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Posts Tagged ‘dual’

Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L

08 Oct

The post Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon unveils a dual fisheye VR lens

Canon has announced a one-of-a-kind lens for EOS R cameras: the RF 5.2mm f/2.8L Dual Fisheye lens, which looks exactly as strange as it sounds:

RF 5.2mm Dual Fisheye lens side view

And check out the lens again, this time mounted to the Canon EOS R5:

virtual reality lens mounted to a Canon EOS R5

So what is this bizarre new lens? What’s it’s purpose? 

The RF 5.2mm f/2.8L is designed for virtual reality (VR) recording; it’s “the world’s first digital interchangeable dual fisheye lens capable of shooting stereoscopic 3D 180° VR imagery to a single image sensor.” In other words, the twin fisheye lenses offer two frames covering a huge field of view in total; when processed, this footage turns into a single, 180-degree image, and with the proper equipment (the press release mentions the Oculus Quest 2), viewers can feel truly present in the scene.

It seems that, when the RF 5.2mm f/2.8L debuts, it will be available solely for EOS R5 cameras, though this could change once the lens hits the market. Such a unique lens is bound to turn heads, and Canon has certainly been hard at work, offering a product with an outstanding form factor – for filmmakers who record on the go or who simply prefer to minimize kit size – along with weather resistance, a very nice f/2.8 maximum aperture, and most importantly, Canon’s in-built filter system. The latter allows you to use neutral density (ND) filters when recording, essential for serious videographers.

Unfortunately, processing dual fisheye images isn’t done with standard editing software. Instead, Canon is developing several (paid) programs capable of handling VR footage: a Premiere Pro plugin, and a “VR Utility.” The company explains, “With the EOS VR Plug-In for Adobe Premiere Pro, creators will be able to automatically convert footage to equirectangular, and cut, color, and add new dimension to stories with Adobe Creative Cloud apps, including Premiere Pro,” while “Canon’s EOS VR Utility will offer the ability to convert clips from dual fisheye image to equirectangular and make quick edits.”

So who should think about purchasing this new lens? It’s a good question, and one without an easy answer. Canon’s decision to bring out a dedicated VR lens suggests a growing interest in creating VR content. But the day when most video is viewed through VR technology seems a long way off, at least from where I’m sitting. 

That said, if VR recording sounds interesting, you should at least check out this nifty new lens. Canon suggests a December release date with a $ 1999 USD price tag, and you can expect Canon’s VR post-processing software around the same time.

Now over to you:

Are you interested in this new lens? Do you do (or hope to do) any VR recording? Share your thoughts in the comments below!

The post Canon Unveils a Dual Fisheye Virtual Reality Lens, the RF 5.2mm f/2.8L appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon Announces the EOS R3: Dual Card Slots, 30 FPS, and 6K Video

25 Sep

The post Canon Announces the EOS R3: Dual Card Slots, 30 FPS, and 6K Video appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon announces the EOS R3 mirrorless camera

Last week, Canon launched its EOS R3, a sports-centric mirrorless model billed as “the company’s most technologically advanced full-frame mirrorless camera.”

The EOS R3 has generated plenty of hubbub, and rightfully so; on spec sheets, it outclasses the (already formidable) action capabilities of the EOS R5 and the EOS R6. The EOS R3 should even give Canon’s flagship DSLR, the 1D X Mark III, a run for its money, though Canon has deliberately refrained from naming the EOS R3 as the 1D X Mark III’s mirrorless twin. Instead, the company claims that the EOS R3 “bridges the gap between the immensely popular EOS R5 and the world-renowned Canon flagship EOS-1D X line,” which leaves open a spot for Canon’s true mirrorless flagship, the (presumed) EOS R1. 

Of course, the EOS R1 won’t debut until 2022 at the earliest, and in many ways, the capabilities of the EOS R3 make you wonder why an action-ready EOS R1 is even necessary; if the EOS R1 sits above the EOS R3, what could it possibly offer beyond the R3’s standout features?

And indeed, the EOS R3 is a standout. You get the expected professional features: top-notch weather sealing (“equivalent to EOS-1D camera models,” according to Canon), an in-built body grip, and dual card slots, perfect for sports and other action shoots. Thanks to Canon’s new 24 MP backside illuminated sensor, you’ll see improved high-ISO performance, perhaps even a stop or two better than the EOS R6, Canon’s most impressive low-light performer to date.

But you also get additional class-leading features. Autofocus is outstanding, bolstered by a whopping 1053 AF points plus a newly developed automobile and motorcycle AF. Then there’s the much-talked-about Eye Control AF, which is simply cool, no matter its final performance; look toward the rightmost subject and your camera will focus right, look toward the leftmost subject and your camera will focus left. There’s even a fully articulating screen, which allows for the low-angle compositions and smooth video monitoring appreciated by professionals.

Canon EOS R3 with a fully articulating screen

Action photographers will love the 30 frames-per-second continuous shooting (via the electronic shutter), and the 5.5 stops of in-body image stabilization will improve handheld photography (Canon promises “the world’s most effective image stabilization”).

While the Canon EOS R3 has been teased as a powerful stills camera, its video capabilities are certainly impressive. You get 6K/60p and 4K/120p shooting, along with all the standard video features (e.g., Canon Log, focus peaking, etc.). 

Is the Canon EOS R3 the best mirrorless camera currently available? That’s tough to say, especially when faced with more detail-focused cameras such as the Sony a7R IV, the Sony a1, and the Nikon Z7/Z7 II. But it’s certainly impressive, and if you can afford the $ 6000 USD cost, the EOS R3 is currently available for preorder. 

The cameras will begin shipping in November, so if you’re after one of the best action models on the market, then take a look!

Now over to you:

What do you think about the Canon EOS R3? Is it everything you hoped for? Is it missing any features you would’ve appreciated? Share your thoughts in the comments below!

The post Canon Announces the EOS R3: Dual Card Slots, 30 FPS, and 6K Video appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Nikon Z6 II and Z7 II boast dual processors and gain a second card slot

14 Oct

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Nikon has updated its full-frame mirrorless Z series with two second-gen camera bodies: the Z6 II and Z7 II. Both will offer dual Expeed 6 processors to boost buffer performance and top continuous shooting speeds, and each camera gains a second UHS-II SD card slot to complement the existing CFexpress/XQD slot. They’re scheduled to arrive at the end of this year.

With the additional processing power, the Z7 II can shoot at up to 10 fps (compared to 9 fps in the Z7) and the Z6 II shoots at up to 14 fps (up from 12 fps in the Z6). Each camera’s buffer capacity is improved substantially as well: in the Z7 II’s case it can capture around three times as many images as the Z7. Maximum frame rate for internally recorded 4K gets a boost to 60p; a feature that will be included in the Z7 II when it ships, but will come to the Z6 II in an early 2021 firmware update.

Each camera gains a second UHS-II SD card slot to complement the existing CFexpress/XQD slot

Autofocus gets an update with better low light subject acquisition and Eye/Face detection added as an option in Wide area mode. The Z6 II and Z7 II will also offer Eye and Animal detection AF while shooting video.

A new MB-N11 vertical battery grip offers controls for shooting in portrait orientation, with a battery chamber that allows for hot swapping. Both cameras can also be powered as well as charged via USB-C.

The Nikon Z6 II and Z7 II will ship in November and December 2020, respectively. The Z7 II will sell for $ 3000 body-only or $ 3600 kitted with the Nikkor Z 24-70mm F4. The Z6 II will be priced at $ 2000 body-only or $ 2600 with Z 24-70mm F4. The MB-N11 battery pack will go on sale in November 2020 for $ 400.

Press release

THE NEXT CHAPTER OF Z IS HERE: NIKON DELIVERS MORE OF EVERYTHING WITH THE NEW Z 7II AND Z 6II FULL-FRAME MIRRORLESS CAMERAS

The High-Resolution, High Performance Z 7II and the Versatile, Multimedia Powerhouse Z 6II Offer More Innovation, Power, Speed and Precision to Step into a New Era of Creative Freedom

MELVILLE, NY (October 14, 2020) – Today, Nikon Inc. unveiled the next chapter of the Z series with the arrival of two new full-frame mirrorless cameras that significantly improve upon the previous generation by adding more power, more features and more of what users want. The ultra-high-resolution Z 7II is for those with an eye for impeccable details, offering professionals and advanced photographers a powerful tool to capture immense resolution in every shot. For dynamic creators who need a device as versatile as they are, the Z 6II balances powerful performance and an expert-level multimedia feature set to bring any creative vision to life. Together, the Z 7II and Z 6II, along with new accessories, expand the Z series into a more robust mirrorless platform, incorporating many performance and design upgrades while maintaining the most popular features of their award-winning predecessors.

“As we evolve the Nikon Z series into the future, we continue to strengthen the platform, keeping the needs of our customers at the center of every new innovation and added feature,” said Jay Vannatter, Executive Vice President, Nikon Inc. “These are the cameras that many have been waiting for from Nikon. The new Z 7II and Z 6II demonstrate our commitment to listening to customer feedback, while also establishing the new standard for performance, quality and versatility for every type of creator, photographer or filmmaker.”

The Nikon Z Mount – The Most Light Means the Best Images
The Nikon Z mount is larger than any other full-frame mount, letting in significantly more light for the best possible image quality. The wider mount also allows for radical new concepts in optical design, giving lens designers the flexibility to create NIKKOR Z lenses with more edge-to-edge sharpness than ever thought possible. These new cameras expand the possibilities of the superior Z mount with performance upgrades designed to improve the quality, workflow and shooting experience for Nikon Z series users.

New Features and Upgrades: Customer-Focused Innovation Drives Creativity

  • Dual EXPEED 6 Processors for Twice the Power: At the heart of the new Z 7II and Z 6II is the implementation of two EXPEED 6 image processors, turbocharging performance to improve processing speed and increasing burst capability for stills — all while increasing power efficiency.
  • Built for Confidence, Built for Creators: The cameras retain robust weather sealing, user-focused ergonomics and an intuitive interface– distinctions that Nikon users have come to rely on. The new models also offer improvements such as dual memory card slots, with one CFexpress (type B)/XQD slot and one SD card slot (UHS-II), for maximum versatility and peace of mind. Users will also benefit from more power and comfortable vertical shooting with the addition of the optional new MB-N11 battery pack with vertical grip.
  • Enhanced Focus System: With an updated, feature-rich autofocus system, the Z 7II and Z 6II quickly acquire focus and track subjects throughout the frame. For more precise autofocusing, Eye and Face-Detection AF is now available in the Wide-Area AF (L) mode, which works to avoid focusing on distracting elements by isolating selected portions of an image. Additionally, both models have an improved low-light AF detection range that is capable of acquiring subjects in challenging lighting.
  • Advanced Video Capabilities: Expanding the boundaries of 4K UHD video, the Z 7II and Z 6II enhance video output with an increased frame rate of 4K (UHD) 60p, plus Eye-Detection AF mode when recording video. While currently available in the Z 7II, the 4K 60p option is planned to be available in a free firmware upgrade for the Z 6II in February 2021. As a result of pro user feedback, the models also allow users to reverse the focus ring orientation on the fly, benefitting those who are used to manual focusing using traditional cine lenses on set. For added flexibility in post-production, 10-bit N-Log and HDR (HLG)1 output offers more detail, dynamic range and contrast in captured footage, while the optional 12-bit ProRes RAW upgrade2 delivers greater creative control for professionals and advanced videographers.

Nikon Z 7II: Absolute Immersive Masterpiece
The Z 7II promises high-resolution stills and video for discerning users who need ultimate performance to achieve exceptional image quality in every shot. A powerful upgrade to the Nikon Z 7, the Z 7II is the ideal camera for capturing highly detailed portraits, landscapes, weddings, events, and commercial photography when there is no compromise on image quality.

  • The Z 7II features a 45.7-megapixel backside-illuminated (BSI) CMOS sensor to help capture intense detail, ultra-shallow depth of field and clarity that overwhelms. The exceptionally clean native ISO range from ISO 64 to 25,600 offers the functional freedom to shoot at wide apertures in bright light or in-studio with minimal noise.
  • With up to 10 fps maximum shooting speed at full resolution in Continuous H (extended)3, the Z 7II can handle fast burst rates with more than triple (3.3x)4 the buffer capacity of the Z 7 (in 12-bit lossless compressed RAW).
  • The Z 7II’s 493 on-sensor phase-detect autofocus points cover 90 percent of the frame, quickly and accurately acquiring subjects, even at its far edges. The Z 7II is capable of acquiring focus in half the light (as low as -3 EV5), making it the reliable tool for low-light scenes such as weddings and indoor events.

Nikon Z 6II: True Multimedia Powerhouse
The Z 6II is the most versatile Z series camera yet, balancing speed, power, low-light ability, and advanced video features for dynamic creators who need pro-level performance and reliability.

  • Building on the vast pro-caliber video capabilities of the Z 6, the Z 6II is capable of recording 4K UHD video quality with full pixel readout, demonstrating the advantages of mirrorless technology. The camera is capable of a variety of frame rates, including 4K UHD 60p6 with full pixel readout, which is planned to be available in February 2021 via a firmware update. It is also capable of 4K 30p, as well as Full HD 120p for slow motion.
    o Built with videographers in mind, the Z 6II’s AF speed and tracking sensitivity is adjustable to meet creative needs, while the focus ring is also reversible. Useful indicators for focus peaking, zebra stripes and timecodes help capture the best possible footage in-camera and simplify workflow.
    o For both models, 10-bit output to an external recorder with N-Log is possible as well as the capture of new HDR (HLG) video and output in 12-bit ProRes RAW with the optional upgrade. For upgrade customers, additional support will also be included for Blackmagic RAW when using the Blackmagic Design Video Assist 12G HDR recorder. This upgrade will also be provided for existing customers who have already purchased a ProRes RAW upgrade for the Nikon Z 6 or Z 77.
    o The Z 6II and Z 7II are the first Nikon cameras to support Eye-Detection AF and Animal-Detection AF with video recording, enabling continuous focus on the eyes of humans, dogs, and cats.
  • The Z 6II features a 24.5-megapixel BSI CMOS sensor for crisp stills and video capture with impressive detail, ultra-shallow depth of field and impressive low light performance. To confidently shoot in challenging light, the camera has an impressive ISO range from ISO 100–51,200, expandable up to ISO 204,800 equivalent.
  • Thanks to the addition of dual EXPEED 6 Processors, the Z 6II boasts a fast 14 fps3 continuous shooting speed, providing quick performance for capturing action, with more than 3.5x the buffer capacity of the Z 64.
  • The Z 6II’s enhanced AF system features 273 on-sensor phase-detect autofocus points for easy subject acquisition and tracking throughout the frame, including at the edges. Capable of focusing in half the light (down to -4.5 EV5), the Z 6II easily acquires focus in extreme low light scenarios, making it an ideal option for capturing nightscapes and events.

The Nikon Experience: Reliability & Workflow
Both the Z 7II and Z 6II adopt the Z series’ durable Magnesium Alloy build and extensive weather-sealed design for all-around protection in rugged environments. Both models focus on improved workflow with intuitive features and controls that enhance the creative process.

  • The Z 6II and Z 7II enable convenient iMenu access for autofocus modes such as the new Wide-Area AF (L) mode for people or animals, with built-in Eye and Face-Detect autofocus, allowing users to quickly switch between controls while shooting.
  • USB power delivery can be enabled while the cameras are in use, drawing power from the USB source first, to preserve camera battery8 or charging while the camera is turned off (when using the EN-EL15b or EN-EL15c battery).
  • The Z 6II and Z 7II also include in-camera exposure choices for up to 900 seconds for capturing super slow-shutter nighttime cityscapes and astrophotography.
  • Both the Z 6II and Z 7II are compatible with the Nikon Webcam Utility software beta, ensuring seamless webcam functionality for all occasions. When using this function with a USB-C cable, power can be supplied to the camera to power it while using it as a webcam, making turnkey webcam functionality as easy as plugging in a USB-C cable.
  • In addition to its seamless file transfer and remote camera control, the Nikon SnapBridge app can be used to streamline the firmware update process by wirelessly sending the latest firmware file directly to the Z 7II or Z 6II for updating, no card reader or computer necessary.
  • Portions of the information display can be hidden with still-image shooting and video recording, allowing an unobstructed view of the scene.
  • In-camera vibration reduction (VR) provides camera-shake compensation equivalent to 5-stops9.

A Rapidly Expanding Ecosystem
Nikon is committed to expanding the NIKKOR Z lens lineup to complement the exceptional power of these latest mirrorless cameras, with 16 NIKKOR Z lenses currently available, including the recently announced NIKKOR Z 50mm f/1.2 S and 14-24mm f/2.8 S. The lineup will expand to include a total of 24 innovative optics by the end of 2021, providing Z series users with the tools to achieve the highest level of optical excellence.

The ecosystem is also expanding with more accessories, including the addition of the new MB-N11 Power Battery Pack with vertical grip for the Z 6II and Z 7II. This new grip features convenient external controls for additional manual operation and customization, along with more comfortable portrait orientation shooting. While battery life is extended up to 1.9x10 (CIPA standard), the battery grip also includes a hot-swappable chamber, granting users the ability to remove or replace one battery while shooting for uninterrupted power – a true benefit for content creation. The vertical grip also adds a secondary USB-C port for standalone charging and simultaneous communication with other devices.

Additionally, Nikon has announced new wireless transceivers for remote triggering and radio-controlled lighting, the WR-R11a and WR-R11b. The new wireless transceiver units use radio frequencies to communicate and are designed for users who need minimal release lag when shooting wirelessly, or those that use one or more remote flashes (AWL). The user can control additional remote cameras simultaneously using the WR-T10 remote, or via a main camera equipped with the WR-R11a/b. The WR-R11a uses a 10-pin connector, while the WR-R11b connects through the accessory terminal that can be found on Z series mirrorless cameras and select DSLRs. The units can also trigger Nikon radio-controlled flash units, such as the popular SB-5000 Speedlight, without the need for an additional receiver unit. Engineered with a new hinged design, the WR-R11a increases durability when attached to a camera.

Pricing and Availability
The Nikon Z 7II will be available in December 2020 in two configurations, body-only for a suggested retail price (SRP) of $ 2,999.95* and a one-lens kit with the NIKKOR Z 24-70mm f/4 for an SRP of $ 3,599.95*. The Nikon Z 6II will be available in November 2020 and will also be available in two configurations, body-only for an SRP of $ 1,999.95*, and a one-lens kit with the NIKKOR Z 24-70mm f/4 for an SRP of $ 2,599.95*. The MB-N11 Battery Pack with vertical grip will be available in November 2020 for an SRP of $ 399.95. The WR-R11a and WR-R11b (sold separately) will be available in November 2020, and each will have an SRP of $ 199.95 for the controller only. They will also be available as a set including the controller and the WR-T10 wireless remote controller for an SRP of $ 279.95.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Other trade names mentioned in this document are trademarks or registered trademarks of their respective holders.

1. Footage is recorded only to the external device; it cannot be recorded to the memory card inserted in the camera.
2. The RAW video output function can be enabled by a Nikon service facility for a fee. This firmware upgrade is part of the paid ProRes Raw upgrade. The Atomos Ninja V supports Nikon RAW video output, and records videos in ProRes RAW format. Operation is not guaranteed with recorders other than the Ninja V. On Z 7II, RAW video output is possible only with full-HD videos recorded in the FX-based video format and 4K UHD videos recorded in the DX-based video format.
3. When shooting in Continuous H (extended) using single-point AF, with AF/AE tracking. 12-bit lossless compressed RAW, with a 128GB CFexpress (Type B) memory card.
4. 12-bit lossless compressed RAW, with a 128GB CF express (Type B) memory card
5. Using AF-S at f/2.0, ISO 100 and 20°C/68°F with the center focus point selected in single-point AF area mode
6. With Full-pixel readout, when shot in DX image area
7. Planned for February 2021
8. Requires optional UC-E25 USB cable.
9. Measured in accordance with CIPA standards (using the NIKKOR Z 24-70mm f/4 S at the maximum telephoto position).
10. With an optional battery pack attached with two fully charged EN-EL15c Rechargeable Li-ion batteries. Endurance varies with the condition of the battery, the temperature, the interval between shots, and the length of time menus are displayed.

Nikon Z6 II and Z7 II specifications

  Nikon Z6 II Nikon Z7 II
Price
MSRP $ 1995 (body only), $ 2599 (w/24-70 F4 lens) $ 2999 (body only), $ 3499 (w/24-70 F4 lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6048 x 4024 8256 x 5504
Other resolutions 3936 x 2624 (DX crop), 4016 x 4016 (1:1), 6048 x 3400 (16:9) 5408 x 3600 (DX crop), 6880 x 5504 (5:4), 5504 x 5504 (1:1), 8256 x 4640 (16:9)
Image ratio w:h 1:1, 5:4, 3:2, 16:9
Effective pixels 25 megapixels 46 megapixels
Sensor photo detectors 25 megapixels 47 megapixels
Sensor size Full frame (35.9 x 23.9 mm)
Sensor type BSI-CMOS CMOS
Processor Dual Expeed 6
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-51200 (expands to 50-204800) Auto, 64-25600 (expands to 32-102400)
Boosted ISO (minimum) 50 32
Boosted ISO (maximum) 204800 102400
White balance presets 12
Custom white balance Yes (6 slots)
Image stabilization Sensor-shift
Image stabilization notes 5-axis
CIPA image stabilization rating 5 stop(s)
Uncompressed format RAW + TIFF RAW
JPEG quality levels Fine, normal, basic
File format
  • JPEG
  • Raw (NEF, 12 or 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Digital zoom No
Manual focus Yes
Number of focus points 273 493
Lens mount Nikon Z
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3.2
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.8×
Viewfinder resolution 3,690,000
Photography features
Minimum shutter speed 900 sec 30 sec
Maximum shutter speed 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash modes Front-curtain sync, slow sync, rear-curtain sync, red-eye reduction, red-eye reduction with slow sync, slow rear-curtain sync, off
Flash X sync speed 1/200 sec
Continuous drive 14.0 fps 10.0 fps
Self-timer Yes (2, 5, 10 or 20 secs)
Metering modes
  • Multi
  • Center-weighted
  • Highlight-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 60p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 50p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 30p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p / 144 Mbps, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 24p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p / 144 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p / 56 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p / 28 Mbps, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p / 28 Mbps, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types CFexpress Type B / XQD CFexpress (Type B), XQD, SD (UHS-II)
Connectivity
USB USB 3.2 Gen 1 (5 GBit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes (via MC-DC2 or smartphone)
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description EN-EL15c lithium-ion battery & charger
Battery Life (CIPA) 410 420
Weight (inc. batteries) 705 g (1.55 lb / 24.87 oz)
Dimensions 134 x 101 x 70 mm (5.28 x 3.98 x 2.76)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS M7 Rumored to Arrive in 2020 With Dual Card Slots, 2.36M-Dot EVF

31 Aug

The post Canon EOS M7 Rumored to Arrive in 2020 With Dual Card Slots, 2.36M-Dot EVF appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon EOS M7 rumor

With most photographers focused on Canon’s new EOS R models, rumors of another couple of Canon EOS M cameras have mostly flown under the radar. This includes talk of a potential EOS M7, as well as a rumored EOS M50 Mark II.

And information continues to leak, including recent Canon EOS M7 specifications; if the rumors are accurate, it’s shaping up to be one impressive camera.

Canon Rumors suggests we may get:

A 32-megapixel sensor.

In-body image stabilization.

A 2.36M-dot electronic viewfinder.

12 frames-per-second shooting.

Dual card slots.

4K/60p.

Nice, right?

Unfortunately, the same set of rumors also puts the EOS M7 price at $ 1599 USD, which is significantly more expensive than either the EOS M50 and the EOS M6 Mark II. But if the EOS M7 is, as many have speculated, a higher-end, durable APS-C mirrorless model from Canon, this pricing could make sense.

Now, the features listed above are unconfirmed (Canon Rumors marks them as CR1), so take them with a pinch of salt. But the EOS M7 has long been a topic of discussion, including speculation of the camera as a mirrorless replacement to the Canon EOS 7D series, which was a favorite set of DSLRs among bird and wildlife photographers.

If the latter is true, the EOS M7 should, first and foremost, be an action photography camera. This is hinted at by the (relatively) fast continuous shooting specification, as well as the dual card slots, but we’ll have to wait and see regarding its durability (the 7D series was known for its large, tough bodies).

Interestingly, Canon Rumors also mentions the possibility of the EOS M line drawing to a close in 2021, with Canon focusing entirely on the EOS R lineup, including (perhaps) an APS-C EOS R model. If such a rumor were true, then the EOS M7 and the EOS M50 Mark II may be some of the last EOS M bodies we ever get.

Of course, this is also completely unsubstantiated, so just keep an eye out for related news in the future!

Now over to you:

What do you think about the rumored specifications for the Canon EOS M7? Is it a camera you’d be interested in? Also, do you think that Canon will truly discard its EOS M lineup? Share your thoughts in the comments!

The post Canon EOS M7 Rumored to Arrive in 2020 With Dual Card Slots, 2.36M-Dot EVF appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Canon releases EOS R5 with 45MP sensor, 8K video capture and next-gen Dual Pixel AF

12 Jul

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We’ve known that the EOS R5 has been coming for a while, and today Canon has made it official. The R5’s most notable features – its sensor, in-body IS system and 8K video capture – demonstrate that Canon isn’t trying to make just another mirrorless camera: the company is trying to evolve it.

The R5 uses an all-new, Canon-designed 45MP full-frame sensor, along with the DIGIC X processor found on the EOS-1D X III. This combination allows for the fast readout and data processing horsepower required to pull off many of the R5’s standout features.

The R5 uses an all-new, Canon-designed 45MP full-frame sensor, along with the DIGIC X processor found on the EOS-1D X III

The SLR-style design features a large electronic viewfinder with 0.76x magnification and 5.76 million dots, as well as a fully articulating 2.1M-dot LCD. The M-Fn bar from the EOS R is gone, replaced instead with a conventional joystick and AF-On button. Build quality is similar to that of the EOS 5D IV, meaning that it’s rugged and weather-sealed, though not to 1D standards. The camera has a USB Type C socket (with 3.1 Gen2 speeds) along with CFexpress and SD card slots.

Some of the highlights of the R5 include its in-body image stabilizer, which can reduce shake by up to eight stops when paired with some RF lenses. The camera uses Canon’s second generation Dual Pixel CMOS AF system, which offers 100% coverage and 1053 auto-selectable points. Using deep learning, the camera is able to acquire and track both people and animals.

It can capture 8K/30p video for up to 30 minutes, with your choice of Raw or H.265 output

The R5 can shoot bursts at 20 fps with continuous focus using electronic shutter and 12 fps with its mechanical shutter. Buffer memory is plentiful, especially if you’re using a CFexpress card. The camera can shoot 10-bit HEIF images in addition to Raw and JPEG.

The R5’s video specs are, well, stunning. It can capture 8K/30p video for up to 30 minutes, with your choice of Raw or H.265 output. If that’s too much for you, it also captures 4K/120p footage or it can output its 8K footage as oversampled 4K/30p. The camera can internally record 10-bit 4:2:2 footage using C-Log or HDR PQ. As one would expect, both mic and headphone jacks are available.

The EOS R5 has dual-band (2.4Ghz and 5Ghz) Wi-Fi built-in, along with Bluetooth. The camera can transfer images over FTP/SFTP as they are taken.

Battery life is rated at 320 shots/charge using the LCD and 220 shots with the EVF running at 120 fps (using the default rate of 60 fps gives you 330 shots). If you need more battery life, the $ 349 BG-R10 grip will double those numbers. There’s also a Wireless File Transmitter grip, which adds an Ethernet jack and enhanced multi-camera linked shooting. It’s priced at $ 999.

The EOS R5 will be ship in late July for $ 3899 body-only and $ 4999 bundled with the RF 24-105mm F4L lens.

Read our first impressions of the camera in our Canon EOS R5 initial review

Take a closer look in our Canon EOS R5 hands-on

Press release

THE SECRET IS OUT: CANON OFFICIALLY ANNOUNCES THE CANON EOS R5 AND R6, THE COMPANY’S MOST ADVANCED FULL-FRAME MIRRORLESS CAMERAS EVER

The Company is Also Announcing Four RF Lenses, Two RF Lens Extenders, and a PRO Printer

MELVILLE, N.Y., July 9, 2020 – With anticipation at a fever pitch, Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to introduce the company’s next generation of full-frame mirrorless cameras – the EOS R5 and EOS R6. These groundbreaking cameras are the result of many years of collecting and listening to feedback from Canon users and are sure to meet the needs and demands of a variety of creators. The EOS R5 is a camera designed for professional applications featuring a new 45-megapixel full-frame CMOS sensor and uncropped 8K video recording up to 29.97 fps. The EOS R6 is geared towards advanced amateurs featuring a 20.1-megapixel full-frame CMOS sensor and 4K video recording up to 59.94 fps. The addition of the EOS R5 and the EOS R6 cameras within the EOS R series lineup further solidifies Canon’s commitment to providing the equipment needed for users to bring their content to the next level.

Canon is also introducing four RF lenses and two RF lens extenders: The Canon RF100-500mm F4.5-7.1 L IS USM, Canon RF600mm F11 IS STM, Canon RF800mm F11 IS STM, and RF85mm F2 MACRO IS STM lenses. All four new lenses were designed to meet the ever-expanding demands of the skilled creatives who capture amazing imagery using EOS R series cameras, including the new EOS R5 and EOS R6. In addition to the lenses, there are two new RF lens extenders, a 1.4x and a 2x model, allowing for users to take their compatible RF lens focal lengths even farther, and a 13-inch professional printer, the imagePROGRAF PRO-300, to bring photos to life through the power of print.

“For all of the Canon research and development team members who worked tirelessly on the production of these new products, today marks the culmination of a long journey. For those people looking for the next great tools to work with to expand their creative possibilities, the door is now wide open,” said Tatsuro “Tony” Kano, Executive Vice President and General Manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “The industry has asked for new products that can push their levels of creativity to new heights, and we are confident that the EOS R5 and EOS R6, alongside the new lenses, lens extenders, and the pro printer, will fulfill those needs and more.”

Canon EOS R5 and EOS R6
Both the EOS R5 and EOS R6 cameras have the ability to capture the action of a variety of fast-moving subjects with impressive accuracy and speed. When using the mechanical shutter, each can shoot up to 12 fps and up to 20 fps when using the completely silent shutter. Both cameras are the first to be outfitted with Canon’s advanced Dual Pixel CMOS AF II which utilizes up to approximately100 percent coverage of the AF area and EOS iTR AF X incorporating AF tracking algorithms using deep learning technology and enhanced readout speed of the CMOS sensor and processing speed thanks to the DIGIC X image processor. The 1,053 automatically selected AF Zones are made even more potent by the ability to detect the human eye, face or head as well as the eye, face or body of animals such as dogs, cats and even birds. Adding to the feature set is the 5-axis In-Body Image Stabilizer, having coordinated control with Optical Image Stabilizer in IS equipped RF lenses. This provides up to 8 stops of shake correction, a feature that many creators have long asked for from Canon. Both the EOS R5 and R6 cameras come with a new LP-E6NH battery with a higher capacity than the previous model.

As the new flagship model in the EOS R series lineup, the EOS R5 camera has features that pack a punch for a variety of users who create both still and video content. It has a powerful 45-megapixel full-frame CMOS sensor and is driven by the speedy DIGIC X image processor, giving wide dynamic range as well as boasting an ISO range of 100-51,200 that is expandable up to 102,400. In a camera full of eye-popping features, one that really stands out is the ability to record uncropped 8K RAW internal video recording up to 29.97 fps and 8K internal video recording up to 29.97 fps in 4:2:2 10-bit Canon Log (H.265)/4:2:2 10-bit HDR PQ (H.265). The camera can also record 4K internal video recording up to 119.88 fps in 4:2:2 10-bit Canon Log (H.265)/4:2:2 10-bit HDR PQ (H.265). External recording in 4K is also available up to 59.94 fps. When in DCI modes, the 8K and 4K video recording is uncropped and Dual Pixel CMOS AF II is available in all 8K and 4K recording modes. Additional features of the EOS R5 camera include:

  • Dual-card slots: 1x CFexpress and 1x SD UHS-II
  • Built-in 0.5-inch OLED EVF with approximately 5.76 million dots and a 119.88 fps refresh rate
  • 3.2-inch 2.1 million dots vari-angle LCD touch screen
  • 5GHz/2.4GHz Built-in Wi-Fi® and Bluetooth Technology with the ability to utilize the image.canon application, as well as optional WFT-R10A wireless file transmitter with Ethernet support
  • Enhanced operating controls such as rear-dial, multi-controller • The ability to voice tag photos and videos
  • Weather, drip and dust sealing on par with the EOS 5D series

The EOS R6 camera is well-equipped with a host of new features to push the limits of creativity for imaging enthusiasts. The combination of the EOS-1D X Mark III based 20.1-megapixel full-frame CMOS sensor and the DIGIC X image processor produces an ISO range of 100-102,400 and is expandable to 204,800. Internal video recording at 4K is capable up to 59.94 fps or 1080p up to 119.88 fps in 10 bit 4:2:2 Canon Log(H.265) or HDR PQ(H.265). The camera also features a built-in 0.5-inch OLED EVF with approximately 3.69 million dots and a 119.88 fps refresh ratevi. Additional features of the EOS R6 camera include:

  • Dual UHS-II SD card slots
  • 3-inch 1.62 million dots vari-angle LCD touch screen
  • 2.4GHz Built-in Wi-Fi®vii and Bluetooth Technologyviii with the ability to utilize the image.canon application
  • Enhanced operating controls such as rear-dial, multi-controller
  • Weather, drip and dust sealing on par with the EOS 6D series

Battery Accessory
The optional BG-R10 battery grip accessory will be available for both the EOS R5 and EOS R6 full-frame mirrorless cameras. The BG-R10 accommodates up to two batteries and is compatible with the new LP-E6NH, LP-E6N and LP-E6 batteries. The convenient BG-R10 grip accessory can also improve handling for users while capturing portrait photography.

Canon RF100-500mm F4.5-7.1 L IS USM
The Canon RF100-500mm F4.5-7.1 L IS USM is a high-performance and versatile super-telephoto zoom lens that will find its way into the bags of many photographers. The compact and lightweight lens features optical image stabilization of up to five stops* of shake correction with three different IS modes, including standard, panning and during exposure only. Two Nano USM motors are at the heart of this lens and provide users with high-speed, smooth and quiet auto focus with a minimum focusing distance of three feet. Additional features of the Canon RF100-500mm F4.5-7.1 L IS USM include:

  • Rotation-Type zoom ring and torque adjustment allows for precision control and feel
  • Customizable control ring that enables photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • 12-pin Communication System
  • Canon L-Series grade dust and weather-resistant construction with a fluorine coating
  • Lens hood with side window allows specialty filters to be adjusted even while Lens Hood is attached
  • Compatible with the new 1.4x and 2x RF lens extenders (from 300 to 500mm focal length)

Canon RF600mm and 800mm F11 IS STM
The Canon RF600mm and RF800mm F11 IS STM lenses are the first fixed focal length super-telephoto RF lenses and are incredibly compact and lightweight. The portability of the new lenses is made even greater due to the ability for the lens barrel to retract and lock in place when the lenses are stowed away and not in use. Diffractive Optics technology helps to reduce the necessary number of lenses and greatly diminish the cost of the lenses, making them affordable for a broader group of photographers. Additional features of the Canon RF600mm and RF800mm F11 IS STM lenses include:

  • Lightweight – the RF600mm weighs approximately 2.05lb and the RF800mm weighs approximately 2.78lb, respectively
  • Compact size, RF600mm measures approximately 7.85inch and RF800mm with measures approximately 11.09inch when retracted, respectively
  • Fixed f/11 aperture
  • Optical image stabilization of five stops* for the RF600mm and four stops* for the RF800mm of Shake Correction
  • Lead screw-type STM enables smooth auto focusing for still-image and video shooting
  • Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO
  • 12-pin Communication System
  • Compatible with the new 1.4x and 2x RF lens extenders

Canon RF85mm F2 MACRO IS STM
The third RF85mm lens in the RF lineup, the Canon RF85mm F2 MACRO IS STM is compact and lightweight, featuring a bright f/2 aperture helping to capture images that have exceptional bokeh. The lens features a maximum magnification of 0.5x and a minimum focusing distance of 1.15 feet, providing users with macro-photography capability. Additional features of the Canon RF85mm F2 MACRO IS STM include:

  • Optical Image Stabilization with up to five stops* of Shake Correction
  • Hybrid IS compensates for angular and shift camera shake during macro photography
  • Control Ring for Direct Setting Changes.
  • 12-pin Communication System
  • Nine blade Circular Aperture

RF Lens Extenders
Lens extenders have long been a practical and useful tool for a variety of photographers. That story continues with the introduction of the Extender RF 1.4x and Extender RF 2x. The new lens extenders inherit the same high image quality, precision AF and reliability, such as being drip and dustproof, of EF lens extenders. When used in combination with the newly-released compatible lenses, the capturing range can be dramatically increased, providing consumers with additional use cases for their existing RF lenses.

Canon imagePROGRAF PRO-300
Completing the lineup of professional printer options from 13 inches through 60 inches, Canon also unveiled today the new 13-inch Canon imagePROGRAF PRO-300 Inkjet Printer along with a new Premium Fine Art Rough paper. Providing an improved workflow and high-quality output within a smaller footprint compared to previous models, this new printer excels at professional printing performance. Combined with the new Premium Fine Art Rough paper that features a textured surface to express the depth of an image, the printer along with the paper and new EOS R5 or EOS R6 camera introduces a new powerhouse professional imaging trio that meets creators’ demands.

Pricing and Availability
The EOS R5 full-frame mirrorless camera is scheduled to be available at the end of July for an estimated retail price of $ 3899.00 for the body only and $ 4999.00 for the R5 and RF 24-105mm F4 L IS USM lens kit**.

The EOS R6 full-frame mirrorless camera is scheduled to be available at the end of August for an estimated retail price of $ 2499.00 for the body only, $ 2.899.00 for the R6 and RF 24-105 F4-7.1 IS STM lens kit or $ 3,599.00 for the R6 and RF 24-105mm F4 L IS USM lens kit**.

The BG-R10 battery grip accessory and WFT-R10A are both scheduled to be available at the end of July for an estimated retail price of $ 349.99 and $ 999.99**, respectively.

The RF100-500mm F4.5-7.1 L IS USM lens is scheduled to be available in September 2020 for an estimated retail price of $ 2,699.00. The RF600mm F11 IS STM and RF800mm F11 IS STM lenses are scheduled to be available at the end of July 2020 for an estimated retail price of $ 699.99 and $ 899.99, respectively. The RF85mm F2 MACRO IS STM lens is scheduled to be available in October 2020 for an estimated retail price of $ 599.99 **.

The RF Extender 1.4x and 2x are scheduled to be available at the end of July for an estimated retail price of $ 499.99 and $ 599.99** each.

The imagePROGRAF PRO-300 Printer will be available later in July for a suggested retail price of $ 899.99. Premium Fine Art Rough paper will also be available later in July for a suggested retail price of $ 44.99 for Letter size, $ 109.99 for 13” x 19” inches and $ 169.99, 17” x 22” inches**.

For more information please visit, www.usa.canon.com/virtualproductlaunch

** Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

Canon EOS R5 specifications

Price
MSRP $ 3899 (body only), $ 4999 (w/24-105mm F4 lens)
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 8192 x 5464
Image ratio w:h 1:1, 4:3, 3:2, 16:9
Effective pixels 45 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Processor Digic X
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Yes, 100-51200 (expands to 102400)
Boosted ISO (minimum) 50
Boosted ISO (maximum) 102400
White balance presets 8
Custom white balance Yes
Image stabilization Sensor-shift
Image stabilization notes Works with lens-based IS systems for maximum shake reduction
CIPA image stabilization rating 8 stop(s)
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.31)
  • Raw (Canon CR3)
  • HEIF (10-bit)
Optics & Focus
Autofocus
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Manual focus Yes
Number of focus points 1053
Lens mount Canon RF
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fully articulated
Screen size 3.2
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.76×
Viewfinder resolution 5,760,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/8000 sec
Exposure modes
  • Program
  • Aperture priority
  • Shutter priority
  • Manual
Built-in flash No
External flash Yes
Flash X sync speed 1/200 sec
Drive modes
  • Single
  • High-speed Continuous
  • Low-speed Continuous
Continuous drive 20.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
  • Partial
Exposure compensation 3 (at 1/3 EV, 1/2 EV steps)
AE Bracketing 3 (at 1/3 EV, 1/2 EV steps)
Videography features
Format MPEG-4, H.264, H.265
Modes
  • 8192 x 4320 @ 30p / 1,300 Mbps, MOV, H.265, Linear PCM
  • 8192 x 4320 @ 24p / 1,300 Mbps, MOV, H.265, Linear PCM
  • 8192 x 4320 @ 23.98p / 1,300 Mbps, MOV, H.265, Linear PCM
  • 7680 x 4320 @ 30p / 1,300 Mbps, MOV, H.265, Linear PCM
  • 7680 x 4320 @ 23.98p / 1,300 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 120p / 1,880 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 60p / 940 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 30p / 470 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 24p / 470 Mbps, MOV, H.265, Linear PCM
  • 4096 x 2160 @ 23.98p / 470 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 120p / 1,880 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 60p / 940 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 30p / 470 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 24p / 470 Mbps, MOV, H.265, Linear PCM
  • 3840 x 2160 @ 23.98p / 470 Mbps, MOV, H.265, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types CFexpress and SD (UHS-II) slots
Connectivity
USB USB 3.2 Gen 2 (10 GBit/sec)
USB charging Yes
HDMI Yes (micro HDMI)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac (dual-band) + Bluetooth
Remote control Yes
Physical
Environmentally sealed Yes
Battery Battery Pack
Battery description LP-E6NH lithium-ion battery & charger
Battery Life (CIPA) 320
Weight (inc. batteries) 738 g (1.63 lb / 26.03 oz)
Dimensions 138 x 98 x 88 mm (5.43 x 3.84 x 3.46)
Other features
Orientation sensor Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces the EOS C300 Mark III with 4K/120p dual gain output sensor, modular design

21 Apr

As part of today’s ‘Imaging Unleashed’ virtual press conference, Canon has announced the Canon C300 Mark III, its latest Super 35mm cinema camera with a new Dual Gain Output (DGO) sensor and a modular design based on the same frame as Canon’s C500 Mark II.

If the outside of the Canon C300 Mark III looks both different and familiar, there’s a reason why: it uses the exact same body as Canon’s C500 Mark II camera. This design not only allows for more modularity within the C300 line but also means all accessories designed for the C500 Mark II will also work with the new C300 Mark III. Canon has also added anamorphic desqueeze support for 2x and 1.3x lenses, as well as a user-swappable lens mount accessory that makes it easy to swap out lens mounts without the need to take it to a service center (it comes with an EF mount, but can also use EF cinema lock and PL mount lenses with the optional kits).

An illustration from Canon’s virtual press conference that shows how each pixel on the sensor is split into two different diodes.

At the heart of the C300 Mark III is a new 4K Super 35mm DGO sensor powered by Canon’s new DIGIC DV7 video imaging processor. The new DGO system allows the sensor to capture up to 16 stops of dynamic range by splitting each pixel into two diodes that simultaneously capture two images at different gain levels. Helpfully, this is a completely different ‘dual gain’ concept to the one used by most other camera makers, in which all the sensor’s pixels use one of two gain modes.

These two diodes within each pixel are also used to power the phase-detection of Canon’s Dual Pixel CMOS AF, which will now work at up to 120 frames per second (fps) with the new C300 Mark III.

Also new is support for Canon’s Cinema RAW Light format, which Canon first announced alongside the EOS C200. The Cinema RAW Light format is a more lightweight version of its Cinema RAW format that captures Raw video data in files as little as 1/5th the size of a standard Cinema RAW file. Canon Europe has a great breakdown of its Cinema RAW Light capture format.

The sensor is capable of recording 4K DCI/UHD video at up to 120fps, as well as 2K at up to 180fps with 4:2:2 10-bit XF-AVC recording. Canon has also included Canon Log 2 and Log 3 support, 12G-SDI output over a single BNC cable, timecode I/O, genlock input BNCs as well as User LUT support for applying custom LUTS in-camera and two CFexpress card slots.

Without the included grip, the modular frame measures in at 183mm (7.2”) for both width and height and 149mm (5.9”) deep with a weight of roughly 1750g (3.9lbs).

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Canon says the camera will be ‘available later in 2020’ with an estimated retail price of $ 10.999. The camera will come with 13 accessories, including a 4.3” LCD monitor, the GR-V1 grip, a BP-A60 battery, a battery charger and more. It is currently available to pre-order on Adorama and B&H.

Articles: Digital Photography Review (dpreview.com)

 
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The Canon EOS R6 Will Have Dual Card Slots, 20 FPS Shooting

23 Mar

The post The Canon EOS R6 Will Have Dual Card Slots, 20 FPS Shooting appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Canon EOS R6 Rumors - The Canon EOS R6 Will Have Dual Card Slots, 20 FPS Shooting

The Canon EOS R5 has been attracting a lot of attention recently with its 45 MP sensor, blazing-fast shooting speeds, and 8K video.

So much attention, in fact, that you’d be forgiven if you weren’t aware of Canon’s other soon-to-drop mirrorless model, the EOS R6.

To be fair, the EOS R6 hasn’t been officially announced by Canon. All the information we have on it comes from rumors, but this type of rumor tends to be pretty accurate, and there’s little doubt that the EOS R6 will debut in 2020.

So what can we expect from this new mirrorless body?

First, the R6 will have a full-frame sensor, but one that packs just 20 MP, making it Canon’s lowest resolution EOS R model to date.

Not that 20 MP is insufficient for most purposes, of course, but it comes as something of a surprise, especially given that Canon’s enthusiast full-frame mirrorless model, the EOS RP, features 26 MP.

Fortunately, a low-resolution sensor can often make way for other features, such as high continuous shooting speeds. On that front, I have good news:

The EOS R6 will shoot up to 12 frames per second using the mechanical shutter and 20 frames per second using the electronic shutter, putting it above many of the action-centric cameras currently on the market. If you’re looking to shoot sports or wildlife, that’s more than enough speed for top-of-the-line images.

The EOS R6 will also offer in-body image stabilization, making it the only Canon mirrorless body, aside from the upcoming R5, to do so.

And if all these specs weren’t interesting enough, we have a new EOS R6 rumor on the docket, suggesting that the camera will offer dual card slots, but will also have an EVF and build quality that can’t match the R5.

So what, exactly, is this camera shaping up to be?

It’s highly likely that Canon engineers are working on a professionally-oriented sports body (often dubbed the EOS R1), but this is almost certainly not it. The lack of a rugged build, plus the lower-resolution electronic viewfinder, suggests that the R6 will be an enthusiast camera rather than a professional one. Plus, I can’t see Canon releasing another 1D-type camera, just a few months after the 1D X Mark III was announced.

Instead, the EOS R6 is shaping up to be a Canon 6D, of sorts. A camera with excellent full-frame image quality, but lacking the durability of a true pro body, and probably limited in other areas (such as customizability).

But note that the EOS R6 is no simple rehash of the 6D series. The presence of in-body image stabilization and ultra-fast shooting speeds suggest that Canon has thoroughly “mirrorlessed” this new model, and the result is likely to make quite a splash.

While the EOS R6’s release date is currently unknown, and the situation with coronavirus is causing production delays, look out for an announcement in May.

Now over to you:

What do you think of the EOS R6 rumors? Who do you think this camera is meant for? Would you be interested? Share your thoughts in the comments!

The post The Canon EOS R6 Will Have Dual Card Slots, 20 FPS Shooting appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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SanDisk reveals 8TB SSD prototype and Ultra Dual Drive Luxe 1TB flash drive

09 Jan

SanDisk has introduced a sleek new flash drive that features an appealing metal body and a very practical dual-connector design. The new SanDisk Ultra Dual Drive Luxe thumb drive will arrive later this year, offering users a large storage capacity in a small form factor.

As its name suggests, the Luxe drive features both USB-C and USB-A connectors, making it possible to use the drive with the majority of newer smartphones, tablets and laptops on the market. In addition to its high level of durability due to the metal build, SanDisk’s new drive has a slot for attaching the device to a keychain or securing it within a bag using a lanyard.

According to Engadget, SanDisk will release this model toward the end of 2020; the price hasn’t been revealed at this time.

In addition to the upcoming flash drive, SanDisk also showcased a prototype portable SSD with a massive 8TB capacity capable of 20Gbps transfer speeds. According to Engadget, the drive is slightly larger than the SanDisk Extreme External SSDs, though it’s still small enough to stuff in a pocket.

Though it would be the highest capacity portable SSD if it were to come to market, it only exists as a prototype at this time. It’s unclear when SanDisk anticipates launching the product and how much it will cost, though it’s likely to be quite expensive. The company’s existing 2TB Extreme Portable SSD model costs $ 270, for comparison.

Articles: Digital Photography Review (dpreview.com)

 
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News: The Canon EOS Rs to Have 75 MP Sensor and Dual Card Slots

12 Dec

The post News: The Canon EOS Rs to Have 75 MP Sensor and Dual Card Slots appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

gear-news-canon-eos-rs

Over the past few months, rumors have abounded regarding a “professional” Canon EOS R. But recent news has given us the month of the release, making this new Canon camera more exciting than ever.

As initially reported by Canon Rumors, this Canon mirrorless snapper is about to enter the market, offering a resolution far beyond anything previously offered by Canon.

The Canon EOS Rs (as the folks at Canon Rumors are calling it) will apparently be announced in February of next year, presumably around the same time as the Canon 1D X Mark III and the Nikon D6, though it’ll be aimed at a completely different audience.

So what should we expect from Canon’s pro-level mirrorless model?

The EOS Rs will have plenty of the features you’d expect based on the EOS R, but better:

  • The latest and greatest Canon processor, the DIGIC 9.
  • A “similar” continuous shooting speed to the EOS R (which clocks in at 8 fps in One-Shot AF).
  • An improved EVF.
  • Weather sealing.

But the Canon EOS Rs is also rumored to possess a few traits that should pique the interest of quite a few professional photographers:

  • Dual card slots and a 75 MP sensor.

The dual card slots are somewhat expected, given the slew of complaints that Canon received regarding the lack of dual slots on the EOS R. But a 75 MP sensor is groundbreaking for a 35mm camera, offering a higher pixel count than either the Canon 5DS and 5DSR duo or the Sony A7R IV. It would be, in fact, the highest-resolution 35mm digital camera currently available.

Now, a camera like the EOS Rs is designed with professional photographers in mind. The huge megapixel count is required by, for instance, commercial photographers, as well as those looking to make giant landscape prints.

But while megapixel monsters are undoubtedly powerful, they come with some downsides.

The first is the price; the Canon 5DS debuted at around $ 3700 USD, and I don’t expect Canon to knock many dollars off the EOS Rs MSRP.

The second is file size. The RAW files produced by a 75 MP camera will be huge, which makes storage (both in memory cards and on computers) potentially frustrating.

And third, higher megapixel counts result in smaller pixels. This hurts high ISO performance on even the most professional of cameras, which is one of the reasons why megapixel monsters are often outperformed by other full-frame cameras in low-light scenarios, especially when images are compared at native resolutions.

What do you think about the Canon EOS Rs? Is it something you’d be interested in? What would you like to see in it?

Let me know in the comments!

The post News: The Canon EOS Rs to Have 75 MP Sensor and Dual Card Slots appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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LG’s G8X ThinQ Dual Screen might just be a killer feature ahead of its time

17 Nov

The LG G8X ThinQ is the South Korean brand’s latest high-end smartphone and was launched at IFA in September. It’s powered by Qualcomm’s Snapdragon 855 top-of-the-line chipset and features a 6.4-inch AMOLED display with FullHD+ resolution, 6GB RAM and an under-display fingerprint reader.

On the camera side of things the new model relies on similar hardware as previous LG devices but has to make do without the dedicated tele lens that could be found on the G8 ThinQ. The X-model’s dual-camera setup combines a primary camera using a 12MP 1/2.55″ sensor and F1.8 27mm equivalent lens with an ultra-wide camera that offers a 13MP resolution, F2.4 aperture and 16mm equivalent field of view. The primary camera also features OIS and PDAF.

The device’s standout feature is an attachable dual-screen case, though. It allows you to double the overall screen size and resolution, similar to other recent dual-screen devices, such as the Huawei Mate X or Samsung Galaxy Fold.

We’ve had the chance to use the LG G8X ThinQ with Dual-Screen accessory for a few weeks now. Read on to find out what the Dual Screen has to offer for mobile photographers.

The Dual Screen accessory

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The G8X ThinQ’s dual-screen solution is different from other dual-screen devices in that the secondary screen can be removed when not needed. This means you have a very visible border between the two displays, but you can also leave the secondary display at home when not needed – which is a good thing as it adds quite a bit of bulk and weight.

The secondary display is embedded into a case that the G8X can be inserted in, and connects to via its USB-C port. This means you need an accessory dongle for connecting a USB-cable when the Dual Screen is attached. This is not a major issue but, like any small accessory item, the dongle is quite easily lost if you’re not careful. The G8X is capable of wireless charging as well, though.

There’s no need to open the case to check the time or to see if you have any new notifications

The Dual Screen case does not have its own battery and instead draws power from the phone’s. LG claims the Dual Screen increases power consumption, depending on use, by between 20 and 30 percent, which is line with our experience.

The secondary display itself is the same P-OLED type, size and resolution as the primary one and we also found the color rendering to be identical. The hinges of the case allow for 360-degree movement, and at the front there’s a 2.1″ monochrome OLED cover display that shows app notifications as well as time and date. This means there’s no need to open the case to check the time or to see if you have any new notifications.

The rear portion of the case comes with a cutout, allowing you to use the phone’s camera while it’s in the case.

Dual-Screen controls

Once the Dual Screen is connected a control button appears on the right edge of the main display. A tap opens up the controls which let you swap the content of the two screens or turn the secondary display off.

The Dual Screen has its own app drawer and you can place app shortcuts and widgets on it in exactly the same way as the main display. In the Dual Screen settings you can adjust brightness of the secondary display (or set it to be the same as the main screen), turn off the cover display and Dual Screen control button, and set an app to open when the Dual Screen is turned on among other options.

Multi-tasking

Multi-tasking is the Dual Screen’s main purpose. For example, you can watch a video on one display while writing and sending a message on the other, or use Google Maps for navigation at a holiday destination while browsing a travel app.

In terms of use for imaging purposes, the options are (still) slightly limited. You could have the camera or an image editing app on one screen while browsing Instagram or another image sharing app on the other, but overall workflow efficiency gains are fairly small. At this point the Dual Screen is mostly about convenience: you can continue your Whatsapp-chat while preparing an Instagram-upload or editing an image.

Mirror Mode in the Camera app

App support for the Dual Screen is currently still quite limited but fortunately the LG Camera is one of the few apps that makes use of the secondary screen. With the Dual Screen attached you can turn on Mirror Mode. As the name suggests, it mirrors the camera’s preview image on the secondary display.

Combined with the ability to angle the latter any way you like, this feature can be really handy when shooting overhead or at low height, just like a tilting display on a regular camera. You can also use the secondary screen like a waist-level viewfinder which is particularly helpful for holding the device in a stable fashion when recording video.

It’s worth noting though that the mirrored display only comes with a shutter/video button. For all other controls you’ll still have to go back to the main screen. You can however swap the display content using the Dual Screen controls.

Wide Mode

Wide-view expands an app across both screens, offering an overall display size of 12.8 inches. This can be great for reading websites, viewing images and watching video but in many cases, especially when consuming multi-media content, the 15mm combined bezel between the two screens somewhat limits the experience.

The fact that the feature currently only works with websites viewed in the Chrome browser is another downside. Still, Wide Mode can be useful for viewing websites in desktop mode or on those occasions when additional real estate increases usability, for example when viewing and navigating a map.

Extended View

In Extended View mode an app is divided into two screens. Unfortunately this feature is currently only supported by two apps – the LG Gallery and the Naver Whale browser – but LG says it is expecting support to be expanded to additional apps in the future.

In the Gallery app you can tap on the Dual Screen button to expand the view. This allows you to browse thumbnails on one screen and open the full image on the other. You can zoom into the full image as well as share or delete it in this viewing mode. However, if you want to add a memo or edit, you’ll have to go back to the main screen, so the Dual Screen’s added value is somewhat limited in this instance.

LG’s Naver Whale is a web browser and allows you to view websites in Wide Mode, just like Chrome. However, it also lets you open links on the secondary screen by double-tapping them. This can be useful when browsing shopping websites for example, when you don’t have to jump back and forth between your list of search results and product pages. You simply keep the list open on one screen and open product pages on the other.

In a similar manner, when browsing Instagram or equivalent sites you can keep a user’s profile page open on the main screen and open individual posts on the secondary display. All this has to happen in the browser, though.

Virtual Game Pad and Keyboard

This Dual Screen use case is arguably the one that LG has implemented best so far. The Dual Screen can be used to display a virtual gaming pad. Android recognizes the app as connected bluetooth hardware which makes it compatible with any game that supports this kind of hardware. The pad is also customizable.

We’re no gamers but after a few trial runs on Asphalt 9 it’s fair to say the pad works quite well. A hardware pad is arguably a better option, but this virtual implementation isn’t far off.

The LG keyboard offers a very similar function. You can display a soft-keyboard on the main screen while having the app you are writing in, for example Gmail or Instagram, open on the secondary screen. The keys are larger than they’d be on a usual split-screen style keyboard and allow for more comfortable typing. We would not recommend it for writing your next novel but shorter pieces of text are absolutely manageable in this setup.

Conclusion

LG is a smartphone manufacturer who does not shy away from risky development decisions. Some years ago the company introduced a modular system with its G5 model which was very innovative but ultimately proved commercially unsuccessful. It was also among the first to introduce ultra-wide angle cameras to smartphone photography which today are pretty much ubiquitous.

The Dual Screen follows in this tradition but at the current stage it’s still too soon to say if it will go the way of the G5 modules or become a success like the ultra-wide camera. It’s fair to say that for the latter to happen more apps will probably need to support the secondary screen.

The most useful feature for photographers is Mirror Mode in the camera app which helps when shooting at awkward angles

Right now it provides the most obvious benefits to those users who like to multi-task, letting you work in two apps at the same time. The ability to consume content across two screens or separate app controls from the main screen are great but unfortunately only work with a very limited number of apps. Currently, the most useful feature for photographers is Mirror Mode in the camera app which helps when shooting at awkward angles.

For everybody else, and especially those who write a lot on their smartphones, the virtual keyboard on its own might be an argument to purchase a G8X ThinQ with Dual Screen. If that doesn’t quite convince you yet it’s probably a good idea to wait and see if the Dual Screen will get more support from app developers.

Articles: Digital Photography Review (dpreview.com)

 
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