Sam Mendes (American Beauty, Skyfall, Spectre) worked together to plan each and every shot, down to the second. From creating miniature dioramas to plan out the paths of the actors, cameras and lights to the vast array of gimbal and camera setups used, the video covers it all with great snippets of pre-production footage and interviews with the film’s creators.

Do yourself a favor and set some time aside to see the cinema magic that went into this Oscar-contender film.

Articles: Digital Photography Review (dpreview.com)

 
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Irfanview – The Free Program You Need in Your Photo Editing Toolbox

19 Jan

The post Irfanview – The Free Program You Need in Your Photo Editing Toolbox appeared first on Digital Photography School. It was authored by Rick Ohnsman.

irfanview-software

You would typically expect an article on a photo editing/utility program to be about the new latest-greatest thing to come out.  Instead, this article will tell you why Irfanview, a program that has been around since almost the dawn of digital photography, is still as useful as ever and, as a photographer, it’s something you’ll want in your toolbox.

This is the main screen that will greet you on the Irfanview.com site.

This is the main screen that will greet you on the Irfanview.com site.

The “Swiss Army Knife” of digital photography

You no doubt have heard of Swiss Army knives, those pocket multi-tools that have all manner of flip-out gadgets to perform whatever task you might require. Need a knife, a corkscrew, scissors, screwdriver, bottle opener, saw, tweezers, you-name-it? You can get all those things in one pocketable tool.

The largest such knife made by the company Wegner is the model 16999, and it has 87 tools that can perform over 141 functions. It’s hardly pocketable, but probably more of a demo of what is achievable. More typical Swiss Army knives have about 15-30 functions and are very pocketable.

Sure, a dedicated screwdriver or saw might do a better job, but the idea of having an entire toolkit in your pocket is the attraction.

The Victorinox SwissChamp knife

Irfanview is like a Swiss Army Knife – Lots of tools in one compact package.

Such is the case with the utility program Irfanview.

This little do-all program is the brainchild of student Irfan Škiljan, from Jajce, Bosnia/Herzegovina, who first introduced the program in 1996. To put that into perspective, the first commercially successful consumer digital camera, the Apple Quicktake 100, was introduced in 1994. I would venture that some of the readers of this article weren’t yet born.

Not only has Irfanview been around for 23 years, like the Swiss Army knife, but it also is small, compact, can fit on, and even be run from a thumb drive and performs more functions than I’ll even be able to cover here.

If you could only have one digital photography tool to work with, I daresay this might be the one you’d want. (Providing you work on a PC, sorry Mac users, this one’s not available for you unless perhaps you use a Windows emulator).

If you have been involved in digital photography for a long time, you may already be familiar with Irfanview. (Especially considering that since 2003 it’s been downloaded over a million times each month.)

It could be that you’ve used it in the past, but have forgotten about it. If so, you might learn some new tricks it can do now that you didn’t know about.

If you’ve never heard of it, it’s time you did. Either way, the list of Irfanview tools, features, functions, and tricks is impressive.

And did I mention it’s all free?

Yes, Irfanview has always been free, though Irfan Škiljan does accept donations and sells the product when used for commercial use. He has pretty much been able to live off the program.

The Apple Quicktake, released in 1995 was the first consumer digital camera.

The Kodak-made Apple Quicktake, released in 1995 was the first consumer digital camera.

What can’t it do?

I bought my first personal digital camera in 1999, a Nikon Coolpix 950. One of the first tools I used to work with my photos was, yup, Irfanview.

Over the years, new features and functions have been added, many of those created by other contributors who’ve created “plugins.” Adding to the already impressive list of functions the native program can perform, there are now over 70 plugins for Irfanview, expanding its capabilities even further.

It might be easier to list what the program can’t do rather than what it can do, but I will attempt to give you an overview of its basic functions. This will not be a “how-to-use” Irfanview article. One of the great things is the program is very easy to learn, and there’s no end of support available.

Pick the 32 or 64-bit version of Irfanview for your particular computer.

32 or 64-bit versions of Irfanview are available. Pick the version (and the plug-ins) for your particular computer.

Acquiring, downloading and installing

The official site for Irfanview is what you’d expect, Irfanview.com. Once there, you will see there are now two main versions, one for 64-bit and the other for 32-bit versions of Microsoft Windows. It will run on Windows XP, 7,8, and 10. If for some reason, you need older versions, those are available too.

Pick the version suitable for your computer. I suggest downloading the versions with the installers build in (these will be .EXE files).

Once downloaded, just double-click the file, tell it where you want it installed, and let it do its thing. (I also mentioned if you want a “portable” program, you can download and install it to a flash drive. It can be handy to have the program with you when you may want to use it on someone else’s computer and not have to install it to their machine.)

The Installation menu for Irfanview

The installation menu for Irfanview.

The Plug-ins

You don’t have to install the plug-ins, but I don’t know why you wouldn’t, as they greatly expand the list of what Irfanview can do. 

The easiest way to do this is to download and install the All Plug-Ins Installer. Be sure to pick the one that matches the version of the main program you downloaded and installed, 32 or 64-bit

Run the .EXE file just as you did the main program. It will find Irfanview on your machine (install that first) and then put the plugin-ins where they need to go. The whole process is very easy and straightforward.

You can configure Irfanview as the default view for whatever filetypes you choose.

You can configure Irfanview as the default view for whatever filetypes you choose.

Exploring the functions

With so much capability, I think the easiest way to give you an overview of the features is to look at the kinds of tasks you might want to accomplish and how Irfanview can handle those. I’ll briefly describe common tasks, though this will not be an in-depth instruction on how to perform the functions.

You might find this website a good resource for that purpose. The beauty of Irfanview is it’s very easy to learn and quite intuitive.

Open, view, save and convert files

As a photographer, you will likely be working with image file types like JPG, TIF, PNG, GIF, or possibly raw files like Canon CR2 or Nikon NEF.  What’s great is Irfanview opens dozens of different file types, even things you probably haven’t even heard of.  Here’s a link to a full list.

Open a file and view information in Irfanview.

You can learn lots about your image when you open it and use the Information option in Irfanview.

Open and View

To open a file/image, go to the File dropdown, pick Open and use the next menu to browse to where your file is located.

Click it once and, with the Preview Active box checked, you will see a thumbnail below.  There will also be information on the width and height of the image in pixels, the color depth, the size in RAM, and the file size.

Click Open or double-click the image and it will open in Irfanview.  If you want to go to the next image in the same folder, just click the spacebar on the keyboard or use the arrows on the top menu bar.

File conversion is a real strength of Irfanview.

Open one image type and convert it to something else. Irfanview excels at this. Here a .tif is converted to a ,jpg.

Convert

A powerful feature of Irfanview is the ability to convert one file type to another. For example, open a TIF file and save it as a PDF file or maybe a JPG. It’s as easy as opening the file and then saving it as whatever else you like.

If you like keyboard shortcuts, Irfanview has many. For example, an open image, click the “S” key to Save and then use the menu to tell Irfanview the file name, type, and location you wish to save it.

Irfanview can run video files too, like this mp4 video file.

Irfanview can run video files too, like this MP4 video file.

Not just for image files, Irfanview can play mp3 and other audio files.

Not just for image files, Irfanview can play MP3 and other audio files.

Not just photos

Irfanview goes beyond just opening photos.  It can also load and play audio and video files.  Want to play an MP3 music file or maybe an AVI video file?   Irfanview can do!

Send Irfanview images to an external editor of your choice.

Setting up external editors allows you to send an image from Irfanview to another editor, Photoshop in this example.

Open with an external editor

If Irfanview can’t do what you need, you can have it send the image to an external editor of your choosing.  You can specify up to three different editors in the Properties/Setting Menu.

The Thumbnails menu is Irfanview gives you many ways to look at your image files in a folder.

The Thumbnails menu is Irfanview gives you many ways to look at your image files in a folder.

View Thumbnails

This is a useful option.  (The “T” key is the shortcut).  Pick this, a submenu will open, and you can then browse all the folders on your drives.  Find the image you want, double-click it, and it will open in Irfanview.  The Thumbnails feature is very robust, offering many ways to view your files and see information about them.

Irfanview is a great program for making slideshows.

Irfanview is a great program for making slideshows.

Make a slideshow

This is one of my favorite features of Irfanview.

You can create an impromptu slideshow from images on any drive – even a plugged-in flashdrive. You can have the images automatically or manually advance, set timings, add music, show text such as file name, or even complete EXIF data.

If you want to save and take your finished slideshow elsewhere, you can save it to a self-contained EXE file, burn it to a CD or DVD, or even create a Screensaver file (SCR). With your computer connected to a projector, Irfanview makes a great presentation program, even allowing you to do things on the fly.

The batch conversion-rename tool in Irfanview is very powerful.

A top feature of Irfanview is its powerful batch conversion-rename utility. I’ve found none better.

Batch conversion/rename

I have not found a better program for this kind of work than Irfanview. Say I need to convert 200 TIF images to JPG, resize them to 1200 on the long side, sharpen them slightly, and rename them all to the same name but with sequential numbering. Irfanview has many of these options. You can tell it exactly what to do, how to do it, and where to save the results.

Once set up, it can work with as many files as necessary and, when set in motion (Start Batch), will quite quickly perform the assigned task.

Yes, the menus are quite extensive in this portion of the program, and taking the time to prepare your batch command carefully is important. What’s great, however, is the extensive options giving you very precise control of what you want.

There’s only one caution I’d give (and the default settings will usually protect you from doing this); if you convert or rename your files, be sure to set Irfanview to make a copy of those instead of overwriting the originals. You don’t want an “oh no!” moment if you discover you made a mistake and overwritten your originals.

Irfanview is a reasonablly capable image editor.

It’s not Photoshop, but Irfanview is a reasonably capable image editor.

Editing images

I won’t suggest that Irfanview will replace your dedicated photo editors like Lightroom, Photoshop, or whatever editing tool you use. That would be like saying the saw on a Swiss Army knife is a fine substitute for a chainsaw when felling trees.

However, in a variation of the saying about the “best camera,” let me say that the best editor is… the one you have with you.

Since Irfanview can work from a thumb drive, if necessary, without even installing it to the host computer, it’s easy to have it with you.

It’s installed on my desktop and notebook computers, and I carry a copy on a thumb drive on my keychain. Don’t leave home without it!

So what can you do with Irfanview as an editor?  Here’s a quick list:

  • Adjust color, brightness, contrast, saturation, gamma,
  • Resize image, canvas size
  • Crop
  • Add text
  • Paint – adjust brush size, color, shape, type
  • Fill
  • Sample color
  • Replace colors
  • Flip, rotate, mirror vertically or horizontally, straighten
  • Draw lines, arrows, shapes
  • Add borders, frames
  • Convert to grayscale, adjust color depth, invert to negative
  • Show histogram
  • Fix Red-Eye
  • Sharpen
  • Clone Stamp
  • Plus more!
Create multi-image montages with Irfanview.

Use Irfanview to create multi-image montages.

Other editing/compositing functions

Irfan has other great tricks it can perform. Need to create a contact sheet? Make a montage image? Yes, Irfanview can do these things.

While it also has a “Panorama” creation function, this is not a stitching program that can detect and seamlessly merge multiple images. It works better for making horizontal montages with multiple images where the edges need not match.

For stitching panoramas, I would instead suggest another free program, Microsoft ICE, on which I wrote this previous article.

Irfanview can control your scanner, bringing the scanned image into the program for further work.

Irfanview can control your scanner, bringing the scanned image into the program for further work.

Scanning, copying, and printing

Irfanview can connect to scanners and other TWAIN devices to bring images directly into the program. Point Irfanview to the device, and it will allow you to scan single or multiple images.

If you need to make a quick copy of something and have both a scanner and printer connected to your computer, Irfanview has a Copy Shop feature that scans the image and immediately sends it to the printer.

Still more tricks

You will want to explore Irfanview on your own as there are more possibilities than I can possibly write about here. As with many things, the best way to learn is to experiment and get some hands-on experience.

Here a few other things you may wish to try:

Screen captures

Need a screenshot to save or send someone?  Use the Print Screen function on your keyboard to capture the screen.  Then open Irfanview and Edit->Paste the captured image.  Crop it as desired and save the image for attachment to your email, further editing, or printing.

Add your exposure data to your photo with Irfanview.

Want to have your exposure data show on your photo? Irfanview can do! Display any Exif or IPTC data you like.

Put exposure data (or other text) on photo

There could be times you might want to display Exposure data or other text on your photo.  Here’s a simple way to do it in Irfanview:

  • Open the photo of interest
  • Drag a box on the portion of the image where you want to display the text
  • Click Edit->Insert Text
  • Use the menu that appears to fill in the information you want to be displayed.
  • You can use the Exif data codes to pull data from the file (if you haven’t overwritten it with a previous edit to the file).  A list of all codes is available in the Irfanview Help menu. Click the Help button in the menu to see them.  See an example in the image above.
  • If you want to be able to save the “recipe” you created, you can save it as a Profile which you can then use later.  This same technique can be used within the Batch conversion tool to do multiple images.
Plug-ins offer many more options in Irfanview like this Effects option.

Plug-ins offer many more options in Irfanview like this Effects option.

Plug-ins and filters

When you really want to dig deep into what Irfanview can do, you can explore the plug-ins and filters option. Here you can do such things as OCR (Optical Character Recognition), which will allow you to scan in a page of text and then convert it to editable text.

There is Facial Recognition (which I’m still deciphering), and there are the Image Effects (with an image open in Irfanview, click Image->Effects->Effects Browser, to get an overview of the various looks you can achieve.

Want even more? There are plug-ins under the Effects Menu like Filter Sandbox or Filter Factory. Irfanview can also use any Adobe-compatible 8BF filters.

Conclusion

The Swiss Army Knife analogy is a perfect description of the way I use Irfanview. It may not be the tool I use routinely, and certainly isn’t my primary photo editor, but, like carrying a utility tool in my pocket, it is oh, so handy when I need it. It’s also easy to always have around.

For a few tasks, it even does things commercial programs can’t or does them in a simpler, better way.

I have used the program for over 20 years, and I can say even as I prepared this article, I learned some new things I’d not yet discovered. If you try it, you, too, will find a place in your photo-editing-toolkit for Irfanview.

Let me know in the comments how you found it useful in your work.

The post Irfanview – The Free Program You Need in Your Photo Editing Toolbox appeared first on Digital Photography School. It was authored by Rick Ohnsman.


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6 Great and Free Photo Editing Apps on the OnePlus Phone and Android

12 Jan

The post 6 Great and Free Photo Editing Apps on the OnePlus Phone and Android appeared first on Digital Photography School. It was authored by Megan Kennedy.

photo-editing-apps-on-the-oneplus-phone-android

As a OnePlus user and a photographer, you can bet I’ve spent a good deal of time wading through the many photo-editing apps free to download through Google Play. Here, I take a brief look at 6 great (and free) editing apps on the OnePlus phone.

The OnePlus

Relatively new to the scene, you may never have heard of the OnePlus before. One Plus Technology (Shenzhen) Co., Ltd. (referred to as OnePlus) is a Chinese phone manufacturer founded in December 2013. Known for its slogan never settle, OnePlus released the OnePlus One smartphone in 2014. Since then there have been numerous incarnations of the OnePlus family, the most recent being the OnePlus 7T Pro.

OnePlus smartphones run on the Android operating system (OS). That means that most editing apps accessible to the OnePlus phone are available to all other smartphones with an Android OS (like the Google Pixel and Samsung Galaxy range for example).

While I’ll be exploring the next couple of editing applications on my own OnePlus phone, the apps I go into are available for all Android systems.

Image: My (slightly beaten up) OnePlus 5T

My (slightly beaten up) OnePlus 5T

6. VSCO

editing-apps-on-the-one-plus-phone-VSCO

VSCO (Visual Supply Company), is both a photo-editing and social media app aimed at the photographically-inclined. Sometimes compared to Instagram, VSCO is best known for its high-quality filters.  The basic VSCO version is free, but only 10 filters are available without paying $ 7.99 a month (or $ 31.99/year) for a VSCO membership.

While the filters that are available for free are definitely a cut above (and certainly worth the download), users looking for cheaper alternatives may turn elsewhere for greater flexibility. Personally, I’ve found that more often than not, the 10 free filters suit my needs just fine. The quality and variety of the free filters make VSCO my go-to for a quick filter fix.

5. Bonfire Photo Editor Pro

diting_apps_on_the_oneplus_phone_Bonfire

Bonfire Photo Editor Pro is an app paired with an easy-to-use layout. However, it’s the sizeable variety of features that come with Bonfire that makes this app especially attractive.

Along with standard filters, Bonfire has numerous options that allow you to add artistic effects to your photos. Pop art, oil painting, and impressionist presets are all available, as well as, skin smoothing filters and adjustment settings like contrast, vibrance and brightness.

If you are after a casual editor or a way to play around with arty effects, Bonfire Photo Editor Pro is a fun option.

4. Snapseed

6 Great and Free Photo Editing Apps on the OnePlus Phone and Android

Loaded with heaps of presets and manipulation tools, Snapseed is marketed as a free, professional-grade photo editor. Exposure adjustments, lens effects, filters, a healing tool, and a correction brush all come packaged within the Snapseed app. Plus, a double exposure function enables the combination of two or more photographs to create a ghostly image effect.

With over 100 million downloads, Snapseed is a favorite among photographers and casual users alike. Snapseed was one of my first editing apps on the OnePlus phone. It has since earned a spot in my most frequently used apps tray.

3. PicsArt

6 Great and Free Photo Editing Apps on the OnePlus Phone and Android

Although many features in PicsArt are in-app purchases, the app still supports basics like cropping, filters, artistic effects, facial definition and drawing without cost. What sets PicsArt apart, however, is the AI-generated filters available for free. Called Magic, the PicsArt effects transform an image to fit themes like Flora, Highlight and Plein Air.

Immersive and intelligent, photographers may not find professional uses for these effects, but they are great fun to mess around with.

2. Adobe Photoshop Express

editing_apps_on_the_oneplus_phone_photoshop

For editing apps on the OnePlus phone, Adobe Photoshop Express is extensive. Features like perspective correction, noise reduction, filters, effects (including artificial light leaks and bokeh effects), exposure adjustments, text options, and blemish removal are all found on the user-friendly UI.

The app has over 90 filters available, with substantial variation within each grouping.

To cater to social media trends, Photoshop Express has a collage function and the option to add stickers and borders to images. It also includes an extensive range of aspect ratios for cropping your images to precise dimensions.

1.  Fotor

editing_apps_on_the_oneplus_phone_fotor

With plenty of filters and adjustments at the ready, Fotor is great for getting the most out of an image. The app comes with standard essentials like contrast, sharpness, shadow, highlight, and color temperature adjustments.

In addition, scene filters optimized for specific lighting conditions and subjects streamline the editing process. An intuitive focus function adjusts blur in aperture increments and a range of borders and stickers and a collage function meets social media design trends.

Conclusion

There are plenty of editing apps on the OnePlus phone (and for phones running the Android OS generally) to download. With so many options for free, it can take a bit of experimentation to figure out what works best for your process.

The apps I’ve listed are my personal top 6 – if you have a favorite app that isn’t on the list, go ahead and mention it in the comments below! Happy editing!

The post 6 Great and Free Photo Editing Apps on the OnePlus Phone and Android appeared first on Digital Photography School. It was authored by Megan Kennedy.


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RAW Photo Editing in Lightroom: How to Make Your Photos Look Real to Life

05 Jan

The post RAW Photo Editing in Lightroom: How to Make Your Photos Look Real to Life appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

dps-raw-photo-editing-in-lightroom

RAW photo editing in Lightroom is necessary to make your photos look realistic. Saving your photos as RAW files, they will not look like what you see with your eyes. Photos your camera captures look different than how we see. This is especially so in high-contrast lighting.

We can see more detail in highlights and shadows. This will change as camera technology advances.

RAW files are always flat and dull-looking before post-processing. RAW photo editing is necessary to balance the light and color to get your photos looking lifelike.

RAW Photo Editing Edited Beetle

Edited image made to look more vibrant and lifelike from the original RAW file. © Kevin Landwer-Johan

Don’t believe what you see

Chimping will rarely give you a true picture of the detail in your RAW images. What you see on your camera screen is a JPG photo that contains less information than the RAW file. This is different for each make and model of camera. You need to use your imagination and fill in where there appears to be no detail. You must also consult your histogram to keep your imagination in check.

You can extract more detail during RAW photo editing than is displayed on your camera’s monitor. Know your camera well and how the RAW files respond when you post-process them. Then you can have a better idea when you chimp your pictures.

What shows on your camera monitor after you take a photo may show loss of detail in the highlights or shadows. High contrast lighting exaggerates this. Learn to recognize the difference between what you are looking at and the way the pictures of it look. This will help you make better exposure choices.

Having presets active when you import photos to Lightroom will alter the images. Otherwise, images import as the camera recorded them. I prefer to have all my Lightroom settings at zero when I import. This means that when I start my RAW photo editing, I know precisely what I am dealing with.

RAW Photo Editing Zeroed Beetle

Original, unedited image showing all the Lightroom sliders zeroed. © Kevin Landwer-Johan

RAW photo editing from scratch

Lightroom has many presets. Some of them come with the software, others you can download and install. Many of them, when applied, will give your photos a somewhat surreal look. You can create:

  • Monotone images
  • Add a sepia look
  • Saturate or Desaturate
  • Colorize, Posterize and Solarize

Gimmicks abound. Sometimes applying a creative preset can enhance a photo. The ways you can transform your photos are endless.

RAW Photo Editing Cool Light Beetle

RAW image wit a ‘Cool Light’ preset applied. © Kevin Landwer-Johan

You can edit to make photos look however you want them to. It’s up to your creative ideas. But often you will want to edit your RAW photos to make them look realistic.

When you edit RAW photos for a natural-looking result, keep in mind how you saw what you photographed. How was the lighting? Was it high or low contrast? Did it have a warm or cold cast? Was it more neutral? What did the colors look like? If you consider the reality of a scene then you can recreate this during RAW photo editing.

Thinking about what you saw when you were taking your photos will help you edit them more realistically. It’s not always possible to remember clearly. This is when you need to think objectively and aim to find a balance in lighting, contrast, and color when you working on RAW photo editing.

Find a balance – what looks right?

Editing your photos so they look real to life means you must find the right balance. In Lightroom, the sliders I use most often to achieve this are (in no particular order):

  • White Balance Temp
  • Exposure
  • Highlights
  • Shadows
  • Blacks
RAW Photo Editing Edited Flower

Use the sliders on the Develop Module to make photos look life like. © Kevin Landwer-Johan

The other sliders in the Basic panel I will use less often. Their use depends on the lighting condition from when I took the photo. At times I will make alterations to individual colors using the Saturation and Luminance sliders. You can find these in the HSL/Color panel.

There are many ways to achieve similar results in Lightroom. The ones I mention here are the ones I find to give me the best results. If you prefer an alternative way of doing the same thing, please share it in the comments below.

Photos taken at different times of the day and night require editing to suit the lighting. Whether the light is high or low contrast will also make a difference. Photos taken on a sunny day require different editing to photos you take when it’s cloudy, or you’re indoors.

Don’t overdo any of the changes you make. Avoid pushing sliders to their extremes. This will help you keep a more realistic look to your photos. Once you start having to max out the sliders, you will find that image quality begins to deteriorate. Pixelation, banding, and other imperfections will begin to appear.

RAW Photo Editing Zeroed Farmer

Zeroed Settings

RAW Photo Editing Edited Farmer

Sliders adjusted to make the photo more realistic-looking. © Kevin Landwer-Johan

Contrast and exposure challenges

How well-exposed your photos are will affect the amount of effective RAW photo editing you can carry out. When you have to push sliders to their extremes, it’s usually a sign your photo was not well exposed. It can mean the contrast range in your composition is too broad for your sensor to capture detail in both the shadow areas and highlights.

RAW photo editing has its limits. You will not always be able to make a photo look like what you saw. This is most often true when contrast is high because camera sensors are still more limited than how we see.

Generally, aiming to bring down the highlights and draw up the detail in shadows will make a photo look more real to life. If an image was poorly exposed, in part or whole, it is more challenging to make it look how you remembered seeing it.

RAW Photo Editing Edited Orchid

Hard light with overexposed highlights. © Kevin Landwer-Johan

To avoid this, compose your photos so that the contrast range you capture is within the dynamic range of your camera. If there are very bright and dark areas in your composition, recompose. Aim to have the tone range narrower. This often means taking photos where there’s no bright lights or deep shadows in your frame.

If you can not do this, don’t be overly concerned about losing detail in the highlights, as this is not such a problem. In bright lighting conditions, our eyes will often not be able to see detail on light-colored or very reflective surfaces. We will still be able to see detail in the shadows.

Setting your exposure so you can capture shadow detail will make it easier to edit the RAW photos in Lightroom. This will help you get them looking realistic.

RAW Photo Editing Edited House

Edit each photo individually to get them looking most realistic. © Kevin Landwer-Johan

Think about Lightroom RAW photo editing when you take photos

When you take photos, consider the changes you can make to your RAW images later. The more photos you take and edit, the more naturally this will occur.

Thinking about what you can do in post-production might seem like cheating to some. I don’t see it that way. It’s a matter of working with the tools we have available to us. Modern digital technology gives us opportunities to make photos look more realistic.

When RAW photo editing well-exposed images, you can make them look real to life when this is your intention. Having well-exposed RAW files means you can balance light, contrast, and color.

Have a look back over some photos you have post-processed recently. Do they look how you remember seeing what you photographed? How could you alter them to make them look more real to life?

The post RAW Photo Editing in Lightroom: How to Make Your Photos Look Real to Life appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Why DaVinci Resolve 16 is the best video editing software for beginners

03 Jan

Blackmagic Design DaVinci Resolve 16
Free | blackmagicdesign.com

Resolve 16, a tool for all creators?

The explosion of user generated video content for websites like YouTube has led to the launch of several competing non-linear-editors (NLEs) aimed at consumers, which vary in terms of price, feature set and upgradability. So, how do you choose which one to use?

One great option is DaVinci Resolve 16 from Blackmagic Design. The software is available for free from Blackmagic, but it’s not the only low-cost entry in the NLE arena, so what makes it different, and why is it so attractive to users getting into video editing for the first time?

First, a little bit of history. Originally created by da Vinci Systems in 1985, the software was designed mainly for color grading and color correction and ran on hardware costing more that $ 150,000. It has evolved both in terms of features and pricing model since Blackmagic Design acquired it in 2009. The most recent version, Resolve 16, introduces a more streamlined and less complicated workflow for many users, particularly those new to using NLEs, to edit video.

First time users

Opening up the software for the first time can be rather intimidating for those who haven’t used an NLE before. The sheer number of windows and buttons can be rather daunting. The only NLE I can think of which doesn’t introduce this sort of shock is iMovie, however that program has limitations for users who might want to move their work into the professional arena.

When opening Resolve you’re initially greeted with a window that allows you to open an existing project or create a new one. Once you have a project open in the main interface, you’ll see a row of workspaces for various parts of your edit along the bottom of the window. Blackmagic calls them ‘pages’. These are termed Media, Cut, Edit, Fusion, Color and Deliver, and are arranged left to right in order to assist with the workflow. You can jump between pages at any point.

The newly introduced Cut page allows a more simplified workflow.

Is it complicated?

The introduction of the new Cut page in Resolve 16 has simplified some of the traditional workflow that was visually complicated. The inclusion of a page with fewer options will attract a number of new users. It’s very easy to quickly add shots to the timeline and trim them without having to invoke the more complicated Edit page, which can be a little complicated.

The quick export option allows access to some render presets without the need for the Deliver page.

That’s not to say that you have to use the Cut page since at any time you can jump between any of the pages. This might seem confusing at first, but it’s done in a way that allows you to use the more complicated features when you’re ready. When you start out, for example, you may find that you don’t need to use the Fusion page (for VFX work) or Fairlight page (for audio), but inevitably you will probably want to use some of the features these pages offer as your skills and requirements change. The other great thing about the Cut page is that a number of common functions can also be accessed there. For example, there’s no need to go into the Deliver page to render files as you can export your edit within the Cut page.

One thing you don’t get is any sort of guided workflow. Some basic previous knowledge is assumed, but there are plenty of excellent online tutorial videos available on YouTube from channels like learncolorgrading and JayAreTV.

The Fairlight page enables fine tuning of your audio with features like EQ and dynamics filters.

As with any new version of software , the launch of Resolve 16 brings a lot of added features and improvements. For example, with previous versions it was easy to start editing only to realize later that the key settings – resolution and frame rate – had not been set correctly. In the past this could mean that you had to start again for optimal results. This is no longer a problem with Resolve 16 as a new timeline can be created with the correct settings without the need to create a new project.

How much?

I mentioned this selling point in a previous paragraph, but what exactly is the cost of Resolve 16?…$ 0. Yes, that’s correct, you can download and use Resolve 16 for free. No time limited trial, no logo burn in and no limitation to the length of your final output.

Yes, that’s correct, you can download and use Resolve 16 for free.

The free version of DaVinci Resolve does have some limitations, although a lot of these may not be important for those just starting out or even the more advanced user. Some key limitations are that the free version doesn’t offer HDR support or timelines with a resolution greater than UHD 4K. You’re also limited to using a single GPU, and I’ve found that the rendering speeds with the studio version are appreciably quicker. This is because you can select native Cuda acceleration in the Deliver page if you have an Nvidia graphics card.

There are other limitations as well which are detailed here, although the linked table should only be used as a guideline since, at the time of writing, it hasn’t been updated to Resolve 16 yet.

The Deliver page enables multiple exports for different platforms.

Will it work with my hardware?

There are, of course, some minimum hardware requirements for Resolve but these are quite reasonable. (It would be great to get a definitive requirements list from Black Magic Design, but that doesn’t seem to be available.)

To give you an idea of what’s possible, I previously ran version 14 on a 2012 Macbook Pro and, although a little slow, it did work. My current setup uses an AMD Ryzen 1700x with 32GB of RAM, along with an Nvidia GTX 1070Ti, and it works well for me. That’s not to say things wouldn’t be much quicker with better hardware but that’s a nice thing to have rather than a necessity.

One of the many upgrade options: the dedicated Resolve 16 keyboard, which includes a real jog shuttle wheel.

What’s the catch?

So why does Blackmagic offer such a full featured video editor for nothing? Well, they’re hoping that you like the free version of Resolve so much that you want to buy into their ecosystem. The upgrade path to Resolve Studio costs $ 299, but Blackmagic also sells a number of related hardware products that will assist you in your editing. These range from a dedicated editor keyboard at $ 995 to a control grading surface at $ 1025, and even a full production suite which retails at a staggering $ 30,805. This might seem like overkill for people just starting out, but you should know that Resolve is also used in professional post production facilities world-wide. There are options for all budgets.

The next question is which version should you get, the free version or Studio? There’s no penalty in trying the free version and then upgrading later if you need features in the Studio version. Why upgrade? For me it meant faster renders, and time is money. I also considered some of the additional VFX filters that are included for $ 299 and it made sense for me.

You can also upgrade the Studio version without cost to the next version. I went from 15 Studio to 16 Studio without paying any extra. Traditionally, this has been a selling point of Resolve.

Resolve 16 offers comprehensive color grading tools, including power windows

Help, I’m stuck

In addition to YouTube there’s a very active user community via the Blackmagic forums where developers and industry professionals with hundreds of years of combined experience can help you out. There are always more features that could be included, and as the number of users of Resolve has expanded so have the feature requests. Blackmagic is listening, hence the introduction of the Cut page and the ability to create timelines in the same project that have different frame rates and resolutions.

There’s also the recently published Beginner’s Guide to Using Resolve 16, but at 444 pages it may take some time to get through.

Is it for you?

The short answer is, it depends. I’d say give it a go, after all it costs nothing to try it. If you find it difficult to use then try watching some of the videos linked above. I find myself watching some of them when new features are introduced or if I need to look at a function that I’ve never used.

There are many functions you may never use, but it’s great to know they’re available if you ever need them. If you’re not limited by the software, you can develop your skill set as and when required.

What we like

  • Free version works for most users
  • Modest hardware requirements
  • Available for Windows, Mac and Linux
  • Excellent support resources, especially via YouTube
  • Reasonable upgrade cost if you require additional functions ($ 299)

What we don’t like

  • Can appear intimidating to new users
  • Lacks some support documentation

Articles: Digital Photography Review (dpreview.com)

 
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VSCO acquires Rylo for its advanced mobile video editing software

11 Dec

VSCO, the company behind the popular photo editing app by the same name, has announced its acquisition of Rylo, a company known for its compact camera and advanced video stabilization technology. VSCO explains that the use of video editing has doubled on its platform over the past year, underscoring the growing demand for video tools. The newly announced acquisition will give the company access to Rylo’s video editing software.

According to Rylo’s founders Chris Cunningham and Alex Karpenko, their company will shift its focus entirely to software, leaving the physical camera aspect behind. The Rylo app will be available to download on mobile and macOS until January 31, 2021, and the Rylo camera will remain available to purchase from Best Buy until the units are sold out. The Rylo camera and app will remain available to use following the acquisition.

‘Building high-end video editing capability on mobile is no small feat and we believe our combined technology and focus on video will help pave new innovation for video editing tools,’ VSCO CEO Joel Flory said as part of the company’s announcement. ‘We can’t wait to make these new tools available to the VSCO community next year.’

Articles: Digital Photography Review (dpreview.com)

 
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Capture One 20 photo editing software arrives with new and enhanced tools

05 Dec

Phase One has announced the launch of Capture One 20, the latest version of its photo editing software. Additions and enhancements brought in Capture One 20 are based on user feedback, according to Phase One, which says the latest version of its software brings a ‘highly intuitive and functional’ UI that is easier for new users to learn and use.

Capture One 20 brings both updated and new features, including a redesigned Basic Color Editor that now works on Layers, a new Crop tool that Phase One says is Capture One’s ‘most advanced’ crop tool to date, a new HDR tool that adds White and Black point sliders, a ‘re-engineered’ Noise Reduction tool, and new scrolling tools.

In addition, Capture One users can expect enhanced versions of the software’s appearance, interface, DNG support, copy and apply functions in Layers, and an entirely new ‘Select Next When’ option that makes it possible to automatically switch to the next image once a certain action has been performed (adding a color tag, etc).

Other enhancements include new toolbar text and icons, enhanced browser thumbnail resolution, improvements to the adjustments clipboard, and an enhanced White Balance Picker tool that has been re-engineered for what Phase One says is ‘much higher consistency.’ As expected, the updated software also brings new lens and camera support for models that include the Canon EOS 90D and M6 II, the Ricoh GR III, Nikon Z 50, and more.

Below is a feature overview of the newly-released Capture One 20:

Capture One 20 is available starting today with versions that limit support to camera models from Fujifilm and Sony (Capture One Pro Fujifilm 20 and Capture One Pro 20 for Sony, respectively). Customers have the choice to purchase Capture One 20 for $ 299 ($ 159 to upgrade from a previous version) or to sign up for a subscription to receive access to it for rates starting at $ 15/month. The Fujifilm and Sony versions of the software are slightly cheaper at $ 129 per license or $ 8/month.

Articles: Digital Photography Review (dpreview.com)

 
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Pixelmator has made its flagship iPad photo editing app free for 24 hours

26 Nov

As a pre-Black Friday teaser, Pixelmator is running an absolute steal of a deal on its flagship photo editing app Pixelmator Photo. For the next 20 hours (as of this article going live), Pixelmator Photo for iPad will be free to download in the iOS App Store.

The deal appears to be a teaser for Pixelmator’s upcoming Black Friday sale, where its desktop Pixelmator Pro program will be 25% off. Pixelmator Photo normally costs $ 4.99, so free-ninety-nine sounds much more appealing, especially for a photo editing app as feature-rich as Pixelmator Photo, which was recently updated with new support for Apple’s iPadOS.

The deal is available worldwide and currently live in the iOS App Store. For more information about Pixelmator Photo, head on over to Pixelmator’s product page. The deal will and at 9am ET, November 27, so get the app while you can.

Articles: Digital Photography Review (dpreview.com)

 
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Luminar 4 with AI-powered editing features is now shipping

19 Nov

Skylum software’s Luminar 4 image editing application is now shipping. The company had been giving us a few glimpses at the software’s new AI-powered editing tools over the past few months, including the AI Skin Enhancer and Portrait Enhancer filters, the AI Sky Replacement filter and the AI Structure filter which selectively enhances textures and detail in images. Now the package is finally available to users.

In addition to the new tools there’s also a revamped user interface that, according to Skylum, will shorten the learning process for new users and, thanks to customizable tools, should provide ease of use for beginners and veteran users of Luminar alike.

Luminar 4 is available is a standalone application but can also be used as a plugin for Adobe Photoshop, Lightroom Classic and Photoshop Elements, as well as Apple Photos for macOS and Aperture.

The full version will set you back $ 89, an update from a previous Luminar version will cost you $ 74. Mixed-computer households can share the same product key for Mac and PC which can be activated on 2 devices. More information is available on the Skylum website.

Articles: Digital Photography Review (dpreview.com)

 
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