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Posts Tagged ‘Bright’

No Windows, No Problem: These 12 Houses Are Bright, Beautiful & Private

31 Aug

[ By SA Rogers in Architecture & Houses & Residential. ]

Windowless houses might sound dark and depressing, but the careful control of apertures in a building’s facade can actually be a brilliant technique for enhancing privacy, making views more pleasant and creating the feel of a secluded sanctuary. Fortress-like from the outside, they’re surprisingly bright and airy inside, often thanks to courtyards, terraces and rear glazing hidden from view of the street and neighbors.

House for a Photographer by FORM, Shiga, Japan

The client who commissioned this home from FORM is a photographer who wanted a studio and gallery for his work attached to his living quarters, all on a compact L-shaped lot. From the outside, it looks like an impenetrable box, but take the narrow alleyway into the gallery space and you’ll find a private courtyard that feels like an inner sanctum, echoing the atmosphere of the temple across the street. The building’s only windows look out onto the courtyard instead of the street, resulting in a mood of turning inward.

W House by Cukrowicz Nachbaur, Bezau, Austria

The shape of this residence in Austria by Cukrowicz Nachbaur might be that of an archetypal home, but its street-facing facade covered in timber slats certainly isn’t. Located close to another rural residence, this home gets privacy by arranging a two-story volume next to a one-story volume with a courtyard between them. All the home’s windows and sliding glass doors are arranged to look out onto this courtyard, aside from a few skylights, and first-floor porches are set beneath the overhanging second story to create secluded outdoor areas.

Domus Aurea by Alberto Campo Baeza & Gilberto L. Rodriguez, Monterrey, Mexico

Modeled on the Emperor Nero’s house in Ancient Rome as well as the vivid works of Mexican architect and engineer Luis Barragán, ‘Domus Aurea’ by Alberto Campo Baeza features a gilded interior wall designed to reflect carefully targeted golden light throughout the space. Though the home’s openings amount to no more than some skylights and a narrow line of glazing on the first floor, the light bounces from one surface to the next. The architect placed the most public common areas on the first floor, the private rooms on the second and a swimming pool on the roof.

Mountain House by Hiroki + Tomoko Sekiguchi, Hyogo, Japan

Situated on a tiny lot practically sitting right on top of its neighbors, this home by Hiroki + Tomoko Sekiguchi gains some measure of privacy by opening up to the sky instead. The sloped walls create a little more space between the home and the houses next door, and the living spaces sit atop a parking garage for the owners’ vehicle.

Next Page – Click Below to Read More:
No Windows No Problem These 12 Houses Are Bright Beautiful Private

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[ By SA Rogers in Architecture & Houses & Residential. ]

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Bright Idea: London Street Lights Converted to Electric Vehicle Charging Points

24 Jun

[ By SA Rogers in Technology & Vehicles & Mods. ]

It sounded kind of far away when announced in 2013, but German renewable energy firm Ubitricity’s plan to convert street lamps to electric vehicle chargers is now underway in London, making it easy to plug in just about anywhere in the Hounslow borough of the city. Owners of electric vehicles simply order a custom charging cable featuring a built-in electricity meter so they can take advantage of the discreet power outlets built right into the lamp posts as well as standard electrical outlets.

You might be wondering what’s to stop random passersby from plugging whatever they feel like into the outlets. The answer is that little box, which communicates with the power company to activate charging from the light pole. The lights themselves were converted to LEDs to draw less power, making more available for other purposes.

The meter allows for remote billing, monitoring your usage and reimbursing the person or company the outlet belongs to, making it easier (and more polite) to juice up your vehicle whenever and wherever needed. You can keep track of how much power you’re drawing, and how much it costs, on a smartphone app. Ubitricity believes this setup will give potential electric car owners more confidence in their ability to take their vehicles on the road for longer trips.

The integration with existing city infrastructure also makes sense, especially in areas where there’s no room for permanent charging stations. The lamp posts are already there, and there’s already power running through them, so adding an outlet makes it possible to simply pull over to the side of the road to charge. Electric car owners in the area can request that outlets are added to lamp posts near their homes.

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Urban Blinds: Skyline Curtains Turn Bright Days into Dark City Nights

28 May

[ By WebUrbanist in Design & Furniture & Decor. ]

Casting pixelated patterns into day-lit rooms, these shades swap boring views (or overly bright days) for iconic scenes of metropolises at night.

This particular set by HoleRole features famous structures from cities like Manhattan (the Chrysler) and London (the “Gherken”).

In each piece, minimal geometric windows and pinpoint stars on black prompt observing eyes to complete each picture, but theirs is not the only (or first) approach to urban curtain design.

Aaalto+Aalto designed a similar series (Better View) some time ago but with a few key differences. For one thing: by varying the sizes of the perforations, their built landscapes take on more dimension. Implied curves as the windows recede, for instance, allow the flat surface to appear warped (as illustrated above).

Also, the larger holes let some details shine through from the background. While visible window elements and natural scenery can be identified with inspection, they also serve to animate the scenes — instead of a black-and-white image, additional details make it seem like there are objects or activities filling in the windows. The net effect adds a bit of character and fun unpredictability.

Of course, none of these are true “blackout” curtains in the traditional sense, but for mood lighting during the day they are certainly a bit more interesting when total darkness is not required.

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The future is bright: technology trends in mobile photography

01 Nov

The future is bright: technology trends in mobile photography

Smartphones have long overtaken the trusted digital compact camera as the most popular imaging device among consumers. So it’s no surprise that for some time now the mobile industry has been a major driving force of innovation in imaging. 2016 is slowly yet surely coming to an end, and has been a fruitful year in terms of innovation in mobile imaging. What better time to look back at the most important technology trends that have emerged over the past few months?

Multi-lens-cameras

Dual-cameras have been around for some time now, but this year we’ve seen the introduction of two new types of this camera category with real potential to have a lasting impact on mobile imaging. The dual-camera modules in the Huawei P9 and Honor 8 capture images on a color and a monochrome sensor at the same time. Thanks to the lack of a color array filter, the latter can record better detail, higher contrast and a wider dynamic range than its color counterpart. After capture, the image information from both sensors is combined, resulting in better overall image quality than on a conventional camera.

 The dual-cam in the Huawei P9 combines images from color and monochrome sensors.

Both the LG G5 and Apple’s new iPhone 7 Plus use dual-cameras for optical zooming. However, there is an important difference. On the LG the standard wide-angle lens is accompanied by a super-wide-angle. The Apple’s secondary lens offers an equivalent of 56mm, double that of the 28mm standard lens.

 Apple’s iPhone 7 Plus uses a dual-camera setup for digital zooming.

Lack of optical zoom is one of the key limitations of conventional smartphone cameras. The digital zoom functions implemented in most smartphones lead to a deterioration of image quality and can’t really be considered an alternative. This is why the solutions from LG and Apple represent a real step forward that can help expand the creative potential of smartphone photography. The concept of dual-cameras is still in its infancy and it’s probably only a question of time before we’ll see smartphones with more than two camera/lens combinations – the very approach that the the Light L16 camera development team is taking.

Raw-capture on smartphone cameras

Raw-capture on smartphones is not a totally new topic either. It was first introduced to the high-end models in Nokia’s Lumia line and came to Android devices with version 5.0 of the Google OS, which was introduced in 2014. Since then many high-end devices from Samsung, Huawei, LG and other manufacturers have supported the feature. However, with the introduction of the seventh iPhone generation and iOS 10, Raw capture is now finally available on the other major mobile platform, iOS, massively expanding its potential user base. 

 The Huawei P9’s DNG files can be edited in Adobe Camera Raw or other Raw converters.

The advantages of the Raw file format are the same on a smartphone camera as they are on a DSLR or mirrorless system camera. Instead of leaving the conversion of the captured image data to the algorithms of the camera’s JPEG-engine, the photographer can adjust many image parameters after capture, without any loss of image quality, by processing manually in a Raw-converter such as Adobe Camera Raw, Lightroom or Capture One.

With the small image sensors in smartphone cameras digital exposure compensation can only be applied within narrow limits, but white balance, sharpness, contrast, noise reduction and many other parameters can all be modified. Especially in difficult lighting situations shooting Raw can be a lifesaver. However, it can also help achieve more natural image results when the camera’s default settings produce too vibrant images, as is often the case with smartphone cameras, or to create different versions of the same image – for example one for large-scale printing and one for viewing on the web.

There is no doubt that the conversion of Raw image files can improve the quality of an image, or at least adjust it for specific requirements. However, the crucial question is if this all makes sense on a smartphone. Here, opinions are mixed. On one hand it can be argued that photographers who are willing to put time and effort into Raw conversion would typically shoot with their DSLR or system camera to start with. On the other hand, you never know when you encounter a great photo opportunity. If the only camera you’ve got is the smartphone in your pocket, Raw conversion can make the difference between a good and a great image.

Modular solutions

For many users an elegant and thin smartphone body is an important buying criterion. Unfortunately those characteristics stand in direct contrast to camera performance. Larger sensors offer lower noise levels and better dynamic range. Bigger lenses provide for brighter apertures or offer zoom capability. A powerful xenon flash also requires space. One of the solutions to this dilemma is a modular approach: for general everyday day use you carry the slim smartphone in the pocket. When better image quality and camera features are required, for example while visiting an event or when traveling, an external camera module is attached to the smartphone.

Previous approaches, for example Sony’s QX-models or the Kodak Pixpro SL modules, which are compatible with most smartphones and connect to the device via Wi-Fi, were unfortunately cumbersome to operate. Connection to the smartphone was often slow and occasionally unstable, leading to laggy image transmission and operation.

However, this year Lenovo has revived the camera module concept by introducing the Hasselblad True Zoom. The TrueZoom is so far only compatible with the smartphones of Lenovo’s Moto Z series but, on the upside, attaching and operating the device work much more seamlessly than anything else we’ve seen before. The TrueZoom attaches to the smartphone magnetically and, with a 10x zoom lens and xenon flash, instantly transforms it into a connected travel zoom camera, without any rebooting or other configuration steps.

The Hasselblad True Zoom camera module attaches magnetically to smartphones of the Lenovo Moto Z series.

The fact that the True Zoom is only compatible with a handful of phones won’t contribute to a wide distribution of the device. However, it is showing what is currently technologically feasible in terms of smartphones and external modules working together. Things could get even more interesting if market leaders Apple or Samsung show an interest in camera modules and make them popular with the masses.

Algorithms trump hardware

As mentioned above, your standard smartphone doesn’t provide enough space for large image sensors, zoom lenses or powerful flash units. However, mobile devices have one definite advantage over conventional cameras: computing power.

Thanks to powerful chipsets modern smartphone cameras can record and digitally merge several image frames in a split-second. This process, called image stacking, captures more image information than a single frame. The resulting JPEG files show better detail, lower noise levels and a wider dynamic range than standard exposures. In very dark scenes this method can also achieve a brighter exposure than conventional capture. In addition, camera shake and blur in low light are less of an issue, as the individual frames of the image stack can use faster shutter speeds than a single standard exposure.

 The HDR+ mode in the Google Camera app uses frame stacking for improved image results.

Apple offers such high dynamic range and night modes in its iPhone cameras and Google has implemented them into the HDR+ function of its Google Camera app, which is also used as the stock camera app on the new Pixel and Pixel XL phones. Again, development of such technologies is still in relatively early stages. Over the coming years more powerful processor hardware and better algorithms will likely further improve smartphone image quality, without a need for larger sensors or faster lenses.

Outlook

It’s probably fair to say that in the conventional digital camera sector the rate of innovation has noticeably slowed down over the last few years. In contrast, many of the new concepts that are currently being applied in mobile imaging are still in their infancy. It remains to be seen which ones will be here to stay and which ones will be forgotten in the nearer future. However, there’s no doubt that mobile photographers have a lot to look forward to. 

Articles: Digital Photography Review (dpreview.com)

 
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Bright Ideas for Dark Art: Murals by Skurk Play Tricks with Light & Night

24 Oct

[ By WebUrbanist in Art & Street Art & Graffiti. ]

painted-angler-fish-art

The deep sea anglerfish is a disturbing monstrosity that uses lights to lure in its prey and is the featured backdrop of a recent work of graffiti best experienced at night.

day-lit-night-art

Existing wall lamps serve as the lures in this case, while the fish itself is positioned to swallow up anyone brave enough to venture down the stairs from above.

night-light-painting

Hailing from New Zealand but living in Bergen, Norway, street artist Skurk hand-cuts stencils and paints large-scale murals around different themes but often involving light and shadow. The works are also site-specific, made to interact with and respond to conditions in a given physical context.

sillhouette-art

In some cases, his silhouettes seem to be cast like shadows. In other instances, the idea of electrical lighting takes various forms, like a bulb being plugged into an available (vent) socket.

light-socket-art

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Bright idea: Canon debuts EF-M 28mm F3.5 Macro with built-in LEDs

11 May

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Canon is introducing the first macro lens for its EF-M mount. The EF-M 28mm F3.5 Macro IS STM provides two user-controllable built-in LED macro lights and offers true 1:1 reproduction along with a 1.2x super macro mode.

The EF-M 28mm is just the fifth lens for its EOS M system and will provide a 45mm equiv. angle of view on the mirrorless crop-frame bodies. It uses an STM motor and offers a hybrid image stabilization for a claimed 3.5 stop compensation. Shipping in June, it will cost $ 299.99.


Press release:

ACCESSORIZE THIS SPRING WITH THE CANON SPEEDLITE 600EX II-RT FLASH AND CANON EF-M 28MM f/3.5 MACRO IS STM LENS WITH BUILT-IN MACRO LITES AND IMAGE STABILIZER

MELVILLE, N.Y., May 11, 2016 –Spring is all about having the right look and Canon U.S.A., Inc., a leader in digital imaging solutions, is giving photographers of all levels two new options that can improve their creativity and versatility; the Canon Speedlite 600EX II-RT flash and the Canon EF-M 28mm f/3.5 Macro IS STM lens. 

Photographers looking to take rapid-fire flash images will appreciate the improved recycling time in the new Canon Speedlite-600EX II-RT flash. Those looking to explore the world of macro photography will appreciate the stylish compact look of the new Canon EF-M 28mm f/3.5 Macro IS STM lens, the first EF-M Macro Lens for the Canon EOS M Camera System, which features Image Stabilization and a pair of built-in miniature Macro Lites to enhance image quality during close-up photography. 

The Canon Speedlite 600EX II-RT flash Offers Improved Recycling Time and More

The Speedlite 600EX II-RT flash is compatible with most EOS cameras. It replaces Canon’s top-of-the-line Speedlite 600EX-RT, and improves recycling time by approximately 1.1 to 1.5 times* during continuous flash shooting when using AA batteries and up to 2 times* when adding the new optional Compact Battery Pack CP-E4N.  

Additional Speedlite 600EX II-RT flash features include: 

  • Zoom flash head covers wide focal length range of 20–200mm; maximum guide number is 197 ft./60m at ISO 100, making Speedlite 600EX II-RT flash the most powerful flash unit in the EOS system.
  •  Wireless flash shooting support is available for both radio and optical transmission with compatible Canon Speedlites, offering users greater functional range when using flash.
  • Multiple flash system support allows control of up to five groups of compatible Canon Speedlites. 
  • Dust- and water-resistant body for reliable operation in harsh environments.
  • Flash-readiness indicator on the display panel, simplified button and dial operation and variable manual flash output.
  • New, specially designed accessories supplied include a built-in bounce adapter, plus SCF-E3 hard-type color filter sets, and a soft case. The new Compact Battery Pack CP-E4N is available as an optional accessory for faster recycling time and more flashes per charge.
  • Illuminated dot matrix LCD panel for enhanced display information, including flash mode and usable distance ranges plus C.Fn (Custom Function) and P.Fn (Personal Function) settings.

First Macro Lens in the Canon EF-M lens series

Photographers looking for a compact, lightweight macro lens should look no further than the Canon EF-M 28mm f/3.5 Macro IS STM lens, the first Canon Macro Lens specifically designed for the EOS M Camera System.

The new lens features a pair of built-in miniature Macro Lite electronic flash units that illuminate close-up subjects as needed, helping to freeze movement, enhance color accuracy and provide a better sense of depth and dimension. Two curved flash units surround the front element of the lens, with the ability to illuminate both simultaneously, or one at a time. Users are also able to adjust the brightness of the Macro Lites between “bright” and “dim” settings.  

The standard focusing range of the Canon EF-M 28mm f/3.5 Macro IS STM lens extends from infinity to life-size (1 time). Additionally, a Super Macro Mode allows shooting at even higher magnifications up to 1.2 times. This feature allows you to capture smaller details that really make your subjects stand out against the background. 

Additional features of the Canon EF-M 28mm f/3.5 Macro IS STM lens include: 

  • Hybrid IS, the same feature as found on Canon EF 100mm f/2.8L Macro IS USM Lens, helps reduce camera shake for enjoyable handheld photography.
  • Stepping motor (lead screw-type STM) helps provide smooth and quiet focusing operation when taking photos, and near-silence when shooting videos.
  • One UD lens and two aspherical lenses** help deliver outstanding image quality at all distance settings by reducing chromatic and spherical aberrations.
  • Angle of view similar to a 45mm standard lens (35mm equivalent) provides flexible image capture of various subjects and scenes at macro distances and beyond.
  • Tapered lens top shape makes it easy to capture high-quality images at close range without casting shadows.

The Canon Speedlite 600EX II-RT electronic flash unit is scheduled to be available through authorized Canon dealers in June 2016 for an estimated retail price of $ 579.991. Canon’s EF-M 28mm f/3.5 Macro IS STM lens is scheduled to be available through authorized Canon dealers in June for an estimated retail price of $ 299.991.

1 Availability, pricing and specifications are subject to change without notice.  Actual prices are set by individual dealers and may vary.

* Based on Canon’s standards. As compared to the Speedlite 600EX-RT.

** Among autofocus lenses for interchangeable lens cameras. As of May 11, 2016, based on Canon’s research.

Canon EF-M 28mm F3.5 Macro IS STM specifications

Principal specifications
Lens type Prime lens
Max Format size APS-C / DX
Image stabilisation Yes (3.5 stops)
Lens mount Canon EF-M
Aperture
Aperture ring No
Optics
Elements 11
Groups 10
Special elements / coatings One UD and two aspherical elements
Focus
Minimum focus 0.09 m (3.54)
Maximum magnification 1.2×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Extending front
Distance scale No
DoF scale No
Physical
Weight 130 g (0.29 lb)
Diameter 61 mm (2.4)
Length 46 mm (1.79)
Sealing No
Colour Graphite
Hood supplied Yes
Hood product code ES-22

Articles: Digital Photography Review (dpreview.com)

 
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Manfrotto launches bright and compact Lykos LED lighting panels

05 Dec

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Italian accessories manufacturer Manfrotto has announced it is to introduce a new range of LED light panels under the Lykos brand name. The Lykos Daylight and Lykos BiColor panels are small enough to hold in one hand but can also be mounted on a lighting stand, and can be powered by an L-type video-camera battery or via the included AC adapter. Both panels use surface-mounted LEDs which the company claims deliver better power efficiency, more consistent color, flicker-free illumination and an improved working life.

The Daylight version has a color temperature of 5600K while the BiColor model uses white and warm LEDs. These can be mixed to produce anything from 3000-5600K, to match local lighting conditions or for color effects. The Daylight version can manage 1600lux@1m, while the BiColor is not quite as bright at 1500lux@1m. 

All controls have separate knobs so that the panels can be left to produce the same temperature or brightness when they are switched off and on again, as the on/off function is not integrated into one of the dials. 

An optional Bluetooth dongle allows the panels to be controlled individually or in groups via a Smartphone app that has a memory function to recall light levels and temperature. The app is also compatible with Litepanel’s Astra models, so both types can be controlled from one app simultaneously.

Manfrotto has also introduced a softbox for the Lykos panels, as well as a set of filters for the Daylight model and a gel diffuser. 

The Lykos Daylight will cost £299.95/$ 449.99 and the BiColor version will be £399.95/$ 514.99. The Bluetooth dongle will be £75.95/$ 99.99

For more information visit the Manfrotto website.


Press release: 

December 2015 – Manfrotto, world leader in the photography, imaging equipment and accessories industry, announces the launch of the LYKOS portable light with new LED technology (Surface Mounted Technology). Available in Daylight and BiColor versions, the LYKOS guarantees the highest illuminance in compact size and is the best solution for the photographer and videographer on the go who needs a lightweight light source.

LYKOS LED panels, powered by Litepanels, is part of the new, ready to use Manfrotto LED lights.

POWERFUL LIGHT 

Portable and compact light, LYKOS is designed to meet the needs of demanding professionals. The powerful light is capable of an output of 1600lux and exists in two versions. LYKOS Daylight is centered at 5600K and LYKOS BiColor has the option to change colour temperature from warm white (3000K) to cold white (5600K). A color LCD display on the back of the unit allows easy monitoring of the functions.

Thanks to the new generation SMT technology, the LYKOS lights ensure long LED life, energy efficiency, consistent colour reproduction and flicker-free functionality. This light can be operated by L-Type Li-ion batteries or by mains through the AC adaptor included. 

SMART CONNECTION

All units are “Bluetooth-ready”. An optional Bluetooth dongle transforms LYKOS in a smart device and permits remote control through a downloadable iPhone App or via the Digital Director App. Controllable functions include the On/Off switch, dimming 0%-100%, colour temperature regulation, grouping of lights and recall of previously stored scene settings with new features to soon be implemented. Manfrotto LYKOS and Litepanels Astra will embed a compatible wireless technology which will mean it will be possible to control both through the same app. 

KIT AND MORE

The LYKOS pack includes a Ball head, gel diffuser (filters for the Daylight version) and a mains adaptor.

Moreover, the Manfrotto LYKOS Softbox is a perfect optional accessory to be used in combination with LYKOS LED panels. It creates a beautifully soft lighting, softening shadows in the images. It can be set up in seconds without any tools and the diffuser film is specifically designed for LED Lighting and reduces the light output by 1.3 f-stops.

The new portable LYKOS LED panels are a powerful, efficient and smart device ready to use for professional photographer and videographer.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Bright Colors

04 Jul

In this image roundup I gathered a set of images that contain bright colors, more specifically the colors of summer.

James Blunt

By James Blunt

Your challenge this week will be to do similar.

Weekly Photography Challenge – Bright Colors

The real challenge with incorporating bright colors into your photography is to make sure you have a clear subject. Of course the subject can be color itself as well, but you need to still showcase the subject. Keep that in mind as you tackle this one.

Even if it’s not summer in your part of the world, go find some bright colors and make some good photographs.

Liam Moloney

By Liam Moloney

Dean Hochman

By Dean Hochman

Sergiu Bacioiu

By Sergiu Bacioiu

Peddhapati

By peddhapati

Share your images below:

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer upload them to your favourite photo sharing site and leave the link to them. Show me your best images in this week’s challenge. Sometimes it takes a while for an image to appear so be patient and try not to post the same image twice.

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The post Weekly Photography Challenge – Bright Colors by Darlene Hildebrandt appeared first on Digital Photography School.


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26 Nice Bright Colors and Some Greens of Summer to Liven up Your Day

03 Jul

Paul Simon said it best in Kodachrome:

Kodachrome – give us the nice bright colors. Give us the greens of summers, makes you think all the world’s a sunny day.

For those of us old enough to remember and know what Kodachrome is – and the song – this is for you.

T

By T

Okay, enough strolling down memory lane. Yes it’s summer in the northern hemisphere and we better enjoy it while it lasts. Let’s see some images of those great colors that summer gives us:

Photograph Precious Love by Sue Hsu on 500px

Precious Love by Sue Hsu on 500px

Photograph Green Summer Rain by Max Ellis on 500px
Green Summer Rain by Max Ellis on 500px

Photograph Winds of Summer by Alex Greenshpun on 500px

Winds of Summer by Alex Greenshpun on 500px

Photograph *** by Laura Pashkevich on 500px
*** by Laura Pashkevich on 500px

Photograph First Hunt by Suzy Mead on 500px

First Hunt by Suzy Mead on 500px

Photograph Towards the Sun II by Alexey Sizov on 500px
Towards the Sun II by Alexey Sizov on 500px

Photograph Curious cows by Troels Klausen on 500px

Curious cows by Troels Klausen on 500px

Photograph Poppies by Bess Hamiti on 500px
Poppies by Bess Hamiti on 500px

Photograph Dandelion clock in morning by Bess Hamiti on 500px

Dandelion clock in morning by Bess Hamiti on 500px

Photograph Motherhood by Eleonora Di Primo on 500px
Motherhood by Eleonora Di Primo on 500px

Photograph endless summer by neriman ozder on 500px

endless summer by neriman ozder on 500px

Photograph Canada by Marco Bocelli on 500px
Canada by Marco Bocelli on 500px

Photograph sunflower by Reto Imhof on 500px

sunflower by Reto Imhof on 500px

Photograph Not afraid of heights by Edina Szalai on 500px
Not afraid of heights by Edina Szalai on 500px

Photograph Shades of Blue!!! by Jay Sabapathy on 500px

Shades of Blue!!! by Jay Sabapathy on 500px

Photograph Red flowers by Maja Top?agi? on 500px
Red flowers by Maja Top?agi? on 500px

Photograph Summer Colors by Leif Erik Smith on 500px

Summer Colors by Leif Erik Smith on 500px

Photograph Summer - time colors by Dmitry Doronin on 500px
Summer – time colors by Dmitry Doronin on 500px

Photograph Lonely Heart by Chad Briesemeister on 500px

Lonely Heart by Chad Briesemeister on 500px

Photograph Swans by Senna Ayd on 500px
Swans by Senna Ayd on 500px

Photograph Buff-tailed Coronet by Jess Findlay on 500px

Buff-tailed Coronet by Jess Findlay on 500px

Photograph Lunenburg Blue by Kursat Barin on 500px
Lunenburg Blue by Kursat Barin on 500px

Photograph Ferris Wheel by John Velocci on 500px

Ferris Wheel by John Velocci on 500px

Photograph Umbrellas by caie143 on 500px
Umbrellas by caie143 on 500px

Photograph Color Run by Vassili Broutski on 500px

Color Run by Vassili Broutski on 500px

Photograph Above the head... by Braulio Cosme on 500px
Above the head… by Braulio Cosme on 500px

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Polaroid Cube+ adds Wi-Fi and two bright new color options

27 Jun

Polaroid has added a new member to its Cube camera family: the Cube+. Introduced at CE Week 2015 in New York, the Cube+ includes Wi-Fi, which is not included in the original model. As with the first generation, the Cube+ can record 1080p video and uses a single-button design. Read more

Articles: Digital Photography Review (dpreview.com)

 
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