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Posts Tagged ‘Crane’

Zhiyun announces Crane 2S gimbal, promising improved speed and precision

22 Aug

Zhiyun has announced a new handheld gimbal, the Crane 2S. While many modern cameras and lenses offer good stabilization performance, amateurs and professionals alike still flock to gimbals for even more stable handheld video. The Crane 2S includes numerous improvements over the Crane 2.

The Zhiyun Crane 2S is stronger than its predecessor and can hold video rigs such as the Black Magic BMPCC 6K, Panasonic S1H, Sony A9, Nikon D850 or Canon EOS 1DX Mark II. You can view a full list of compatible cameras and lenses by clicking here. Further, the latest version of the Crane 2S’s Instune Algorithm has been refined to deliver quick and smooth gimbal performance.

In terms of setup speed, the Crane 2S features a brand new FlexMount System. This system simplifies the setup process while also ensuring that your gear is secure. The system incorporates a double safety mechanism and has a user-adjustable safety lock. If you want to record vertical video, such as for social media needs, the Crane 2S comes with a vertical quick release mount and safety knob.

Additional features of the gimbal’s design include an upgraded axis locking mechanism, dubbed Axis Locking Mechanism 2.0, guaranteeing ‘zero swinging of the gimbal during traveling or storage.’ To keep the Crane 2S light and strong, the handle is constructed of carbon fiber. The Crane 2S uses 3 removable Li-ion batteries, delivering a total run time of 12 hours.

The Crane 2S includes six gimbal modes: Pan Following, Locking, Following, Full-Range POV, Vortex and Go mode. The gimbal also includes special modes for aiding in the creation of panoramas, timelapse, motionlapse and long exposure timelapse.

The Crane 2S supports digital and manual focus control via a built-in focus wheel on the gimbal itself. Zhiyun states that the focus control ability offers improved speed and precision as well, allowing for easier focus pulls when shooting. You can refer to the compatibility sheet linked above to see which cameras and lenses are compatible with the Crane 2S’s focus wheel.

The gimbal includes a new 0.96″ OLED display, allowing easy control of important settings and simple menu navigation. If you’d like to use a bigger display, the Crane 2S includes a dedicated slot for installing an image transmitter and with Zhiyun’s TransMount Image Transmission System, you can attach a monitor for live monitoring. The TransMount system also allows for the use of various accessories, such as quick setup kits, a monopod, servo zoom and focus motors and more.

Zhiyun Crane 2S. Shown with Panasonic S1H. Image credit: Zhiyun

The Zhiyun Crane 2S is available now with the standard package retailing for $ 599 USD. For additional information on the Crane 2S and finding a retailer, click here. Zhiyun streamed a full presentation earlier today for the debut of the Crane 2S. You can view a replay of the stream below.

Articles: Digital Photography Review (dpreview.com)

 
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Zhiyun-Tech adds zoom, smartphone control on its new Crane 3 Lab gimbal

19 Nov

Gimbal manufacturer Zhiyun-Tech has introduced zoom control as well as focus control for its new flagship model, the Crane 3 Lab. The new model, which is now ready to ship this month, will allow also feature a transmission system that will send full HD footage from the camera to a smartphone or tablet for more convenient monitoring of the footage as it is recorded.

The company has redesigned the grip of the gimbal with a second handle that extends from the rear of the device that makes working in the underslung position, and the process of getting there from the ‘normal’ upright position, much smoother. The second handle has an updated control panel for accessing menus as well as for controlling the gimbal and some of the features of the camera in use. The panel has an improved LED screen and the grip more buttons and physical control points so users don’t need to access the menu so often.

A bracket has been added to the main stem of the gimbal that is designed to hold a smartphone that can be used to help control the gimbal. With the camera connected via HDMI to the new built-in transmission box an HD preview of the footage being recorded by the camera is sent directly to a wirelessly connected smartphone.

Using the Zhiyun app on either Android or iOS devices the picture can be monitored and the gimbal itself can be controlled. The phone can be used as a motion control sensor so the gimbal will mirror the movements of the phone, or simple on-screen icons can drive gimbal rolls, tilts and turns. The focus and zoom of the lens attached to the camera can also be controlled via the app or by using a pair of wheels on the body of the gimbal.

Below is a demonstration of the Crane 3 Lab in action, captured and shared by Cinema5D:

Zhiyun says that it has made the arms of the gimbal a bit longer to allow it to accommodate large cameras, and the maximum weight it can shoulder has risen to 4.5kg/9.9lbs (minimum weight is 500g/1lb). New motors have double the torque of those in the Crane 2, and perform with half the noise and will much improved speed of response. The 2600mAh battery runs for 7.5hours and charges in 4, and has been repositioned from inside the main grip.

The Zhiyun Crane 3 Lab is due out later this month, and will cost $ 899. For more information see the Zhiyun-Tech website

Press release

Zhiyun Announces 2018’s Best DSLR Camera Stabilizer, CRANE 3 LAB

4.5kg payload, wireless image transmission, remote control, and synchronous zoom/focus

Shenzhen, China, November 14th, 2018, Zhiyun, the world’s leading gimbal manufacturer, is pleased to announce the all-new CRANE 3 LAB gimbal for professional DSLR and cinema-grade cameras. The CRANE 3 LAB is the most anticipated stabilizer of 2018 and revolutionizes the way stabilizers will be designed as it features a unique L-shaped design. Defining new features that make the CRANE 3 LAB stand out in the gimbal market are its wireless image transmission system and ViaTouch Control System to allow anyone to shoot the best footage with the CRANE 3 LAB, whether working alone or as a team.

The CRANE 3 LAB sports a protruded control stick which provides stability and comfort. It creates a natural and ergonomic way to hold your stabilizer in a traditional vertical manner, or underslung for low-angle shots. The handheld tripod at the base is used as an extra grip and can easily be removed for high-activity shots with the least amount of interference.

In underslung mode, the CRANE 3 LAB is perfectly balanced for one-handed use, a testament to its build quality and high-quality materials. Despite its low weight and light feel, the CRANE 3 LAB supports camera setups up to 4.5 kg / 10 lbs.

CRANE 3 LAB – The perfectly controllable stabilizer
The CRANE 3 LAB features an advanced control stick with a bright OLED display that shows vital information about the camera and the CRANE 3 LAB itself, such as shutter speed, ISO setting, aperture, as well as battery and connection status. It also features the most common settings buttons, a quick-select control dial, and gimbal joystick, all within a finger’s reach, making switching settings on-the-go a breeze. The hands-on control method works no matter at what angle the CRANE 3 LAB is used. Popular features from other Zhiyun products are also introduced, such as an easy Pan-Follow/Lock switch and the popular PhoneGo mode, which turns the motors into overdrive to film high-performance sports and action scenes.

Advanced wireless operation
As a part of Zhiyun’s premium LAB features, the CRANE 3 LAB is equipped with a wireless image transmission system that allows smartphones and tablets to function as a Full HD monitor, reducing the need for an external monitor. Beyond use as just an external monitor, the ViaTouch Control System allows for remote operation of the CRANE 3 LAB through any Android or iOS device running the ZY Play app. Controlling the CRANE 3 LAB can be done through a touch-interface or through motion-control. This allows for perfect framing of shots, even when the operator is not near the gimbal. Using ViaTouch allows for advanced features like follow focusing and object-tracking through a connected device, to allow a new level of footage to be shot with the CRANE 3 LAB.

Synchronous Zoom/Focus
The CRANE 3 LAB supports synchronous zoom and focus on almost all cameras with the TransMount Servo Zoom/Follow Controller Max & TransMount Servo Zoom/Follow Controller Lite. With the zoom trigger and the focus wheel, filmmakers have instant control of the zoom and focus which gives an instantaneous response of the actions performed by the filmmaker. This is a huge benefit over last-generation products that can only realize either one of zoom or focus function at a time. The TransMount Servo Controllers are available separately or through the Creator & Master Package.

CRANE 3 LAB bundles with TransMount accessories
The Creator and Master Package of the CRANE 3 LAB come with all the TransMount accessories to level-up your shooting experience. Included in the Creator Package are the TransMount phone holder with crown gear, servo focus & zoom combo kits, telescopic monopod (1.2m/4ft) with locking buckle, camera belt, quick release base plate, and quick setup kit, which adds quick-release options for the monopod or tripod. The Master Package adds a protective and durable gimbal backpack to the package.

Rethinking the DSLR camera stabilizer
The CRANE 3 LAB was developed based on the feedback of many users of Zhiyun CRANE products. For easier setup and maximum portability, each axis/motor has a locking-tab in bright red sturdy aluminum, to lock each axis in place for balance or during transportation. Additionally, each axis is longer and together with the stronger, aviation-grade engines, allowing it to operate with almost all best-selling DSLR cameras and lenses on the market. Power is provided by universally available 18650 batteries that can be easily swapped or charged through a USB port, for up to a promised 7,5 hours of runtime.

Pricing and availability
The CRANE 3 LAB will be available for preorder at major photo retailers including B&H for $ 899:

Articles: Digital Photography Review (dpreview.com)

 
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Converted Crane: 150-Foot-Tall Dutch Hotel Spins in the Wind

19 Feb

[ By WebUrbanist in Boutique & Art Hotels & Travel. ]

a Faralda NDSM Crane Hotel Amsterdam

Featuring three suites toward its peak (and a spa pool to top it off), this boutique hotel is situated in one of the tallest and oldest maritime cranes in the world – and despite the steel frame weighing a whopping 250 tons, it still slowly rotates with the weather.

a Jacuzzi Top deck

a dutch hotel vup

After three years of rehabilitation, code approval and other obstacles (include the search for a 500-pound bomb left from a previous World War), this remarkable transformation is complete and rooms are now open for rent at the Faralda Crane Hotel.

a dutch historical use

a dutch crane lift

The lower part of the structure also features a conference, television and festival room that can be tied to renting out the rest of the spaces or used independently. If that isn’t exciting enough for you and your friends, guests can also bungee jump from the top of the crane as well.

a dutch restoration project

a dutch crane hoist

The rotational effects (top able to move independently of the bottom) are not to be underestimated, demanding a great deal of engineering ingenuity: “Because the Faralda Crane hotel keeps spinning in the wind it is fit with a rotating shaft and a pivot bearing with gold. In the drag link are the gold connectors to guarantee the Internet connection to the Amsterdam Fire Department. The genius and always turning piping system has been specially designed for this Crane.”

Next Page – Click Below to Read More:
Converted Crane Hotel 150 Foot Tall Resort Spins In The Wind

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[ By WebUrbanist in Boutique & Art Hotels & Travel. ]

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Posted in Creativity

 

Get up high: Orion DVC210 DLSR crane review

28 Mar

DVC210-1.jpg

As more and more video production companies and independent videographers rely on DSLRs to shoot a majority of their work, finding more compact equipment is becoming easier. A decent fully-loaded DSLR jib setup can cost anywhere between $ 500 and $ 3,000, and the ProAm Orion DVC210 resides at the lower end of the spectrum. Can the Orion DVC210 take your DSLR video to the next level? Find out in our review

News: Digital Photography Review (dpreview.com)

 
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Kessler KC-Lite 8.0 Camera Crane Promo w/ Sample Footage

10 Jan

Follow us on Twitter (twitter.com/KesslerCrane). UPDATED..Promo video of our new KC-Lite 8.0 camera crane for DSLR and lightweight DV cameras, under 10 pounds. Visit our website for more information and pricing. www,kesslercrane.com
Video Rating: 4 / 5

 
 

JAXPORT Gallery: “The Art of the Steel Crane” by Barbara Holmes and Deborah Reid

15 Nov

A few nice visual art images I found:

JAXPORT Gallery: “The Art of the Steel Crane” by Barbara Holmes and Deborah Reid
visual art
Image by JAXPORT
Opening reception at JAXPORT Gallery, December 2011

“The Art of the Steel Crane” is centered around a recurring theme and in the duo’s art: the self, a spirit that is also all powerful. The persona is representative of how we present to the world, the child inside everyone and acts as a self-reflective tool for the viewer to connect to the art. The exhibition consists of glass sculptures, a series of photographs, including some exclusive edition prints, an animation video piece, and a menagerie of paintings. “The Art of the Steel Crane” will be showing at JAXPORT Gallery from November 21, 2011 until January 5th, 2012. Find out more information on Barbara’s barbarafryefield.blogspot.com/

Barbara Fryefield
Barbara Fryefield, is an expressive artist, fine artist, and teacher. She holds a B.A. in Psychology and a Certificate in Art for Education. Barbara is owner of the Artist Palette Florida LLC. She has a gift for working with children and has been a k-12 art teacher for three years. Barbara applies knowledge of creative art, painting, drawing, and visual art to her work with children and adults. She facilitates using each of these processes in a non-threatening, spontaneous, and fun way that helps participants construct a new understanding of themselves and those around them. She works with adults, children, and families focused on self-expression, communication, and wellness.

Deborah Reid
Deborah R. Reid is a lifelong painter and a practicing attorney. Her work is largely based on her own photographs which she interprets in a combination of oil, acrylic, egg shell, ink and now aerosol.Deborah curates monthly art shows at the Zodiac Grill on Adams Street as a fundraiser for Jacksonville Area Legal Aid. Her work can be seen there, at Fireflies on San Jose as well as regional galleries.

Deborah is a seasoned admiralty practitioner. Prior to joining the Florida Bar, she practiced in California, New Jersey and New York. She is now with the commercial litigation firm of Rumrell & Brock, P.A. Commencing in 2012; Deborah will be conducting workshops on Intellectual Property and Law for Artists.

For additional information and/or images, please contact Meredith Fordham Hughes by email or by phone at (904) 357-3052.

JAXPORT Gallery
Located on the first floor of JAXPORT Headquarters, the Gallery features local artists rotating on a bi-monthly basis. JAXPORT Gallery is open during normal JAXPORT Headquarters hours and admission is free.

Photo credit: JAXPORT, Meredith Fordham Hughes

JAXPORT Gallery: “The Art of the Steel Crane” by Barbara Holmes and Deborah Reid
visual art
Image by JAXPORT
Opening reception at JAXPORT Gallery, December 2011

“The Art of the Steel Crane” is centered around a recurring theme and in the duo’s art: the self, a spirit that is also all powerful. The persona is representative of how we present to the world, the child inside everyone and acts as a self-reflective tool for the viewer to connect to the art. The exhibition consists of glass sculptures, a series of photographs, including some exclusive edition prints, an animation video piece, and a menagerie of paintings. “The Art of the Steel Crane” will be showing at JAXPORT Gallery from November 21, 2011 until January 5th, 2012. Find out more information on Barbara’s barbarafryefield.blogspot.com/

Barbara Fryefield
Barbara Fryefield, is an expressive artist, fine artist, and teacher. She holds a B.A. in Psychology and a Certificate in Art for Education. Barbara is owner of the Artist Palette Florida LLC. She has a gift for working with children and has been a k-12 art teacher for three years. Barbara applies knowledge of creative art, painting, drawing, and visual art to her work with children and adults. She facilitates using each of these processes in a non-threatening, spontaneous, and fun way that helps participants construct a new understanding of themselves and those around them. She works with adults, children, and families focused on self-expression, communication, and wellness.

Deborah Reid
Deborah R. Reid is a lifelong painter and a practicing attorney. Her work is largely based on her own photographs which she interprets in a combination of oil, acrylic, egg shell, ink and now aerosol.Deborah curates monthly art shows at the Zodiac Grill on Adams Street as a fundraiser for Jacksonville Area Legal Aid. Her work can be seen there, at Fireflies on San Jose as well as regional galleries.

Deborah is a seasoned admiralty practitioner. Prior to joining the Florida Bar, she practiced in California, New Jersey and New York. She is now with the commercial litigation firm of Rumrell & Brock, P.A. Commencing in 2012; Deborah will be conducting workshops on Intellectual Property and Law for Artists.

For additional information and/or images, please contact Meredith Fordham Hughes by email or by phone at (904) 357-3052.

JAXPORT Gallery
Located on the first floor of JAXPORT Headquarters, the Gallery features local artists rotating on a bi-monthly basis. JAXPORT Gallery is open during normal JAXPORT Headquarters hours and admission is free.

Photo credit: JAXPORT, Meredith Fordham Hughes

Eddo Stern discusses Dark Game hardware at Art Center Media Design Program Design Dialogues
visual art
Image by G A R N E T
Design Dialogues Fall 2010: Computation After New Media

Guest Curator: Garnet Hertz

This lecture series explores key concepts in computational media to empower individuals to imagine, collaborate, provoke, and prototype through computing.

As a result of its widespread adoption, digital media has transitioned from "new media" to a ubiquitous part of contemporary life. This shift from novelty to familiarity has considerable ramifications for academic institutions working in the fields of media arts and digital culture. Exploring the formal potentials of information and networked technologies is no longer of significant interest: information technologies need to be understood as an embedded part of culture and history. Digital cultural practices must also work to extend their parent disciplines, including the studio arts, media history and theory, design, computer science and engineering.

Each speaker in the "Computation After New Media" series will focus on one word— a single term they feel is a core part of their work within the framework of computation. These lectures will be aimed at exploring the underlying structures of computationalism, providing an important leverage into the philosophy, languages, and principles of digital media.

SCHEDULE:

– October 1: Sharon Daniel, UCSC
– October 8: Eddo Stern, UCLA
– October 22: Paul Dourish, UCI
– October 29: George Legrady, Experimental Visualization Lab, UCSB
– November 19: Casey Reas, UCLA, author, Form + Code in Design, Art, and Architecture
– December 3: Celia Pearce, Georgia Tech, author Communities of Play: Emergent Cultures in Multiplayer Games and Virtual Worlds

Design Dialogues brings provocateurs from the worlds of design, art, academia, and technology into the MDP Studio. Each term, a guest curator is invited to build a series around a theme of their choosing.

Meetings: 12-2 pm. Talks: 3-6 pm in the Wind Tunnel Gallery. Open only to Media Design students, alumni, and faculty.

October 1: Sharon Daniel

Sharon Daniel is Professor of Film and Digital Media at the University of California, Santa Cruz where she teaches classes in digital media theory and practice. Her research involves collaborations with local and on-line communities, which exploit information and communications technologies as new sites for "public art." Daniel’s role as an artist is that of “context provider”—assisting communities, collecting their stories, soliciting their opinions on politics and social justice, and building the online archives and interfaces that make this data available across social, cultural and economic boundaries. Her goal is to avoid representation—not to attempt to speak for others but to allow them to speak for themselves.

Daniel’s work has been exhibited internationally at museums, festivals including the Corcoran Biennial, the University of Paris, the Dutch Electronic Arts Festival, Ars Electronica and the Lincoln Center Festival as well as on the Internet. Her essays have been published in books and professional journals such as Leonardo and the Sarai Reader. Daniel has recently presented “Improbablevoices.net” at the Fundacion Telefonica in Buenos Aires and at the conference “contested commons” in New Delhi, India. Her current research is supported by grants from the Daniel Langlois Foundation, the UCIRA, UCSC Arts Research Institute, and the Creative Work Fund.

October 8: Eddo Stern

Eddo Stern works on the disputed borderlands between fantasy and reality, exploring the uneasy and otherwise unconscious connections between physical existence and electronic simulation. His work explores new modes of narrative and documentary, experimental computer game design, fantasies of technology and history, and cross-cultural representation in computer games, film, and online media. He works in various media including computer software, hardware and game design, kinetic sculpture, performance, and film and video production. His short machinima films include "Sheik Attack", "Vietnam Romance", "Landlord Vigilante" and "Deathstar". He is the founder of the now retired cooperative C-level where he co-produced the physical computer gaming projects "Waco Resurrection", "Tekken Torture Tournament", "Cockfight Arena", and the internet meme conference "C-level Memefest" He is currently developing the new sensory deprivation game "Darkgame". Stern’s work can be seen online at www.eddostern.com/

October 22: Paul Dourish

Paul Dourish is a Professor of Informatics in the Donald Bren School of Information and Computer Sciences at UC Irvine, with courtesy appointments in Computer Science and Anthropology. He teaches in the Informatics program and in the interdisciplinary graduate program in Arts Computation and Engineering. His primary research interests lie at the intersection of computer science and social science; he draws liberally on material from computer science, science and technology studies, cultural studies, humanities, and social sciences in order to understand information technology as a site of social and cultural production. In 2008, he was elected to the CHI Academy in recognition of his contributions to Human-Computer Interaction.

Dourish is the author of "Where the Action Is: The Foundations of Embodied Interaction" (MIT Press, 2001), which explores how phenomenological accounts of action can provide an alternative to traditional cognitive analysis for understanding the embodied experience of interactive and computational systems. Before coming to UCI, he was a Senior Member of Research Staff in the Computer Science Laboratory of Xerox PARC; he has also held research positions at Apple Computer and at Rank Xerox EuroPARC. He holds a Ph.D. in Computer Science from University College, London, and a B.Sc. (Hons) in Artificial Intelligence and Computer Science from the University of Edinburgh.

November 19: Casey Reas

Casey Reas lives and works in Los Angeles. His software, prints, and installations have been featured in numerous solo and group exhibitions at museums and galleries in the United States, Europe, and Asia. Casey’s ongoing Process series explores the relationship between naturally evolved systems and those that are synthetic. The imagery evokes transformation, and visualizes systems in motion and at rest. Equally embracing the qualitative human perception and the quantitative rules that define digital culture, organic form emerges from precise mechanical structures.

Casey is a professor at the University of California, Los Angeles. He holds a masters degree from the Massachusetts Institute of Technology in Media Arts and Sciences as well as a bachelors degree from the School of Design, Architecture, Art, and Planning at the University of Cincinnati. With Ben Fry, Reas initiated Processing in 2001. Processing is an open source programming language and environment for creating images, animation, and interaction.

Reas and Fry published Processing: A Programming Handbook for Visual Designers and Artists, a comprehensive introduction to programming within the context of visual media (MIT Press, 2007). In 2010, they publishing Getting Started with Processing, a casual introduction to programming (O’Reilly, 2010). With Chandler McWilliams and Lust, Casey has just published Form+Code in Design, Art, and Architecture (PAPress, 2010), a non-technical introduction to the history, theory, and practice of software in the arts.

Casey is the recipient of a 2008 Tribeca Film Institute Media Arts Fellowship (supported by the Rockefeller Foundation), a 2005 Golden Nica award from the Prix Ars Electronica, and he was included in the 2008 ArtReview Power 100. His images have been featured in various publications including The New York Times, The International Herald Tribune, Print, Eye, Technology Review, and Wired.

December 3: Celia Pearce

Celia Pearce is a game designer, author, researcher, teacher, curator and artist, specializing in multiplayer gaming and virtual worlds, independent, art, and alternative game genres, as well as games and gender. She began designing interactive attractions and exhibitions in 1983, and has held academic appointments since 1998. Her game designs include the award-winning virtual reality attraction Virtual Adventures (for Iwerks and Evans & Sutherland) and the Purple Moon Friendship Adventure Cards for Girls.

Celia received her Ph.D. in 2006 from SMARTLab Centre, then at Central Saint Martins College of Art and Design, University of the Arts London. She currently is Assistant Professor of Digital Media in the School of Literature, Communication and Culture at Georgia Tech, where she also directs the Experimental Game Lab and the Emergent Game Group. She is the author or co-author of numerous papers and book chapters, as well as The Interactive Book (Macmillan 1997) and Communities of Play: Emergent Cultures in Multiplayer Games and Virtual Worlds (MIT 2009). She has also curated new media, virtual reality, and game exhibitions and is currently Festival Chair for IndieCade, an international independent games festival and showcase series. She is a co-founder of the Ludica women’s game collective.

Curator: Garnet Hertz
Doctor Garnet Hertz is a Fulbright Scholar and contemporary artist whose work explores themes of technological progress, creativity, innovation and interdisciplinarity. Hertz is a Faculty Member of the Media Design Program at the Art Center College of Design in Pasadena California, a Postdoctoral Research Scholar at the Institute for Software Research at UC Irvine and is Artist in Residence in the Laboratory for Ubiquitous Computing and Interaction at UC Irvine. He has shown his work at several notable international venues in eleven countries including Ars Electronica, DEAF and SIGGRAPH and was awarded the prestigious 2008 Oscar Signorini Award in robotic art. He is founder and director of Dorkbot SoCal, a monthly Los Angeles-based DIY lecture series on electronic art and design. His research is widely cited in academic publications, and popular press on his work has disseminated through 25 countries including The New York Times, Wired, The Washington Post, NPR, USA Today, NBC, CBS, TV Tokyo and CNN Headline News.

 
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Posted in Photographs

 

Blue Crane Digital Nikon D300/D700 advanced training video sample

14 Oct

quick video review of the MB-10 extra battery pack for the nikon d300 and how it can give 8fps
Video Rating: 4 / 5