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Interview: photographer Cooper Neill on what it was like to shoot UFC 249 in an empty arena

22 May
A general view before the start of UFC 249 at VyStar Veterans Memorial Arena in Jacksonville, Florida on May 9, 2020. Cooper Neill for ESPN

Editor’s Note: Some of the photographs in the interview below are graphic due to the violent nature of mixed martial arts events. Proceed accordingly.


With the world all but paused due to the ongoing COVID-19 pandemic, most sporting events have either been delayed or downright canceled. Some sports, however, are allowing events to continue taking place, albeit with minimal personal, very proactive testing and—most interestingly—no audience.

One such event was the mixed martial arts event UFC 249, which took place on May 9, 2020 at VyStar Veterans Memorial Arena in Jacksonville, Florida, United States. Only a few photographers were allowed to document the unprecedented event, one of whom was Cooper Neill, a freelance photographer from Dallas, Texas, who on assignment at UFC 249 for ESPN. We had a chance to talk with Neill about what it was like to shoot such an unusual event. Below is the interview, edited for clarity, as well as a selection of images from the event.

How many photographers were allowed to be there and how were they chosen?

For UFC 249 there were only 4 photographers cageside (Getty, Associated Press, USA Today and myself working for ESPN) along with the UFC photographer who is in a fixed position on top of the Octagon. I’m sure they had other folks apply for credentials but given the small space of the Octagon there aren’t many photo positions to begin with so I’m assuming numbers were limited to make sure folks are able to properly social distance themselves as best as they could.

A general view during UFC 249 at VyStar Veterans Memorial Arena in Jacksonville, Florida on May 9, 2020. Cooper Neill for ESPN

What precautionary measures were taken for yourself, the other photographers, as well as the fighters and other participants?

I showed up with a mask, gloves, hand sanitizer, sanitizing spray w/ paper towels and alcohol wipes to wipe down my equipment. I stayed at the same hotel as the UFC staff so I was given a nasal swab test for Covid-19, an antibody test and regular temperature checks including one to get into the arena on fight day. I’d assume the other folks in the building did the same – I saw a few folks with goggles on and some with face wraps that offered more coverage than the masks.

Henry Cejudo fights against Dominick Cruz during UFC 249 at VyStar Veterans Memorial Arena in Jacksonville, Florida on May 9, 2020. Cooper Neill for ESPN

Was it more difficult to shoot with the PPE and having to constantly sanitize? Also, did you have to stay further away from the athletes than you normally do?

The extra PPE really didn’t make a difference for me. If I were wearing goggles they would have fogged up which is why I opted not to. There was time between fights for me to make sure my area was clean, the UFC staff would sanitize things between fights as well and then I’d sit down and transmit a few photos from the previous fight to my editors at ESPN. We are already a good distance away from the athletes and I think everyone in the arena was very aware and respectful of people’s personal space. With so many fewer people there was more space to operate which was super helpful as well.

Anthony Pettis throws a kick against Donald Cerrone during UFC 249 at VyStar Veterans Memorial Arena in Jacksonville, Florida on May 9, 2020. Cooper Neill for ESPN

Did you have to change how you photographed the event and did you take photos any differently than you normally would’ve?

Yes and no – I always show up to events looking to tell the story of the event as a whole and not just the action – so in that way I approached things the same way I do the NFL playoffs or World Series. On the other hand there was an equal if not greater interest in UFC 249 because of what’s going on in the world than the actual fights so I probably sent in more scene-setting and storytelling images than I normally do because in my opinion that was more important than most of the fights.

Joe Rogan interviews Calvin Kattar after his win during UFC 249 at VyStar Veterans Memorial Arena in Jacksonville, Florida on May 9, 2020. Cooper Neill for ESPN

Was it weird actually being able to hear your shutter click when you’re probably used to it being drowned out from crowd noise?

Sony user here so I’m used to not hearing the shutter – but having the event in an empty arena was a big change. Not having a pop from the crowd after a big punch really changed the environment and feel of the event. On the other hand it was really cool being able to hear both fighters coaches giving instructions, the fighters talking to each other between rounds and the commentators doing their play by play which are all things that are usually downed out by the crowds.

Niko Price has talks with Vicente Luque after losing his fight during UFC 249 at VyStar Veterans Memorial Arena in Jacksonville, Florida on May 9, 2020. Cooper Neill for ESPN

Did the athletes seem to have a different type or amount of energy compared to previous events you’ve shot?

I don’t think they’d admit it but I think there was a different energy – not a bad thing – but different. In my opinion the fighters were much more relaxed than they normally are with significantly less distractions in and around the arena. The intensity was definitely still there.

An arena employee watches the fights on a tv in the concourse during UFC 249 at VyStar Veterans Memorial Arena in Jacksonville, Florida on May 9, 2020. Cooper Neill for ESPN

Overall, what were the pros/cons of shooting an event in an empty arena?

Pros – cleaner backgrounds, easier on your ears and more space to work

Cons – no fan interactions with fighters and no fan reactions

Justin Gaethje throws a punch against Tony Ferguson during UFC 249 at VyStar Veterans Memorial Arena in Jacksonville, Florida on May 9, 2020. Cooper Neill for ESPN

Do you see more empty-venue events taking place the remainder of the year? If so, what did you learn from this event that will change how you shoot other fan-less events going forward?

From what I’ve read it looks like most if not all pro sports are planning on moving forward with empty arenas for a good while. The thing that I’m curious about is how they manage media access in everything. Football games have 50+ photographers on the field roaming the sidelines close to each other and the players – it’s hard to imagine that happening in a few months. I think it’s realistic to imagine 50% less credentialed photographers for most sporting events in the future just to allow folks to socially distance themselves better.

A member of the UFC crew cleans the Octagon between fights during UFC 249 at VyStar Veterans Memorial Arena in Jacksonville, Florida on May 9, 2020. Cooper Neill for ESPN

What gear were you packing and why did you choose the camera/lenses you did for this particular event?

I used 2 Sony a9s with a combination of a 70–200mm f2.8, 16–35mm f2.8 and 400mm f2.8. The majority of the images were made with the 70–200 but used the others to get some wide or super tight images.

Justin Gaethje celebrates after defeating Tony Ferguson during UFC 249 at VyStar Veterans Memorial Arena in Jacksonville, Florida on May 9, 2020. Cooper Neill for ESPN

Do you have any pieces of parting advice for photographers looking to make the most of this unprecendented time where work can be sparse and what work they might get will be different than usual?

Find something you’re interested in and experiment on different ways of photographing it. If nothing else, this whole situation has given us some time to retool, learn and create new ways of looking at things.

Finally, where can readers find your work and keep up with what you’re doing?

www.instagram.com/CooperNeill

www.CooperNeill.com


Photo credits: Photographs by Cooper Neill for ESPN, used with permission

Articles: Digital Photography Review (dpreview.com)

 
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Accessory Review: Tenba Cooper Messenger bag

11 Mar

Tenba Cooper 13 Slim and Cooper 15
$ 229/299 | www.tenba.com | Buy Now

Over the past few years, Tenba has built a reputation for its solid line of messenger style shoulder bags. I have regularly used one of their Mini Messenger bags for my mirrorless or small DSLR kits. It has been a surprisingly solid performer that has traveled thousands of miles with me. For the price, it is near or at the top of my camera bag ‘bargains’ list. But if I’m being honest, it has always been a bit light on features, ungraceful to use/carry and looks very much like a padded camera bag. So when Tenba asked me if I would like to check out their new Cooper line of premium messenger-style bags, I jumped at the opportunity. 

Tenba released the Cooper line in late 2015 as unobtrusive photojournalist styled bags with luxury materials. Premium features include peach-cotton wax canvas, full grain leather accents, brushed tricot interior and hand riveted zipper pulls. There are four bags in the Cooper line, each designed to carry a specific camera kit. 

  • Cooper 8: A mirrorless camera with 2 to 3 lenses, accessories + a small tablet 
  • Cooper 13 Slim: A mirrorless camera with 3-5 lenses or a small DSLR with 2-3 prime lenses, accessories + a 13″ or smaller laptop
  • Cooper 13 DSLR: A DSLR with 2 or 3 lenses or a mirrorless camera with 4 to 5 lenses, accessories + a 13″ or smaller laptop
  • Cooper 15: Up to a pro-size DSLR with grip, 3 to 4 lenses, accessories + a 15″ or smaller laptop.

This review focuses on the Cooper 13 Slim and the Cooper 15. They are, in my opinion, the standouts of this line. The Cooper 8 is nice, but is really suited for the smallest of mirrorless kits. The Cooper 13 DSLR is a great bag, but is just slightly bigger than the Cooper 13 Slim, with two inches of interior depth (5.5 in vs 3.5 in) being the only difference. So virtually all comments about the Cooper 13 Slim will apply to the 13 DSLR. If the 13 Slim sounds just a little tight for you, then the 13 DSLR is probably your bag.

Specifications 

All dimensions (W x H x D) 

Cooper 13 Slim:

  • Exterior: 37 x 27 x 14 cm / 14.5 x 10.5 x 5.5 in 
  • Interior: 34 x 24 x 9 cm / 13.5 x 9.5 x 3.5 in
  • Laptop Compartment: 33 x 23 x 3 cm / 13 x 9 x 1 in 
  • Weight: 1.2 kg / 2.6 lbs

Cooper 15:

  • Exterior: 41 x 29 x 20 cm / 16 x 11.5 x 8 in
  • Interior: 38 x 28 x 17 cm / 15 x 11 x 6.5 in
  • Laptop Compartment: 38 x 27 x 3 cm / 15 x 10.5 x 1 in
  • Weight: 1.6 kg / 3.6 lbs

Design/Construction

I’m not sure how peach-wax cotton canvas differs from standard waxed canvas, but the peach-wax-cotton canvas on the Cooper bags looks sleek and understated, as well as being quite soft to the touch. Some of that softness comes from the fact that the bags have water repellent applied to the backside of the fabric, rather than the front. This allows water to bead up, but keeps the front of the fabric soft and flexible.

I was wary of the leather accents, as they seem like they could be useless affectations on a camera bag that is meant to be used out in the field. Much to my surprise, they not only gave the bag a professional look well above its price tag, but felt good in the hands. My only concern about the fabric and general construction is, what will these bags look like in 5 years? Mundane as it may be, my Mini Messenger looks much the same as it did when I got it. Waxed canvas and leather can age beautifully (think about your grandfather’s Filson coat), so I’m going to be cautiously optimistic.

Overall, Tenba succeeded in making the Cooper line feel like a step up from the average bag. Comparing them to my Mini Messenger bag makes the old bag look pretty boring and shabby indeed. Perhaps more to the point, these bags don’t scream ‘camera inside!’.

In fact, despite the higher end design and materials, one of the best parts about the Cooper bags is how quickly they fade into the background. I’ve had many bags over the years and I have no trouble saying that these bags are at or near the top of my list as far as stylishness. It may be a minor thing when we’re talking about something that is essentially a tool. But given the choice between a well designed bag that looks good and one that doesn’t, most of us will take the looks as long as functionality is equal. 

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I’ll say this right now, the ‘quiet’ velcro on the Cooper bags is nothing short of amazing. It works just like regular velcro, but if you pull the flap down (as opposed to ‘out’), the hooks release with 98% less noise. Instead of a huge RIIIIIPPPPPPPPPP, you might just hear 2-3 little loops pulling away. Not totally silent, but quiet enough for church, which is impressive. What’s more, by choosing velcro for the flap closure instead of buckles, there is no risk of a metal buckle dinging a piece of gear as the flap is opened. And because the Cooper bags have a handy top-access zipper, I didn’t find myself opening the flap as much as you might think. Particularly with the Cooper 13 Slim, I was able to quickly access bodies and lenses easily through the top-access zipper. 

While the leather bottom and other luxury touches get all the attention (and understandably so) there are any number of small features that are worth mentioning. Using YKK instead of generic zippers may seem like a small thing, but anyone who has been frustrated by a cheap zipper will appreciate the quality.

Speaking of zippers, I love the fact that the zippers to expand the side pockets don’t unzip all the way. There’s no fiddling when you want to zip it back up again. There are also a ton of pockets and slots to organize all the extras you carry in a camera bag. There are even nylon backed leather MOLLE compatible attachment loops. Not all is perfect, but the complaints are pretty darn minor.

One that comes to mind involves the rain cover. As nice as it is to have the raincover included, the fact that it is not built-in and takes up space in the bag is kind of a hassle. Particularly in the smaller bags, I’d opt to carry an extra prime lens than the cover. Another minor complaint? The side pockets on the smaller bags are also pretty, well, small. I’m glad they exist, but even expanded, you aren’t going to be sticking telephoto zooms or big water bottles in there. 

A final item worth mentioning can be considered both a feature and a drawback, depending on your point of view. These bags are not designed as bombproof protective cocoons for your gear, they are designed to be unobtrusive and functional. To that end, the padding inside is not as thick or heavy as in many other shoulder bags. I measure the padding and dividers in the Cooper bags to be around 1/4 inch. By way of comparison, the padding in my old Mini Messenger ranges from 3/8 to 1/2 inch. This cuts down significantly on the bulk and stiffness of the bags. In exchange, your gear is going to be less cushioned from bumps and bonks. This is a trade that I’m personally happy to make, but others may not feel the same.

In Use

Cooper 13 Slim 

While all four Cooper bags are solid, the 13 Slim might be the standout of the line. It is perfectly sized for a mirrorless kit. An Olympus OM-D E-M1 with a mix of 3-5 zoom/primes lenses fits beautifully. The gear comes in and out with ease and there is a place for everything.

If you are looking for a bag to carry a decent sized mirrorless kit, the Cooper 13 Slim deserves your attention. That said, perhaps what was more surprising to me is that my standard full-frame ‘prime’ kit (Canon 6D, 24mm F1.8, 35mm F2, 50mm F1.8 & 85mm F1.8) also fits. And it didn’t just fit; I found that I love using the bag for that kit. There’s not a lot of extra room and the 24 & 85 are a bit less accessible, but even so the 6D hasn’t left the Cooper 13 for weeks. Now, I’m not sure that this would be practical for a DSLR with zoom lenses of any length or girth. If you want a small bag for your DSLR and plan to carry anything bigger than prime lenses, I’d encourage looking at the Cooper 13 DSLR. 

The 13 Slim is big enough to hold a substantial amount of gear, but is also so slim that it hardly sticks out from your body and doesn’t hinder your ability to move through a crowd. This is something that is huge for me. To be honest, I’m rarely concerned that someone knows I have a camera bag, after all, I typically have a camera in my hand. But if I’m banging into people or knocking drinks off tables in a crowded bar concert, well, that’s going to get people’s attention, and not in a good way.

Not only is the Cooper 13 Slim only 5.5 inches deep, but its lack of rigidity allows it to conform slightly to the shape of your body, allowing it to protrude even less. There is one drawback to the Cooper 13 Slim’s ‘slim’ nature, it doesn’t tend to stand upright when set down. It will balance, but I wouldn’t leave the flap open and rely on it staying that way. 

Cooper 15

The Cooper 15 fits a full size DSLR with multiple F2.8 zoom lenses. I used a Canon 6D, 17-35mm F2.8, 24-70mm F2.8 and a 70-200/2.8 and had room for a speedlight and accessories without using any of the outside pockets. I will say that even a large mirrorless kit is absolutely swallowed in this bag. Unless you were using it as more of a briefcase that also happened to carry your mirrorless kit (not a bad idea actually), I might encourage you to look at one of smaller Cooper bags. 

Overall, the Cooper 15 performed the same as the its Slim/DSLR counterparts with a few small caveats. Due to the larger size of my F2.8 zooms, it wasn’t quite as easy to get them out/in through the top-access zipper. This isn’t something exclusive to the Cooper 15, some of it just comes with pro bodies and lenses.

This brings me to another small concern worth mentioning: the Cooper 15 is a pretty darn big bag. It’s sized to carry these big zooms and bodies. I tend to encourage photographers to look at a backpack or sling if they are carrying big gear. The only time I use a shoulder bag for my pro kit is when I’m on a job where I’ll be in and out of the bag a ton – setting it down, picking it up, rushing across the reception hall and grabbing a new lens so I don’t miss the first dance, that kind of thing. Otherwise, that’s a lot of weight on my shoulder just for a street photography session through town. If you are carrying a smaller DSLR kit, you should probably look into the Cooper 13 DSLR, as the Cooper 15 is going to be overkill. 

But I fully admit that some of that is my own personal preference as far as how I carry by gear. If you know that you like a shoulder bag for your big DSLR kit, the Cooper 15 is an outstanding choice as far as I’m concerned. While I was partially joking before, I do think there is a strong case to be made for using the Cooper 15 as a briefcase/schoolbag. It’s sized perfectly for that task, looks cooler than most anything else you’ll see at a powerpoint presentation and could still hold your ‘everyday’ camera kit. 

What’s the bottom line?

The Tenba Cooper bags are well designed, good looking and extremely functional. They are not particularly cheap, but I would consider them on the affordable end of the spectrum as far as high end bags are concerned. If sheer economics are your main concern, there are other cheaper bags out there. But the Cooper bags are an impressive mix of style, functionality and features. For what it’s worth, the Cooper 13 Slim/DSLR has made my list of bags that I love to use and recommend to just about anyone.

Articles: Digital Photography Review (dpreview.com)

 
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Trashing the Dress: The anti-bridal wedding photography of John Michael Cooper

01 Nov

John Michael Cooper is not your standard wedding photographer. Credited with starting the ‘trash the dress’ trend, his portfolio of high-fashion bridal photography contains the standard bread-and-butter wedding portraiture alongside more experimental images. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Tenba Cooper luxury canvas and leather bag collection introduced

31 Oct

Tenba has introduced the Cooper, a luxury leather and canvas bags collection. The new collection is styled after classic messenger bags, and is made from canvas alongside full grain leather trim and other high-end touches. Tenba created the bags with photographers’ needs in mind, using Quiet Velcro to allow the bags to be opened silently when needed. Read more

Articles: Digital Photography Review (dpreview.com)

 
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2012 Mazda MX-5 Miata Special Edition & 2012 Mini Cooper S Roadster – WINDING ROAD Quick Drive

20 Dec

This week, we take out the 2012 Mazda MX-5 Special Edition and the 2012 Mini Cooper S Roadster out for some top-down fun. You can read our comparison test on these two here: www.windingroad.com www.windingroad.com www.facebook.com www.facebook.com
Video Rating: 4 / 5