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Posts Tagged ‘Bullet’

Video: Watch 72 high-speed cameras capture bullet time slow-mo footage

13 Sep

Popular YouTube account Hydraulic Press Channel has introduced a major filming setup upgrade involving 72 high-speed Chronos 1.4 cameras mounted on a large rig suspended above the hydraulic press machine. The cameras are able to capture nearly 3,000,000 frames per second, according to the channel’s host, resulting in high-resolution 360-degree bullet-time videos.

The camera rig is used to show packs of playing cards exploding outwards under the pressure of the hydraulic press. It’s unclear how often this rig will be used for hydraulic press videos, but a comment published by the account indicates the team plans to introduce a new ‘Bullet Time Show’ on the Beyond The Press channel.

The Chronos 1.4 high-speed camera is offered by Kron Technologies with color and monochrome sensor options starting at $ 2,999.

Articles: Digital Photography Review (dpreview.com)

 
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Five Reasons Why I Finally Bit the Bullet Switched to Adobe Creative Cloud

19 Sep

When Adobe announced that they were transitioning their apps to a subscription model of the Adobe Creative Cloud in 2013, I almost fell out of my chair while clutching the cardboard box for my copy of Lightroom 4. It seemed absolutely crazy to me that Adobe would ask photographers and other creative professionals to spend money every month subscribing for software that they could simply buy once and use forever.

In the years that followed I resisted moving to Creative Cloud and continued to buy new versions of Lightroom one by one until a few months ago when I finally bit the bullet and subscribed. I was one of Adobe’s harshest critics in those intervening years and staunchly refused to buy into Creative Cloud for several reasons until I realized five important things that finally got me to switch over.

Five Reasons Why I Switched to Adobe Creative Cloud - couple portrait

Much of my hesitation to switch was due to the fact that I didn’t really understand the service Adobe was offering with their Creative Cloud Photography plan. That’s the one that lets you have Lightroom and Photoshop for $ 10/month.

What I failed to recognize was that Lightroom and Photoshop are just the tips of the iceberg, and there’s a whole slew of additional Adobe services that users have access to with a CC subscription. None of these by themselves are worth the price but when you examine all the ancillary benefits you get alongside great software it makes the idea of renting the software I used to own a lot more palatable.

Syncing between Lightroom Classic and Lightroom CC

When you subscribe to the Photography plan you get two versions of Lightroom, each with unique features and benefits designed to cater to specific types of photography workflows.

Lightroom Classic CC is the name of the traditional desktop app that has been around since 2007, now available only through a Creative Cloud subscription. This is for desktop-centric workflows where all your photos reside on a single computer.

Lightroom CC is a new different version of Lightroom designed for a cloud-centric workflow where all your photos reside in the cloud and can be edited anywhere – in a browser, on a tablet, on a phone, or even using Lightroom CC on a desktop computer.

What you might not realize is that you can use both of these programs together, with the key difference being the location where your original pictures actually reside. If you are accustomed to a traditional desktop-centric workflow you can use Lightroom Classic CC to sync specific albums in the Cloud.

This basically uploads low-resolution preview files of your photos to your Creative Cloud account. These previews, then, can be edited anywhere using Lightroom CC and the next time you load Lightroom Classic CC on your desktop all your edits are automatically synced to your original photos and catalog file.

photo editing in Lightroom CC - Five Reasons Why I Switched to Adobe Creative Cloud

I started editing this photo on my computer in Lightroom Classic CC. Then I pulled it up in my browser and made additional changes which were synced back to my desktop.

The key difference between both types of workflows is that when using albums published to the cloud from Lightroom Classic CC, your originals remain on your desktop which means you can’t export high-resolution images from Lightroom CC. However, for photographers who want to edit their pictures on the go and then return to their desktop for any final tweaking and exporting, this is an outstanding solution and one that could make the difference to those on the fence about subscribing.

One final note about this: The $ 9.99 Photography Plan includes 20GB of cloud storage, but the albums that you publish to the cloud from Lightroom Classic do not count against that 20GB. This is because they use low-resolution previews instead of your actual images which is fine for flagging, cropping, keywording, color correcting, and most of the other adjustments you would want to make on a mobile device.

family photo in Lightroom - Five Reasons Why I Switched to Adobe Creative Cloud

Having access to my photos on mobile has sped up my culling process enormously. It’s much faster for me to flag, reject, and rate photos on my iPad and the results are synced right back to my iMac in Lightroom Classic CC.

Photoshop is Included

I’ll be the first to admit that even though I call myself a photographer I rarely use Adobe Photoshop and instead do most of my post-processing in Lightroom. I do, however, have an old copy of Photoshop CS5 that I bought about eight years ago which I use when I really need to do some heavy processing.

But it’s slow, lacks a lot of modern features, and has an interface and layout that is confusing, to say the least. It also crashes on me a lot which doesn’t exactly help matters whenever I do need to use it.

Despite these issues, the fact that Photoshop is included did not do much to initially sway my barometer when it came to shelling out $ 9.99 each month for the Creative Cloud Photography plan. I forced myself to get by with what I had even though it was not really suiting my needs anymore.

image in Photoshop - Five Reasons Why I Switched to Adobe Creative Cloud

But the more I thought about subscribing to Creative Cloud the more I realized how nice it would be to have the full version of Photoshop ready when I needed it.

No need to think about buying, upgrading, or figuring out whether the version I had would really be current with the latest online tutorials. It just started to make sense for a small-time photographer like me to pay what really is a modest monthly fee to have the latest and greatest tools at my disposal for when I needed them.

Since I don’t use Photoshop all that often it would not be worth the price of a Creative Cloud plan by itself, but combined with everything else it sure did make a lot of sense.

Share albums publicly

I take a lot of photos of family, friends, and events just for personal use and like most people, I enjoy sharing these images with others. Until subscribing to Adobe Creative Cloud my workflow for this type of sharing was somewhat convoluted and involved exporting small-sized images from Lightroom, saving them to a Dropbox shared folder, generating a public link, and sending that out to others.

I couldn’t do much in the way of limiting access privileges either, and meanwhile, the images were taking up space in my Dropbox account that is perpetually near its limit anyway.

Now my process is much simpler, a lot more efficient, and results in a greater degree of control over what I can actually let other people do with my images. After publishing an album to the cloud from Lightroom Classic CC you can log in to Lightroom on the web, on mobile, or just load up Lightroom CC and generate a public link for any synced album.

Moreover, you can get an embed code, choose to allow downloads and show metadata, and even let people filter the photos according to Flag status.

album sharing - Five Reasons Why I Switched to Adobe Creative Cloud

While the images that are publicly viewable using this method are the low-resolution previews and not full-size images for printing, they are more than enough for most people.

The tradeoff in terms of overall simplicity and ease of use is more than worth it for me, and I’m not taking up valuable space in my Dropbox account or other file-sharing services.

Adobe portfolio

This might not be useful for some photographers but I have found Adobe Portfolio to be an incredible asset as a Creative Cloud subscriber and it really was one of the primary reasons I eventually chose to upgrade. Previously I was paying a service nearly $ 100/year for my photography website. But when I realized that Adobe Portfolio could do everything I need and was included with a Creative Cloud subscription I canceled my other hosting service and moved everything over to Adobe.

adobe portfolio - Five Reasons Why I Switched to Adobe Creative Cloud

Adobe Portfolio won’t give you the fanciest website in the world, but it could very well get the job done for you at not much more than what you are paying for a website now.

All Creative Cloud subscribers have access to Adobe Portfolio which, though not as full-featured as some of the other hosting providers, is more than enough for my needs and possibly yours as well. As an added bonus it syncs with Lightroom so I can create albums on my computer and have them synced automatically with my website. Something that was not possible at all with my previous hosting company.

If you are at all interested in Creative Cloud but unsure about the $ 9.99 monthly fee, I recommend looking at your current website hosting solution and comparing it to Adobe Portfolio. It is quite likely that the latter could suit your needs just fine and end up only costing you a bit more than what you are already paying for a website.

adobe portfolio - Five Reasons Why I Switched to Adobe Creative Cloud

Adobe Portfolio doesn’t have the breadth of features offered by other website platforms, but it does have a decent selection of themes and some solid options for photographers who want a simple, effective way to showcase their work online.

The price was right

As I looked at all the features offered by Adobe Creative Cloud I kept on coming back to the monthly fee, and for years I just couldn’t reconcile the idea of being locked into a perpetual contract just to use software that I could go out and buy once but use forever. However, I kept coming back to other software I had purchased like Aperture, Final Cut Express, and even other Adobe apps like Fireworks that simply wouldn’t run on my computer anymore.

Sure I had bought these apps but as time went on the only way to use them was to purchase new versions anyway. In the meantime by not upgrading I was losing out on the bug fixes, added features, and overall speed improvements offered by their newer counterparts. In some cases, like Final Cut Express, apps were simply deprecated by their developers leaving me with no choice but to upgrade anyway.

software - Five Reasons Why I Switched to Adobe Creative Cloud

I’ve paid hundreds of dollars over the years for software that I can’t use anymore, or won’t be able to use in the near future because it has been deprecated by its developers.

I still don’t like the idea of being locked into a monthly fee for software but when I considered all the benefits that came with what really was a modest price (only about $ 30 more than I was paying just for my website) the choice became clear. I’m not saying that Creative Cloud is right for everybody but it was definitely the right choice for me and, depending on your needs, it could be right for you too.

The post Five Reasons Why I Finally Bit the Bullet Switched to Adobe Creative Cloud appeared first on Digital Photography School.


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CamFi Matrix Time software makes it easy to shoot the ‘bullet time effect’

15 Jul

China-based camera trigger company CamFi has announced the launch of CamFi Matrix Time, a software application that is free for all of the company’s users. As the name suggests, the software is designed to produce the ‘bullet time effect’ made famous by The Matrix, doing so without the high cost typically associated with this effect.

CamFi makes wireless digital camera controllers, and its new Matrix Time software works in conjunction with those controllers. With the software, users can set up a multi-camera arrangement to shoot one after the other with less than a 1/100th-second delay. The images captured by each camera are then automatically grouped and compiled into a video featuring this special effect.

The company explains that its Matrix Time product can easily set all of the cameras in the multi-camera setup to the same shutter speed and aperture; a live view from the cameras in the software, meanwhile, enables operators to arrange the angle of each camera before shooting. All in all, it seems like a very simple and straightforward way to capture a complex special effect.

Of course, there is a catch… actually two. First, while the Matrix Time software is free, each CamFi Wireless Camera Controller costs $ 130 USD / $ 185 CAD / £110. And second, for now, CamFi Matrix Time is only available for the Windows operating system.

Articles: Digital Photography Review (dpreview.com)

 
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Using Bullet Holes in Beirut’s Brutalist ‘Egg’ as Camera Obscuras

26 Feb

[ By WebUrbanist in Art & Installation & Sound. ]

beirut eggs

An abandoned concrete building in the heart of Beirut, Lebanon (known as The Egg) has been everything from a movie theater to a bomb shelter to a water tank, but this intervention would fill the gaps in its bullet-ridden shell with a series of lenses, reflecting images of the city into its cavernous void.

egg camera obscura

egg exterior view

After a series of unsuccessful attempts to repurpose or restore the structure, photographer Anthony Saroufim came up with this idea to give it a powerful temporary purpose, in part to tell the harrowing history of this war-torn city.

egg lenses views

egg urban view

egg interior images

Scaffolding on the exterior would allow visitors to approach, walk up and around the egg, with circulation routes designed around gaps in the facade as well as civic features and landmarks to be reflected from outside.

beirut city center plan

The Egg was commissioned 1965 and designed by the Lebanese architect Joseph Philippe Karam, but was intended to be part of a larger downtown tower complex: the Beirut City Center. It was to be surrounded with a mixed-use program malls and office spaces, a small piece of a large puzzle. Indeed, now known variously as The Egg or The Dome, the structure was never officially given a proper name independent of the larger development.

abandoned egg

egg interior theater

When civil war broke out a decade later, the plans were put on hold and many of the structures in the complex outside The Egg were destroyed in the conflict, partially or entirely. In the decades that followed, the structure was reused in a variety of ways, but always remained a large and monolithic work, much grander in scale relative to its surroundings than it was ever meant to be.

egg obscura bullet holes

egg conversion project

The camera obscura project proposed by Saroufim would involve inserting custom lenses all around the structure in the voids left from wartime impacts. In turn, these would project city scenes from surrounding architecture into the giant empty interior volume.

egg project proposal

Local residents are conflicted about the role The Egg should play in the next phase of the areas urban development, debating the merits of destroying or restoring it, leaving it to loom large or letting taller structures grow up around it as was the original plan. For now, this project would give the Brutalist building some meaning in relationship to its historical context, bridging its storied past, unused present and uncertain future.

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[ By WebUrbanist in Art & Installation & Sound. ]

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CamSwarm app may soon allow for easy capture of bullet time sequences

10 Jul

‘Bullet time’ effects, as seen in the 1999 movie ‘The Matrix,’ tend to be expensive and time-consuming to produce, requiring an array of synchronized cameras. Researchers at Columbia University are developing an iOS app that would make it easier for consumers to capture bullet time sequences. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Filmmaker links 50 Lumia 1020s to create ‘bullet time’ effect

24 May

Arc-of-Wonder-feat1.jpg

Filmmaker Paul Trillo has teamed up with Microsoft to build an apparatus which they call the ‘Lumia Arc of Wonder’. It consists of 50 Nokia Lumia 1020 smartphones fixed to a custom-built metal arc on casters, some networking equipment and external power sources. Click through to read more, and see the results on connect.dpreview.com

News: Digital Photography Review (dpreview.com)

 
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Amateur filmmaker builds ‘bullet time’ rig for less than $100

02 Jul

jerem.png

Ever wanted to add a little spice to your video creations, perhaps your next Matrix fan-fiction video, by adding a little slow-motion bullet-time effect? Jeremiah Warren did just that, employing a ceiling fan, a GoPro 3 video camera, and a handful of bits of wood, effectively eliminating thousands of dollars worth of individual cameras and rigging, not to mention computer-controlled timing equipment. Click through for more details and to see the results.

News: Digital Photography Review (dpreview.com)

 
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Filmmaker shoots with fifteen GoPro’s for a Matrix-like bullet time effect

19 Mar

gopro_15cams.png

Amateur filmmaker Marc Donahue of Permagrin Films recently shot a video with an array of fifteen GoPro action cameras to achieve Matrix-like bullet time special effects. The arc-shaped rig allowed him to shoot simultaneously from all cameras. In post, Donahue added the freeze frame and slow motion effects. Click through to watch the video. (via Mashable)

News: Digital Photography Review (dpreview.com)

 
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Nikon D5100 Test & Magic Bullet Looks – 1080p HD

20 Jan

The new Nikon D5100 DSLR short film. Filmed in 1080p HD and edited in Final Cut Pro 7 I also used Magic Bullet Looks to add some really nice effects in the post production stage, enjoy! Music: Bloc Party – Like Eating Glass
Video Rating: 4 / 5

Hands on overview and analysis of the 24.3MP, full-frame Nikon D600 (99 body only). Shot at Nikon Press Preview event in NYC on Sept. 12, 2012. Video includes a look through the camera viewfinder as well as close ups on components inside the camera body, such as 24.3MP FX-format CMOS sensor, 150K shutter mechanism, and EXPEED 3 Processor Circuit board. Other features covered include its Full HD 1080p (at 30fps) recording, large 3.2-inch LCD monitor, 5.5fps burst shooting, bright optical viewfinder, and compatibility with broad Nikon accessory lineup of lenses and flash units. Shown with new AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR (MSRP with camera: 99.95), as well as WIFI accessory WU-1b and battery grip MB-D14. For more info, visit www.mcnamarareport.com.
Video Rating: 4 / 5

 
 

Switchfoot – “Bullet Soul” [HD]

17 Jan

June 27, 2009 Switchfoot Bro-Am Moonlight Beach in Encinitas, CA