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Posts Tagged ‘cover’

Instagram clarifies its sublicense terms don’t cover embedded images

06 Jun

Instagram has made a surprising announcement that will have big implications for photographers and anyone who uses its built-in ‘share’ function: it does not grant sublicenses to users for embedded images. The revelation comes amid lawsuits over embedded Instagram posts and allegations that embedding without permission or a license constitutes copyright infringement.

Instagram features a share button that, among other things, enables users to embed public posts on other sites. This is a common way to include social media content in an article or blog post, but that may change with the bombshell announcement from Instagram. In a statement to Ars Technica, Instagram’s parent company Facebook said that despite the fact that ‘while our terms allow us to grant a sub-license, we do not grant one for our embeds API.’

The company went on to state that users must get permission to embed the image from the copyright holder, this despite the fact that Instagram offers the embed function on all public images and does not allow individual users to disable the sharing option.

In light of this, users who embed Instagram posts without first getting permission or a license from the photographer may face a copyright lawsuit. We’ve seen two cases of this issue appear in court in recent months, one involving digital media website Mashable and, more recently, another involving Newsweek.

In the first case, photographer Stephanie Sinclair filed a copyright lawsuit against Mashable after it embedded one of her Instagram posts without permission. The court ultimately sided with Mashable and ruled that Instagram’s terms allowed it to grant a sublicense for images. In the Newsweek case, however, the court sided with photographer Elliot McGucken and found that more details are needed to determine whether Instagram’s terms cover sublicenses for embedded images.

In the Newsweek case, Judge Katherine Failla references the Mashable ruling, stating:

‘The Court finds Judge Wood’s decision to be well-reasoned and sees little cause to disagree with that court’s reading of Instagram’s Terms of Use and other policies … The Terms of Use unequivocally grant Instagram a license to sublicense Plaintiff’s publicly posted content … Nevertheless, the Court cannot dismiss Plaintiff’s claims based on this licensing theory at this stage in the litigation … there is no evidence before the Court of a sublicense between Instagram and Defendant … Although Instagram’s various terms and policies clearly foresee the possibility of entities such as Defendant using web embeds to share other users’ content … none of them expressly grants a sublicense to those who embed publicly posted content.’

Ars Technica contacted Facebook to find out whether its sublicense terms cover embedded images — and the company says it does not. The revelation was very surprising and will fundamentally change the way users share Instagram posts, though it is a win for professional photographers who are frustrated over how the platform currently operates.

As Sinclair pointed out in the Mashable lawsuit, Instagram is one of the most popular image-sharing websites, but it gives photographers little control over how their images are used: they can either make the images public and therefore open to embedding or make them private to restrict embedding, limiting the platform’s usefulness for photographers seeking an audience.

With Facebook’s public statement on Instagram’s lack of sublicensing for embedded images, future copyright cases will not be able to follow in Mashable’s footsteps. Instagram has been criticized for failing to give photographers more control over how their images are shared and this new revelation will likely add fuel to that fire.

Though users are warned when they embed an image that they must follow Instagram’s terms, most are unlikely to actually read those terms and may not understand the intricacies of sublicensing and how it relates to embedded content. This would put unaware users at risk of copyright lawsuits for using the feature Instagram makes readily available.

In a statement to Ars Technica, Instagram said that it is ‘exploring the possibility’ of allowing photographers to control whether their images can be embedded…presumably without having to make their account private. It is far from certain whether this feature will actually be deployed, however, and how long it may take to introduce this additional control.

Whether Instagram’s statement will have a far-reaching impact on copyright lawsuits and how content is shared on the Internet is yet to be seen, however. Questions remain over the ‘server test’ and whether Instagram, not its users, is liable for infringing use of its embed feature. It seems likely that Newsweek will appeal the judge’s ruling with a server test defense, but only the future will tell how this all plays out.

Articles: Digital Photography Review (dpreview.com)

 
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Photo “Stolen” From Art Gallery, Used on Magazine Cover Without Permission

12 Jul

The post Photo “Stolen” From Art Gallery, Used on Magazine Cover Without Permission appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Last week, The Big Issue published an interview with renowned filmmaker David Lynch.

And the magazine put a headshot of David Lynch on the cover.

All of this would have been fine…

…except that the headshot of David Lynch wasn’t actually a headshot at all.

Instead, it was a photo of a framed David Lynch photo. The original was taken by Nadav Kander and displayed as part of a gallery exhibition.

In other words, a photographer attended Kander’s exhibition, took a photo of the framed David Lynch portrait, and the photo ended up on The Big Issue’s front cover. Note that this thoroughly violates copyright law, as Kander has ownership over all of his gallery images.

Kander vented his frustrations via Instagram:

[A] ”photographer” goes to one of my exhibitions and photographs my framed print of David Lynch…Unbelievable blatant copyright infringement. Sad behaviour and more. I would never have wanted this photograph sold.

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READ THIS: a”photographer” goes to one of my exhibitions and photographs my framed print of David Lynch. He uploads this picture to a stock site called Alamy. Now this week The BiG Issue which is a magazine in the U.K. publishes a interview with David and buys this despicably shot picture of my photograph, crops in and uses it on the cover of the mag this week. Unbelievable blatant copyright infringement. Sad behaviour and more. I would never have wanted This photograph sold…So photographer who did this, kindly call my studio and we should talk. My alternative is to just go up an avenue that is less than pleasant for you. I wish now I had not got your name taken down off the BI site. Then all could have seen you and “your picture”. My god I work hard to make my work what it is… but this is doubly insulting because added to this your site states clearly that permission should be sought before using your work!!! Go figure. #copyright #copyrightingringement #impissedoff

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How it happened

But how did this happen? How did The Big Issue, a reputable magazine, end up with a stolen photo on its cover?

As it turns out, The Big Issue did not purchase the David Lynch image directly. Instead, the image came from the stock site Alamy, which sold the image to The Big Issue.

The Big Issue writes, in response to Kander’s anger:

Hi Nadav, we’re very sorry you feel aggrieved. This image was sourced by the art team. They discovered it on Alamy. It’s a great image that we felt would help move the magazine. We told Alamy what we were doing and neither tried to pull the wool over anybody’s eyes nor get away without paying.

The first we discovered about the issues with the image was when your agency got in touch at the start of the week. Clearly, Alamy have some explaining to do. We would never intentionally do this. As an organisation that serves the complex needs of thousands of our vendors each year, we understand the need to meet emotional distress with sensitivity. We hope this goes some way to explaining the situation. If you would like to discuss further, please DM us.

This apology would probably be fine, putting the blame squarely on Alamy and the photographer. Except that it turns out the stock image purchased by The Big Issue is different from the image that appears on the magazine cover.

Specifically, the David Lynch photo-of-a-photo acquired by The Big Issue showed a clear frame, as well as an information plaque. It also included shadows that fell across the glass:

But The Big Issue cropped out the frame and the information plaque, apparently oblivious to the photo’s illegal nature.

(Since then, the photo has been removed from The Big Issue’s website, as well as from Alamy.)

So…

Who do you think is to blame for this fiasco?

Is it the fault of the photographer, who took the picture and sold it to Alamy?

Is it the fault of the stock agency, Alamy, who put the photo up for sale on its site? Or is it the fault of The Big Issue for using a questionable photo in the first place?

Let me know right now in the comments!

 

Featured image photo by Samuel Zeller on Unsplash

The post Photo “Stolen” From Art Gallery, Used on Magazine Cover Without Permission appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Fashion magazine expects photographers to PAY to be on the cover

24 Mar

An American fashion magazine has created a storm by expecting photographers to pay $ 860 if their image is chosen for its cover. In a ‘the world’s gone crazy’ role-reversal, Sheeba magazine’s submission guidelines specify that photographers lucky enough to have an image selected for the cover will have to pay for the privilege of having it used.

In the magazine’s defense, it does style itself as a place where photographers, designers and models have an “opportunity to show-case and promote their contemporary masterpieces worldwide through print, digital and social media exposure” and presumably getting the cover position allows that photographer the most exposure.

Work placed inside the magazine is published for free, and at the moment there’s a special 50% off deal for cover placement.

In return, the photographer gets a copy of the print edition, a high-resolution tear sheet, and possibly an interview inside the magazine. Although billed as a monthly magazine, there seem to be three ‘volumes’ some months. The 74-page latest issue costs $ 26 for the print edition.

It isn’t clear what the magazine’s reach is, or exactly how much exposure gracing the front cover will gain the chosen photographer. The magazine’s Instagram page has fewer than 2,500 followers and its Twitter posts appear in the feed of just 75 people. The magazine is a little more successful on Facebook where it has 6,703 followers, but its most recent post is rather soiled by a lengthy comment thread about the morality of its cover policy.

If you don’t feel up to applying for a place on the cover, the magazine is looking for a number of interns to help put the publication together. The job ads offer the “opportunity to gain valuable editorial experience in media publishing and further develop a professional portfolio in return for work efforts” and a promise that you might be considered for a permanent position in the future. There’s no mention of payment, but the magazine expects considerable skills and dedication, and someone to layout 100 pages of content—perhaps three times a month.

For more information see the Sheeba website.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma expands product warranty to cover hurricane damage from Harvey, Irma and Maria

19 Oct

In a move that’s being praised by the photo community at large, Sigma has temporarily extended its product warranty to cover repairs for damage caused by the hurricanes Harvey, Irma and Maria. The only catch being that Sigma must receive your damaged product before December 31st of this year.

This information comes from a statement Sigma provided to Fstoppers, which is reporting that any products that can’t be repaired will be replaced at a special discounted price that is determined on a case-by-case basis. Repairs and return shipment of the products are provided for free, but customers must provide their sales receipt as proof-of-purchase.

Sigma says that customers who no longer have the receipt should contact the company.

You can read the full statement on Fstoppers.

Articles: Digital Photography Review (dpreview.com)

 
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This Nat Geo cover was shot with a 10-year-old DSLR and an iPhone flashlight

24 Jul
European astronaut Paolo Nespoli sitting in a Soyuz launch module simulator, illuminated by a single iPhone flashlight. Photo © Alessandro Barteletti.

Photographer Alessandro Barteletti has spent the last year creating a photo essay for National Geographic, in which he tells the story of 60-year-old European astronaut Paolo Nespoli. The project has taken him all over the world with Paolo, but it’s the photo above that stuck with him, and that Nat Geo in fact picked for the cover of the July issue of National Geographic Italia.

For this project, Barteletti received access to the training centers in Europe, the US, and Russia, trailing Paolo and capturing photos honoring the astronaut as the first 60-year-old ever to be enrolled in a 6-month-long mission.

Behind the scenes with Barteletti, shooting Paolo Nespoli for National Geographic. Photo © Alessandro Vona

The memorable cover photo was captured in Star City, Russia, while Paolo sat inside the Soyuz launch module simulator.

“I came into the Soyuz with my Nikon D3 and a wide angle lens, ready to shoot Paolo when, suddenly, something unbelievable happened: all lights off, everything was dark and from the outside they started knocking on the door telling me I had only one minute left,” Barteletti tells DPReview. “I didn’t know what to do: that was the perfect setting for THE PHOTO, probably one of the best ones ever. Outside I had some led lights but if I had come out the module, they wouldn’t have let me come in once again.”

Paolo agreed that leaving the module wasn’t an option, and so they tried to come up with some way to capture the shot in the next 60 seconds… with no professional lighting anywhere in sight.

“I had an idea, one of those crazy ideas that only come to you when you are desperate,” says Barteletti. “I took my iPhone—the only electronic device I had with me—I turned on the torch, and I put it between two panels behind the astronaut.”

As it turns out, his idea worked perfectly. “The module was so small, less than 2 meters of diameter, that the torch was enough to properly light the setting,” he told us. “I had only the time for two landscape shots and two portrait ones, just a few seconds before I was literally obliged to leave the module.”

In the end, Barteletti was right: it was THE PHOTO. National Geographic chose this shot for the cover. Barteletti still can’t quite believe they chose a photo “shot with a ten-year-old Nikon D3 and lit with an iPhone torch.”

To learn more about Alessandro or see more of his work, visit his website by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
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Times Lapse: Minute-Long Video Shows Every NYT Cover Printed Since 1852

24 Mar

[ By WebUrbanist in Design & Graphics & Branding. ]

new york time lapse

The times are always changing, but few things bring it home quite so elegantly (and quickly) as an extended look at the front pages of a classic publication, compressing over 150 years of history (and 60,000 pages) into a single minute.

Data artist Josh Begley takes viewers on a whirlwind tour of New York Times cover images. His time(s)-lapse video spans from early days when they were entirely text to the advent of black-and-white then color images.

times

times two

While so much has changed, detailed maps and wood engravings appearing to liven up the pages as the years pass in seconds, much remains the same.

times over itme

time after time

The effects captured reflect both continuity and evolution, encapsulating not only a publication-specific shift but also the broader history of modern print publishing.

Meanwhile, for fans of history, typography and the Times (via Colossal): “Typesetter Carl Schlesinger and filmmaker David Loeb Weiss documented the last day of hot metal typesetting” in the film above. “This amazing behind-the-scenes view not only captures the laborious effort to create a single page of printed type, but also the the emotions and thoughts of several New York Times employees as they candidly discuss their feelings about transitioning to a new technology. One man decides he’s not ready for the digital age and plans to retire on the spot after 49 years, while others seem to transition smoothly into the new methods of production.”

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How To Cover Everything Ever in Photos!

03 Feb

The Polaroid ZIP Mobile Printer makes super sticky tiny prints of all your best photos.

They’re so sticky in fact, that they can stick to almost anything.

Anything you say?

We couldn’t believe it either, so we took to covering some of our favorite things in our favorite pictures. Ya know, to prove it (not just because we wanted to cover everything in adorable, miniature snapshots).

(…)
Read the rest of How To Cover Everything Ever in Photos! (284 words)


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Under Cover: Secret Swiss Military Bunkers Hide in Plain Sight

13 Jan

[ By WebUrbanist in Travel & Urban Exploration. ]

swiss bunker under cover

Throughout the rolling hills of rural Switzerland, tucked inside idyllic works of regional vernacular architecture, lie disguised fortifications of a country always ready for war. Some of these bunkers conceal gun caches, communications infrastructure and even anti-aircraft artillery.

swiss bunker camouflage

The camouflage is incredibly convincing: a worn wood-sided barn, countryside home with cracking paint or a cute small-town cottage could all house militarized surprises.

fake chalet window painted

The public is not privy to precise numbers, but estimates suggest the country contains 250 or more such structures variously disguised as buildings or parts of the natural landscape.

villa rose bunker

painted window

The Swiss are world-famous for their perpetual state of military preparedness, but few outsiders (as well as many citizens of Switzerland) are unaware just how much they are surrounded with infrastructure of war.

swiss bunker cannon

Christian Schwager’s relatively recent book on Fake Chalets helped make these buildings an open secret, in turn aiding preservation efforts for many of these facilities that no longer serve an official purpose.

fake chalets

Reporter Anneke Bokern has also delved into the history of these buildings, many of which date back to the 1930s and 40s: “Theatre painters were in charge of the paint jobs, supplying each bunker with a customised skin inspired by the local chalet style.”

fake chalet hillside military

fake chalet interior

“As the results prove, they went about their job with Swiss precision – although the bunkers only had to deceive at a minimum distance of 20 metres. They painted realistic window shutters, created perfect imitations of wood grain, and even took the position of the sun into consideration.”

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Snow Cover: Subterranean Museum Pierces Alpine Mountain Peak

06 Aug

[ By WebUrbanist in Architecture & Public & Institutional. ]

mountain museum overhang

Buried within a mountaintop nearly 7,500 feet above sea level, this remarkable semi-subterranean mountaineering museum, designed for a unique client – the first man to scale Everest without oxygen.

mountain peak museum

musem picture windows

Designed by Zaha Hadid (images by Werner Huthmacher), the Messner Mountain Museum Corones refers to Reinhold Messner. Located atop Mount Kronplatz in Italy, it is the first in a series of planned mountaintop museums, each designed to create a sense of journey and adventure for its visitors.

mountain view out

In this case, one arrives from the side then continues below the surface before emerging to discover a dazzling view of the surrounding landscapes and peaks, framed by huge windows or enjoyed from a balcony jutting over the edge.

museum curved forms

museum interior design

As one travels through the building, the focus shifts from artifacts and exhibits within the museum back to the outdoor world that inspired this famous climber to become the first to ascend all fourteen of the world’s tallest peaks. The signature curves of Hadid’s work guide one through narrowing and widening spaces, slopes and steps, each shaping the experience.

mountaintop museum plan

From the architects: “A composition of fluid, interconnected volumes, the 1000 sq. m. MMM Corones design is carved within the mountain and informed by the geology and topography of its context. A sharp glass canopy, like a fragment of glacial ice, rises from the rock to mark and protect the museum’s entrance”

mountaintop museum

Without further landscaping, it is hard to say whether the building in reality reflects the mountain-piercing concept, but a freshly-constructed work of architecture is rarely finished until more greenery (and maybe in this case some additional dirt) comes back into play.

museum from above

mountain museum balcony

More from Messner on the museum itself: “On Kronplatz I present the development of modern mountaineering and 250 years of progress with regard to the equipment. I speak of triumphs and tragedies on the world’s most famous peaks – the Matterhorn, Cerro Torre, K2 – and shed light on alpinism with the help of relics, thoughts, works of art, and by reflecting the outside mountain backcloth in the interior of MMM Corones.”

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Caitlyn Jenner Graces The Cover Of Vanity Fair

17 Jun

Caitlyn Jenner On Vanity Fair Cover

Hi FashionPhotographyBlog.com readers! Last week the world was introduced to Caitlyn Jenner, the new identity of former Olympian Bruce Jenner, with a stylish entrance; being on cover of Vanity Fair, as the magazine’s cover model.

 

Bruce Jenner was most known for his past Olympic exploits as a track and field athlete, winning gold in the men’s decathlon event at the Montreal Summer Olympics in 1976 and revered as “an American hero”. His gained television celebrity status when his former wife, Kris Jenner (formerly Karpashian) and their children appeared on the well-known reality TV series “Keeping up with the Kardashians”.

Caitlyn Jenner On Vanity Fair Cover

Following the divorce of Bruce and Kris Jenner in 2015, Bruce Jenner revealed in a public TV interview with Diane Sawyer (April 2015) for the 20/20 show that he was now living life as a trans woman and was in the process of transitioning. This news received major media attention, and many news sources label the celebrity as the most open and famous transgender person in the world.

 

I want to congratulate Caitlyn Jenner for the tremendous courage it took to take ownership of your life and living it as the true you. It is a difficult issue to deal with, gender dysphoria, when the world tells you that you have to look and behave a certain way. Not to mention the added pressure of having the media watching everything you do because you are part of a celebrity family that’s constantly the hot topic of public scrutiny and Hollywood gossip. 

Caitlyn Jenner On Vanity Fair Cover

So what does this all have to do with fashion photography? Lots actually which I will explain, but first I want to compliment, renowned celebrity photographer, Annie Leibovitz for doing an amazing job in capturing the essence of Caitlyn Jenner. The Washington Post commented that Caitlyn Jenner’s debut on the Vanity Fair cover, shot by Leibovitz, had a significant impact to the subject “After all the magazine covers that featured the former athlete, once lauded as the ‘world’s greatest athlete.’ the Leibovitz photograph will be the most meaningful. Looking directly at the camera, Jenner is finally herself for the first time publicly.” 

Caitlyn Jenner On Vanity Fair Cover

Caitlyn Jenner’s appearance on Vanity Fair, created a historic moment in the fashion industry as she is the first openly transgender woman to feature on the cover of the fashion magazine. I think it is really a great achievement to create a positive visual statement printed by a world-recognized publication, while bringing aware of the issues and hardships that transgender people face. This may just be the starting signs of the fashion industry finally realizing that the world is a lot more diverse than they thought it was, and that we can see more of the cross-section of humanity.Caitlyn Jenner On Vanity Fair Cover

What do you think of Vanity Fair’s decision to choose Caitlyn Jenner as the cover model for their magazine and Annie Leibovitz as the photographer for the shoot? Please leave your comments below. If you like to find out more news and information about diversity in the modeling industry make sure you visit DiverseModels.com.

 

 

IMAGE SOURCE: 

Feature image & images 1-4: courtesy of Vanity Fair.

 


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