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Posts Tagged ‘Bridge’

Adobe pushes critical security updates for Bridge, Photoshop and Prelude

24 Jul

Adobe has pushed live security updates for its Bridge, Photoshop and Prelude applications that patch a number of critical vulnerabilities, including a few that could enable threats to execute code on Windows computers.

While Adobe’s vague ‘Security Updates’ changelog brushes on the patches, security site ThreatPost offers a more detailed look at what Adobe has done to address 12 common vulnerabilities and exposures (CVEs) in Adobe Bridge, Adobe Photoshop and Adobe Prelude, which were first discovered by Mat Powell of Trend Micro’s Zero Day Initiative.

ThreatPost says each of the 12 ‘critical flaws stem from out-of-bounds read and write vulnerabilities, which occur when the software reads data past the end of — or before the beginning of — the intended buffer, potentially resulting in corruption of sensitive information, a crash, or code execution among other things.’ Specifically, five flaws were addressed in Adobe Photoshop, three in Adobe Bridge and four in Adobe Prelude.

According to Adobe, no known uses of these critical bugs have been reported in the wild, but you’re going to want to make sure all of your programs are up to date if you don’t have automatic updates installed. You’ll want to make sure you’re running versions 20.0.10 and 21.2.1 for Photoshop CC 2019 and Photoshop 2020, respectively. Adobe Bridge and Adobe Prelude should be running versions 10.1.1 and 9.0.1, respectively.

All updates can be downloaded via the Creative Cloud desktop app for macOS and Windows computers.

Articles: Digital Photography Review (dpreview.com)

 
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Photographers face three felonies after climbing bridge for cityscape shot

01 Sep
Benjamin Franklin Bridge at night by Jeffrey Phillips Freeman

Breaking the law to get the perfect shot can have serious legal consequences, a harsh reality currently facing photographers Martin J. Romero-Clark and Andrew Lillibridge, who were arrested after climbing onto the Ben Franklin Bridge in Philadelphia.

According to local news site Philly.com, police received an alert at 12:50AM on July 25th about a potential jumper on top of the bridge; this prompted a response from the Philadelphia Police marine units, port authority police, and the Philadelphia Fire Department. Upon arriving at the scene, authorities reportedly discovered the two photographers with camera gear. By the time the two were arrested at 1:20AM, the incident had drawn 36 firefighters, eight port authority officers, and seven port authority rescuers.

Statements from authorities to local news indicate that the photographers’ climb onto the bridge had tripped security alarms and was captured on security cameras. In addition, the bridge had to be shut down for 103 minutes.

In a statement to Philly.com, Delaware River Port Authority CEO John Hanson said the two had worn black clothing and climbed the bridge on a wet night, putting both themselves and everyone on the ground at risk. “They could have fallen, they could have been injured in the process of apprehending them, and they put the heroic men and women of our police department and the Philadelphia Fire Department at risk,” Hanson said. “We’re going to prosecute them to the fullest extent of the law. I am not amused, and I am very angry.”

The pair now face two third-degree felonies, one fourth-degree felony, and their photography equipment has been confiscated.

Articles: Digital Photography Review (dpreview.com)

 
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World’s Longest Pedestrian Suspension Bridge Stretches Over 1,000 Feet

04 Aug

[ By SA Rogers in Drawing & Digital. ]

Three hundred feet above the valley floor, a suspension bridge gently sways and bobs as pedestrians cross its 1,621-foot length through the Swiss Alps. These impressive stats have helped the Charles Kuonen Suspension Bridge in Switzerland break previous records, making it the longest pedestrian suspension bridge in the world.

Sure, the glass-floored bridge in China is higher and forces you to look down from your precarious position, but this bridge is almost as scary, considering that it’s not stationary and measures just two feet wide. That means you have to march down its length single-file, making it harder to clutch onto others for dear life.

The bridge was completed in 10 weeks by Swissrope and offers magnificent views of the surrounding mountains, including the Bernese Alps and Matterhorn (if you manage to look up and enjoy them instead of staring at your feet and trying not to hyperventilate.) It features a grated metal floor, runs between 5,000-7,000 feet above sea level, and takes ten minutes to walk cross. The pass through the mountains previously took four hours to navigate.

Photos taken from the air (provided by the Switzerland Tourism Board) give us the best idea of the bridge’s scale. The Charles Kuonen Suspension Bridge links two sections of the Europaweg hiking trail, a two-day link between the towns of Zermatt and Grächen, and replaces an older bridge that was damaged by falling rocks. It’s named for its primary sponsor.

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[ By SA Rogers in Drawing & Digital. ]

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Why I Use ACDSee Versus Adobe Bridge for Culling Images and More

27 Jul

Believe me, I have tried. Over the years, I have tried to wean myself off ACDSee. But, like Al Pacino in The Godfather, “Just when I thought I was out, they pull me back in!”. ACDSee does what I want it to do and, as a single package, and it does it better than anything else I have found.

I use Lightroom as a factory, a mass production tool. I import the images, I process them, that’s it. For a long time, I have felt no urge to look at anything other than the Library and Develop modules.

ACDSee Image Software

The wood shed.

Continuing the analogy, what I might call handcrafted images, are processed in the garden shed, with Photoshop. Pretty much everything else I do in ACDSee.

ACDSee in place of Adobe Bridge

First and foremost, ACDSee is an Adobe Bridge replacement for me. For something like 80% of the time, I use about 20% of its capacity, that is its ability to act in the place of Bridge. I am certain that I have only launched Adobe Bridge once in the last year. I had to do it just once to write this article! ACDSee simply does it better in my opinion.

ACDSee Image Software

Standard file manager style screen

Any of the different versions, even the most basic of them, meet my needs. The screen shots for this article are from ACDSee Ultimate, but my previous experience is that all versions work in a similar way. You would need to work out just how many bells and whistles you wanted to invest in. ACDSee offers a good comparison of the different versions on their website. I am sure you would find that ACDSee is not a challenging piece of software, it works quite conventionally.

This article may well invite some comments suggesting that “such and such” software does that too, and I am sure that is true. Is the elephant in the room Photo Mechanic, is it Irfan View, or even Adobe Bridge? I am also sure that there are even others. So I try others, I give them a go, but I end up back in the arms of the little-known all-around beauty which is ACDSee.

ACDSee Image Software

Lifestyle

I tend to be a little bemused when I have heard people talk about having a lifestyle. I have wondered if I ought to get myself such a thing. My reaction is not much different when people talk about having a workflow. Different situations seem to me to require different approaches, and I have wondered if I should get myself a workflow.

The truth is that I am not totally slapdash. For example, if I have been out on a photo walk, there is a routine which I tend to follow. Stepping through that routine seems a good way to look at some aspects of ACDSee. Here is my process.

IMPORTING IMAGES

ACDSee provides a ton of choices for importing photographs, let me highlight just one.

ACDSee Image Software

Import window of ACDSee.

I am a huge believer in the adage that “Data only exists if it exists in two places”. The extension of that thought is that you do not actually have a backup until you have a third copy. Presuming that you leave your images on the card in the camera, ACDSee gives you the choice to make two copies on import and to give you those second and third copies of your images. The first copy can be imported to one folder and the second copy can be imported to another location. That might just prove to be a very useful safety net one day. You might be glad you tried ACDSee for this reason alone.

It might be a consequence of having used computers since before The Ark, but I still tend to think in terms of named and dated folders. Libraries, collections and the like, clearly work for some, but I import to my date/location file structure, then into Lightroom from there.

THE CULLING PROCESS

One of the most important parts of my workflow (Oops! did I just admit to something?) is the culling process. I will take a long time sorting through the photographs, in sweeps, which are progressively more demanding, deleting those which I do not want to spend time processing. ACDSee helps me with the cull in at least 3 ways.

ACDSee Image Software

1 – ACDSee is fast with RAW files

Subjectively, I tend to find Adobe Bridge rather clunky to operate and slow in responding. It was painfully slow to open a folder and draw the thumbnails on a computer with quite high specifications. The same folder was opened, with thumbnails and images viewable very promptly, in less than ten seconds with ACDSee. It was taking so long with Bridge, the images were still not viewable after 2 minutes, that I moved to another copy I have of the same images on a faster, SSD drive. In all fairness, Bridge was then just as quick as ACDSee.

ACDSee Image Software

Adobe Bridge

Objectively, ACDSee is faster at drawing a RAW file than Bridge to an insane degree. I took shot Image A and opened it to a full-screen view in ACDSee, then in Bridge. Then I reversed the process and opened Image B in Bridge first, then in ACDSee. Both ways, using ACDSee, the image was clear, viewable in sharp detail, within 2 seconds. Using Bridge, after more than 30 seconds I gave up, clicked to zoom in, and only then did it become a clear, sharp, fully-drawn image.

ACDSee Image Software
That adds up to an awful lot of time over the years. I cannot fathom that there is anyone who likes sitting and waiting for their computer to catch up. Not only would you save a huge amount of time cumulatively, it also makes for a much more satisfying experience.

2 – Comparing images is easy with ACDSee

Second, the process of culling is easier because ACDSee offers an excellent tool for comparing photographs in close detail. I know Lightroom offers something similar, probably others do too, but none seem to work as well as that in ACDSee. Often I will have a series of four or five shots (or more) which are largely similar. ACDSee lets you put those shots on screen, next to each other, all at the same time. Actually, I think it works best with just three on screen at a time.

ACDSee Image Software

Three or more photographs compared side by side.

The choice as to which photograph to keep often comes down to a technical decision such as which shot is the sharpest. For a portrait, that usually means looking at the eye. With ACDSee, when you zoom in on one of the photographs which you are comparing, all of the shots zoom in to the same point, at the same level. Again, I acknowledge that other software probably does this, but I have not come across all the things I want, working as well as they do, in one package.

ACDSee Image Software

All three shots zoomed in to the same level.

3 – Full-screen mode

The third way in which ACDSee helps me cull images is that it goes to full screen so very easily and quickly. It displays photographs in the way I want to see them. Full screen, with no window border, no mouse pointer. Double click or hit Enter and you are in full screen. Also “Crtl/Cmd+scroll wheel” zooms you in. That is how I want to view photographs.

Then, there are two bonuses. First, a right click option is Zoom Lock, which means I can Page Up and Page Down between shots which are full screen and zoomed in to the same point and level. You might even prefer this to the side by side comparison. The next bonus, which can be useful now and then, is that the EXIF data can be brought up very quickly with ALT/OPTION+Enter in the full-screen view mode.

ACDSee Image Software

Full-screen mode, with the EXIF data, added on the right.

All the above is mostly about ACDSee being used as a replacement for Adobe Bridge. One important thing I have not squeezed in so far is that you can open an image straight into Photoshop from ACDSee. It does the file browser function of Bridge just as well, and a very easy keystroke combination of Ctrl/Cmd+Alt+X takes the image into Photoshop. It is probably the only shortcut I can use without looking at the keyboard.

These factors alone make a case for why ACDSee keeps pulling me back in. However, there is more!

BATCH PROCESSING

ACDSee Image Software

ACDsee has a good selection of batch operations.

The tools which I probably use most often, and they work very well, with all the options you could ask for, are the batch tools. I find it so helpful that ACDSee will batch resize a number of images, then convert the file format, then rename them. There are a few other tricks too.

It is not part of the batch menu but, at least in my mind, it is linked. I often publish directly to social websites where, again, you are given useful choices.

ACDSee Image Software

Send to …

ACDSee Image Software

This is probably a good place to mention again that I know Adobe has the tools to do all of this. But I do not think anyone can believe that they are as simple to use, and they are certainly not all in one place.

MANAGE

As I have already confessed, I am still in the mentality of file browsers, and that is the format which you are looking at with ACDSee. It has all the benefits which you would expect from such a tool. You can search, play with metadata, sort by different criteria, look at different views … it just works well.

ACDSee Image Software

Full-screen slideshow.

Seems this might be the time to mention that ACDSee does good slide shows too, with some level of sophistication. Full screen, with the toolbar you can see above only appearing when you click on the screen. Most notably, that gives you the ability to change the delay. For more sophisticated settings, you can dig a little deeper.

ACDSee Image Software

Slideshow settings window.

EDITING

Finally, the part of ACDSee which I use least often, though still appreciate, is the program’s capacity as an image editor.

I do sometimes use it for one-off processing of an image. Some people suggest that ACDSee is a full blown alternative to products which are much better known. ACDSee will handle RAW, it has layers, it is non-destructive … it has some clever tricks … if you do a search on You Tube, you will find plenty of people offering not just enthusiasm, but solid tuition that might persuade you that ACDSee can meet ALL your photographic needs in what would then be a very reasonably priced package.

Read dPS author Leanne Cole’s review here: Photo Editing Alternative – An Overview of ACDSee Ultimate 10

It might seem trivial, but what I often use ACDSee for is cropping and leveling. Without a description of the minute details, it has all the usual cropping facilities, but with the easy ability to set dimensions precisely to the pixel.

ACDSee Image Software

Pixel precise cropping.

You can then place the mask precisely on the image, in a way that I have not found any other program capable of doing. I also like the way it allows you to vary the opacity of the image area outside the mask. If you set a crop dimension and move through a series of photographs, the dimension will also be retained from one photograph to the next.

ACDSee Image Software

A helpful tool.

It also works similarly with regards rotating the image.

ACDSee Image Software

You can rotate by the degree.

I’ve not used anything else which lets you rotate the image with such precision, auto-cropping as you go.

Again, a clear display of what is happening, with helpful options

CONCLUSION

I love the forensic, hugely detailed reviews which, for example, DP Review conducts. This article cannot be of that nature. It is more a taster, highlighting a few of the things which I find helpful to me personally, and which might work for you too. I also join others in celebrating the underdog, particularly if it is, in fact, a really good team, which plays a good game.

Why not go over to ACDSee, download it for a 30-day free trial and give it a go yourself. If you already use it, tell us in the comments below what features you love the most and why.

The post Why I Use ACDSee Versus Adobe Bridge for Culling Images and More by Richard Messsenger appeared first on Digital Photography School.


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End of Elevated Parks? UK Garden Bridge & US Pier 55 Projects in Doubt

28 Apr

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

It has been a challenging few weeks for architect Thomas Heatherwick, whose proposals for elevated green urban spaces in both London and New York City face uncertain futures. While the specifics vary, there may be lessons for elevated parks that spans both cases — and if these fail to move forward, it could spell the end of a decade-long trend for lofted public parks.

The Garden Bridge project in London has long been criticized based on its cost and officials are getting serious about making sure the investment (especially tax dollars) will pay off. The design has been touted as a kind of High Line Park for England’s capital, but unlike the High Line it is a brand new construction project (not adaptive reuse) and not positioned to revitalize areas of its city.

At the heart of the issue, unsurprisingly, is money: an initial projection of £60,000,000 has blossomed into an estimated cost of around £200,000,000. Shockingly, even cancelling the project now would result in a bill of over £40,000,000, despite the fact that construction has not even started. While £70,000,000 in private funding was secured at the outset, the rest would have to be covered by taxpayer money, which is less than popular with the public. As of now, the mayor’s financial inquiry has resulted in a recommendation to scrap the project.

According to a governmental report on the project, “Decisions on the Garden Bridge were driven by electoral cycles rather than value for money,. From its inception when there was confusion as to its purpose, through a weak business case that was constructed after contracts had been let and money had been spent, little regard has been had to value for money.” It is unclear whether the project is stalled or slated for abandonment, but it looks unlikely to proceed at this point.

Meanwhile, across the pond, Heatherwick’s proposed Pier 55 project (images by Luxigon), an elevated park stretching out over the water next to Manhattan, is also stalled out, at least for now. Its permit was recently revoked in part based on environmental studies that concluded it would disrupt local marine habitats. There are also concerns that it will block views along the waterfront.

The 10,000-square-foot, $ 200,000,000 park was designed to replace a disused pier in the heart of New York City, but once again it lacks some of the conditions that made the High Line a viable solution, particularly its lack of reuse. Perhaps the elevated parks trend is coming to an end, or (more likely): it is too often pitched as a solution, even in cases where there is no obvious problem to be solved.

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[ By WebUrbanist in Architecture & Cities & Urbanism. ]

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Looping Bicycle Bridge Lets Cyclists Ride Right Over a School Roof

06 Apr

[ By SA Rogers in Architecture & Cities & Urbanism. ]

bike bridge 1

Many a cyclist has fantasized about being able to bike right over the chaos of a city, avoiding traffic, intersections and trouble areas so they can just enjoy the ride. A Dutch architecture firm has made this fantasy into a reality with a continuous bike bridge that crosses the Amsterdam-Rhine Canal in Utrecht and then loops right over an adjacent university building’s roof. Officially open this week, ‘Dafne Schippers Bicycle Bridge’ by NEXT Architecture reclaims urban space for people who aren’t driving vehicles.

bike bridge 2

It’s unusual to see a bridge so seamlessly integrated into adjacent infrastructure on land in a way that’s interactive with the public, while also performing an important service. Measuring 360 feet long, the bicycle bridge connects the old Oog in Al section of Utrecht with new district Leidsche Rijn.

bike bridge 3

Open to both cyclists and pedestrians, it lifts up off the ground in Victor Hugo Park, reaches a pinnacle of nearly 115 feet above the surface of the water, and continues onto the roof of a local Montessori school.The bridge then loops around a public garden before once again reaching ground level.

bike bridge 4

bike bridge 5

Commissioned by the city of Utrecht, the structure will save more than 7,000 cyclists time on their route each day. The architects wanted the bridge to connect the bicycle route, park and school in a single fluid movement, creating a cohesive landscape. With the bicycle bridge on the south side, space for a recreational area is created on the north side, oriented toward a park.

bike bridge 6

It would be cool to see architects take inspiration from NEXT’s creation to the next level, building something even more complex that’s lifted above the busy streets of an urban center.

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[ By SA Rogers in Architecture & Cities & Urbanism. ]

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Hovering Tiny Black House Haunts the Woods Under a Railway Bridge

18 Mar

[ By SA Rogers in Art & Installation & Sound. ]

black flying house 3

Looking like something out of a creepy fairytale, this little black house hovers in the air beneath the arch of an old railway bridge, a spindly ladder reaching down into the fallen leaves. If you weren’t expecting it to be there and happened upon it while on a walk, you might be a bit shocked to see it seemingly floating in space, its skylights glinting in the sun. From far away, you can’t see how it could possibly be supported, lending it a somewhat supernatural appearance.

black flying house 7

black flying house 1

The steel cables that support the structure become apparent as you walk up, and the ladder is usually hidden off to one side, requiring passersby to look around a bit for a way to get up.

black flying house

black flying house 8

But if you did happen to be brave enough to approach it and climb the ladder, not knowing what you’d find inside, you’d be greeted with a bare-bones but cozy hut from which to survey the surrounding woods, complete with a loft and a wood stove.

black flying house 5

black flying house 4

Set in an area that’s 15 minutes walking distance fro the city center of Pardubice, Czech Republic, the installation takes advantage of stark scenery left behind by disused infrastructure, aiming for the feel of a mysterious military complex.

black flyling house 2

Created by H3T Architekti and photographed by Maritna Kubesova and Tomas Rasl, ‘Flying Black House’ is a temporary installation daring passersby to give in to their curiosity, even if it makes them feel like the foolish protagonist in a horror movie.

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[ By SA Rogers in Art & Installation & Sound. ]

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Reconnecting Atlanta: Elevated Park to Bridge a City Divided by Highways

17 Oct

[ By WebUrbanist in Architecture & Cities & Urbanism. ]

downtown-atlanta-elevated-park

Connecting fragmented sections of a divided metropolis, this new elevated park will help stitch together downtown Atlanta while providing fresh public green space in the heart of the city. The raised park will ultimately span nearly a half mile across the center of the city, tying into existing parks, paths and trails.

urban-park-plan

Like many American cities, a mid-century rush to facilitate car traffic ended up leaving a legacy of disconnection in Atlanta. The downtown core is wrapped in high-speed roadways and bisected by busy streets, which the Buckhead Park seeks to overcome with a strategy similar to that of Freeway Park in Seattle.

downtown-atlanta-greenway

The park is divided into a series of different areas with varying amenities, which in turn will also help with staging the construction (much like the segmented Highline in New York City, built in iterative steps).

sky-park-atlanta

atlanta-elevated-park

The northern portion features a commons with an amphitheater. The southern section boasts a lush garden space. In the middle, a plaza is designed to serve area retail and restaurants. Native plants will be irrigated with collected storm water reclamation systems, helping provide shelter from the hot Georgia sun.

atlanta-park

buckbeak-park

Designers from Rogers Partners and Nelson Byrd Waltz aim to bring coherence to the disparate areas of downtown, allowing safe and easy options for pedestrians. Their project will also connect to Park 400, a cycling and jogging trail currently in the works. The project’s creators also hope their work will inspire other cities to think about ways to reconnect divided downtowns.

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Winter Morning at Swinging Bridge, Yosemite National Park

26 Aug
Morning light on Yosemite Falls amidst rising winter fog - Yosemite National Park

Morning light on Yosemite Falls amidst rising winter fog – Yosemite National Park

To celebrate today’s 100th birthday of the U.S. National Park system I thought it would be fitting to share a favorite image of mine taken in Yosemite National Park “Winter Morning at Swinging Bridge”. The NPS is often considered America’s Best Idea and I think most would agree. I have made so many amazing memories in our National Parks and witnessed jaw dropping beauty that has warmed my soul. We are all so fortunate to have this great resource.  Now get out there and explore it.

The post Winter Morning at Swinging Bridge, Yosemite National Park appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.


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Bridge Camera – What is it and is it for me ?

16 Aug

Bridge Camera is a general name for digital cameras that have some degree of manual control, a long range zoom lens and a viewfinder – but usually not interchangeable lenses. They are somewhere between a point and shoot camera, and a full DSLR.

Between those three shared properties there are many models to choose from. Use the following information to decide if there is a room for one in your kit, or if it is a good first camera to enter the world of photography.

Bridge camera

How did it all begin ?

In the early days of the second millennium, a digital camera was either a point and shoot with very few controls and fun to use for the amateur photographer, or it was a heavy, bulky digital SLR with a price tag far beyond reach of the average photographer (see below). Then there was room for a new type, the bridge camera with manual controls, a long non-interchangeable zoom lens, and decent amount of options. For many photographers the bridge camera was a safe option, connecting the old world of film, and future world of digital photography, hence the name – bridge.

A 2MP DSLR from the year 2000, price tag was USD10,000

A 2MP DSLR from the year 2000, price tag was $ 10,000 USD.

Take a small image sensor, put it behind a long zoom lens, in a body that looks and feels like an SLR camera, with all the manual controls and gadgets, replace the complicated SLR viewfinder system with a small LCD – and you have created a camera that is a compromise between price, size, and image quality – the bridge camera. A camera that is more than specifications and image quality, a camera that brings the experience of digital photography to non-professionals.

The golden age of bridge cameras was short lived, and it seemed like they disappeared as soon as affordable DSLRs hit the stores. That happened in 2004, but the bridge is still solid.

FujiFilm Finepix 4900Z

FujiFilm Finepix 4900Z, announced in 2000, was among the first digital stills cameras to use an electronic viewfinder (EVF) instead of the bulk of an optical one.

Is a bridge camera for you ?

A decade later, deep into the age of mirrorless interchangeable lens cameras (MILC) and bridge cameras perform a new role. They stay loyal to their core design values, but with current technologies, they became a formidable tool that often is the right choice, rather a compromise. Bridge cameras today are made by many manufacturers, to fit different photographer’s needs. Some take the traditional task of being a good compromise between price, size and image quality, and others come to replace the DSLR as a complete photographic solution for all your needs.

Here is a quick overview of some leading bridge cameras today, and their strong points.

Panasonic Lumix FZ1000

The capital ship in Panasonic’s fleet of bridge cameras, is no a small camera by absolute measures, but it is a good package size for what it offers. The Lumix FZ1000 ($ 798 USD) offers a great combination of large image sensor (1″ 20MP) with a long, fast zoom lens that is optically stabilized. The camera’s EVF is very large and bright.

This camera has something for the beginner, as well as the seasoned photographer. Its ergonomics and controls resemble the ones of the Lumix G line of MILC cameras, and are made for fully manual operation. It is a very fast and responsive camera, the lens goes from 25mm to 400mm (35mm equivalent) at a fast f/2.8 at the wide side, and f/4 at the long side of the zoom.

Bridge camera review
This camera has the most tools in its box. It works great in low light, and the lens can produce shallow depth of field thanks to the large sensor. It is capable of 4k video and has a microphone input socket for better sound recording. The lens is not the longest, nor the fastest and also not the sharpest lens in the family, but in the right hands it will produce beautiful images that will look great on screen, as well as on prints as large as 16×24 inches.

This is the bridge camera to have when you want one camera to do it all. All photos in this article were made with a Panasonic FZ1000.

Bridge camera review

Sony RX10III

The king of all bridge cameras, the Sony RX10III is the one that truly redefines the place of such cameras in the bag of the professional photographer. It costs similar to a professional camera (at $ 1498 USD) and weighs in like one at 1.05 kg (2.32 lb / 37.07 oz), for some photographers it is the best photographic solution available with its unique features.

Aimed at wildlife photographers, Sony’s designers created this camera around the same 1″ 20MP sensor as the FZ1000, but in a weather-sealed body that feels like it was meant to suffer. It has a 24-600mm lens (35mm equivalent) with a fast f/2.4 aperture at the wide end and f/4 at the telephoto side of the zoom. The camera has three control rings around its large lens, of which one is a dedicated aperture control ring, a feature that offers more freedom than any other camera to manual photographers.

The RX10III is a large and heavy camera, but it shines in the most important spot, its image quality. The 24-600mm Carl Zeiss T* lens really makes the most out of the large sensor, at any point along the huge range, it performs in a way that makes you want to use it for your next shoot. For the wildlife photographer the camera offers a speedy 14FPS (frames per second) rate and a unique ultra slow motion video.

This is the bridge camera to take on a wildlife photo-journey, or if you are a one man show photojournalist. It will make sure you will return with great photographs.

Bridge camera review

Nikon Coolpix P900

Nikon Coolpix P900

The Nikon Coolpix P900, is an optical miracle but at a high cost in usability other than day time wildlife or other long distance objects.

The Nikon Coolpix P900 ($ 529 USD) is the longest bridge, with its extremely long 24-2000mm zoom lens (35mm equivalent). With f/2.8 at the wide end and f6.5 at the telephoto end of the zoom, the P900 has the longest lens you can get in a camera without breaking your back or your savings. For example, the same focal length in a fullframe Nikkor lens would cost you about $ 95,000 USD and it weighs 38.5 pounds. This telephoto wouldn’t be available without Nikon’s five-stop optical image stabilizer, that makes it possible to use the mighty lens without a tripod, even at a shutter speed of 1/60th of a second, given your subject is not moving.

At 899g (1.98 lb / 31.71 oz) the Nikon Coolpix P900 if far from being called a compact camera. It should not be your first choice if you plan to do low light photography or video, nor does it have the best image quality. You should choose this camera if you are going to photograph real far subjects in broad daylight.

Bridge camera review

Panasonic Lumix FZ300

The Lumix FZ300 ($ 498 USD) is a well balanced mix of technologies and features, together they make this camera one of the funnest to use in most photographic situations, within the limitations of a small sensor. Panasonic chose a fairly low resolution sensor for this camera of only 12mp, in order to better its low light performance. The sensor is behind a 25-600mm lens (35mm equivalent) with a constant maximum aperture of f/2.8, a combination that not only allows for more control over the depth of field and creating beautiful portraits, but is also important to make the long lens useful in a larger variety of scenes with different light conditions.

The FZ300 is a mature bridge camera that works well within its size and cost limits and it makes the most out of the different components. It takes beautiful 4k video and make use of its that capability also to produce 8mp stills images at an astonishing rate of 30 FPS, a useful feature when you’re photographing fast moving objects. Its weather sealing will help you make the right decision before leaving home for a winter vacation, or just to get closer to the waves when photographing on the beach. This camera should be your choice if you wish to have lots of fun, but are not going to make very large prints.

Bridge camera review

A digital camera is a magnificent combination of optical, electronic and digital devices, put together in order to let you fulfill your photographic creativity and ideas. They come in many different styles and forms, some will fit for you more than others. It is always good to check-in with yourself as to exactly what is it that you want to photograph most, then go look for the camera that can give you that, rather than buy the one with the most impressive specification sheet.

Have you used a bridge camera? If so which one? Do you think there’s still a place for them in today’s photography world? Please share your thoughts in the comments below.

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