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Posts Tagged ‘Creative’

Loupedeck Launches Loupedeck Profile Creator for Creative Professionals

30 Mar

The post Loupedeck Launches Loupedeck Profile Creator for Creative Professionals appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Loupedeck Launches Loupedeck Profile Creator for Creative Professionals

The Loupedeck Creative Tool is designed to do one thing:

Make your software workflow easier and faster than ever before.

The Loupedeck CT is a console-type tool, one that allows you to program different actions into its many buttons and dials. While it can technically be used to enhance any application, you’ll be especially impressed by its integration with photo editing software.

For instance, when working in Photoshop, you can use the Loupedeck CT wheel to zoom in and out of images, one button to activate the lasso tool, and another button to create a mask. You can use a small dial to change brush size, a button to select the color picker tool, and yet another button to select the brush.

With the Loupedeck CT in hand, editing speed will advance to a whole new level, as you fluidly edit one image after another by tapping buttons, adjusting dials, and spinning the main wheel. No longer do you have to hunt for keyboard shortcuts or waste time searching for menu options.

loupedeck creative tool

Instead, the Loupedeck CT will get the job done.

But Loupedeck has taken their Creative Tool a step further.

As of last week, you can now use the Loupedeck Profile Creator to generate Custom Profiles for different software applications.

Loupedeck explains in their press release:

The new Loupedeck Profile Creator will enable users…to program custom actions and adjustments using shortcuts, keys, delays, macros, text, links, run application, and mouse movements.

Even better, the Profile Creator is easy to use and can be grasped by an absolute beginner.

In other words, you can create Loupedeck “presets” for different editing applications. You might create one Custom Profile for Lightroom and another for Photoshop.

That way, as soon as you open up your editing program, you know exactly what to do, and you can customize the Loupedeck CT to fit your particular workflow.

Now, while casual photo editors might not find the Loupedeck CT appealing, this tool is ideal for anyone who does frequent editing. It’ll allow you to streamline your photography workflow so that you can cut down on editing time and focus on doing what you love:

Taking pictures.

You can purchase the Loupedeck Creative Tool for $ 549 USD.

The post Loupedeck Launches Loupedeck Profile Creator for Creative Professionals appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Creative Uses for the GIMP Jigsaw Pattern

26 Mar

The post Creative Uses for the GIMP Jigsaw Pattern appeared first on Digital Photography School. It was authored by Ana Mireles.

Creative Uses for the GIMP Jigsaw Pattern

Are you looking for a fun way to display your photos? With the GIMP Jigsaw pattern, you can make your photos look like a puzzle in a single step. But why stop there? Take out some pieces or make a grid with it. Keep reading to learn how to use this filter and some creative applications for it.

Example of GIMPs Jigsaw Pattern

Make a puzzle

It may look like elaborate work, but actually turning your image into a puzzle is extremely easy. The GIMP Jigsaw Pattern is a tool that allows you to control the way you want your puzzle to look, then applies it to your image.

Let’s get started.

With your image opened, go to the menu and select Filters > Render > Pattern > Jigsaw.

GIMPs Jigsaw Pattern Menu

This will open a window where you can choose the number of pieces that will form the puzzle. You can also choose whether you want the shapes to have rounded corners or straight lines.

GIMPs Jigsaw pattern settings

You’ll also see a section called Bevel Edges with two sliders in it. This is like a carving effect, giving the illusion of tridimensionality.

There are no right or wrong values – it’s a matter of taste.

Here’s a comparison for you to get an idea of what it looks like.

GIMPs Jigsaw Patter Bevel Values Comparison
On the left, I had the values at the minimum: Bevel width: 1 and Highlight : 0.10
On the right I pushed them to the highest, so 10 and 1.0 respectively.

That’s all there is to it.

Choose the values you want in the pop-up window, and the GIMP Jigsaw Pattern does the rest.

Now, let’s see how you can break the puzzle into pieces.

Separating the pieces of the Gimp Jigsaw Puzzle

Make a template

Taking out a piece of the puzzle makes the image more dynamic – like you’re actually building it. However, unlike a real puzzle, we’re not just going to take it out from the puzzle we just made.

To make things easier, open a new white document. Here, in the blank canvas, you’ll apply the GIMP Jigsaw Pattern as you did on the previous exercise.

GIMPs Jigsaw Pattern canvas

This will serve as a template to select the pieces, hassle-free.

Now you can put in the photograph.

Go to the menu and select File > Open as Layers, and choose the file of your image. It will get placed as a layer on top of the jigsaw template.

Open As Layer in GIMP

Next, copy the layer with the template. You can do this by going to the menu and selecting Edit > Copy. While it’s there on your clipboard, select the image layer and create a Layer Mask. Do this by clicking on the button at the bottom. Then paste the template that you copied by going to Edit > Paste.

To set it onto the mask you created, you just need to click on the anchor button.

Then right-click on the layer and choose Apply Layer Mask. The mask and the layer will then merge together.

GIMPs Jigsaw Pattern into a Layer Mask

I know it sounds like a lot, but it’s actually very easy. And this way, you have everything ready to ‘cut-out’ all the pieces you want very quickly. Let’s try one.

Cut-out piece by piece

Select the piece you want to cut-out using the Fuzzy selection tool. Make sure to click on it while the template layer is selected. That way, you’ll get it with just one click.

To perfect the selection, go to the menu Select > Grow Selection and give it 1 or 2 pixels.

Select a piece from the Jigsaw

Cut out the piece in Edit > Cut and then paste it with Edit > Paste. To finalize the pasting, click on the New Layer button so that the piece remains independent.

With the Move and Rotate tool, you can position the piece. Then go to the menu Filters > Light and Shadow > Drop shadow. You decide the values depending on whether you want it dark and defined or blurred and lighter. Use the X and Y sliders to make it appear closer or further away.

Drop Shadow to the separate piece

You can repeat the process for all the pieces you want out of place. Just go back to your template every time you need to select a new one.

Create a jigsaw grid

Open a new document and create a new jigsaw as you did before. The number of pieces depends on the number of images you want to add. I don’t recommend too many because it could look messy. But, it’s entirely up to you.

GIMPs Jigsaw Pattern used as grid template

Add all the images you’re going to use by opening them as layers.

Then resize them with the Scale Tool and move them to fit each of the pieces of the puzzle. Don’t worry if they overlap in some places, you’ll fix that next.

Lay out the images for the grid on top of GIMPs Jigsaw Pattern

In the template layer, click on the piece you want with the Fuzzy Selection Tool. Then go to the corresponding image and click on the Add Layer Mask button. A pop-up menu will appear. Choose Selection from it, and click Add.

Mask the selected piece from the jigsaw pattern

That’s it.

Repeat the same for every image-piece combo until you complete your puzzle.

Have fun finding new and creative ways to use GIMP’s Jigsaw Pattern!

Example of GIMPs jigsaw pattern as grid

Supplementary Reading

  • If you’re not familiar with GIMP, check out this brief introduction.
  • If you want to edit your photograph before you turn it into a puzzle, learn here how to make them sparkle.
  • If you’re loving GIMP and want to take it with you, learn how to install it on a portable device.

The post Creative Uses for the GIMP Jigsaw Pattern appeared first on Digital Photography School. It was authored by Ana Mireles.


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Next-Level Selfies – 7 Tips for Creative Self-Portraits (video)

21 Mar

The post Next-Level Selfies – 7 Tips for Creative Self-Portraits (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Since one of our “At-Home, 7-Day Challenges” is fun selfies, I thought I’d share this video from our friends over at Cooph who give some fun, creative ideas that will take your selfies up a notch.

So, check out the video, get some ideas, then head over to our 7-day challenge page and share your selfie images with us (or share them right here on this page too), as we’d love to see them.

Enjoy!

You may also like:

  • 19 More Creative Mirror Self Portraits
  • Self Portraits – 7 Tips for Going Beyond the Basics
  • A Quick Exercise to Help You Take Better Self-Portraits
  • Dragging the Shutter for Creative Portraits
  • Expand Your Creativity by Taking Self-Portraits
  • 18 Stunning Self Portraits

The post Next-Level Selfies – 7 Tips for Creative Self-Portraits (video) appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Dragging the Shutter for Creative Portraits

18 Mar

The post Dragging the Shutter for Creative Portraits appeared first on Digital Photography School. It was authored by John McIntire.

dragging the shutter for creative portraits featured image

There are a lot of great techniques that allow you to add an element of movement or other visual interest to your images at the time of capture. Some of these include multiple exposures, multiple flash exposures and placing objects in front of your lens.

Dragging the shutter while using flash is another one of these techniques and it’s very easy to use.

Dragging the shutter for creative portraits.
Dragging the shutter when using flash is an easy and fun technique to add some interesting effects to your photos. EXIF: Canon 5D Mk III, EF 50mm f/2.5 Macro, 50mm, 1 sec, f/9, ISO 100, Manual Mode, Spot Metering.

Dragging the shutter

While it might sound complicated, dragging the shutter is simply using a slower shutter speed than you normally would while using flash.

With flash, your exposure is dictated by your aperture as the flash fires at a much, much faster speed than the sync speed on your camera.

Dragging the Shutter for Creative Portraits
On the left, you can see the image with just flash. On the right, the shutter speed was changed to 1 second allowing the camera to record the modelling light throughout the exposure. EXIF: Canon 5D Mk III, EF 50mm f/2.5 Macro, 50mm, 1/60 sec (Right: 1 sec), f/9, ISO 100, Manual Mode, Spot Metering.

By slowing your shutter speed down, you are allowing your camera to record ambient light as well. You will still freeze anything lit by the flash in the frame, but anything lit by the ambient will be recorded with any movement from either the subject or yourself.

Be aware that because your shutter speed is now allowing ambient light to record in your frame, your exposure will be brighter than it was with just the flash recording.

What you need

Dragging the shutter for creative portraits.
You don’t need much to use this technique. These images were made with a medium-sized modifier on a strobe and a white reflector.
  • A camera with manual settings
  • A flash with a modeling light if in a dark studio
  • Another ambient source of light if you don’t have a modeling light (i.e. speedlights).

How to set it up

Dragging the Shutter for Creative Portraits
For a technique whose results can seem complicated, setting it up and getting started is quite straightforward. EXIF: Canon 5D Mk III, EF 50mm f/2.5 Macro, 50mm, 1.6 sec, f/9, ISO 100, Manual Mode, Spot Metering.

Step 1: Light and pose your subject as desired. Because this is the pose that the flash is going to record, treat it as you would a normal shot as this will be the main focus of your image.

Step 2: Choose your aperture.

You can either choose your aperture based on the effect you want and set the flash power accordingly, or you can meter your flash and choose your aperture based on that reading.

Step 3: Choose a shutter speed slow enough to allow your subject to move after the flash has fired. This is variable and will depend on how your subject reacts to the technique and the end result that you want. Somewhere between half a second and one second is a good start when dragging the shutter.

Dragging the shutter for creative portraits.
Left: The shutter speed is 1 second. Right: A shutter speed of 2.5 seconds allowed for the subjects second pose to be recorded more clearly. EXIF: Canon 5D Mk III, EF 50mm f/2.5 Macro, 50mm, 1sec (Right: 2.5 sec), f/9, ISO 100, Manual Mode, Spot Metering.

Step 4: Make sure that your subject knows to change their pose as soon as the flash fires. Then hold that second pose (that’s one way to do it) until the shutter closes again.

Dragging the Shutter for Creative Portraits
You are not limited to one movement. Here the subject move her head to each side on a verbal cue. EXIF: Canon 5D Mk III, EF 50mm f/2.5 Macro, 50mm, 2.5 sec, f/9, ISO 100, Manual Mode, Spot Metering.

Step 5: Take a photo.

When the flash fires, it records the first pose your subject is in. After that, and after your subject moves, everything, including the movement and the second pose, is being recorded by the ambient light.

Step 6: Make adjustments.

Now that you have a test shot, you can evaluate how your image looks and adjust your shutter speed settings. Is your subject not moving fast enough or is the ambient not recording enough? Slow down your shutter speed. Is the ambient recording too much? Choose a faster shutter speed.

Dragging the Shutter for Creative Portraits
Once you have a shot, evaluate it on the back of the camera and make, or instruct your subject to make, any adjustments to help get the desired effect. EXIF: Canon 5D Mk III, EF 50mm f/2.5 Macro, 50mm, 1 sec, f/9, ISO 100, Manual Mode, Spot Metering.

You can also tweak any instructions you’ve given your subject.

If their poses are too close together, ask them to make sure they’re moving further from their initial position. Are they moving so slow that they’re not arriving at the second pose before the shutter closes? Let them know, and show them the back of the camera.

Since dragging the shutter like this relies on so many variables, communication between you and your subject is key.

Step 7: Take some more.

Dragging the shutter for creative portraits.
Dragging the shutter in this manner can be a tricky thing to get right. Keep going until you are sure you have something.

Dragging the shutter can be a very hit and miss technique. Take as many photos as you can to ensure that you get the result you are after.

Sometimes, magic happens and you might get it in the first few frames, but other times you’ll bang away at it for ages before everything seems to click. Since no two images will ever be the same, don’t be afraid to keep going until you’re confident with the result.

Step 8: Keep experimenting.

Dragging the Shutter for Creative Portraits
When the subject realized that this stool spins, she suggested we see what it looks like. Experimenting like this is a good way to find something new. EXIF: Canon 5D Mk III, EF 50mm f/2.5 Macro, 50mm, 1.6 sec, f/9, ISO 100, Manual Mode, Spot Metering.

There is so much that you can do with dragging the shutter like this. Instead of your subject moving their heads, have them hold their pose and cover their face with their hands once the flash has fired.

Instead of taking a second pose, have them keep moving their head for the duration of the exposure. Alternatively, instead of having your subject move, try moving the camera.

The choices are limitless. Not everything will work, but memory is cheap. Try it anyway and see what comes out.

In the end

Dragging the shutter for creative portraits.
Dragging the shutter is not a complicated technique, but it is one that offers a wealth of opportunities if you like the effects it can provide. EXIF: Canon 5D Mk III, EF 50mm f/2.5 Macro, 50mm, 1 sec, f/9, ISO 100, Manual Mode, Spot Metering.

Dragging the shutter with flash is a very easy technique to use, but it is unpredictable. That’s what makes it so fun. No matter what you do, no two images will be alike, so experiment a lot and see what you can come up with. If you have an idea that you don’t think will work, try it anyway. You’ll never know until you do.

Give this technique a try and share your results with us in the comments section below.

The post Dragging the Shutter for Creative Portraits appeared first on Digital Photography School. It was authored by John McIntire.


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Adobe announces free at-home Creative Cloud service for students and educators impacted by COVID-19 outbreak

15 Mar

Adobe has announced it will be providing students and educators at-home access to Creative Cloud applications free of charge due to the increasing amount of remote learning current taking place amidst the COVID-19 pandemic. In order to qualify for this service, a student must otherwise only have access to Creative Cloud applications on campus or at a school computer lab.

In order to access a temporary license to use Adobe Creative Cloud software at home, an IT admin must request access for students and teachers from Adobe. The access application can be found here. Once access is granted, users will be able to remotely access Creative Cloud apps through May 31, 2020, or until their educational institution reopens if this occurs before the end of May.

Remote education can be challenging, especially for students who are only able to access certain services on campus, so it’s nice to see Adobe working to help those affected. Per PetaPixel, the initial request for help came from RC Concepion, a professor at Syracuse University. He told PetaPixel, ‘We have been running around—like every other university—quickly coming up with an action plan to keep serving our students through COVID-19. Teaching communications, we rely a huge amount on Adobe Software—reporters, cinematographers, photographers, designers. It dawned on me that a lot of student access was here at school and that with any students at universities, there would be many that couldn’t afford using the software.’

Image credit: Adobe

In addition to free at-home access to Adobe Creative Cloud for students and teachers, Adobe announced earlier this week that it would make Adobe Connect, its web conference application, free to all users until July 1, 2020. This decision has been made to facilitate remote business and education, and also allow healthcare and government institutions to coordinate their efforts in real-time. Of the decision, Adobe states, ‘We believe that Adobe Connect has a vital role to play for enterprises looking to continue business operations despite travel restrictions, canceled conferences and delayed projects, all while keeping their people safe.’

As more students, educators and other workers are forced to work remotely, access to technological services becomes even more important. It’s great to see a large company such as Adobe working to make people’s lives easier in what are trying times for many.

Adobe Enables Distance Learning Globally for Schools Impacted by COVID-19

March 12, 2020: The past few weeks have shown us that, even in times of uncertainty, our schools and business communities remain strong and resourceful, all while continuing to find creative ways to maintain learning and business continuity.

With many schools facing physical campus closures and moving to online learning due to COVID-19, we’re announcing that we’re giving greater access to Adobe Creative Cloud desktop apps to facilitate distance learning. We believe that doing so will make it possible to keep coursework, teamwork, and student progress on track through at-home access to Creative Cloud for students and educators.

Articles: Digital Photography Review (dpreview.com)

 
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Creative Water Photography – A Step-by-Step Guide to Making Water Monsters

22 Jan

The post Creative Water Photography – A Step-by-Step Guide to Making Water Monsters appeared first on Digital Photography School. It was authored by Ramakant Sharda.

creative-water-photography-making-water-monsters

Have you ever watched an alien movie and wondered how they created those monsters? You’d need a very powerful computer, animation software, and some special skills to create an animated or moving monster. However, you can easily create a series of still monsters by using water. I’ll show you how some creative water photography can enable you to create your own water monsters. It’s simple to do, with great effect!

So let’s get started!

creative-water-photography-making-water-monsters

1. What you need to make water monsters:

To do your creative water photography, you will (obviously) need a camera. You can use any DSLR or Mirrorless camera. In fact, you can use a point-and-shoot camera if it is capable of firing an external flash.

A standard lens, like a 24-70 mm, is good, as you don’t want your splash to go out of the frame. You also don’t want water splashes on your camera.

In addition to a camera, you will need an external flash and a cable or wireless trigger to fire the flash. Then you’ll need a large diffuser. You can use the translucent part of a five-in-one reflector, or you can use a butter paper sheet and paste it on a wooden frame. A reflector is a better choice here, as you don’t need to make a wooden frame, and it also won’t get damaged if some water spills on it.

You’ll need a light stand to affix the flash and a tripod for the camera.

If you have a portable water tub, you can do this shoot in a room. However, if you don’t have one, you’ll have to do it outside.

Also, you’ll need to wait until night, as you can’t do this shoot in daylight.

You’ll also need an assistant to throw the water so you can click the beautiful water monsters.

Creative Water Photography – A Step-by-Step Guide to Making Water Monsters

2. Setup:

The setup is pretty simple.

If you are shooting your water monsters indoors, place your water tub in the room and hang the diffuser behind it.

Set the flash a little bit farther away from the diffuser. If you have a round studio light reflector, use it. It’ll give you a nice, round light effect. If you don’t have one, that’s okay. You can just use the flash.

Fix your camera on the tripod and place it far from the water tub. You don’t want water splashes on your expensive camera, so you’re going to use it on full zoom. If you don’t have a 24-70mm lens, you can use a 100mm lens and place the camera farther.

See the image below to view the setup.

creative-water-photography-making-water-monsters

 

3. Camera and other settings:

Now you have done that, let’s talk about settings.

Place a stick at the center of the water tub and manually focus on it. Don’t forget to set your camera on manual focus after that.

Now you need to finish your camera settings and flash settings. First, we’ll do flash settings.

Change your flash to manual mode and set the power to 1/32. We’re doing this because when the flash is on lower power, it produces the shortest burst of light, which helps to freeze the subject. You can’t go above 1/32 power, as then you’ll start getting motion blur.

Now set the camera to manual mode.

Set your ISO to 100, aperture to f/16, and shutter speed to 1/200 sec or whatever your camera sync speed is. These are the settings I used in all my shots, and they’ll work for you, too.

An aperture of f/16 will give you enough depth of field, and the entire splash will be in focus. Make sure you’re shooting in RAW, too, as this will help in post-processing later.

If you are firing your flash using a radio trigger, set it up. Or if you are using a cable to fire it, attach the cable.

Now your setup is ready, so let’s talk about the workflow and start creating these beautiful water monsters.

creative-water-photography-making-water-monsters

Workflow:

Earlier, you placed a stick in the tub of water. Now remove it and replace it with something like a glass so that your assistant knows where the focus point is and throws the water accordingly. Also, tell your assistant about the area where your frame is so they won’t throw the water outside the frame.

Now all you need to do is press the shutter when your assistant throws the water.

They can throw the water in different ways. For example, they can fill both hands with water and throw it upside. Just make sure their hands don’t enter the frame.

Your assistant can use a mug or glass to throw the water, or they can throw it using two or three cups together.

Different methods of throwing water will give you different results.

Even if you use the same method of throwing, you’ll get different pictures every time.

Take at least 100 photos – the more, the better.

creative-water-photography-making-water-monsters

Post-processing:

Post-processing is quite simple.

First, select good photos from the pictures you’ve taken. If you have clicked 100 pictures, you’ll get 10-12 good photos.

Now open the RAW files in “Camera Raw” and change the white balance to 3000. It’ll convert your gray picture to a blue tone.

If you’re an advanced photographer and you can set custom white balance settings in your camera, set it to 3000 kelvin before the shoot. Then you won’t need to do it in post-processing.

Creative Water Photography – A Step-by-Step Guide to Making Water Monsters

Now you just need to clean up some extra water droplets, crop if needed, and sharpen it. Your water monsters will be ready.

When you’ve finished editing the photos, check out the other images one more time. You’ll find some images that you can merge and use to make something unique. For example, I made this butterfly using three images.

creative-water-photography-making-water-monsters

 

So, let’s do some creative water photography and make these amazing water monsters!

We’d love to see your results, too, so please sharing them in the comments.

Also, if you run into any problems, just comment on this post, and I’ll help you solve them.

Creative Water Photography – A Step-by-Step Guide to Making Water Monsters

The post Creative Water Photography – A Step-by-Step Guide to Making Water Monsters appeared first on Digital Photography School. It was authored by Ramakant Sharda.


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10 Top Creative Photography Instagram Profiles you Should Follow

08 Jan

The post 10 Top Creative Photography Instagram Profiles you Should Follow appeared first on Digital Photography School. It was authored by Jackie Lamas.

instagram-profiles-you-should-follow

Want to add a little more inspiration to your Instagram feed? We’ve compiled the 10 top creative photography Instagram profiles you should follow that will make scrolling much more inspiring!

Listed in no particular order, these profiles can inspire creativity and imagination as they photograph the world around them, either real or created. Check it out!

1. Paul Nicklen

First, in the top creative photography Instagram profiles you should follow is Paul Nicklen. Paul is a wildlife photographer whose work has been featured in National Geographic as well as many other exhibitions throughout the world. Most known for his exploration and documentation of polar bears and arctic wildlife, Paul is a suburb fine art photographer and one to follow on Instagram!

 

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2. Laura Zalenga

A creative photographer that combines reality with imagination and great storytelling, Laura Zalenga is one to follow along through her creative journey. She is also an Adobe Creative Resident giving followers an insight into what it means to have a residency at Adobe.

 

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3. Humans of NY

Part documentary, part humanitarian, Humans of NY is an account that inspires us to tell stories about the most unlikely of people. The photographer also travels and tells stories of people from all over the world. Sharing lots of different perspectives of ordinary people who sometimes don’t show their faces and whose stories connect with many followers.

 

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“My husband hasn’t been home in 153 days. There’s a legal case right now, so I can’t say exactly what happened. But he suffered a catastrophic brain injury in July. And so many of his memories are gone. Some days I’ll go visit him and it just won’t stick. He still remembers my name, but his memories about me are all wrong. Or the details are mixed up. But he’s one hundred percent convinced they’re true. He can’t be corrected. He’s steadfast in his memories. Right now I feel like we’re on two different tracks. I’m just trying to find the places where they merge. He recognized our wedding ring yesterday, even though it was around my neck—that was big for me. It was a moment when our realities came together. Our 45th anniversary is this Saturday. I’m just hoping it will be as normal as possible. I’m going to cook him dinner. Hopefully he’ll eat. And maybe we can share some of the same memories. I’m not sure if that’s enough for me, but it has to be. It has to be enough. Because he’s not going anywhere. And neither am I. We’re in this together.”

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“I vividly remember watching cartoons as a kid and seeing Bugs Bunny standing on a lily pad, playing ‘Hello My Darling,’ with a banjo in his hand and a drum on his back. I’ve always wanted to play music myself. But it’s so hard to make a living at it. For awhile I was playing the banjo in restaurants. But I couldn’t make it work. So I thought I’d try the Bugs Bunny thing.”

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4. Minh T (thismintymoment)

Minh T is a superb photographer combining geometric architecture with a clean portrait creating a style all of his own. Minimalistic in nature but drawing the eye to the focal point using negative space and clean lines. This is a profile on Instagram worth following.

 

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Lost in an Escher dream ?

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A new set of images inspired by the bold diagonal lines of the most provocative letters of the alphabet, the letter X, which happens to be the namesake of this seductive scent from the house of @clivechristianperfume. Spicy and woody, it leaves a strong impression — full of strength and sensuality . #CliveChristianPerfume #DiscoverClive #CliveChristianX #sponsored #architecture #icons

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5. Tropicophoto

This duo brings color, creative imagination, and narratives that tell stories to a whole different level. Their entire feed is an explosion of color.

 

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6. Eva Kosmas Flores

Eva is a food stylist, cook, and photographer that brings moodiness and a bit of warmth to her photography. She also gives workshops on how to better your food photography even if you’re not a photographer. Her presets also set her photos apart giving them that dark and inviting feel.

 

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7. Peter Hurley

Peter Hurley is a renown headshot photographer giving workshops all over the world to photographers helping them master headshot portraiture. He is down to earth and fun to follow along in Insta Stories for behind the scenes of his shoots, travels, and life.

 

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8. Stormy Solis

Stormy is a portrait photographer who has carved her own style creating beautiful images of connection, love, and intimacy among families and couples. Truly captivating her imagery inspires her followers to take a more intimate approach to portrait photography.

 

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9. Reuben Wu (itsreuben)

Reuben Wu is the creator of the Aerogliph. Using the light from drones and slow shutter speed, he light-paints in mid-air creating the most interesting and thought-provoking images.

 

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10. Donatella Nicolini (donatellanicolinistudio)

And finally, in the top creative photography Instagram profiles you should follow is Donatella Nicolini. Donatella is an Italian portrait photographer focused mainly on fine art maternity. Her images are paint-like and breathtakingly timeless!

 

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In conclusion

Instagram is a great source of inspiration and there are some great photographers making incredible photographs! Add these Instagram profiles you should follow to your list of inspiring photographers on Instagram!

Do you have others to add to ‘Instagram Profiles You Should follow’? If so, please share in the comments!

The post 10 Top Creative Photography Instagram Profiles you Should Follow appeared first on Digital Photography School. It was authored by Jackie Lamas.


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New Year’s Resolutions for Creative Photographers

02 Jan

The post New Year’s Resolutions for Creative Photographers appeared first on Digital Photography School. It was authored by Charlie Moss.

new-years-resolutions-for-creative-photographers

It’s that time of year when your friends and family begin to bug you for your New Year’s resolutions. So, in this article, I’ll share with you some possible New Year’s resolutions for creative photographers.

Apparently, humans started making New Year’s resolutions four thousand years ago. So you’re in good company if you want to make some this year!

new-years-resolutions-for-creative-photographers

You might be considering pledging to go to the gym more or stop biting your nails (but we know you’ll never last past January). So instead, why not think about how you might use the new year to make some changes to your photography? You never know, they might even stick for longer than a month!

Reflect on the past year

Take some time to review the photos that you’ve taken during the past year. Pick out the ones that you like the most and try to think about why they make you feel that way. Are they perhaps full of happy memories? Or did they mark a moment when you understood a new technique?

Consider turning your favorite photos from the year into a photo book to permanently make a record of what you achieved. Think of it as being like a journal of your hobby that you can look back on in the future to see how much your approach to taking photographs has changed.

New Year's Resolutions for Creative Photographers

It could be that many of the things you enjoyed most about photography over the past year were the experiences. Maybe you enjoyed spending time with certain other friends who are into photography or going to different places. Make a note of those experiences you enjoyed the most, and we’ll come back to it later!

Don’t be afraid to take risks

Taking risks with your photography can be a useful tool to help you improve. Cameras are tools that are meant to be used and they can always be replaced.

But taking risks doesn’t have to be about putting yourself and your equipment at risk. Sometimes it can be about pushing your boundaries and taking creative risks.

The worst that can happen when you take a creative risk is that you get a photograph that isn’t as good as you hoped it would be. And if that happens, you don’t have to show anybody! But when a creative risk takes off… that’s when risk-taking really becomes worth it.

Take your camera everywhere

The famous hockey player Wayne Gretzky said that you’ll miss one hundred percent of the shots you don’t take. He’s not wrong – if you don’t have a camera with you, then you won’t be taking any photos!

New Year's Resolutions for Creative Photographers

Two years ago, I realized that I wasn’t taking my camera out and about with me because it was too big and heavy. Shortly after, I ‘side-graded’ to a more compact camera that was easier to take with me everywhere that I went.

My photography improved almost immediately. I was simply taking more photographs and getting more practice. Over time I also found that I was finding more excuses to take photographs because I was enjoying photography more than I ever did previously!

Say ‘yes’ more often

It’s too easy to say no to opportunities that crop up. You might think about the other things that you ‘should’ be doing. You might think about the money that you could be using for something else. But how much would it really hurt if you said ‘yes’ a few more times during the upcoming year?

Say yes to a photographic adventure with a friend. Say yes to a new kind of photography. Also, say yes to new styles and techniques that someone offers to show you. And, say yes to things that are outside of your comfort zone.

You might not enjoy everything that you photograph as a result of saying yes, but then you’ll certainly know for the future when to say no!

Plan your year in advance

Each year I buy an almanac, and I first use it as a convenient list of key dates and celebrations that I might want to explore photographically. But a good almanac book will have so much more than just a calendar.

New Year's Resolutions for Creative Photographers

Divided into monthly chapters, almanac’s have tide tables, information about the night sky, and what flowers are in bloom that month. It’s a guide to what you should see in nature, and some almanacs even have seasonal recipes.

Imagine if you let the almanac be your guide for photography over the coming year? You’d shoot everything from seascapes, wildlife, and cultural celebrations to food photography.

Start a passion project

The first thing to know about passion projects is that they don’t have to change the world. They don’t have to be big, dramatic, and meaningful; they just have to satisfy you and your desire to take photographs.

I like to use passion projects as a way to help me be more attentive to the world around me or to work on skills.

This year I have been setting aside the time to shoot a self-portrait every month to improve my portrait photography. While working in London as a photographer, I documented my changing walk to work for several months, as industrial development happened around me.

Use it as an excuse to get out and about and photograph things that you might not normally photograph. A friend of mine, this year, has been visiting every UK Cathedral and photographing them all. He sees parts of the world that he’s never seen before – despite them being virtually in his backyard!

Set some goals

Setting goals for your photography can be a good way to figure out how you’re going to spend the next year. Goals can help inform the trips you take, the accessories you buy, and ultimately the pictures you make.

new-years-resolutions-for-creative-photographers

Take a few minutes to consider what you really want out of your photography hobby. Is it perhaps more time for yourself with a camera? Or do you want to win a local photography club competition? Think about what you wrote down when you considered what you’d enjoyed most over the past year photographically.

Once you’ve come up with a few goals, start thinking about how you can achieve them. Do you need to take a specific trip to photograph some wildlife? Or do you need to book a workshop with a photographer who’s style you love?

Whatever you write down, make sure you tuck these ideas away in a safe place so that you can keep looking at them throughout the year. That way, you’ll find it easier to stay on track and achieve your goals.

Take more photos!

Everything I’ve talked about in New Year’s Resolutions for Creative Photographers is just a way to try and help you shoot more photographs that you love over the coming year.

new-years-resolutions-for-creative-photographers

By working out what you enjoy photographically, and where you want your journey to go over the coming year, you can start to make a plan to help you achieve your photographic goals.

Do you have any New Year’s resolutions for creative photographers you’d like to share? What are your goals for the upcoming year? What are you doing to try and do differently? Don’t forget to tell us in the comments!

The post New Year’s Resolutions for Creative Photographers appeared first on Digital Photography School. It was authored by Charlie Moss.


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6 Ideas for Creative Funfair and Amusement Park Photography

01 Dec

The post 6 Ideas for Creative Funfair and Amusement Park Photography appeared first on Digital Photography School. It was authored by Charlie Moss.

funfair-and-amusement-park-photography

When the nights draw in its time for funfair and amusement park photography. When a fair comes to town, it’s an opportunity to photograph something new and vibrant for your portfolio. The bright lights, constant movement, and enthusiastic crowds provide endless photographic opportunities throughout the evening.

funfair and amusement park photography

My favorite time to photograph the funfair is during the blue hour – that hour or so before night truly falls. It creates an incredibly dramatic backdrop for the lights and colors that you’re going to photograph.

It’s a good idea to get on location an hour or more before the scheduled blue hour so that you can plan your route through the attractions, work out what looks interesting to shoot, and even start to plan some compositions.

But what about the actual process of taking the photos? How do you decide what to shoot and how you’re going to take the images?

Decide on your shutter speed

There’s a real risk when shooting funfair rides that they’re going to look static and very unimpressive. This usually happens because your shutter speed is too short, and so the action is frozen without any sense of movement.

funfair and amusement park photography

Lengthening your shutter speed up to half a second or more can lend a real feeling of action and excitement to your funfair and amusement park photography. But don’t forget that you’ll want to ideally put your camera on a tripod so that the rest of your shot stays clear and in focus!

It’s my preference to use shutter priority mode for this kind of image. Each ride will be traveling at a different speed, so you’ll need to adjust as you move from shot to shot in order to get the most dynamic images.

Watch the crowds

The story doesn’t stop at the rides – it’s going on all around you! Take a step back from focussing on the thrill-seeking action to see what the people on the ground are doing.

funfair and amusement park photography

Almost everyone at the funfair will make a great subject, and they’ll be bathed in gorgeous, atmospheric light from the rides and stalls. Take some time to watch the action and see where people naturally stop and do interesting things.

Look for great compositions and stand yourself in the perfect place to capture people enjoying their environment. Be ready to capture fleeting emotions and interesting behavior.

You might want to use a shallow depth of field to make your background less distracting. Getting everything in focus means there is more competing for your viewer’s attention.

Look for the unique angles

At any funfair you go to, there will be at least a dozen other photographers who are also looking for a great shot. You’re not in competition with them, of course, but it’s always nice to come home with a unique photograph.

funfair and amusement park photography

Once you’ve got a ‘safe’ shot (you know, the kind of image you often see posted online after the funfair), challenge yourself to see the same scene from a unique angle.

Here are some ideas to get you thinking:

  • Look up. See what the ride looks like when you frame it against the sky.
  • Use the architecture of the town that you’re in.
  • Shoot through something to get an interesting foreground effect.
  • Go completely abstract.
  • Experiment with leading lines.

Try an unexpected technique

The bright lights of the funfair provide an opportunity to try out techniques that you wouldn’t traditionally associate with this kind of photography. It’s a great time to experiment and see what works for an alternative take on funfair and amusement park photography.

6 Ideas for Creative Funfair and Amusement Park Photography

The shot above was taken using ICM (intentional camera movement) techniques. A long exposure combined with moving the camera can create an abstract image with a painterly feel.

You could also perhaps try zoom bursts for a different kind of dynamic action. Or have a go at making custom bokeh shapes to convey different messages in your photographs. Never stop experimenting – you don’t have to show anyone the shots if they don’t work!

Convert to black and white

Funfairs are a fabulous riot of color, but sometimes that’s not what we want in our photography. If a shot just seems too intense and busy, it’s always worth seeing if a black and white conversion works.

6 Ideas for Creative Funfair and Amusement Park Photography

When you’re deciding if a photograph is a good candidate for black and white conversion, there are a few things that you want to keep in mind. Your shot should have good contrast between light and dark areas so that the image doesn’t end up flat and lifeless.

Black and white images also often rely heavily on composition for their impact, so make sure that your subject is both interesting and well-placed in the frame.

Make sure that you experiment with different color temperatures during the black and white conversion too. The nature of the colorful and changeable lights at the funfair means that some ‘recipes’ for post-processing will work better than others.

Photograph the funfair during the day

The funfair doesn’t disappear during the day. Instead, it looks completely different. Taking your camera to the funfair during the day can open up a whole different set of possibilities to shoot.

funfair and amusement park photography

Instead of photographing the movement and excitement of the rides, try to capture the time when the fair workers are setting up ready for the day. Look around at the colors too – they’re very different from the colors you see at night once the sun has gone down!

This would be a great time to think about approaching some of the attraction holders and asking if you can shoot their portraits. And if you do this during the day, they’ll remember you when you go back in the evening, perhaps even posing for you again during a quiet moment. (Remember to get their details so that you can send them the picture.)

Time to get out and shoot!

No matter your level of experience, there’s something for everyone when it comes to funfair and amusement park photography. If you’re a beginner photographer, then taking a tripod and shooting long exposures is a great way to try night and long exposure photography for the first time.

If you’re more experienced as a photographer, then a whole world opens up with candid shots, portraits, and experimenting with creative angles and techniques.

Have you done any funfair and amusement park photography recently? Show us your pictures in the comments!

The post 6 Ideas for Creative Funfair and Amusement Park Photography appeared first on Digital Photography School. It was authored by Charlie Moss.


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Creative Photography Exercises: Setting Limitations to Achieve Better Photography

19 Nov

The post Creative Photography Exercises: Setting Limitations to Achieve Better Photography appeared first on Digital Photography School. It was authored by Ana Mireles.

creative-photography-exercises

Every photographer can feel stuck at some point. I find this often happens when you have learned all the technical basics, and it’s time for you to start finding your way. Is this you? Here are some creative photography exercises than can help you shake things up. Keep on reading to see how setting limitations can help you to achieve better photography.

Creative photography exercises

Have you ever been to a restaurant that has a huge menu but you can’t decide what to order? The same thing can happen with your photography. Having the ability to photograph anything can seem daunting. That’s why setting limits before you start shooting can help you focus.

Creative photography exercises

You can set a limit regarding the idea or project you want. In this photo, I decided to limit my idea to fruits as a topic. You can also limit the tools and techniques that you can use – for example, using long exposure times. Here are some creative photography exercises to get you started.

Technical Limitations

Use only one focal length

As you probably know, there are zoom lenses and prime lenses. A zoom lens means that you can change your angle of view in seconds, which gives you great versatility. A prime lens has a fixed focal length, and this will force you to move around and re-compose your images.

Creative Photography Exercises: Setting Limitations to Achieve Better Photography

If you don’t have a prime lens, use your zoom but choose a focal length and stick with it for the entire exercise. Here I used an 18-55mm and put some tape as a reference on 40mm. This doesn’t mean that you can’t use both lenses, it’s just a way for you to practice without buying new gear.

Think in terms of film photography

Pretend you’re using a film camera and set yourself a limit of 12, 24 or 36 images that you can use. I suggest these numbers because film rolls were sold like that, but feel free to set a different limit without overdoing it. This will push you to put more thought into the final image before you press the shutter button.

Creative Photography Exercises: Setting Limitations to Achieve Better Photography

If you want to make it more challenging, try only using the viewfinder and not reviewing your images after shooting. Not having the chance to delete images in order to stay within the maximum amount gives you that extra push.

Project Limitations

Ride the bus

This is a fun project because you can approach it in many different ways. For example, you can choose to photograph the street while riding the bus or the metro. This takes away much of your control over the scene in front of you. You also have to deal with motion and reflections. And most of all, you have to react quick before you’re gone.

Creative photography exercises

You can also choose to photograph the inside of the vehicle. This is very close quarters so it will help you to overcome shyness. It is also challenging to compose and focus on short distances. So you may want to explore a wide-angle lens if you want to capture the full scene. The light probably won’t be very bright so you may need to bump up your ISO. Combined with the fact that you’re moving, you may find it challenging, but give it a try!

Always shoot at the same time

Program an alarm on your phone to remind you to take a picture exactly at the same time every day. If you have a routinary life, it will challenge you to shoot the same thing or place differently. If you have a flexible schedule, and the time, you will find yourself in different places, where you’ll have to deal with a variety of challenges each time.

Creative photography exercises

Either way, it will kick start your creativity. This image, for example, is only the heater from my studio. Try looking for different angles, play with lighting, etc.

Conclusion

These are just some ideas for creative photography exercises. Feel free to create your own according to your interest, gear and even the place you live. You just need to follow the same rule of establishing some guidelines as limitations to strengthen your abilities and creativity. I’ll leave you here some other articles that can give you more ideas:

  • Expand Your Creativity by Taking Self-Portraits.
  • An Apple a Day Keeps Creativity Awake.
  • How to Boost Your Creativity by Including Props in Your Photography.
  • How to Reboot Your Creativity with 15-Minute Exercises.

Feel free to share any other creative photography exercises in the comments. And, as always, we love to see your images, so try some of these techniques, and share your images below.

The post Creative Photography Exercises: Setting Limitations to Achieve Better Photography appeared first on Digital Photography School. It was authored by Ana Mireles.


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