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Posts Tagged ‘Capturing’

Capturing volcanoes in Guatemala with the Nikon Z6

17 Apr

The Nikon Z6 is a 24MP full-frame mirrorless interchangeable lens camera which offers excellent stills and video image quality in a tough and lightweight body. Photographer Diego Rizzo took a Z6 to Guatemala recently to shoot the Volcán de Fuego – the most active volcano in Latin America.

Shooting on the slopes of a volcano is rife with hazards, from the obvious risks of explosions and pyroclastic flows, to dust and abrasive grit. Watch our video to see how the Nikon Z6 fared in one of the toughest environments imaginable.


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Articles: Digital Photography Review (dpreview.com)

 
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5 Tips for Capturing Nature Across Different Seasons

23 Nov

Taking photographs of nature can be an incredibly rewarding experience. During the year the change in seasons provides you with wonderful photo opportunities to capture the variety of nature subjects on offer. Here are some tips for capturing nature across the different seasons.

Lavendar, Provence, France

1) Shoot The Same Location in Different Seasons

You may have a favorite location that you like to visit. For example, it could be a local woodland, a landscape or a place of interest you enjoy visiting during a holiday. When visiting there, you may find the scenery looks unique at different times of the year. The changing seasons mean the conditions may vary dramatically from one period to the next. Snowfall in winter makes way for spring flowers and lush green vegetation in the summer, which can have a significant effect on the look and feel of your image.

Frosty sunrise, Kings Sutton, Oxfordshire, England

Frosty sunrise, Kings Sutton, Oxfordshire, England

A blanket of snow or frost transforms the landscape, giving the most mundane subjects, such as your favorite tree, some magical appeal. While winter provides a striking and crisp scene, spring’s greens and blues can give a more vibrant and colorful image. I recommend you return to your favorite place, observe the scene during a few different seasons and capture the seasonal changes.

2) Shoot More Sunrises and Sunsets in Winter

One significant advantage of photographing nature during winter is that sunrise and sunset times are more favorable than in summer. Many people prefer to spend the colder months of the winter season indoors. However, this is a great time to head outdoors while the days are shorter and timings are better than the rest of the year. Later sunrises allow you more sleeping time, and earlier sunsets mean you do not have to wait around for hours to capture it.

3) Capture the Season of Changing Colours

Autumn is a magical season to be out with the camera and is the favored time of year for many landscape photographers. The season brings a fantastic variety of warm and vivid colors. You can capture a variety of subjects during the fall from woodlands to foliage and wildlife.

Consider the light and decide what you want to capture. You could zoom in on the leaves, or find a striking scene that is well lit. You can also shoot into the sun and work with backlight to create a dynamic image.

4) Capture the Changing Light

The Black Mountains, Brecon Beacons

Dramatic lighting and changes in weather occur at any time of the year. Striking storm clouds replace sunny spells in an instant providing fantastic subjects for your nature photography. I find that during the summer months, storms can be very dramatic and give great moments of fleeting light. Passing rains can give way to radiant glows and if you are lucky – beautiful rainbows. I captured this scene in June while out walking. The change in light that occurred as the sun re-emerged after a considerable downpour was wonderfully atmospheric.

I recommend capturing the change in light during autumn and winter seasons too, as the sun stays lower in the sky compared to the summer. Thus, providing longer shadows with which to play. The height of the sun can make an image look very different in the winter compared to the summer. In winter the sun strikes the scene from a lower angle making the overall composition and lighting unique.

5) Capture the Seasons in All Weather

Come rain or shine you should go out with your camera to capture the various seasons during all weather conditions. Don’t be discouraged from venturing out with your camera if it’s raining outside or the skies are grey and leaden. There may be breaks in the weather, and the rain eventually stops. Mist can often form after periods of rain making an attractive scene to photograph.

Misty landscape, Northern Ireland

If the rain is persistent, think of other ways to photograph the adverse weather. Photographing abstract scenes, water droplets, and close-ups of flowers or fresh water on lush landscapes can work. Waterfalls look good with overcast skies, and additional rainfall adds beauty with more water.

Conclusion

In summary, capturing nature in different seasons can be very enjoyable at any time of the year. Photograph your favorite place in changing seasons, take advantage of early winter sunsets and capture the changing light in all weathers.

Whatever Mother Nature serves you next, get out there and capture the fantastic changes in our beautiful world in all its seasons. Once you do, please share your images with us below.

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4 Tips for Capturing Autumn Colors

12 Nov

For those of us who live in North America, autumn is in full swing. The leaves are changing from their bright green colors and are taking on incredible hues of yellow, orange, and red. It’s a time of flux for Mother Nature.

For us photographers, it’s prime time to get out and take advantage of all those beautiful fiery colors that lead into the winter months.

4 Tips for Capturing Autumn Colors

Capturing the brilliant colors of Fall isn’t something that requires a lot of planning other than finding a suitable location. That said, there are things we can do during and after our shoot to ensure we get more from our time outdoors at this time of year. In this article, I’ll share with you four easy ways of capturing autumn colors to achieve the best images of Fall.

Use a Polarizer

If you’re familiar with photography, you’ve likely used or at least heard of a polarizer. Polarizers are filters (circular or square) and attach to the front of your lens. They essentially allow only straightened light rays to pass into your camera. Polarizers help to darken skies, reduce reflections and most importantly, deepen color tones.

4 Tips for Capturing Autumn Colors

When you’re shooting for the maximum color effect it’s a good idea to pack a quality polarizer in your gear bag. Most CPL’s (circular polarizers) allow you to dial in the polarization effect based on your needs. You can add or reduce the impact.

The following images were shot with and without a polarizer. You can see the notable differences in colorization between the images:

4 Tips for Capturing Autumn Colors

On the left we have a 1:1 zoom of a photo taken without a polarizer. On the right, the same scene is shot WITH a polarizer. Note the subtle increase of color saturation as well as the accompanying decrease in light transmission.

Keep in mind; polarizers physically reduce the amount of light entering your lens. A small adjustment in exposure may be needed to make use of this type of filter.

Search for Complementing Colors

A great way to make your images of the autumnal colors pop is to make use of something called ‘Complementary Colors.’ Complementary colors are hues that lie opposite to one another on the standard color wheel.

Color wheel - 4 Tips for Capturing Autumn Colors

Aesthetically, complementary colors work together to make a more pleasing image. Oranges, reds, and yellows are the flagship colors of Fall. It’s a good idea to look for their complementary colors (blues and purples) and incorporate them into your compositions.

Leaf in water - 4 Tips for Capturing Autumn Colors

Don’t limit complementing colors just to shooting scenes of Autumn. Try making use of colors falling opposite one another on the color wheel in all aspects of your photography.

Learn to Use Water

Water is one of the most dynamic elements of nature on our Planet. For photography, it’s one of the great muses. When it comes to bringing out the organic essence of autumn, there are a few things that can help you more than water. Whether it’s reflections, dew or just the earthy feel after a rainstorm, try incorporating water into your images of Fall. It is an excellent way to inject a new level of creativity into your images of Fall colors.

Incorporating water - 4 Tips for Capturing Autumn Colors

Look for reflections, water droplets or anything else in the scene that has been transformed by the presence of water. If I can offer a rare bit of solid direction, remember that brightly colored leaves floating on water generally make for bulletproof compositions.

Floating leaves - 4 Tips for Capturing Autumn Colors

Make Use of the HSL Panel

Last but certainly not least, our last tip for photographing the brilliant colors of Fall happens after you capture your image. The HSL Panel in Lightroom (or other software) offers an indispensable way to adjust the hue (H), saturation (S) and luminance (L) of individual colors within our photographs.

HSL Panel - 4 Tips for Capturing Autumn Colors

This tool is handy for bringing out the colors we want emphasizing without making global changes to our entire photo. I cannot overstate the power of the HSL panel. Not only does it offer the possibility of adjusting the brightness and saturation of individual colors, but also their hues; which can change the entire feel of a photograph.

HSL Control - 4 Tips for Capturing Autumn Colors

Using the HSL to control the hues of your color tones is a great way to completely change a photo with just a few clicks.

HSL Control Purple - 4 Tips for Capturing Autumn Colors

Some Final Thoughts on Photographing Fall Colors

We are served up such a diverse and accessible photo color palette in the Autumn months. Colors blaze and overall tonality of light and mood offer excellent photographic opportunities virtually any time of day.

Make use of the tips in this article to breathe new life into your images of Fall.

If you have any tips for capturing autumn colors or have images of Fall you would like to share with us, then please do so in the comments below.

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Frozen Warriors: Capturing the mighty musk ox in its natural habitat

25 Mar

Wildlife photographer Chris Schmid recently travelled to Norway’s Dovrefjell-Sunndalsfjella National Park—which contains some of the most punishing-yet-beautiful landscapes on Earth—to shoot an ambitious documentary photography and filmmaking project. His goal was to capture the mammoth-like musk ox in their natural arctic habitat, and the result is the short film The Frozen Warriors.

Using RED cameras for video, DJI drones for aerial shots, and the Sony a9 and a7R III for stills photography, Schmid sought to capture footage that would foster some sort of connection between his audience and the musk oxen, whose already dwindling numbers are increasingly threatened by climate change. This, despite being one of the most resilient animals on Earth, having survived the last ice age without breaking a sweat.

As Chris explains:

What fascinates me about the musk ox is the strength it has to adapt to the most hostile of environments. In the winter, they feed on roots, mosses and lichens buried under the snow and spend over four months without sunshine, in total darkness, surviving in temperatures reaching as low as -60°C

Check out the film at the top of this post and scroll through Schmid’s photographs from the project below to get to know these Frozen Warriors for yourself. And if you want to learn more about the project (and help raise awareness), visit (and share) the Frozen Warriors project page here.

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Articles: Digital Photography Review (dpreview.com)

 
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NatGeo’s George Steinmetz on capturing Africa ‘from a flying lawn chair’

03 Feb

During a new 10-minute TED Talk, famed National Geographic aerial photographer George Steinmetz talks about his experiences photographing Africa while flying around in a motorized paraglider. This vantage point gives Steinmetz a unique look at the world below, including its various cultures and landscapes.

The motorized paraglider is composed of a wing in the style of a parachute and a backpack motor, holding 10 liters of fuel and offering a speed up to 30MPH / 48KPH. Steinmetz explains that he gets a flight time of about two hours, during which he gets an “unobstructed view both horizontally and vertically.”

“It dawned on me that this crazy little aircraft I was flying would open up a new way of seeing remote parts of the African landscape in a way that had never really been possible before,” Steinmetz explains in the video, pointing out that a typical airplane moves too fast for this type of photography, and a helicopter is too loud with too much downdraft.

He goes on to introduce a video of how the paraglider works before highlighting some of the most striking aerial footage and photos taken from it.

For most of us, a drone presents photographers with the closest we can get to Steinmetz style of capture, but that’s still not quite the same as a paraglider. As Steinmetz explains in the video, the motorized paraglider’s long flight time and capabilities makes it possible to not just photograph the immediate landscape, but explore the wider world around it.

Check out the full video above for a dose of Friday inspiration.

Articles: Digital Photography Review (dpreview.com)

 
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Tips for Planning and Capturing a Creative Portrait

11 Dec

There is saying, in the photography world, that an image can be taken in a hundred different ways. This is especially true, as you have probably already noticed when capturing portraits.

Portrait photography is probably the most popular genre, within the realm of the diverse world that is the art of photography. People take portraits so frequently, snapping selfies or photos of their loved ones, with mobile phones or cameras. In any case, this is pretty much what portrait photography is all about, capturing people’s faces.

However, as photographers, you will always be striving for higher excellence, whatever the style of your photography. It’s a natural cause, this is one of the reasons why photography is artistry. The drive for capturing better images, in the field of portrait photography, will eventually lead you to a higher dimension where you won’t be satisfied with just capturing a face, but rather the soul of your subject.

creative portrait of a woman

Lonely young and beautiful woman seating in a bar, next to a piano and a bottle of champagne, of 1920s time period. The woman is dressed in 1920s black evening dress and Gatsby-style diadem on her hair, there is a large old rusted window in the background where blue evening light invades the scene.

This dimension in photography is where creativity lay hidden. It waits to be unleashed by forces such as knowledge and the inspiration gathered along the way, as you were growing as a photographer. So let’s embark on a quest which will help you harvest the power of creativity in photographing portraits and escape the ordinary.

In the list below, you’ll learn the main ingredients that will help you harvest this creative force and take you to another level with your portrait photography.

Equipment

Know the equipment you work with well. This is the baseline from where you need to start. Technical knowledge may not seem connected to art at first, but let’s examine the image below.

creative self portrait

Self-portrait with creative lighting involving a continuous light and a studio strobe.

This image was captured with a single exposure and there weren’t any alterations applied to it in Photoshop. A second curtain flash technique with slow shutter speed created the effect here. Camera White Balance was set to tungsten and the key light colored with CTO – to balance the colors with gels.

Self portrait lighting diagram

Surely you have noticed how technical knowledge and art correlate. Be it your camera settings, lens, or strobe lights, the more you know about your equipment the more options you’ll end up having to explore in bringing your artwork to realization.

Selecting the right faces, exploring your model’s hidden potential

Most photographers create their best work by working on personal projects. When working on a personal project, you’ll have the full control to choose the model sitting in front of your camera – you are the Art Director.

There are faces full of potential, although they are not faces of professional models (it could be people you see in the public transport or the streets), revealing great characters and features. You need to be able to see this potential and invite such people for a portrait photo session.

Keep in mind that although a person looks great, he or she may not feel comfortable sitting and posing for you at first. This will obviously affect the overall quality and purpose of the photo session.

Remember, as a photographer, it’s your job to bring a good vibe and mood to the set, in order to help your model relax and being able to explore his/her best features.

creative portrait of a man

Low key portrait of a black man wearing glasses and a black leather jacket, having his hands and fingers very close to his face.

In the first image above, is a man who booked a personal creative portrait session. It took four hours of working with him in order to reach a point where he was finally in the right part of his own creative universe, feeling free and exploring himself. He had never had such an experience before and was feeling quite nervous and shy at first.

The second image below is a good representation of working with a great character.

creative portrait of a man

Portrait capturing a model dressed in WWII pilot outfit holding Cuban cigar in his mouth. The creative look of this portrait has been achieved by the use of multiple strobe lights.

Lighting

Light is the very reason why photography exists. Think about light, study light – how it spreads, how it bounces, how it is reflected, its specularity, etc. There is so much to light. Light is what will be rendering the reality in front of you, by reflecting and bouncing back into your camera lens.

Light has a quality which is defined by the source, intensity, size, and color temperature of the light. The best part is that you have full access to controlling any of this. Main sources of light for photographers are:

  • Ambient light
  • Strobe light
  • Continuous light

But as you move on to the next topic, you’ll see that there is much more to light than just being available in some form.

creative portrait setup

Photographic studio setup for a portrait session, the image features Bowens strobes, a white backdrop and light modifiers.

In the image, above, can be seeing a studio strobe lighting setup for a portrait session. Some characters may require really complex lighting in order to capture their personalities. Others just require one or two light sources – it will be up to you as an artist to determine this.

creative portrait of a man

Low key portrait of a man with a ginger beard and leather jacket, the scene features dramatic and creative strobe lighting.

The portrait above was photographed with only two strobe lights – portraying very well how the most appropriate lighting was selected to illuminate and capture the mood and personality of the person. While for the image below involved the use of six strobe lights.

creative portrait of a woman

Portrait of young woman on blue background wearing a purple dress – with a creative, multiple lighting setup and approach.

Shaping the light, light modifiers

All artists use different sort of tools that help them shape the fabric of their own inspirations and bring creative ideas to life. It is the same for us photographers too.

First, there’s the light, ambient or strobe, which is the raw material you work with. But this material needs to be softened or shaped, helping you in the process of reaching deeper dimensions of your subject’s features and character.

Light shaping tools will help you define your own creative realm – the realms of Game of Shadows, Game of Highlights and Game of Midtones, where you are the master controlling and balancing what sort of reality your light will render.

creative portrait of a woman and man

Tattooed rockabilly, demon, barber holding razor blade in his dark and demonic barber shop with pinup model as his evil assistant on the background next to a bottle of Jack Daniels.

For the creation of the image above, several light shaping tools were used and some of them were even further modified in order to produce the quality of light needed in this particular situation (the image was shot at 10 am in the morning but the idea was for dark – Sweeney Todd concept)

Studio, location, and features

Another very important ingredient to the process of building unique and creative portrait images is exploring what is around you. What is available or what you can build, light and create on location or in the studio?

Although portrait images are characterized by very tightly cropped frames, around the subject’s face – attention needs to be given even to the smallest details. Such details will greatly contribute to the overall contrast within the scene you are capturing.

An example of this is when you are shooting in a studio you can use a snoot, or another light modifier, and create a spot of light or perhaps colorize your background, by placing color gels. Do not limit yourself to only thinking of the face you intend to capture, but rather on the grand scene of everything that will be captured in your composition/frame.

Following the same flow of thoughts and principles – you can turn even a simple room into a professional studio like has been done on the image below – photographed in a bedroom.

creative portrait of a man

An image featuring the founder of Vialucci media, Theo X photographed on a white background.

Things even get more challenging and interesting when shooting environmental, wide-angle portraits. A location can reveal so much about the personality of your subject and also contribute greatly to the level of creative quality in your images. All you need to do when you’re at a great location is help stylize the scene, frame well (appealing creative composition), bring the strobes in and work out the best of your models.

Props, makeup, and hair

This is a very challenging step that eventually one day you’ll take, but it is also very rewarding. By reaching the point of employing props, makeup, and a hair stylist – it will be solid evidence that a line was crossed with no option of turning back. This is the stage where you’ll be seeing beyond the ordinary qualities of your subject and looking to reach a deeper dimension – a state of creative vision.

creative portrait of a woman

A conceptual scene of a four-handed Queen seating on a throne receiving scripts from her Demon servant, and pointing at a Victorian style globe. The scene is lit by several light sources with different colors, rendering the whole scene in a very creative and original light.

creative portrait of a man

Creative portrait composite representing WWII pilot in the cockpit of his aircraft engaged in an aerial battle, with the enemy aircraft in the background.

The images above illustrate very well, the level of creativity obtained by employing props, makeup and hair into the photoshoot.

Editing and retouching

Processing or editing images has always been an integral part of the whole creative process. Although having all the advantages and power of digital technology, you shouldn’t abandon the universal rules and laws of aesthetics.

Think of retouching and editing as a process that helps you enhance the high-quality photographs you already capture and bring your creative vision to final realization. This is achieved without overdoing and diminishing the quality of your photographs.

The two images below are good examples of a photograph captured with simple lighting setup and processed just enough to clear and strengthen the subject’s appearance.

Creative portrait photography before

Before processing.

Creative portrait photography after

After processing.

Conclusion

Capturing creative images involves innovative and creative thinking – seeing things differently, thinking differently. That is why you always need to be on your own small quest for creativity, not bound only by what was covered here or elsewhere.

Come up with your own new solutions – in the process of which you only will add and improve your portrait photography.

The post Tips for Planning and Capturing a Creative Portrait by Nikolay Mirchev appeared first on Digital Photography School.


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Behind the scenes: Capturing creepy Halloween wet plate portraits

01 Nov

While most people will be out experimenting with a little chemical called Ethanol on Halloween, at least one photographer decided to use some Ethyl Ether and Silver Nitrate instead. Markus Hofstaetter—whose work we’ve featured in the past—decided to take a few wet plate collodion portraits this Halloween, and documented the entire process in a creative 360° video.

The main shot Hofstaetter was after is actually not the hard-core looking skull portrait in the GIF at the top. Instead, he wanted to take a self-portrait in the style of Walter White “Heisenberg” of Breaking Bad.

“I feel always like him when I prepare the chemicals for my collodion wet plate process,” Markus writes on his blog. He also went for an imperfect look. By not cleaning the edges of the plates after the silver bath and not cleaning the plate holder. “It’s not always about perfection.”

Here are a few BTS shots, the final images, and a couple of high res crops from the wet plate scans Markus sent over:

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Speaking to DPReview, Markus explained some of the particulars of his process:

I like to use trays for sanitizing my plates much more than typical silver bath tanks. That’s because mamut plates are easier to handle, the alcohol (that comes from the collodion coating into the silver bath) can easier evaporate in a tray and it’s so much easier to fill 2 Liters of nitrate back in a bottle with a tray.

All Chemicals I use are self-made and the collodion is typically done on the day before the shooting to get the plates more sensible to light. I make developer and fixer occasionally – these are very stable. The silver bath is Maintained two to three times a year.

As you can see in the video, I forgot to wear my glasses when I put the plate into the silver bath tray the first time – this is very dangerous!!! Because one drop of silver nitrate in your eye will blind you. Never happened before – but I was kind of busy with the 360 cam 🙁

Normally I wear masks too (the Ether in the Collodion is unhealthy), but I didn’t want to get indents on my face from the mask. You would have seen that in the picture.

To see more from Markus, be sure to visit his website, check out his blog, or follow him on Facebook, Twitter, and Instagram.


Photos, GIF and Video by Markus Hofstaetter and used with permission.

Articles: Digital Photography Review (dpreview.com)

 
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7 Tips for Capturing the Decisive Moment in Street Photography

09 Oct

There is probably no other term as often cited as “The Decisive Moment” in Street Photography. Yet there is no real agreement what a decisive moment defines.

The street is normally a very chaotic place. People are walking in every direction and there isn’t much “sense” when putting everything together. The decisive moment is different. Suddenly every single detail that is captured in the photograph has a meaning. Subjects that are normally not connected are in a relation to each other, they don’t know it, but the picture clearly shows it.

Dog Days What is the Decisive Moment

Creating such images is not an easy task in a candid genre. While some state luck as the most important factor, I believe that you can work towards the Decisive Moment and capture it more regularly. Here are seven tips to help you.

#1 – Become Quicker

The street is not a place where you can slack off and take all the time you want to take a shot. There is no second chance to catch candid moments. A decisive moment can last for a few seconds and be gone forever. If you don’t catch it in time, you lose it for eternity.

Photographing is a 2-step process. First, You have to be familiar with your gear. After spotting a beautiful scene, there is no time for adjusting the camera or learning how your equipment actually works. Take your time to experiment with different settings beforehand so you know what works and what doesn’t. Use the technique of zone-focusing and you will be a lot faster capturing interesting subjects too.

Decisive moment street photography 01

The second step is spotting potential scenes in time and developing an instinct even before something interesting happens.

#2 – Get in The Zone

To spot interesting scenes instinctively, you need the right mindset for street photography. Just going out with your thoughts somewhere else, won’t land you the money shot very often. Concentration is needed to absorb the chaotic environment and scan it for potential decisive moments.

There are a lot of distractions in the modern world. Smartphones and your camera are two of the main distractions that can keep your mind away from the street. Before going out on the street, make sure to not have anything important scheduled for the time being and for the best results, turn off your smartphone.

Decisive moment street photography 02

Also, don’t get too distracted by your camera. It is just a tool that helps you to display your vision. You don’t need to have a look at every image that you have taken at the very moment. If possible, try out an analog camera and see how pure minimalism can help you to get in the zone.

#3 – Overcome your Fear

Spotting a scene is only the first step to capture the decisive moment. Afterwards, you have to translate your vision into the form of a photograph. When you still have fear to get close or take an image, it will limit your creative freedom.

There is no need to be afraid of the street and strangers. After years of experience, I can assure you that with a minimum of common sense nothing truly bad will happen to you. In reality, the worst that can happen is that someone asks you to delete the picture, but that’s pretty much it.

Decisive moment street photography 03

The fear on the street is mostly irrational and your mind is playing tricks on you. Part of it is socialization and I will admit, that every social being feels this way, when starting in street photography. Not invading the “private space” of others has been beneficial for forming social groups, historically speaking. But it doesn’t make much sense in our modern world and is only a hindrance for street photography.

To overcome your fear, you could try to get rejected purposely by asking for posed portraits pictures. It will show you that most people are actually very relaxed and even if you do get rejected, it isn’t the end of the world.

#4 – Perfect the Composition

There are a lot of situations happening on the street that you aren’t able to display to their full potential. This is heavily dependent on the way you frame the image and display it.

Decisive moment street photography 04

Lots of images are destroyed because the composition is simply off. I know that street photography is often seen as a genre of freedom. But when it comes to aesthetics, there are natural formulas that are more pleasant than others.

The rule of thirds is not a myth, but a fact. To embrace this in your photography will make your images visually more profound than ignoring your natural instincts.

Additionally to the rule of thirds, I would also focus on leading lines, not pointing away from the main subject. For an even more interesting picture try to fill every layer from the foreground to the background with interesting details.

#5 – Be Inspired

Decisive moment street photography 05

The right mood can also influence you in finding a potential scene that can lead to an outstanding image. Inspiration can stem not only from other photographers that you admire but from any creative source.

Listen to music, watch your favorite movie or read a good book. Anything that helps you to open your mind for creating something outstanding, is suitable to bring you closer to the decisive moment.

#6 – Dedication

Decisive moment street photography 06

Street Photography is not a discipline where you can expect quick results after following a simple guide. It takes years or even decades of dedication to street photography to be able to create the decisive moment, seemingly out of nowhere.

Developing a photographer’s eye takes a lot of training. Therefore, I would recommend forming a group of other photographers who have the same goals in mind. Walking the street with multiple photographers can also open your eyes to their vision. They are able to point out scenes that wouldn’t even cross your mind on your own.

#7 – Stay Curious

Decisive moment street photography 07

Whatever you do, don’t lose interest in your environment and mankind in general. Curiosity can lead you to interesting scenes that otherwise would seem as if they had no potential. Embrace the tourist in your town.

Do you remember the last time you were on vacation and took some holiday pictures? Suddenly even the most mundane places can become interesting when you are in a foreign location. The little ice parlor might be totally boring to the residents, but for you, it was worth a picture.

Follow the same instincts in your own neighborhood. Rather take an image too much, than missing out on the decisive moment. But most importantly, keep the fun. Don’t force yourself too much.

Conclusion

The process of doing street photography should always be fulfilling even when the results might not satisfy you. Get out on the street, be mindful, have fun, and over time the results will follow.

The post 7 Tips for Capturing the Decisive Moment in Street Photography by Sebastian Jacobitz appeared first on Digital Photography School.


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Capturing the same sunset, 2 years apart

04 Sep

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This is an interesting exercise / study on photography and post processing.

I took both of these photos from exactly the same spot (slightly different focal length 16mm vs 17mm), in the middle of the winter, at the same time of the day, but two years apart. The big difference in the landscape appearance is that two years ago we could hardly see any snow, but this year it was frozen solid from the middle of November until the very end of March.

Canada. Montreal. Lachine | Location: 45.42907, -73.68791

I also used two very different processing methods for each photograph. For this year’s photo I used an HDR Photography workflow, using Lightroom, Photomatix and Photoshop. As you can see, I processed it heavily in Photomatix: the colors are vibrant, and the details in foreground are prominent.

For the older photo, I used an “old school” single RAW Lightroom processing technique. To achieve the warm, softer look I used the Split Toning feature in Lightroom. At this point I am not sure which one I like better. They look very different, but I kind of like them both.

It’s an interesting experiment in how taste and technique (and two years time…) can make the same scene look totally different.


Viktor Elizarov is a travel photographer based in Montreal, Canada. He’s also the man behind PhotoTraces, a travel photography blog and community of over 60,000 photographers. Visit Tutorials section of his blog for free tutorials and free Lightroom presets.

Articles: Digital Photography Review (dpreview.com)

 
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Capturing the ‘Cape’: A beautiful piece of Iceland you probably haven’t seen

10 Aug

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In 2013 I was accepted for a one month artist in residence at the Baer Art Center in northern Iceland. After a wonderful month the other four artists and myself were taken on a boat trip up the coast, right past where we were staying, to the see “Cape” just north of Hofsos, a large land mass of mostly stone with a huge cliff at one end. I don’t know that I’ve been the same since.

Although I’d been told to bring what gear I had I was totally unprepared for what we saw that day. The geological phenomena of these rock columns of basalt being thrust up in ancient times from a violent volcano was just unbelievable, both beautiful and horrific at the same time.

I am writing this for DPReview while back in Iceland, as I was asked back by Baer to teach a photo workshop. Last week we repeated the boat trip up the coast of the fjord and I found myself again in front of the remarkable cliff face of the “Cape”. It was magic once again.

The job was, vey simply, not to screw up. Working to hold the camera steady on a rocking boat, to keep shutter settings fast enough, to make sure I was focused best for my subject and aperture setting and to “get everything”, as there was no going back that day.

To get to the Cape you’ll need to hire an excursion boat in the harbor in Hofsos, in northern Iceland.

Not to be missed.


Neal Rantoul is a career artist and educator. After 10 years teaching at Harvard and 30 years as head of the Photo Program at Northeastern University in Boston, he retired from teaching in 2012. You can find out more about him and see more of his work by visiting his website.

Articles: Digital Photography Review (dpreview.com)

 
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